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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A70A it is the complementary color #B658F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A70A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A70A shade: #4EA705, #5FB918, #70CB2B, #81DD3E and #92EF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A70A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A70A shade: #49A70A, #389500, #278300, #167100 and #055F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A70A shade: #49A809, #74A809, #9FA809, #A88709 and #A85C09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A70A shade: #49A809, #1EA809, #09A81F, #09A84A and #09A875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A70A shade matches the following richer shades: #49A809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A70A shade: #49A809, #4C9A18, #4F8B26, #527D35 and #546E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A70A shade: #A0A809, #76A809, #4CA809, #21A809 and #09A81C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A70A shade: #275A05, #388107, #49A809, #5ACF0C and #6CF113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A70A shade: #49A70A, #09A886 and #A8098B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A70A shade: #49A70A, #094CA8 and #A8094C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A70A shade: #49A70A, #09A886, #6609A8 and #A8092C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A70A shade: #49A70A, #099BA8, #6609A8 and #A81709

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

Complementary color

CMYK 26 / 64 / 0 / 4

HEX #B658F5

RGB 182 88 245

HSL 275.92, 0.89%, 0.65%

LAB 55.6, 63.75, -63.45

 

CMYK 53 / 0 / 97 / 35

HEX #4EA705

RGB 78 167 5

HSL 92.96, 0.94%, 0.34%

LAB 61.02, -50.33, 61.66

 

CMYK 49 / 0 / 87 / 27

HEX #5FB918

RGB 95 185 24

HSL 93.54, 0.77%, 0.41%

LAB 67.42, -51.51, 64.21

 

CMYK 45 / 0 / 79 / 20

HEX #70CB2B

RGB 112 203 43

HSL 94.13, 0.65%, 0.48%

LAB 73.76, -52.34, 65.35

 

CMYK 42 / 0 / 72 / 13

HEX #81DD3E

RGB 129 221 62

HSL 94.72, 0.7%, 0.55%

LAB 80.03, -52.88, 65.54

 

CMYK 39 / 0 / 66 / 6

HEX #92EF51

RGB 146 239 81

HSL 95.32, 0.83%, 0.63%

LAB 86.23, -53.23, 65.15

 

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

CMYK 62 / 0 / 100 / 42

HEX #389500

RGB 56 149 0

HSL 97.45, 1%, 0.29%

LAB 54.38, -49.93, 56.81

 

CMYK 70 / 0 / 100 / 49

HEX #278300

RGB 39 131 0

HSL 102.14, 1%, 0.26%

LAB 47.83, -47.65, 51.42

 

CMYK 81 / 0 / 100 / 56

HEX #167100

RGB 22 113 0

HSL 108.32, 1%, 0.22%

LAB 41.19, -44.83, 45.97

 

CMYK 95 / 0 / 100 / 63

HEX #055F00

RGB 5 95 0

HSL 116.84, 1%, 0.19%

LAB 34.43, -41.24, 40.46

 

CMYK 57 / 0 / 95 / 34

HEX #49A809

RGB 73 168 9

HSL 95.85, 0.9%, 0.35%

LAB 61.17, -52.02, 61.17

 

CMYK 31 / 0 / 95 / 34

HEX #74A809

RGB 116 168 9

HSL 79.62, 0.9%, 0.35%

LAB 63.13, -37.57, 63.56

 

CMYK 5 / 0 / 95 / 34

HEX #9FA809

RGB 159 168 9

HSL 63.4, 0.9%, 0.35%

LAB 66.06, -19.62, 67.11

 

CMYK 0 / 20 / 95 / 34

HEX #A88709

RGB 168 135 9

HSL 47.55, 0.9%, 0.35%

LAB 57.72, 1.99, 61.17

 

CMYK 0 / 45 / 95 / 34

HEX #A85C09

RGB 168 92 9

HSL 31.32, 0.9%, 0.35%

LAB 46.97, 26.08, 53.36

 

CMYK 57 / 0 / 95 / 34

HEX #49A809

RGB 73 168 9

HSL 95.85, 0.9%, 0.35%

LAB 61.17, -52.02, 61.17

 

CMYK 82 / 0 / 95 / 34

HEX #1EA809

RGB 30 168 9

HSL 112.08, 0.9%, 0.35%

LAB 60.16, -60.57, 59.92

 

CMYK 95 / 0 / 82 / 34

HEX #09A81F

RGB 9 168 31

HSL 128.3, 0.9%, 0.35%

LAB 60.04, -61.42, 55.09

 

CMYK 95 / 0 / 56 / 34

HEX #09A84A

RGB 9 168 74

HSL 144.53, 0.9%, 0.35%

LAB 60.39, -56.97, 38.05

 

CMYK 95 / 0 / 30 / 34

HEX #09A875

RGB 9 168 117

HSL 160.75, 0.9%, 0.35%

LAB 61.09, -48.77, 16.3

 

CMYK 57 / 0 / 95 / 34

HEX #49A809

RGB 73 168 9

HSL 95.85, 0.9%, 0.35%

LAB 61.17, -52.02, 61.17

 

CMYK 57 / 0 / 95 / 34

HEX #49A809

RGB 73 168 9

HSL 95.85, 0.9%, 0.35%

LAB 61.17, -52.02, 61.17

 

CMYK 51 / 0 / 84 / 40

HEX #4C9A18

RGB 76 154 24

HSL 96, 0.73%, 0.35%

LAB 56.8, -45.38, 54.57

 

CMYK 43 / 0 / 73 / 45

HEX #4F8B26

RGB 79 139 38

HSL 95.64, 0.57%, 0.35%

LAB 52.14, -37.37, 45.52

 

CMYK 34 / 0 / 58 / 51

HEX #527D35

RGB 82 125 53

HSL 95.83, 0.4%, 0.35%

LAB 47.9, -28.46, 34.11

 

CMYK 24 / 0 / 39 / 57

HEX #546E43

RGB 84 110 67

HSL 96.28, 0.24%, 0.35%

LAB 43.42, -18.17, 20.96

 

CMYK 5 / 0 / 95 / 34

HEX #A0A809

RGB 160 168 9

HSL 63.02, 0.9%, 0.35%

LAB 66.14, -19.18, 67.21

 

CMYK 30 / 0 / 95 / 34

HEX #76A809

RGB 118 168 9

HSL 78.87, 0.9%, 0.35%

LAB 63.24, -36.79, 63.7

 

CMYK 55 / 0 / 95 / 34

HEX #4CA809

RGB 76 168 9

HSL 94.72, 0.9%, 0.35%

LAB 61.27, -51.19, 61.29

 

CMYK 80 / 0 / 95 / 34

HEX #21A809

RGB 33 168 9

HSL 110.94, 0.9%, 0.35%

LAB 60.2, -60.2, 59.97

 

CMYK 95 / 0 / 83 / 34

HEX #09A81C

RGB 9 168 28

HSL 127.17, 0.9%, 0.35%

LAB 60.02, -61.59, 55.92

 

CMYK 57 / 0 / 94 / 65

HEX #275A05

RGB 39 90 5

HSL 96, 0.89%, 0.19%

LAB 33.47, -32.07, 38.41

 

CMYK 57 / 0 / 95 / 49

HEX #388107

RGB 56 129 7

HSL 95.9, 0.9%, 0.27%

LAB 47.7, -42.35, 50.13

 

CMYK 57 / 0 / 95 / 34

HEX #49A809

RGB 73 168 9

HSL 95.85, 0.9%, 0.35%

LAB 61.17, -52.02, 61.17

 

CMYK 57 / 0 / 94 / 19

HEX #5ACF0C

RGB 90 207 12

HSL 96, 0.89%, 0.43%

LAB 74.08, -61.23, 71.59

 

CMYK 55 / 0 / 92 / 5

HEX #6CF113

RGB 108 241 19

HSL 95.95, 0.89%, 0.51%

LAB 85.07, -68.09, 80.01

 

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

CMYK 95 / 0 / 20 / 34

HEX #09A886

RGB 9 168 134

HSL 167.17, 0.9%, 0.35%

LAB 61.47, -44.57, 7.4

 

CMYK 0 / 95 / 17 / 34

HEX #A8098B

RGB 168 9 139

HSL 310.94, 0.9%, 0.35%

LAB 38.52, 66.81, -29

 

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

CMYK 95 / 55 / 0 / 34

HEX #094CA8

RGB 9 76 168

HSL 214.72, 0.9%, 0.35%

LAB 34.1, 18.25, -54.55

 

CMYK 0 / 95 / 55 / 34

HEX #A8094C

RGB 168 9 76

HSL 334.72, 0.9%, 0.35%

LAB 36.07, 60.3, 7.21

 

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

CMYK 95 / 0 / 20 / 34

HEX #09A886

RGB 9 168 134

HSL 167.17, 0.9%, 0.35%

LAB 61.47, -44.57, 7.4

 

CMYK 39 / 95 / 0 / 34

HEX #6609A8

RGB 102 9 168

HSL 275.09, 0.9%, 0.35%

LAB 29.02, 61.18, -62.57

 

CMYK 0 / 95 / 74 / 34

HEX #A8092C

RGB 168 9 44

HSL 346.79, 0.9%, 0.35%

LAB 35.4, 58.48, 27.02

 

CMYK 56 / 0 / 94 / 35

HEX #49A70A

RGB 73 167 10

HSL 95.92, 0.89%, 0.35%

LAB 60.85, -51.64, 60.77

 

CMYK 95 / 8 / 0 / 34

HEX #099BA8

RGB 9 155 168

HSL 184.91, 0.9%, 0.35%

LAB 58.35, -28.61, -16.39

 

CMYK 39 / 95 / 0 / 34

HEX #6609A8

RGB 102 9 168

HSL 275.09, 0.9%, 0.35%

LAB 29.02, 61.18, -62.57

 

CMYK 0 / 86 / 95 / 34

HEX #A81709

RGB 168 23 9

HSL 5.28, 0.9%, 0.35%

LAB 35.9, 55.23, 46.02

 

Description

Color code: HEX #49A70A | qconv.com Color code: HEX #49A70A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 167 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 167 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 94 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 94% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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