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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A3E8 it is the complementary color #B65C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A3E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A3E8 shade: #4EA3E3, #5FB5F6, #70C7FF, #81D9FF and #92EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A3E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A3E8 shade: #49A3E8, #3891D5, #277FC2, #166DAF and #055B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A3E8 shade: #49A3E8, #4978E8, #494DE8, #7049E8 and #9B49E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A3E8 shade: #49A3E8, #4978E8, #494DE8 and #4949E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A3E8 shade matches the following richer shades: #49A3E8 and #38A5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A3E8 shade: #49A3E8, #59A1D8, #6A9FC7, #7A9CB7 and #8B9AA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A3E8 shade: #49E8D8, #49CEE8, #49A3E8, #4979E8 and #494EE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A3E8 shade: #187BC6, #2490E4, #49A3E8, #6EB6ED and #92C8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A3E8 shade: #49A3E8, #AE49E8 and #E3E849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A3E8 shade: #49A3E8, #E849A3 and #A3E849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A3E8 shade: #49A3E8, #AE49E8, #E88E49 and #83E849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A3E8 shade: #49A3E8, #DD49E8, #E88E49 and #54E849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

Complementary color

CMYK 0 / 49 / 87 / 29

HEX #B65C17

RGB 182 92 23

HSL 26.04, 0.78%, 0.4%

LAB 49.08, 32.28, 51.85

 

CMYK 66 / 28 / 0 / 11

HEX #4EA3E3

RGB 78 163 227

HSL 205.77, 0.73%, 0.6%

LAB 64.45, -5.95, -39.88

 

CMYK 61 / 26 / 0 / 4

HEX #5FB5F6

RGB 95 181 246

HSL 205.83, 0.89%, 0.67%

LAB 70.96, -6.9, -40.04

 

CMYK 56 / 22 / 0 / 0

HEX #70C7FF

RGB 112 199 255

HSL 203.5, 1%, 0.72%

LAB 76.99, -10.66, -35.48

 

CMYK 49 / 15 / 0 / 0

HEX #81D9FF

RGB 129 217 255

HSL 198.1, 1%, 0.75%

LAB 82.65, -16.51, -26.71

 

CMYK 43 / 8 / 0 / 0

HEX #92EBFF

RGB 146 235 255

HSL 191.01, 1%, 0.79%

LAB 88.33, -21.69, -18.04

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 74 / 32 / 0 / 16

HEX #3891D5

RGB 56 145 213

HSL 205.99, 0.65%, 0.53%

LAB 57.94, -3.7, -42.38

 

CMYK 80 / 35 / 0 / 24

HEX #277FC2

RGB 39 127 194

HSL 205.94, 0.67%, 0.46%

LAB 51.27, -1.97, -42.17

 

CMYK 87 / 38 / 0 / 31

HEX #166DAF

RGB 22 109 175

HSL 205.88, 0.78%, 0.39%

LAB 44.52, 0.24, -41.91

 

CMYK 97 / 42 / 0 / 39

HEX #055B9C

RGB 5 91 156

HSL 205.83, 0.94%, 0.32%

LAB 37.69, 3.08, -41.57

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 69 / 48 / 0 / 9

HEX #4978E8

RGB 73 120 232

HSL 222.26, 0.78%, 0.6%

LAB 52.59, 20.5, -61.5

 

CMYK 69 / 67 / 0 / 9

HEX #494DE8

RGB 73 77 232

HSL 238.49, 0.78%, 0.6%

LAB 42.08, 46.9, -78.6

 

CMYK 52 / 69 / 0 / 9

HEX #7049E8

RGB 112 73 232

HSL 254.72, 0.78%, 0.6%

LAB 44.28, 54.55, -74.87

 

CMYK 33 / 69 / 0 / 9

HEX #9B49E8

RGB 155 73 232

HSL 270.94, 0.78%, 0.6%

LAB 48.96, 62.19, -67.06

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 69 / 48 / 0 / 9

HEX #4978E8

RGB 73 120 232

HSL 222.26, 0.78%, 0.6%

LAB 52.59, 20.5, -61.5

 

CMYK 69 / 67 / 0 / 9

HEX #494DE8

RGB 73 77 232

HSL 238.49, 0.78%, 0.6%

LAB 42.08, 46.9, -78.6

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 78 / 34 / 0 / 2

HEX #38A5F9

RGB 56 165 249

HSL 206.11, 0.94%, 0.6%

LAB 65.43, -2.48, -50.45

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 59 / 25 / 0 / 15

HEX #59A1D8

RGB 89 161 216

HSL 205.98, 0.62%, 0.6%

LAB 63.81, -6.41, -34.77

 

CMYK 47 / 20 / 0 / 22

HEX #6A9FC7

RGB 106 159 199

HSL 205.81, 0.45%, 0.6%

LAB 63.33, -6.69, -26

 

CMYK 33 / 15 / 0 / 28

HEX #7A9CB7

RGB 122 156 183

HSL 206.56, 0.3%, 0.6%

LAB 62.79, -5.09, -17.78

 

CMYK 16 / 7 / 0 / 35

HEX #8B9AA6

RGB 139 154 166

HSL 206.67, 0.13%, 0.6%

LAB 62.8, -2.74, -8.08

 

CMYK 69 / 0 / 7 / 9

HEX #49E8D8

RGB 73 232 216

HSL 173.96, 0.78%, 0.6%

LAB 84.01, -44.3, -4.21

 

CMYK 69 / 11 / 0 / 9

HEX #49CEE8

RGB 73 206 232

HSL 189.81, 0.78%, 0.6%

LAB 76.91, -27.72, -23.37

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 69 / 48 / 0 / 9

HEX #4979E8

RGB 73 121 232

HSL 221.89, 0.78%, 0.6%

LAB 52.86, 19.88, -61.08

 

CMYK 69 / 66 / 0 / 9

HEX #494EE8

RGB 73 78 232

HSL 238.11, 0.78%, 0.6%

LAB 42.29, 46.31, -78.25

 

CMYK 88 / 38 / 0 / 22

HEX #187BC6

RGB 24 123 198

HSL 205.86, 0.78%, 0.44%

LAB 50.02, 0.69, -46.46

 

CMYK 84 / 37 / 0 / 11

HEX #2490E4

RGB 36 144 228

HSL 206.25, 0.78%, 0.52%

LAB 57.96, 0.28, -50.74

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 54 / 23 / 0 / 7

HEX #6EB6ED

RGB 110 182 237

HSL 205.98, 0.78%, 0.68%

LAB 71.48, -7.28, -34.32

 

CMYK 39 / 17 / 0 / 5

HEX #92C8F1

RGB 146 200 241

HSL 205.89, 0.77%, 0.76%

LAB 78.33, -7.35, -25.79

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 25 / 69 / 0 / 9

HEX #AE49E8

RGB 174 73 232

HSL 278.11, 0.78%, 0.6%

LAB 51.37, 65.95, -63.04

 

CMYK 2 / 0 / 69 / 9

HEX #E3E849

RGB 227 232 73

HSL 61.89, 0.78%, 0.6%

LAB 89.17, -20.3, 72.72

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 0 / 69 / 30 / 9

HEX #E849A3

RGB 232 73 163

HSL 326.04, 0.78%, 0.6%

LAB 56.65, 68.52, -14.51

 

CMYK 30 / 0 / 69 / 9

HEX #A3E849

RGB 163 232 73

HSL 86.04, 0.78%, 0.6%

LAB 84.99, -45.12, 67.15

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 25 / 69 / 0 / 9

HEX #AE49E8

RGB 174 73 232

HSL 278.11, 0.78%, 0.6%

LAB 51.37, 65.95, -63.04

 

CMYK 0 / 39 / 69 / 9

HEX #E88E49

RGB 232 142 73

HSL 26.04, 0.78%, 0.6%

LAB 67.26, 28.34, 50.09

 

CMYK 44 / 0 / 69 / 9

HEX #83E849

RGB 131 232 73

HSL 98.11, 0.78%, 0.6%

LAB 83.45, -55.8, 65.08

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 5 / 69 / 0 / 9

HEX #DD49E8

RGB 221 73 232

HSL 295.85, 0.78%, 0.6%

LAB 58, 75.76, -52.04

 

CMYK 0 / 39 / 69 / 9

HEX #E88E49

RGB 232 142 73

HSL 26.04, 0.78%, 0.6%

LAB 67.26, 28.34, 50.09

 

CMYK 64 / 0 / 69 / 9

HEX #54E849

RGB 84 232 73

HSL 115.85, 0.78%, 0.6%

LAB 81.88, -67.96, 62.95

 

Description

Color code: HEX #49A3E8 | qconv.com Color code: HEX #49A3E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 163 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 163 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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