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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49ABAA it is the complementary color #B65455. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49ABAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49ABAA shade: #4EABA5, #5FBDB8, #70CFCB, #81E1DE and #92F3F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49ABAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49ABAA shade: #49ABAA, #389997, #278784, #167571 and #05635E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49ABAA shade: #49ABAA, #49AB8F, #49AB75, #49AB5B and #52AB49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49ABAA shade: #49ABAA, #4991AB, #4977AB, #495DAB and #4949AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49ABAA shade matches the following richer shades: #49ABAA, #35BFBD, #21D2D1 and #0EE6E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49ABAA shade: #49ABAA, #5D9796, #718383, #846F70 and #985C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49ABAA shade: #49AB75, #49AB8F, #49ABA9, #4992AB and #4978AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49ABAA shade: #307170, #3D8E8D, #49ABAA, #62BBBA and #7FC8C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49ABAA shade: #49ABAA, #5B49AB and #AB8249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49ABAA shade: #49ABAA, #A949AB and #ABA949

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49ABAA shade: #49ABAA, #5B49AB, #AB494B and #99AB49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49ABAA shade: #49ABAA, #7849AB, #AB494B and #7CAB49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

Complementary color

CMYK 0 / 54 / 53 / 29

HEX #B65455

RGB 182 84 85

HSL 359.39, 0.4%, 0.52%

LAB 48.19, 39.81, 18.68

 

CMYK 54 / 0 / 4 / 33

HEX #4EABA5

RGB 78 171 165

HSL 176.13, 0.37%, 0.49%

LAB 64.53, -28.93, -5.3

 

CMYK 50 / 0 / 3 / 26

HEX #5FBDB8

RGB 95 189 184

HSL 176.81, 0.42%, 0.56%

LAB 71.07, -29.03, -6.06

 

CMYK 46 / 0 / 2 / 19

HEX #70CFCB

RGB 112 207 203

HSL 177.47, 0.5%, 0.63%

LAB 77.51, -29.07, -6.76

 

CMYK 43 / 0 / 1 / 12

HEX #81E1DE

RGB 129 225 222

HSL 178.13, 0.62%, 0.69%

LAB 83.86, -29.06, -7.42

 

CMYK 40 / 0 / 1 / 5

HEX #92F3F1

RGB 146 243 241

HSL 178.76, 0.8%, 0.76%

LAB 90.12, -29.02, -8.04

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 63 / 0 / 1 / 40

HEX #389997

RGB 56 153 151

HSL 178.76, 0.46%, 0.41%

LAB 57.9, -28.21, -7.32

 

CMYK 71 / 0 / 2 / 47

HEX #278784

RGB 39 135 132

HSL 178.13, 0.55%, 0.34%

LAB 51.18, -27.63, -6.41

 

CMYK 81 / 0 / 3 / 54

HEX #167571

RGB 22 117 113

HSL 177.47, 0.68%, 0.27%

LAB 44.36, -26.71, -5.36

 

CMYK 95 / 0 / 5 / 61

HEX #05635E

RGB 5 99 94

HSL 176.81, 0.9%, 0.2%

LAB 37.42, -25.3, -4.14

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 57 / 0 / 16 / 33

HEX #49AB8F

RGB 73 171 143

HSL 162.86, 0.4%, 0.48%

LAB 63.77, -35.62, 5.84

 

CMYK 57 / 0 / 32 / 33

HEX #49AB75

RGB 73 171 117

HSL 146.94, 0.4%, 0.48%

LAB 63.2, -41.42, 19.39

 

CMYK 57 / 0 / 47 / 33

HEX #49AB5B

RGB 73 171 91

HSL 131.02, 0.4%, 0.48%

LAB 62.76, -46.1, 32.66

 

CMYK 52 / 0 / 57 / 33

HEX #52AB49

RGB 82 171 73

HSL 114.49, 0.4%, 0.48%

LAB 62.84, -46.24, 41.81

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 57 / 15 / 0 / 33

HEX #4991AB

RGB 73 145 171

HSL 195.92, 0.4%, 0.48%

LAB 56.69, -14.82, -20.5

 

CMYK 57 / 30 / 0 / 33

HEX #4977AB

RGB 73 119 171

HSL 211.84, 0.4%, 0.48%

LAB 48.95, 0.08, -32.49

 

CMYK 57 / 46 / 0 / 33

HEX #495DAB

RGB 73 93 171

HSL 227.76, 0.4%, 0.48%

LAB 41.51, 16.25, -44.25

 

CMYK 57 / 57 / 0 / 33

HEX #4949AB

RGB 73 73 171

HSL 240, 0.4%, 0.48%

LAB 36.22, 29.06, -52.77

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 72 / 0 / 1 / 25

HEX #35BFBD

RGB 53 191 189

HSL 179.13, 0.57%, 0.48%

LAB 70.66, -35.82, -9.53

 

CMYK 84 / 0 / 0 / 18

HEX #21D2D1

RGB 33 210 209

HSL 179.66, 0.73%, 0.48%

LAB 76.69, -40.53, -11.41

 

CMYK 94 / 0 / 1 / 10

HEX #0EE6E4

RGB 14 230 228

HSL 179.44, 0.89%, 0.48%

LAB 83.07, -44.72, -12.03

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 38 / 0 / 1 / 41

HEX #5D9796

RGB 93 151 150

HSL 178.97, 0.24%, 0.48%

LAB 58.66, -19.13, -5.47

 

CMYK 14 / 0 / 0 / 49

HEX #718383

RGB 113 131 131

HSL 180, 0.07%, 0.48%

LAB 53.37, -6.52, -2.21

 

CMYK 0 / 16 / 15 / 48

HEX #846F70

RGB 132 111 112

HSL 357.14, 0.09%, 0.48%

LAB 48.82, 8.42, 2.51

 

CMYK 0 / 39 / 39 / 40

HEX #985C5C

RGB 152 92 92

HSL 0, 0.25%, 0.48%

LAB 45.77, 24.58, 10.47

 

CMYK 57 / 0 / 32 / 33

HEX #49AB75

RGB 73 171 117

HSL 146.94, 0.4%, 0.48%

LAB 63.2, -41.42, 19.39

 

CMYK 57 / 0 / 16 / 33

HEX #49AB8F

RGB 73 171 143

HSL 162.86, 0.4%, 0.48%

LAB 63.77, -35.62, 5.84

 

CMYK 57 / 0 / 1 / 33

HEX #49ABA9

RGB 73 171 169

HSL 178.78, 0.4%, 0.48%

LAB 64.49, -28.85, -7.61

 

CMYK 57 / 15 / 0 / 33

HEX #4992AB

RGB 73 146 171

HSL 195.31, 0.4%, 0.48%

LAB 56.99, -15.37, -20.04

 

CMYK 57 / 30 / 0 / 33

HEX #4978AB

RGB 73 120 171

HSL 211.22, 0.4%, 0.48%

LAB 49.24, -0.52, -32.03

 

CMYK 58 / 0 / 1 / 56

HEX #307170

RGB 48 113 112

HSL 179.08, 0.4%, 0.32%

LAB 43.67, -20.76, -5.71

 

CMYK 57 / 0 / 1 / 44

HEX #3D8E8D

RGB 61 142 141

HSL 179.26, 0.4%, 0.4%

LAB 54.3, -24.64, -6.92

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 48 / 0 / 1 / 27

HEX #62BBBA

RGB 98 187 186

HSL 179.33, 0.4%, 0.56%

LAB 70.65, -26.86, -7.76

 

CMYK 37 / 0 / 0 / 22

HEX #7FC8C7

RGB 127 200 199

HSL 179.18, 0.4%, 0.64%

LAB 76.03, -22.9, -6.71

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 47 / 57 / 0 / 33

HEX #5B49AB

RGB 91 73 171

HSL 251.02, 0.4%, 0.48%

LAB 37.72, 32.82, -50.27

 

CMYK 0 / 24 / 57 / 33

HEX #AB8249

RGB 171 130 73

HSL 34.9, 0.4%, 0.48%

LAB 57.18, 9.07, 36.6

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 1 / 57 / 0 / 33

HEX #A949AB

RGB 169 73 171

HSL 298.78, 0.4%, 0.48%

LAB 47.16, 52.74, -34.67

 

CMYK 0 / 1 / 57 / 33

HEX #ABA949

RGB 171 169 73

HSL 58.78, 0.4%, 0.48%

LAB 67.66, -12.11, 48.76

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 47 / 57 / 0 / 33

HEX #5B49AB

RGB 91 73 171

HSL 251.02, 0.4%, 0.48%

LAB 37.72, 32.82, -50.27

 

CMYK 0 / 57 / 56 / 33

HEX #AB494B

RGB 171 73 75

HSL 358.78, 0.4%, 0.48%

LAB 44.13, 40.4, 18.99

 

CMYK 11 / 0 / 57 / 33

HEX #99AB49

RGB 153 171 73

HSL 71.02, 0.4%, 0.48%

LAB 66.81, -20.7, 47.41

 

CMYK 57 / 0 / 1 / 33

HEX #49ABAA

RGB 73 171 170

HSL 179.39, 0.4%, 0.48%

LAB 64.52, -28.57, -8.13

 

CMYK 30 / 57 / 0 / 33

HEX #7849AB

RGB 120 73 171

HSL 268.78, 0.4%, 0.48%

LAB 40.73, 39.8, -45.26

 

CMYK 0 / 57 / 56 / 33

HEX #AB494B

RGB 171 73 75

HSL 358.78, 0.4%, 0.48%

LAB 44.13, 40.4, 18.99

 

CMYK 27 / 0 / 57 / 33

HEX #7CAB49

RGB 124 171 73

HSL 88.78, 0.4%, 0.48%

LAB 64.88, -32.24, 44.7

 

Description

Color code: HEX #49ABAA | qconv.com Color code: HEX #49ABAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 171 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 171 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 1 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 1% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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