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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49AE45 it is the complementary color #B651BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49AE45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49AE45 shade: #4EAE40, #5FC053, #70D266, #81E479 and #92F68C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49AE45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49AE45 shade: #49AE45, #389C32, #278A1F, #16780C and #056600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49AE45 shade: #49AF45, #66AF45, #82AF45, #9EAF45 and #AFA245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49AE45 shade: #49AF45, #45AF5E, #45AF7A, #45AF96 and #45AAAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49AE45 shade matches the following richer shades: #49AF45, #37C231, #25D61E and #12EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49AE45 shade: #49AF45, #5C9B59, #6E876D, #807381 and #925F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49AE45 shade: #83AF45, #67AF45, #4BAF45, #45AF5C and #45AF78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49AE45 shade: #30742E, #3D913A, #49AF45, #62BF5E and #7FCA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49AE45 shade: #49AE45, #459FAF and #AF4575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49AE45 shade: #49AE45, #454BAF and #AF454B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49AE45 shade: #49AE45, #459FAF, #A945AF and #AF5545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49AE45 shade: #49AE45, #457FAF, #A945AF and #AF7545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

Complementary color

CMYK 2 / 56 / 0 / 27

HEX #B651BA

RGB 182 81 186

HSL 297.71, 0.43%, 0.52%

LAB 51.12, 55.21, -37.07

 

CMYK 55 / 0 / 63 / 32

HEX #4EAE40

RGB 78 174 64

HSL 112.36, 0.46%, 0.47%

LAB 63.56, -49.53, 46.74

 

CMYK 51 / 0 / 57 / 25

HEX #5FC053

RGB 95 192 83

HSL 113.39, 0.46%, 0.54%

LAB 70.01, -49.8, 45.62

 

CMYK 47 / 0 / 51 / 18

HEX #70D266

RGB 112 210 102

HSL 114.44, 0.55%, 0.61%

LAB 76.37, -49.87, 44.4

 

CMYK 43 / 0 / 47 / 11

HEX #81E479

RGB 129 228 121

HSL 115.51, 0.66%, 0.68%

LAB 82.67, -49.81, 43.16

 

CMYK 41 / 0 / 43 / 4

HEX #92F68C

RGB 146 246 140

HSL 116.6, 0.85%, 0.76%

LAB 88.88, -49.69, 41.94

 

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

CMYK 64 / 0 / 68 / 39

HEX #389C32

RGB 56 156 50

HSL 116.6, 0.51%, 0.4%

LAB 56.93, -49.69, 45.35

 

CMYK 72 / 0 / 78 / 46

HEX #278A1F

RGB 39 138 31

HSL 115.51, 0.63%, 0.33%

LAB 50.34, -48.57, 45.9

 

CMYK 82 / 0 / 90 / 53

HEX #16780C

RGB 22 120 12

HSL 114.44, 0.82%, 0.26%

LAB 43.7, -46.61, 45.31

 

CMYK 95 / 0 / 100 / 60

HEX #056600

RGB 5 102 0

HSL 117.06, 1%, 0.2%

LAB 36.99, -43.43, 42.52

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 42 / 0 / 61 / 31

HEX #66AF45

RGB 102 175 69

HSL 101.32, 0.43%, 0.48%

LAB 64.89, -42.23, 46.26

 

CMYK 26 / 0 / 61 / 31

HEX #82AF45

RGB 130 175 69

HSL 85.47, 0.43%, 0.48%

LAB 66.39, -32.2, 48.36

 

CMYK 10 / 0 / 61 / 31

HEX #9EAF45

RGB 158 175 69

HSL 69.62, 0.43%, 0.48%

LAB 68.28, -20.96, 50.98

 

CMYK 0 / 7 / 61 / 31

HEX #AFA245

RGB 175 162 69

HSL 52.64, 0.43%, 0.48%

LAB 66.05, -7, 48.91

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 61 / 0 / 46 / 31

HEX #45AF5E

RGB 69 175 94

HSL 134.15, 0.43%, 0.48%

LAB 63.94, -48.16, 32.6

 

CMYK 61 / 0 / 30 / 31

HEX #45AF7A

RGB 69 175 122

HSL 150, 0.43%, 0.48%

LAB 64.43, -42.98, 18.32

 

CMYK 61 / 0 / 14 / 31

HEX #45AF96

RGB 69 175 150

HSL 165.85, 0.43%, 0.48%

LAB 65.06, -36.53, 3.79

 

CMYK 61 / 3 / 0 / 31

HEX #45AAAF

RGB 69 170 175

HSL 182.83, 0.43%, 0.48%

LAB 64.25, -27.41, -11.33

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 72 / 0 / 75 / 24

HEX #37C231

RGB 55 194 49

HSL 117.52, 0.6%, 0.48%

LAB 69.2, -62.94, 58.42

 

CMYK 83 / 0 / 86 / 16

HEX #25D61E

RGB 37 214 30

HSL 117.72, 0.75%, 0.48%

LAB 75.19, -72.51, 69.19

 

CMYK 92 / 0 / 96 / 8

HEX #12EA0A

RGB 18 234 10

HSL 117.86, 0.92%, 0.48%

LAB 81.29, -79.95, 77.18

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 41 / 0 / 43 / 39

HEX #5C9B59

RGB 92 155 89

HSL 117.27, 0.27%, 0.48%

LAB 58.45, -34.11, 28.37

 

CMYK 19 / 0 / 19 / 47

HEX #6E876D

RGB 110 135 109

HSL 117.69, 0.11%, 0.48%

LAB 53.76, -14.32, 11.07

 

CMYK 1 / 11 / 0 / 49

HEX #807381

RGB 128 115 129

HSL 295.71, 0.06%, 0.48%

LAB 50.02, 7.76, -5.84

 

CMYK 1 / 36 / 0 / 42

HEX #925F94

RGB 146 95 148

HSL 297.74, 0.22%, 0.48%

LAB 47.54, 29.79, -20.69

 

CMYK 25 / 0 / 61 / 31

HEX #83AF45

RGB 131 175 69

HSL 84.91, 0.43%, 0.48%

LAB 66.45, -31.82, 48.44

 

CMYK 41 / 0 / 61 / 31

HEX #67AF45

RGB 103 175 69

HSL 100.75, 0.43%, 0.48%

LAB 64.94, -41.9, 46.33

 

CMYK 57 / 0 / 61 / 31

HEX #4BAF45

RGB 75 175 69

HSL 116.6, 0.43%, 0.48%

LAB 63.82, -50.15, 44.76

 

CMYK 61 / 0 / 47 / 31

HEX #45AF5C

RGB 69 175 92

HSL 133.02, 0.43%, 0.48%

LAB 63.92, -48.48, 33.59

 

CMYK 61 / 0 / 31 / 31

HEX #45AF78

RGB 69 175 120

HSL 148.87, 0.43%, 0.48%

LAB 64.39, -43.39, 19.36

 

CMYK 59 / 0 / 60 / 55

HEX #30742E

RGB 48 116 46

HSL 118.29, 0.43%, 0.32%

LAB 43.24, -36.59, 31.8

 

CMYK 58 / 0 / 60 / 43

HEX #3D913A

RGB 61 145 58

HSL 117.93, 0.43%, 0.4%

LAB 53.54, -43.38, 37.97

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 49 / 0 / 51 / 25

HEX #62BF5E

RGB 98 191 94

HSL 117.53, 0.43%, 0.56%

LAB 69.94, -47.17, 40.3

 

CMYK 37 / 0 / 39 / 21

HEX #7FCA7C

RGB 127 202 124

HSL 117.69, 0.42%, 0.64%

LAB 74.96, -38.83, 31.78

 

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

CMYK 61 / 9 / 0 / 31

HEX #459FAF

RGB 69 159 175

HSL 189.06, 0.43%, 0.48%

LAB 60.92, -21.83, -16.35

 

CMYK 0 / 61 / 33 / 31

HEX #AF4575

RGB 175 69 117

HSL 332.83, 0.43%, 0.48%

LAB 45.16, 48.05, -5.22

 

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

CMYK 61 / 57 / 0 / 31

HEX #454BAF

RGB 69 75 175

HSL 236.6, 0.43%, 0.48%

LAB 36.73, 28.39, -54.33

 

CMYK 0 / 61 / 57 / 31

HEX #AF454B

RGB 175 69 75

HSL 356.6, 0.43%, 0.48%

LAB 44.06, 43.77, 19

 

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

CMYK 61 / 9 / 0 / 31

HEX #459FAF

RGB 69 159 175

HSL 189.06, 0.43%, 0.48%

LAB 60.92, -21.83, -16.35

 

CMYK 3 / 61 / 0 / 31

HEX #A945AF

RGB 169 69 175

HSL 296.6, 0.43%, 0.48%

LAB 46.69, 55.29, -37.75

 

CMYK 0 / 51 / 61 / 31

HEX #AF5545

RGB 175 85 69

HSL 9.06, 0.43%, 0.48%

LAB 47.03, 35.33, 26.44

 

CMYK 58 / 0 / 60 / 32

HEX #49AE45

RGB 73 174 69

HSL 117.71, 0.43%, 0.48%

LAB 63.44, -50.28, 44.3

 

CMYK 61 / 27 / 0 / 31

HEX #457FAF

RGB 69 127 175

HSL 207.17, 0.43%, 0.48%

LAB 51.31, -4.17, -31.12

 

CMYK 3 / 61 / 0 / 31

HEX #A945AF

RGB 169 69 175

HSL 296.6, 0.43%, 0.48%

LAB 46.69, 55.29, -37.75

 

CMYK 0 / 33 / 61 / 31

HEX #AF7545

RGB 175 117 69

HSL 27.17, 0.43%, 0.48%

LAB 54.31, 17.8, 35.4

 

Description

Color code: HEX #49AE45 | qconv.com Color code: HEX #49AE45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 174 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 174 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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