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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49AEB4 it is the complementary color #B6514B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49AEB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49AEB4 shade: #4EAEAF, #5FC0C2, #70D2D5, #81E4E8 and #92F6FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49AEB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49AEB4 shade: #49AEB4, #389CA1, #278A8E, #16787B and #056668

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49AEB4 shade: #49AFB5, #4992B5, #4975B5, #4958B5 and #5849B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49AEB4 shade: #49AFB5, #4992B5, #4975B5, #4958B5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49AEB4 shade matches the following richer shades: #49AFB5, #35C1C9, #20D3DE and #0CE6F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49AEB4 shade: #49AFB5, #5E9CA0, #738A8B, #877877 and #9C6562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49AEB4 shade: #49B581, #49B59D, #49AFB5, #4993B5 and #4976B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49AEB4 shade: #32767A, #3D9297, #49AFB5, #67BBC1 and #84C8CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49AEB4 shade: #49AEB4, #6449B5 and #B58F49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49AEB4 shade: #49AEB4, #B549AF and #AFB549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49AEB4 shade: #49AEB4, #6449B5, #B54F49 and #9AB549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49AEB4 shade: #49AEB4, #8449B5, #B54F49 and #7AB549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

Complementary color

CMYK 0 / 55 / 59 / 29

HEX #B6514B

RGB 182 81 75

HSL 3.36, 0.42%, 0.5%

LAB 47.41, 40.5, 23.62

 

CMYK 55 / 1 / 0 / 31

HEX #4EAEAF

RGB 78 174 175

HSL 180.62, 0.38%, 0.5%

LAB 65.74, -27.68, -9.08

 

CMYK 51 / 1 / 0 / 24

HEX #5FC0C2

RGB 95 192 194

HSL 181.21, 0.45%, 0.57%

LAB 72.25, -27.87, -9.77

 

CMYK 47 / 1 / 0 / 16

HEX #70D2D5

RGB 112 210 213

HSL 181.78, 0.55%, 0.64%

LAB 78.66, -27.97, -10.42

 

CMYK 44 / 2 / 0 / 9

HEX #81E4E8

RGB 129 228 232

HSL 182.33, 0.69%, 0.71%

LAB 84.99, -28.03, -11.03

 

CMYK 42 / 2 / 0 / 2

HEX #92F6FB

RGB 146 246 251

HSL 182.86, 0.93%, 0.78%

LAB 91.23, -28.04, -11.6

 

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

CMYK 65 / 3 / 0 / 37

HEX #389CA1

RGB 56 156 161

HSL 182.86, 0.48%, 0.43%

LAB 59.15, -26.77, -11.14

 

CMYK 73 / 3 / 0 / 44

HEX #278A8E

RGB 39 138 142

HSL 182.33, 0.57%, 0.35%

LAB 52.47, -26.07, -10.31

 

CMYK 82 / 2 / 0 / 52

HEX #16787B

RGB 22 120 123

HSL 181.78, 0.7%, 0.28%

LAB 45.68, -25.02, -9.36

 

CMYK 95 / 2 / 0 / 59

HEX #056668

RGB 5 102 104

HSL 181.21, 0.91%, 0.21%

LAB 38.79, -23.48, -8.25

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 60 / 19 / 0 / 29

HEX #4992B5

RGB 73 146 181

HSL 199.44, 0.43%, 0.5%

LAB 57.38, -12.26, -25.15

 

CMYK 60 / 35 / 0 / 29

HEX #4975B5

RGB 73 117 181

HSL 215.56, 0.43%, 0.5%

LAB 48.85, 4.63, -38.44

 

CMYK 60 / 51 / 0 / 29

HEX #4958B5

RGB 73 88 181

HSL 231.67, 0.43%, 0.5%

LAB 40.79, 22.87, -51.3

 

CMYK 51 / 60 / 0 / 29

HEX #5849B5

RGB 88 73 181

HSL 248.33, 0.43%, 0.5%

LAB 38.16, 35.24, -55.49

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 60 / 19 / 0 / 29

HEX #4992B5

RGB 73 146 181

HSL 199.44, 0.43%, 0.5%

LAB 57.38, -12.26, -25.15

 

CMYK 60 / 35 / 0 / 29

HEX #4975B5

RGB 73 117 181

HSL 215.56, 0.43%, 0.5%

LAB 48.85, 4.63, -38.44

 

CMYK 60 / 51 / 0 / 29

HEX #4958B5

RGB 73 88 181

HSL 231.67, 0.43%, 0.5%

LAB 40.79, 22.87, -51.3

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 74 / 4 / 0 / 21

HEX #35C1C9

RGB 53 193 201

HSL 183.24, 0.58%, 0.5%

LAB 71.63, -33.25, -14.63

 

CMYK 86 / 5 / 0 / 13

HEX #20D3DE

RGB 32 211 222

HSL 183.47, 0.75%, 0.5%

LAB 77.38, -37.18, -17.35

 

CMYK 95 / 5 / 0 / 5

HEX #0CE6F2

RGB 12 230 242

HSL 183.13, 0.91%, 0.5%

LAB 83.49, -40.64, -18.8

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 41 / 2 / 0 / 37

HEX #5E9CA0

RGB 94 156 160

HSL 183.64, 0.26%, 0.5%

LAB 60.51, -18.89, -8.39

 

CMYK 17 / 1 / 0 / 45

HEX #738A8B

RGB 115 138 139

HSL 182.5, 0.09%, 0.5%

LAB 55.77, -7.96, -3.29

 

CMYK 0 / 11 / 12 / 47

HEX #877877

RGB 135 120 119

HSL 3.75, 0.06%, 0.5%

LAB 51.74, 5.59, 2.65

 

CMYK 0 / 35 / 37 / 39

HEX #9C6562

RGB 156 101 98

HSL 3.1, 0.23%, 0.5%

LAB 48.58, 21.81, 10.88

 

CMYK 60 / 0 / 29 / 29

HEX #49B581

RGB 73 181 129

HSL 151.11, 0.43%, 0.5%

LAB 66.56, -43.22, 17.47

 

CMYK 60 / 0 / 13 / 29

HEX #49B59D

RGB 73 181 157

HSL 166.67, 0.43%, 0.5%

LAB 67.2, -36.75, 3.03

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 60 / 19 / 0 / 29

HEX #4993B5

RGB 73 147 181

HSL 198.89, 0.43%, 0.5%

LAB 57.67, -12.81, -24.69

 

CMYK 60 / 35 / 0 / 29

HEX #4976B5

RGB 73 118 181

HSL 215, 0.43%, 0.5%

LAB 49.14, 4.02, -37.98

 

CMYK 59 / 3 / 0 / 52

HEX #32767A

RGB 50 118 122

HSL 183.33, 0.42%, 0.34%

LAB 45.69, -20, -8.68

 

CMYK 60 / 3 / 0 / 41

HEX #3D9297

RGB 61 146 151

HSL 183.33, 0.42%, 0.42%

LAB 55.87, -23.78, -10.33

 

CMYK 60 / 3 / 0 / 29

HEX #49AFB5

RGB 73 175 181

HSL 183.33, 0.43%, 0.5%

LAB 66.07, -27.44, -11.93

 

CMYK 47 / 3 / 0 / 24

HEX #67BBC1

RGB 103 187 193

HSL 184, 0.42%, 0.58%

LAB 71.06, -23.87, -10.97

 

CMYK 35 / 2 / 0 / 20

HEX #84C8CC

RGB 132 200 204

HSL 183.33, 0.41%, 0.66%

LAB 76.42, -20.36, -8.82

 

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

CMYK 45 / 60 / 0 / 29

HEX #6449B5

RGB 100 73 181

HSL 255, 0.43%, 0.5%

LAB 39.26, 37.77, -53.66

 

CMYK 0 / 21 / 60 / 29

HEX #B58F49

RGB 181 143 73

HSL 38.89, 0.43%, 0.5%

LAB 61.61, 6.21, 42.1

 

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

CMYK 0 / 60 / 3 / 29

HEX #B549AF

RGB 181 73 175

HSL 303.33, 0.43%, 0.5%

LAB 49.11, 56.64, -33.83

 

CMYK 3 / 0 / 60 / 29

HEX #AFB549

RGB 175 181 73

HSL 63.33, 0.43%, 0.5%

LAB 71.31, -16.58, 52.9

 

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

CMYK 45 / 60 / 0 / 29

HEX #6449B5

RGB 100 73 181

HSL 255, 0.43%, 0.5%

LAB 39.26, 37.77, -53.66

 

CMYK 0 / 56 / 60 / 29

HEX #B54F49

RGB 181 79 73

HSL 3.33, 0.43%, 0.5%

LAB 46.84, 40.97, 24.03

 

CMYK 15 / 0 / 60 / 29

HEX #9AB549

RGB 154 181 73

HSL 75, 0.43%, 0.5%

LAB 69.75, -25.25, 50.74

 

CMYK 59 / 3 / 0 / 29

HEX #49AEB4

RGB 73 174 180

HSL 183.36, 0.42%, 0.5%

LAB 65.74, -27.23, -11.88

 

CMYK 27 / 60 / 0 / 29

HEX #8449B5

RGB 132 73 181

HSL 272.78, 0.43%, 0.5%

LAB 42.77, 45.24, -47.82

 

CMYK 0 / 56 / 60 / 29

HEX #B54F49

RGB 181 79 73

HSL 3.33, 0.43%, 0.5%

LAB 46.84, 40.97, 24.03

 

CMYK 33 / 0 / 60 / 29

HEX #7AB549

RGB 122 181 73

HSL 92.78, 0.43%, 0.5%

LAB 67.77, -37.55, 47.98

 

Description

Color code: HEX #49AEB4 | qconv.com Color code: HEX #49AEB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 174 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 174 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 3 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 3% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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