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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49B92B it is the complementary color #B646D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49B92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49B92B shade: #4EB926, #5FCB39, #70DD4C, #81EF5F and #92FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49B92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49B92B shade: #49B92B, #38A718, #279505, #168300 and #057100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49B92B shade: #49B92B, #70B92B, #96B92B, #B9B72B and #B9902B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49B92B shade: #49B92B, #2BB933, #2BB95A, #2BB980 and #2BB9A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49B92B shade matches the following richer shades: #49B92B, #3ECC19 and #34DF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49B92B shade: #49B92B, #54A73E, #5F9450, #698263 and #746F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49B92B shade: #96B92B, #70B92B, #4AB92B, #2BB932 and #2BB958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49B92B shade: #2F771B, #3C9823, #49B92B, #5CD13D and #78D95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49B92B shade: #49B92B, #2BB9B7 and #B92B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49B92B shade: #49B92B, #2B4AB9 and #B92B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49B92B shade: #49B92B, #2BB9B7, #9B2BB9 and #B92B2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49B92B shade: #49B92B, #2B91B9, #9B2BB9 and #B9532B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

Complementary color

CMYK 14 / 67 / 0 / 17

HEX #B646D4

RGB 182 70 212

HSL 287.32, 0.62%, 0.55%

LAB 50.78, 64.87, -52.58

 

CMYK 58 / 0 / 79 / 27

HEX #4EB926

RGB 78 185 38

HSL 103.67, 0.66%, 0.44%

LAB 66.87, -55.68, 59.91

 

CMYK 53 / 0 / 72 / 20

HEX #5FCB39

RGB 95 203 57

HSL 104.38, 0.58%, 0.51%

LAB 73.18, -56.47, 59.97

 

CMYK 49 / 0 / 66 / 13

HEX #70DD4C

RGB 112 221 76

HSL 105.1, 0.68%, 0.58%

LAB 79.43, -56.95, 59.44

 

CMYK 46 / 0 / 60 / 6

HEX #81EF5F

RGB 129 239 95

HSL 105.83, 0.82%, 0.65%

LAB 85.62, -57.22, 58.58

 

CMYK 43 / 0 / 55 / 0

HEX #92FF72

RGB 146 255 114

HSL 106.38, 1%, 0.72%

LAB 91.16, -56.54, 56.88

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 66 / 0 / 86 / 35

HEX #38A718

RGB 56 167 24

HSL 106.57, 0.75%, 0.37%

LAB 60.38, -55.37, 57.53

 

CMYK 74 / 0 / 97 / 42

HEX #279505

RGB 39 149 5

HSL 105.83, 0.94%, 0.3%

LAB 53.96, -53.46, 55.46

 

CMYK 83 / 0 / 100 / 49

HEX #168300

RGB 22 131 0

HSL 109.92, 1%, 0.26%

LAB 47.5, -50.57, 51.01

 

CMYK 96 / 0 / 100 / 56

HEX #057100

RGB 5 113 0

HSL 117.35, 1%, 0.22%

LAB 40.96, -46.81, 45.7

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 39 / 0 / 77 / 27

HEX #70B92B

RGB 112 185 43

HSL 90.85, 0.62%, 0.45%

LAB 68.25, -45.1, 60.15

 

CMYK 19 / 0 / 77 / 27

HEX #96B92B

RGB 150 185 43

HSL 74.79, 0.62%, 0.45%

LAB 70.42, -30.72, 62.97

 

CMYK 0 / 1 / 77 / 27

HEX #B9B72B

RGB 185 183 43

HSL 59.15, 0.62%, 0.45%

LAB 72.47, -15, 65.8

 

CMYK 0 / 22 / 77 / 27

HEX #B9902B

RGB 185 144 43

HSL 42.68, 0.62%, 0.45%

LAB 62.03, 5.67, 56.14

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 77 / 0 / 72 / 27

HEX #2BB933

RGB 43 185 51

HSL 123.38, 0.62%, 0.45%

LAB 66.1, -61.81, 54.5

 

CMYK 77 / 0 / 51 / 27

HEX #2BB95A

RGB 43 185 90

HSL 139.86, 0.62%, 0.45%

LAB 66.48, -57.19, 37.67

 

CMYK 77 / 0 / 31 / 27

HEX #2BB980

RGB 43 185 128

HSL 155.92, 0.62%, 0.45%

LAB 67.1, -50.09, 18.65

 

CMYK 77 / 0 / 10 / 27

HEX #2BB9A7

RGB 43 185 167

HSL 172.39, 0.62%, 0.45%

LAB 68.02, -40.44, -1.37

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 70 / 0 / 88 / 20

HEX #3ECC19

RGB 62 204 25

HSL 107.6, 0.78%, 0.45%

LAB 72.42, -66.15, 67.93

 

CMYK 77 / 0 / 97 / 13

HEX #34DF06

RGB 52 223 6

HSL 107.28, 0.95%, 0.45%

LAB 78.18, -73.9, 75.14

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 50 / 0 / 63 / 35

HEX #54A73E

RGB 84 167 62

HSL 107.43, 0.46%, 0.45%

LAB 61.54, -45.28, 45.44

 

CMYK 36 / 0 / 46 / 42

HEX #5F9450

RGB 95 148 80

HSL 106.76, 0.3%, 0.45%

LAB 56.28, -31.18, 30.42

 

CMYK 19 / 0 / 24 / 49

HEX #698263

RGB 105 130 99

HSL 108.39, 0.14%, 0.45%

LAB 51.69, -15.34, 13.89

 

CMYK 1 / 5 / 0 / 54

HEX #746F75

RGB 116 111 117

HSL 290, 0.03%, 0.45%

LAB 47.45, 3.14, -2.64

 

CMYK 19 / 0 / 77 / 27

HEX #96B92B

RGB 150 185 43

HSL 74.79, 0.62%, 0.45%

LAB 70.42, -30.72, 62.97

 

CMYK 39 / 0 / 77 / 27

HEX #70B92B

RGB 112 185 43

HSL 90.85, 0.62%, 0.45%

LAB 68.25, -45.1, 60.15

 

CMYK 60 / 0 / 77 / 27

HEX #4AB92B

RGB 74 185 43

HSL 106.9, 0.62%, 0.45%

LAB 66.77, -56.38, 58.21

 

CMYK 77 / 0 / 73 / 27

HEX #2BB932

RGB 43 185 50

HSL 122.96, 0.62%, 0.45%

LAB 66.09, -61.89, 54.87

 

CMYK 77 / 0 / 52 / 27

HEX #2BB958

RGB 43 185 88

HSL 139.01, 0.62%, 0.45%

LAB 66.46, -57.49, 38.63

 

CMYK 61 / 0 / 77 / 53

HEX #2F771B

RGB 47 119 27

HSL 106.96, 0.63%, 0.29%

LAB 44.06, -40.04, 41.22

 

CMYK 61 / 0 / 77 / 40

HEX #3C9823

RGB 60 152 35

HSL 107.18, 0.63%, 0.37%

LAB 55.62, -48.52, 49.88

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 56 / 0 / 71 / 18

HEX #5CD13D

RGB 92 209 61

HSL 107.43, 0.62%, 0.53%

LAB 74.96, -59.15, 60.3

 

CMYK 45 / 0 / 57 / 15

HEX #78D95E

RGB 120 217 94

HSL 107.32, 0.62%, 0.61%

LAB 78.71, -51.29, 51

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 77 / 0 / 1 / 27

HEX #2BB9B7

RGB 43 185 183

HSL 179.15, 0.62%, 0.45%

LAB 68.48, -35.9, -9.5

 

CMYK 0 / 77 / 29 / 27

HEX #B92B83

RGB 185 43 131

HSL 322.82, 0.62%, 0.45%

LAB 43.77, 62.59, -15.71

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 77 / 60 / 0 / 27

HEX #2B4AB9

RGB 43 74 185

HSL 226.9, 0.62%, 0.45%

LAB 35.82, 28.88, -61.78

 

CMYK 0 / 77 / 60 / 27

HEX #B92B4A

RGB 185 43 74

HSL 346.9, 0.62%, 0.45%

LAB 42.06, 57.25, 17.27

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 77 / 0 / 1 / 27

HEX #2BB9B7

RGB 43 185 183

HSL 179.15, 0.62%, 0.45%

LAB 68.48, -35.9, -9.5

 

CMYK 16 / 77 / 0 / 27

HEX #9B2BB9

RGB 155 43 185

HSL 287.32, 0.62%, 0.45%

LAB 41.53, 64.22, -52

 

CMYK 0 / 77 / 76 / 27

HEX #B92B2D

RGB 185 43 45

HSL 359.15, 0.62%, 0.45%

LAB 41.58, 55.72, 34.39

 

CMYK 61 / 0 / 77 / 27

HEX #49B92B

RGB 73 185 43

HSL 107.32, 0.62%, 0.45%

LAB 66.74, -56.63, 58.17

 

CMYK 77 / 22 / 0 / 27

HEX #2B91B9

RGB 43 145 185

HSL 196.9, 0.62%, 0.45%

LAB 56.35, -15.08, -29.07

 

CMYK 16 / 77 / 0 / 27

HEX #9B2BB9

RGB 155 43 185

HSL 287.32, 0.62%, 0.45%

LAB 41.53, 64.22, -52

 

CMYK 0 / 55 / 77 / 27

HEX #B9532B

RGB 185 83 43

HSL 16.9, 0.62%, 0.45%

LAB 47.85, 38.78, 42.17

 

Description

Color code: HEX #49B92B | qconv.com Color code: HEX #49B92B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 185 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 185 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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