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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49DC61 it is the complementary color #B6239E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49DC61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49DC61 shade: #4EDC5C, #5FEE6F, #70FF82, #81FF95 and #92FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49DC61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49DC61 shade: #49DC61, #38CA4E, #27B83B, #16A628 and #059415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49DC61 shade: #46DB5F, #56DB46, #7EDB46, #A7DB46 and #CFDB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49DC61 shade: #46DB5F, #46DB87, #46DBAF, #46DBD7 and #46B7DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49DC61 shade matches the following richer shades: #46DB5F and #35ED53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49DC61 shade: #46DB5F, #58CA6B, #6AB877, #7CA682 and #8D948E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49DC61 shade: #7FDB46, #58DB46, #46DB5D, #46DB84 and #46DBAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49DC61 shade: #21AE38, #27D143, #46DB5F, #69E27D and #8CE99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49DC61 shade: #49DC61, #46A7DB and #DB466C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49DC61 shade: #49DC61, #5D46DB and #DB5D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49DC61 shade: #49DC61, #46A7DB, #DB46C5 and #DB7A46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49DC61 shade: #49DC61, #467ADB, #DB46C5 and #DBA746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

Complementary color

CMYK 0 / 81 / 13 / 29

HEX #B6239E

RGB 182 35 158

HSL 309.8, 0.68%, 0.43%

LAB 43.68, 67.61, -32.26

 

CMYK 65 / 0 / 58 / 14

HEX #4EDC5C

RGB 78 220 92

HSL 125.92, 0.67%, 0.58%

LAB 78.22, -63.16, 50.97

 

CMYK 60 / 0 / 53 / 7

HEX #5FEE6F

RGB 95 238 111

HSL 126.71, 0.81%, 0.65%

LAB 84.34, -63.65, 49.69

 

CMYK 56 / 0 / 49 / 0

HEX #70FF82

RGB 112 255 130

HSL 127.55, 1%, 0.72%

LAB 90.13, -63.54, 48.02

 

CMYK 49 / 0 / 42 / 0

HEX #81FF95

RGB 129 255 149

HSL 129.52, 1%, 0.75%

LAB 90.94, -56.69, 40.07

 

CMYK 43 / 0 / 34 / 0

HEX #92FFA8

RGB 146 255 168

HSL 132.11, 1%, 0.79%

LAB 91.89, -49.19, 32.03

 

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

CMYK 72 / 0 / 61 / 21

HEX #38CA4E

RGB 56 202 78

HSL 129.04, 0.58%, 0.51%

LAB 71.98, -62.65, 49.89

 

CMYK 79 / 0 / 68 / 28

HEX #27B83B

RGB 39 184 59

HSL 128.28, 0.65%, 0.44%

LAB 65.77, -61.31, 51.02

 

CMYK 87 / 0 / 76 / 35

HEX #16A628

RGB 22 166 40

HSL 127.5, 0.77%, 0.37%

LAB 59.52, -59.29, 51.73

 

CMYK 97 / 0 / 86 / 42

HEX #059415

RGB 5 148 21

HSL 126.71, 0.93%, 0.3%

LAB 53.24, -56.36, 51.56

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 61 / 0 / 68 / 14

HEX #56DB46

RGB 86 219 70

HSL 113.56, 0.67%, 0.57%

LAB 77.92, -63.38, 59.94

 

CMYK 42 / 0 / 68 / 14

HEX #7EDB46

RGB 126 219 70

HSL 97.45, 0.67%, 0.57%

LAB 79.35, -52.48, 61.87

 

CMYK 24 / 0 / 68 / 14

HEX #A7DB46

RGB 167 219 70

HSL 80.94, 0.67%, 0.57%

LAB 81.47, -38.16, 64.73

 

CMYK 5 / 0 / 68 / 14

HEX #CFDB46

RGB 207 219 70

HSL 64.83, 0.67%, 0.57%

LAB 84.16, -22.34, 68.33

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 68 / 0 / 38 / 14

HEX #46DB87

RGB 70 219 135

HSL 146.17, 0.67%, 0.57%

LAB 78.29, -57.77, 30.17

 

CMYK 68 / 0 / 20 / 14

HEX #46DBAF

RGB 70 219 175

HSL 162.28, 0.67%, 0.57%

LAB 79.08, -49.41, 10.34

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 68 / 16 / 0 / 14

HEX #46B7DB

RGB 70 183 219

HSL 194.5, 0.67%, 0.57%

LAB 69.67, -20.55, -27.41

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 78 / 0 / 65 / 7

HEX #35ED53

RGB 53 237 83

HSL 129.78, 0.84%, 0.57%

LAB 82.89, -73.7, 59.95

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 56 / 0 / 47 / 21

HEX #58CA6B

RGB 88 202 107

HSL 130, 0.52%, 0.57%

LAB 73.14, -52.33, 37.76

 

CMYK 42 / 0 / 35 / 28

HEX #6AB877

RGB 106 184 119

HSL 130, 0.35%, 0.57%

LAB 68.52, -38.01, 25.71

 

CMYK 25 / 0 / 22 / 35

HEX #7CA682

RGB 124 166 130

HSL 128.57, 0.19%, 0.57%

LAB 64.3, -21.63, 14.12

 

CMYK 5 / 0 / 4 / 42

HEX #8D948E

RGB 141 148 142

HSL 128.57, 0.03%, 0.57%

LAB 60.6, -3.71, 2.28

 

CMYK 42 / 0 / 68 / 14

HEX #7FDB46

RGB 127 219 70

HSL 97.05, 0.67%, 0.57%

LAB 79.4, -52.16, 61.93

 

CMYK 60 / 0 / 68 / 14

HEX #58DB46

RGB 88 219 70

HSL 112.75, 0.67%, 0.57%

LAB 77.98, -62.92, 60.01

 

CMYK 68 / 0 / 58 / 14

HEX #46DB5D

RGB 70 219 93

HSL 129.26, 0.67%, 0.57%

LAB 77.73, -64.21, 49.91

 

CMYK 68 / 0 / 40 / 14

HEX #46DB84

RGB 70 219 132

HSL 144.97, 0.67%, 0.57%

LAB 78.25, -58.32, 31.64

 

CMYK 68 / 0 / 21 / 14

HEX #46DBAC

RGB 70 219 172

HSL 161.07, 0.67%, 0.57%

LAB 79.01, -50.1, 11.83

 

CMYK 81 / 0 / 68 / 32

HEX #21AE38

RGB 33 174 56

HSL 129.79, 0.68%, 0.41%

LAB 62.41, -59.17, 48.6

 

CMYK 81 / 0 / 68 / 18

HEX #27D143

RGB 39 209 67

HSL 129.88, 0.69%, 0.49%

LAB 73.83, -68.33, 56.46

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 54 / 0 / 45 / 11

HEX #69E27D

RGB 105 226 125

HSL 129.92, 0.68%, 0.65%

LAB 81.22, -54.9, 39.2

 

CMYK 40 / 0 / 33 / 9

HEX #8CE99B

RGB 140 233 155

HSL 129.68, 0.68%, 0.73%

LAB 85.11, -43.62, 29.46

 

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

CMYK 68 / 24 / 0 / 14

HEX #46A7DB

RGB 70 167 219

HSL 200.94, 0.67%, 0.57%

LAB 65.01, -12.05, -34.62

 

CMYK 0 / 68 / 51 / 14

HEX #DB466C

RGB 219 70 108

HSL 344.7, 0.67%, 0.57%

LAB 52.42, 60.39, 11.67

 

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

CMYK 58 / 68 / 0 / 14

HEX #5D46DB

RGB 93 70 219

HSL 249.26, 0.67%, 0.57%

LAB 40.93, 49.45, -73.02

 

CMYK 0 / 58 / 68 / 14

HEX #DB5D46

RGB 219 93 70

HSL 9.26, 0.67%, 0.57%

LAB 55.41, 47.94, 37.67

 

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

CMYK 68 / 24 / 0 / 14

HEX #46A7DB

RGB 70 167 219

HSL 200.94, 0.67%, 0.57%

LAB 65.01, -12.05, -34.62

 

CMYK 0 / 68 / 10 / 14

HEX #DB46C5

RGB 219 70 197

HSL 308.86, 0.67%, 0.57%

LAB 55.55, 70.84, -36.07

 

CMYK 0 / 44 / 68 / 14

HEX #DB7A46

RGB 219 122 70

HSL 20.94, 0.67%, 0.57%

LAB 61.15, 33.45, 44.29

 

CMYK 67 / 0 / 56 / 14

HEX #49DC61

RGB 73 220 97

HSL 129.8, 0.68%, 0.57%

LAB 78.15, -63.51, 48.6

 

CMYK 68 / 44 / 0 / 14

HEX #467ADB

RGB 70 122 219

HSL 219.06, 0.67%, 0.57%

LAB 52.21, 14.22, -54.81

 

CMYK 0 / 68 / 10 / 14

HEX #DB46C5

RGB 219 70 197

HSL 308.86, 0.67%, 0.57%

LAB 55.55, 70.84, -36.07

 

CMYK 0 / 24 / 68 / 14

HEX #DBA746

RGB 219 167 70

HSL 39.06, 0.67%, 0.57%

LAB 71.65, 9.39, 55.78

 

Description

Color code: HEX #49DC61 | qconv.com Color code: HEX #49DC61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 220 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 220 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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