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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49E8FE it is the complementary color #B61701. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49E8FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49E8FE shade: #4EE8F9, #5FFAFF, #70FFFF, #81FFFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49E8FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49E8FE shade: #49E8FE, #38D6EB, #27C4D8, #16B2C5 and #05A0B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49E8FE shade: #48E7FE, #48B6FE, #4885FE, #4854FE and #6C48FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49E8FE shade: #48E7FE, #48B6FE, #4885FE, #4854FE and #4848FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49E8FE shade matches the following richer shades: #48E7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49E8FE shade: #48E7FE, #57DCEF, #66D1E0, #74C6D1 and #83BBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49E8FE shade: #48FEB2, #48FEE2, #48E8FE, #48B8FE and #4887FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49E8FE shade: #01D5F2, #1FE2FD, #48E7FE, #71EDFE and #9AF2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49E8FE shade: #49E8FE, #8148FE and #FECA48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49E8FE shade: #49E8FE, #FE48E8 and #E8FE48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49E8FE shade: #49E8FE, #8148FE, #FE5D48 and #C4FE48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49E8FE shade: #49E8FE, #B848FE, #FE5D48 and #8DFE48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

Complementary color

CMYK 0 / 87 / 99 / 29

HEX #B61701

RGB 182 23 1

HSL 7.29, 0.99%, 0.36%

LAB 38.83, 59.08, 52.18

 

CMYK 69 / 7 / 0 / 2

HEX #4EE8F9

RGB 78 232 249

HSL 185.96, 0.93%, 0.64%

LAB 85.08, -34.52, -20

 

CMYK 63 / 2 / 0 / 0

HEX #5FFAFF

RGB 95 250 255

HSL 181.88, 1%, 0.69%

LAB 90.79, -38.77, -14.51

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

CMYK 76 / 9 / 0 / 8

HEX #38D6EB

RGB 56 214 235

HSL 187.04, 0.82%, 0.57%

LAB 79, -32.71, -21.83

 

CMYK 82 / 9 / 0 / 15

HEX #27C4D8

RGB 39 196 216

HSL 186.78, 0.69%, 0.5%

LAB 72.81, -31.46, -21.04

 

CMYK 89 / 10 / 0 / 23

HEX #16B2C5

RGB 22 178 197

HSL 186.51, 0.8%, 0.43%

LAB 66.55, -29.89, -20.16

 

CMYK 97 / 10 / 0 / 30

HEX #05A0B2

RGB 5 160 178

HSL 186.24, 0.95%, 0.36%

LAB 60.24, -27.94, -19.18

 

CMYK 72 / 9 / 0 / 0

HEX #48E7FE

RGB 72 231 254

HSL 187.58, 0.99%, 0.64%

LAB 84.84, -33.34, -23.02

 

CMYK 72 / 28 / 0 / 0

HEX #48B6FE

RGB 72 182 254

HSL 203.74, 0.99%, 0.64%

LAB 70.86, -8.38, -44.58

 

CMYK 72 / 48 / 0 / 0

HEX #4885FE

RGB 72 133 254

HSL 219.89, 0.99%, 0.64%

LAB 57.37, 20.14, -66.02

 

CMYK 72 / 67 / 0 / 0

HEX #4854FE

RGB 72 84 254

HSL 236.04, 0.99%, 0.64%

LAB 45.46, 49.93, -85.4

 

CMYK 57 / 72 / 0 / 0

HEX #6C48FE

RGB 108 72 254

HSL 251.87, 0.99%, 0.64%

LAB 45.6, 60.66, -85.07

 

CMYK 72 / 9 / 0 / 0

HEX #48E7FE

RGB 72 231 254

HSL 187.58, 0.99%, 0.64%

LAB 84.84, -33.34, -23.02

 

CMYK 72 / 28 / 0 / 0

HEX #48B6FE

RGB 72 182 254

HSL 203.74, 0.99%, 0.64%

LAB 70.86, -8.38, -44.58

 

CMYK 72 / 48 / 0 / 0

HEX #4885FE

RGB 72 133 254

HSL 219.89, 0.99%, 0.64%

LAB 57.37, 20.14, -66.02

 

CMYK 72 / 67 / 0 / 0

HEX #4854FE

RGB 72 84 254

HSL 236.04, 0.99%, 0.64%

LAB 45.46, 49.93, -85.4

 

CMYK 72 / 72 / 0 / 0

HEX #4848FE

RGB 72 72 254

HSL 240, 0.99%, 0.64%

LAB 43.02, 56.65, -89.43

 

CMYK 72 / 9 / 0 / 0

HEX #48E7FE

RGB 72 231 254

HSL 187.58, 0.99%, 0.64%

LAB 84.84, -33.34, -23.02

 

CMYK 72 / 9 / 0 / 0

HEX #48E7FE

RGB 72 231 254

HSL 187.58, 0.99%, 0.64%

LAB 84.84, -33.34, -23.02

 

CMYK 64 / 8 / 0 / 6

HEX #57DCEF

RGB 87 220 239

HSL 187.5, 0.83%, 0.64%

LAB 81.54, -30.41, -20.06

 

CMYK 54 / 7 / 0 / 12

HEX #66D1E0

RGB 102 209 224

HSL 187.38, 0.66%, 0.64%

LAB 78.35, -26.64, -16.82

 

CMYK 44 / 5 / 0 / 18

HEX #74C6D1

RGB 116 198 209

HSL 187.1, 0.5%, 0.64%

LAB 75.27, -22.15, -13.32

 

CMYK 32 / 4 / 0 / 24

HEX #83BBC2

RGB 131 187 194

HSL 186.67, 0.34%, 0.64%

LAB 72.4, -16.4, -9.37

 

CMYK 72 / 0 / 30 / 0

HEX #48FEB2

RGB 72 254 178

HSL 154.95, 0.99%, 0.64%

LAB 89.62, -62.25, 23.54

 

CMYK 72 / 0 / 11 / 0

HEX #48FEE2

RGB 72 254 226

HSL 170.77, 0.99%, 0.64%

LAB 90.67, -51.25, 0.31

 

CMYK 72 / 9 / 0 / 0

HEX #48E8FE

RGB 72 232 254

HSL 187.25, 0.99%, 0.64%

LAB 85.12, -33.81, -22.58

 

CMYK 72 / 28 / 0 / 0

HEX #48B8FE

RGB 72 184 254

HSL 203.08, 0.99%, 0.64%

LAB 71.43, -9.47, -43.69

 

CMYK 72 / 47 / 0 / 0

HEX #4887FE

RGB 72 135 254

HSL 219.23, 0.99%, 0.64%

LAB 57.91, 18.92, -65.16

 

CMYK 100 / 12 / 0 / 5

HEX #01D5F2

RGB 1 213 242

HSL 187.22, 0.99%, 0.48%

LAB 78.47, -33, -26.43

 

CMYK 88 / 11 / 0 / 1

HEX #1FE2FD

RGB 31 226 253

HSL 187.3, 0.98%, 0.56%

LAB 82.79, -34.73, -25.65

 

CMYK 72 / 9 / 0 / 0

HEX #48E7FE

RGB 72 231 254

HSL 187.58, 0.99%, 0.64%

LAB 84.84, -33.34, -23.02

 

CMYK 56 / 7 / 0 / 0

HEX #71EDFE

RGB 113 237 254

HSL 187.23, 0.99%, 0.72%

LAB 87.6, -29.93, -18.73

 

CMYK 39 / 5 / 0 / 0

HEX #9AF2FE

RGB 154 242 254

HSL 187.2, 0.98%, 0.8%

LAB 90.57, -23.46, -14.12

 

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

CMYK 49 / 72 / 0 / 0

HEX #8148FE

RGB 129 72 254

HSL 258.79, 0.99%, 0.64%

LAB 47.57, 63.6, -81.78

 

CMYK 0 / 20 / 72 / 0

HEX #FECA48

RGB 254 202 72

HSL 42.86, 0.99%, 0.64%

LAB 83.85, 5.93, 68.61

 

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

CMYK 0 / 72 / 9 / 0

HEX #FE48E8

RGB 254 72 232

HSL 307.25, 0.99%, 0.64%

LAB 62.95, 83.18, -43.88

 

CMYK 9 / 0 / 72 / 0

HEX #E8FE48

RGB 232 254 72

HSL 67.25, 0.99%, 0.64%

LAB 95.37, -28.76, 79.23

 

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

CMYK 49 / 72 / 0 / 0

HEX #8148FE

RGB 129 72 254

HSL 258.79, 0.99%, 0.64%

LAB 47.57, 63.6, -81.78

 

CMYK 0 / 63 / 72 / 0

HEX #FE5D48

RGB 254 93 72

HSL 6.92, 0.99%, 0.64%

LAB 61.1, 60.09, 44.62

 

CMYK 23 / 0 / 72 / 0

HEX #C4FE48

RGB 196 254 72

HSL 79.12, 0.99%, 0.64%

LAB 93.05, -42.63, 76.18

 

CMYK 71 / 9 / 0 / 0

HEX #49E8FE

RGB 73 232 254

HSL 187.29, 0.99%, 0.64%

LAB 85.14, -33.7, -22.55

 

CMYK 28 / 72 / 0 / 0

HEX #B848FE

RGB 184 72 254

HSL 276.92, 0.99%, 0.64%

LAB 54.01, 72.86, -71.01

 

CMYK 0 / 63 / 72 / 0

HEX #FE5D48

RGB 254 93 72

HSL 6.92, 0.99%, 0.64%

LAB 61.1, 60.09, 44.62

 

CMYK 44 / 0 / 72 / 0

HEX #8DFE48

RGB 141 254 72

HSL 97.25, 0.99%, 0.64%

LAB 90.33, -61.26, 72.58

 

Description

Color code: HEX #49E8FE | qconv.com Color code: HEX #49E8FE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 232 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 232 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 9 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 9% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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