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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CA52D it is the complementary color #B35AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CA52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CA52D shade: #51A528, #62B73B, #73C94E, #84DB61 and #95ED74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CA52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CA52D shade: #4CA52D, #3B931A, #2A8107, #196F00 and #085D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CA52D shade: #4BA42C, #6BA42C, #8CA42C, #A49C2C and #A47B2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CA52D shade: #4BA42C, #2CA42E, #2CA44E, #2CA46E and #2CA48E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CA52D shade matches the following richer shades: #4BA42C, #43B51C and #3BC50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CA52D shade: #4BA42C, #53933D, #5C824E, #64715F and #6C6070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CA52D shade: #8CA42C, #6CA42C, #4CA42C, #2CA42C and #2CA44C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CA52D shade: #2D631B, #3C8324, #4BA42C, #5AC435 and #73D053

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CA52D shade: #4CA52D, #2CA49C and #A42C7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CA52D shade: #4CA52D, #2C4CA4 and #A42C4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CA52D shade: #4CA52D, #2CA49C, #842CA4 and #A42C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CA52D shade: #4CA52D, #2C88A4, #842CA4 and #A4482C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

Complementary color

CMYK 15 / 57 / 0 / 18

HEX #B35AD2

RGB 179 90 210

HSL 284.5, 0.57%, 0.59%

LAB 53.55, 54.75, -47.06

 

CMYK 51 / 0 / 76 / 35

HEX #51A528

RGB 81 165 40

HSL 100.32, 0.61%, 0.4%

LAB 60.62, -47.26, 53.29

 

CMYK 46 / 0 / 68 / 28

HEX #62B73B

RGB 98 183 59

HSL 101.13, 0.51%, 0.47%

LAB 67.11, -47.75, 52.95

 

CMYK 43 / 0 / 61 / 21

HEX #73C94E

RGB 115 201 78

HSL 101.95, 0.53%, 0.55%

LAB 73.52, -48, 52.14

 

CMYK 40 / 0 / 56 / 14

HEX #84DB61

RGB 132 219 97

HSL 102.79, 0.63%, 0.62%

LAB 79.86, -48.09, 51.11

 

CMYK 37 / 0 / 51 / 7

HEX #95ED74

RGB 149 237 116

HSL 103.64, 0.77%, 0.69%

LAB 86.12, -48.07, 49.99

 

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

CMYK 60 / 0 / 82 / 42

HEX #3B931A

RGB 59 147 26

HSL 103.64, 0.7%, 0.34%

LAB 53.89, -47.5, 51.13

 

CMYK 67 / 0 / 95 / 49

HEX #2A8107

RGB 42 129 7

HSL 102.79, 0.9%, 0.27%

LAB 47.25, -46.05, 49.57

 

CMYK 77 / 0 / 100 / 56

HEX #196F00

RGB 25 111 0

HSL 106.49, 1%, 0.22%

LAB 40.53, -43.65, 45.47

 

CMYK 91 / 0 / 100 / 64

HEX #085D00

RGB 8 93 0

HSL 114.84, 1%, 0.18%

LAB 33.73, -40.24, 39.92

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 35 / 0 / 73 / 36

HEX #6BA42C

RGB 107 164 44

HSL 88.5, 0.58%, 0.41%

LAB 61.53, -37.82, 53.16

 

CMYK 15 / 0 / 73 / 36

HEX #8CA42C

RGB 140 164 44

HSL 72, 0.58%, 0.41%

LAB 63.6, -24.68, 55.89

 

CMYK 0 / 5 / 73 / 36

HEX #A49C2C

RGB 164 156 44

HSL 56, 0.58%, 0.41%

LAB 63.22, -10.15, 56.19

 

CMYK 0 / 25 / 73 / 36

HEX #A47B2C

RGB 164 123 44

HSL 39.5, 0.58%, 0.41%

LAB 54.28, 7.95, 47.37

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 73 / 0 / 72 / 36

HEX #2CA42E

RGB 44 164 46

HSL 121, 0.58%, 0.41%

LAB 59.24, -55.25, 49.33

 

CMYK 73 / 0 / 52 / 36

HEX #2CA44E

RGB 44 164 78

HSL 137, 0.58%, 0.41%

LAB 59.56, -51.41, 35.15

 

CMYK 73 / 0 / 33 / 36

HEX #2CA46E

RGB 44 164 110

HSL 153, 0.58%, 0.41%

LAB 60.08, -45.51, 18.84

 

CMYK 73 / 0 / 13 / 36

HEX #2CA48E

RGB 44 164 142

HSL 169, 0.58%, 0.41%

LAB 60.82, -37.75, 2.03

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 63 / 0 / 85 / 29

HEX #43B51C

RGB 67 181 28

HSL 104.71, 0.73%, 0.41%

LAB 65.22, -57.48, 61

 

CMYK 70 / 0 / 94 / 23

HEX #3BC50B

RGB 59 197 11

HSL 104.52, 0.89%, 0.41%

LAB 70.1, -64.9, 68.1

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 44 / 0 / 59 / 42

HEX #53933D

RGB 83 147 61

HSL 104.65, 0.41%, 0.41%

LAB 55.12, -37.28, 38.57

 

CMYK 29 / 0 / 40 / 49

HEX #5C824E

RGB 92 130 78

HSL 103.85, 0.25%, 0.41%

LAB 50.44, -23.77, 23.99

 

CMYK 12 / 0 / 16 / 56

HEX #64715F

RGB 100 113 95

HSL 103.33, 0.09%, 0.41%

LAB 46.1, -8.59, 8.36

 

CMYK 4 / 14 / 0 / 56

HEX #6C6070

RGB 108 96 112

HSL 285, 0.08%, 0.41%

LAB 42.34, 8.05, -7.28

 

CMYK 15 / 0 / 73 / 36

HEX #8CA42C

RGB 140 164 44

HSL 72, 0.58%, 0.41%

LAB 63.6, -24.68, 55.89

 

CMYK 34 / 0 / 73 / 36

HEX #6CA42C

RGB 108 164 44

HSL 88, 0.58%, 0.41%

LAB 61.59, -37.45, 53.24

 

CMYK 54 / 0 / 73 / 36

HEX #4CA42C

RGB 76 164 44

HSL 104, 0.58%, 0.41%

LAB 60.13, -48.05, 51.3

 

CMYK 73 / 0 / 73 / 36

HEX #2CA42C

RGB 44 164 44

HSL 120, 0.58%, 0.41%

LAB 59.22, -55.43, 50.08

 

CMYK 73 / 0 / 54 / 36

HEX #2CA44C

RGB 44 164 76

HSL 136, 0.58%, 0.41%

LAB 59.53, -51.71, 36.12

 

CMYK 55 / 0 / 73 / 61

HEX #2D631B

RGB 45 99 27

HSL 105, 0.57%, 0.25%

LAB 37.04, -32.44, 34.01

 

CMYK 54 / 0 / 73 / 49

HEX #3C8324

RGB 60 131 36

HSL 104.84, 0.57%, 0.33%

LAB 48.66, -40.35, 42.49

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 54 / 0 / 73 / 23

HEX #5AC435

RGB 90 196 53

HSL 104.48, 0.57%, 0.49%

LAB 70.81, -55.54, 58.95

 

CMYK 45 / 0 / 60 / 18

HEX #73D053

RGB 115 208 83

HSL 104.64, 0.57%, 0.57%

LAB 75.69, -50.34, 52.39

 

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

CMYK 73 / 0 / 5 / 36

HEX #2CA49C

RGB 44 164 156

HSL 176, 0.58%, 0.41%

LAB 61.21, -33.85, -5.27

 

CMYK 0 / 73 / 24 / 36

HEX #A42C7C

RGB 164 44 124

HSL 320, 0.58%, 0.41%

LAB 39.83, 55.99, -17.76

 

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

CMYK 73 / 54 / 0 / 36

HEX #2C4CA4

RGB 44 76 164

HSL 224, 0.58%, 0.41%

LAB 34.77, 19.72, -51.01

 

CMYK 0 / 73 / 54 / 36

HEX #A42C4C

RGB 164 44 76

HSL 344, 0.58%, 0.41%

LAB 38.23, 50.79, 10.13

 

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

CMYK 73 / 0 / 5 / 36

HEX #2CA49C

RGB 44 164 156

HSL 176, 0.58%, 0.41%

LAB 61.21, -33.85, -5.27

 

CMYK 20 / 73 / 0 / 36

HEX #842CA4

RGB 132 44 164

HSL 284, 0.58%, 0.41%

LAB 36.72, 55.12, -47.44

 

CMYK 0 / 73 / 68 / 36

HEX #A42C34

RGB 164 44 52

HSL 356, 0.58%, 0.41%

LAB 37.74, 49.14, 24.65

 

CMYK 54 / 0 / 73 / 35

HEX #4CA52D

RGB 76 165 45

HSL 104.5, 0.57%, 0.41%

LAB 60.46, -48.35, 51.26

 

CMYK 73 / 17 / 0 / 36

HEX #2C88A4

RGB 44 136 164

HSL 194, 0.58%, 0.41%

LAB 52.76, -17.19, -22.6

 

CMYK 20 / 73 / 0 / 36

HEX #842CA4

RGB 132 44 164

HSL 284, 0.58%, 0.41%

LAB 36.72, 55.12, -47.44

 

CMYK 0 / 56 / 73 / 36

HEX #A4482C

RGB 164 72 44

HSL 14, 0.58%, 0.41%

LAB 42.32, 36.18, 34.72

 

Description

Color code: HEX #4CA52D | qconv.com Color code: HEX #4CA52D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 165 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 165 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 73 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 73% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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