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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CA5D7 it is the complementary color #B35A28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CA5D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CA5D7 shade: #51A5D2, #62B7E5, #73C9F8, #84DBFF and #95EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CA5D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CA5D7 shade: #4CA5D7, #3B93C4, #2A81B1, #196F9E and #085D8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CA5D7 shade: #4CA4D6, #4C7FD6, #4C5AD6, #634CD6 and #884CD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CA5D7 shade: #4CA4D6, #4C7FD6, #4C5AD6 and #4C4CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CA5D7 shade matches the following richer shades: #4CA4D6, #3AA9E8 and #28AEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CA5D7 shade: #4CA4D6, #5E9FC4, #6F9AB2, #8195A1 and #93908F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CA5D7 shade: #4CD6BD, #4CCAD6, #4CA6D6, #4C81D6 and #4C5CD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CA5D7 shade: #267AA9, #2E92CB, #4CA4D6, #6DB5DE and #8FC6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CA5D7 shade: #4CA5D7, #984CD6 and #D6CF4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CA5D7 shade: #4CA5D7, #D64CA6 and #A6D64C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CA5D7 shade: #4CA5D7, #984CD6, #D67C4C and #8AD64C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CA5D7 shade: #4CA5D7, #C14CD6, #D67C4C and #60D64C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

Complementary color

CMYK 0 / 50 / 78 / 30

HEX #B35A28

RGB 179 90 40

HSL 21.58, 0.63%, 0.43%

LAB 48.32, 32.65, 43.83

 

CMYK 61 / 21 / 0 / 18

HEX #51A5D2

RGB 81 165 210

HSL 200.93, 0.59%, 0.57%

LAB 64.41, -12.02, -30.53

 

CMYK 57 / 20 / 0 / 10

HEX #62B7E5

RGB 98 183 229

HSL 201.07, 0.72%, 0.64%

LAB 70.95, -12.66, -30.82

 

CMYK 54 / 19 / 0 / 3

HEX #73C9F8

RGB 115 201 248

HSL 201.2, 0.9%, 0.71%

LAB 77.4, -13.17, -31.09

 

CMYK 48 / 14 / 0 / 0

HEX #84DBFF

RGB 132 219 255

HSL 197.56, 1%, 0.76%

LAB 83.33, -16.87, -25.67

 

CMYK 42 / 7 / 0 / 0

HEX #95EDFF

RGB 149 237 255

HSL 190.19, 1%, 0.79%

LAB 89.01, -21.97, -17

 

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

CMYK 70 / 25 / 0 / 23

HEX #3B93C4

RGB 59 147 196

HSL 201.46, 0.54%, 0.5%

LAB 57.83, -10.31, -32.98

 

CMYK 76 / 27 / 0 / 31

HEX #2A81B1

RGB 42 129 177

HSL 201.33, 0.62%, 0.43%

LAB 51.11, -9.01, -32.65

 

CMYK 84 / 30 / 0 / 38

HEX #196F9E

RGB 25 111 158

HSL 201.2, 0.73%, 0.36%

LAB 44.3, -7.29, -32.27

 

CMYK 94 / 33 / 0 / 45

HEX #085D8B

RGB 8 93 139

HSL 201.07, 0.89%, 0.29%

LAB 37.38, -4.97, -31.81

 

CMYK 64 / 23 / 0 / 16

HEX #4CA4D6

RGB 76 164 214

HSL 201.74, 0.63%, 0.57%

LAB 64.11, -11.08, -33.23

 

CMYK 64 / 41 / 0 / 16

HEX #4C7FD6

RGB 76 127 214

HSL 217.83, 0.63%, 0.57%

LAB 53.57, 10.39, -49.82

 

CMYK 64 / 58 / 0 / 16

HEX #4C5AD6

RGB 76 90 214

HSL 233.91, 0.63%, 0.57%

LAB 43.81, 33.41, -65.53

 

CMYK 54 / 64 / 0 / 16

HEX #634CD6

RGB 99 76 214

HSL 250, 0.63%, 0.57%

LAB 42.27, 45.57, -67.95

 

CMYK 36 / 64 / 0 / 16

HEX #884CD6

RGB 136 76 214

HSL 266.09, 0.63%, 0.57%

LAB 45.99, 52.65, -61.75

 

CMYK 64 / 23 / 0 / 16

HEX #4CA4D6

RGB 76 164 214

HSL 201.74, 0.63%, 0.57%

LAB 64.11, -11.08, -33.23

 

CMYK 64 / 41 / 0 / 16

HEX #4C7FD6

RGB 76 127 214

HSL 217.83, 0.63%, 0.57%

LAB 53.57, 10.39, -49.82

 

CMYK 64 / 58 / 0 / 16

HEX #4C5AD6

RGB 76 90 214

HSL 233.91, 0.63%, 0.57%

LAB 43.81, 33.41, -65.53

 

CMYK 64 / 64 / 0 / 16

HEX #4C4CD6

RGB 76 76 214

HSL 240, 0.63%, 0.57%

LAB 40.51, 41.97, -70.9

 

CMYK 64 / 23 / 0 / 16

HEX #4CA4D6

RGB 76 164 214

HSL 201.74, 0.63%, 0.57%

LAB 64.11, -11.08, -33.23

 

CMYK 75 / 27 / 0 / 9

HEX #3AA9E8

RGB 58 169 232

HSL 201.72, 0.79%, 0.57%

LAB 65.83, -10.4, -40.52

 

CMYK 84 / 30 / 0 / 2

HEX #28AEF9

RGB 40 174 249

HSL 201.53, 0.95%, 0.57%

LAB 67.7, -8.95, -46.89

 

CMYK 64 / 23 / 0 / 16

HEX #4CA4D6

RGB 76 164 214

HSL 201.74, 0.63%, 0.57%

LAB 64.11, -11.08, -33.23

 

CMYK 52 / 19 / 0 / 23

HEX #5E9FC4

RGB 94 159 196

HSL 201.76, 0.46%, 0.57%

LAB 62.64, -10.39, -25.42

 

CMYK 38 / 13 / 0 / 30

HEX #6F9AB2

RGB 111 154 178

HSL 201.49, 0.3%, 0.57%

LAB 61.4, -8.43, -17.14

 

CMYK 20 / 7 / 0 / 37

HEX #8195A1

RGB 129 149 161

HSL 202.5, 0.15%, 0.57%

LAB 60.55, -4.4, -8.69

 

CMYK 0 / 2 / 3 / 42

HEX #93908F

RGB 147 144 143

HSL 15, 0.02%, 0.57%

LAB 60.01, 0.91, 0.91

 

CMYK 64 / 0 / 12 / 16

HEX #4CD6BD

RGB 76 214 189

HSL 169.13, 0.63%, 0.57%

LAB 78.05, -42.93, 1.42

 

CMYK 64 / 6 / 0 / 16

HEX #4CCAD6

RGB 76 202 214

HSL 185.22, 0.63%, 0.57%

LAB 75.22, -30.64, -16.23

 

CMYK 64 / 22 / 0 / 16

HEX #4CA6D6

RGB 76 166 214

HSL 200.87, 0.63%, 0.57%

LAB 64.69, -12.17, -32.33

 

CMYK 64 / 40 / 0 / 16

HEX #4C81D6

RGB 76 129 214

HSL 216.96, 0.63%, 0.57%

LAB 54.12, 9.17, -48.93

 

CMYK 64 / 57 / 0 / 16

HEX #4C5CD6

RGB 76 92 214

HSL 233.04, 0.63%, 0.57%

LAB 44.3, 32.16, -64.72

 

CMYK 78 / 28 / 0 / 34

HEX #267AA9

RGB 38 122 169

HSL 201.53, 0.63%, 0.41%

LAB 48.51, -8.32, -32.11

 

CMYK 77 / 28 / 0 / 20

HEX #2E92CB

RGB 46 146 203

HSL 201.78, 0.63%, 0.49%

LAB 57.51, -9.01, -37.45

 

CMYK 64 / 23 / 0 / 16

HEX #4CA4D6

RGB 76 164 214

HSL 201.74, 0.63%, 0.57%

LAB 64.11, -11.08, -33.23

 

CMYK 51 / 18 / 0 / 13

HEX #6DB5DE

RGB 109 181 222

HSL 201.77, 0.63%, 0.65%

LAB 70.58, -11.36, -27.54

 

CMYK 38 / 14 / 0 / 10

HEX #8FC6E5

RGB 143 198 229

HSL 201.63, 0.62%, 0.73%

LAB 77.21, -10.17, -21.06

 

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

CMYK 29 / 64 / 0 / 16

HEX #984CD6

RGB 152 76 214

HSL 273.04, 0.63%, 0.57%

LAB 47.88, 56.04, -58.6

 

CMYK 0 / 3 / 64 / 16

HEX #D6CF4C

RGB 214 207 76

HSL 56.96, 0.63%, 0.57%

LAB 81.53, -13.18, 63.5

 

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

CMYK 0 / 64 / 22 / 16

HEX #D64CA6

RGB 214 76 166

HSL 320.87, 0.63%, 0.57%

LAB 54.26, 62.9, -20.18

 

CMYK 22 / 0 / 64 / 16

HEX #A6D64C

RGB 166 214 76

HSL 80.87, 0.63%, 0.57%

LAB 80.02, -35.86, 60.86

 

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

CMYK 29 / 64 / 0 / 16

HEX #984CD6

RGB 152 76 214

HSL 273.04, 0.63%, 0.57%

LAB 47.88, 56.04, -58.6

 

CMYK 0 / 42 / 64 / 16

HEX #D67C4C

RGB 214 124 76

HSL 20.87, 0.63%, 0.57%

LAB 60.99, 30.74, 40.82

 

CMYK 36 / 0 / 64 / 16

HEX #8AD64C

RGB 138 214 76

HSL 93.04, 0.63%, 0.57%

LAB 78.47, -46.01, 58.73

 

CMYK 65 / 23 / 0 / 16

HEX #4CA5D7

RGB 76 165 215

HSL 201.58, 0.63%, 0.57%

LAB 64.45, -11.3, -33.27

 

CMYK 10 / 64 / 0 / 16

HEX #C14CD6

RGB 193 76 214

HSL 290.87, 0.63%, 0.57%

LAB 53.34, 65.25, -49.54

 

CMYK 0 / 42 / 64 / 16

HEX #D67C4C

RGB 214 124 76

HSL 20.87, 0.63%, 0.57%

LAB 60.99, 30.74, 40.82

 

CMYK 55 / 0 / 64 / 16

HEX #60D64C

RGB 96 214 76

HSL 111.3, 0.63%, 0.57%

LAB 76.74, -58.65, 56.35

 

Description

Color code: HEX #4CA5D7 | qconv.com Color code: HEX #4CA5D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 165 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 165 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 23 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 23% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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