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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CA1A8 it is the complementary color #B35E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CA1A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CA1A8 shade: #51A1A3, #62B3B6, #73C5C9, #84D7DC and #95E9EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CA1A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CA1A8 shade: #4CA1A8, #3B8F95, #2A7D82, #196B6F and #08595C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CA1A8 shade: #4BA1A8, #4B88A8, #4B6FA8, #4B56A8 and #5A4BA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CA1A8 shade: #4BA1A8, #4B88A8, #4B6FA8, #4B56A8 and #4B4BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CA1A8 shade matches the following richer shades: #4BA1A8, #38B2BC, #24C3D0 and #10D4E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CA1A8 shade: #4BA1A8, #5F9195, #738081, #876F6D and #9B5E59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CA1A8 shade: #4BA87D, #4BA896, #4BA2A8, #4B89A8 and #4B71A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CA1A8 shade: #326B6F, #3F868C, #4BA1A8, #64B3B9 and #80C1C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CA1A8 shade: #4CA1A8, #644BA8 and #A8894B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CA1A8 shade: #4CA1A8, #A84BA2 and #A2A84B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CA1A8 shade: #4CA1A8, #644BA8, #A8524B and #90A84B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CA1A8 shade: #4CA1A8, #804BA8, #A8524B and #74A84B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

Complementary color

CMYK 0 / 47 / 51 / 30

HEX #B35E57

RGB 179 94 87

HSL 4.57, 0.38%, 0.52%

LAB 49.83, 33.65, 19.62

 

CMYK 50 / 1 / 0 / 36

HEX #51A1A3

RGB 81 161 163

HSL 181.46, 0.34%, 0.48%

LAB 61.55, -23.84, -8.59

 

CMYK 46 / 2 / 0 / 29

HEX #62B3B6

RGB 98 179 182

HSL 182.14, 0.37%, 0.55%

LAB 68.18, -23.92, -9.24

 

CMYK 43 / 2 / 0 / 21

HEX #73C5C9

RGB 115 197 201

HSL 182.79, 0.44%, 0.62%

LAB 74.7, -23.95, -9.85

 

CMYK 40 / 2 / 0 / 14

HEX #84D7DC

RGB 132 215 220

HSL 183.41, 0.56%, 0.69%

LAB 81.11, -23.94, -10.42

 

CMYK 38 / 3 / 0 / 6

HEX #95E9EF

RGB 149 233 239

HSL 184, 0.74%, 0.76%

LAB 87.44, -23.92, -10.97

 

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

CMYK 60 / 4 / 0 / 42

HEX #3B8F95

RGB 59 143 149

HSL 184, 0.43%, 0.41%

LAB 54.81, -23.21, -10.78

 

CMYK 68 / 4 / 0 / 49

HEX #2A7D82

RGB 42 125 130

HSL 183.41, 0.51%, 0.34%

LAB 47.97, -22.71, -10.03

 

CMYK 77 / 4 / 0 / 56

HEX #196B6F

RGB 25 107 111

HSL 182.79, 0.63%, 0.27%

LAB 41.01, -21.89, -9.15

 

CMYK 91 / 3 / 0 / 64

HEX #08595C

RGB 8 89 92

HSL 182.14, 0.84%, 0.2%

LAB 33.92, -20.56, -8.11

 

CMYK 55 / 4 / 0 / 34

HEX #4BA1A8

RGB 75 161 168

HSL 184.52, 0.38%, 0.48%

LAB 61.49, -23.74, -11.52

 

CMYK 55 / 19 / 0 / 34

HEX #4B88A8

RGB 75 136 168

HSL 200.65, 0.38%, 0.48%

LAB 53.95, -10.34, -22.97

 

CMYK 55 / 34 / 0 / 34

HEX #4B6FA8

RGB 75 111 168

HSL 216.77, 0.38%, 0.48%

LAB 46.57, 4.38, -34.46

 

CMYK 55 / 49 / 0 / 34

HEX #4B56A8

RGB 75 86 168

HSL 232.9, 0.38%, 0.48%

LAB 39.54, 20.15, -45.62

 

CMYK 46 / 55 / 0 / 34

HEX #5A4BA8

RGB 90 75 168

HSL 249.68, 0.38%, 0.48%

LAB 37.9, 30.46, -48.19

 

CMYK 55 / 4 / 0 / 34

HEX #4BA1A8

RGB 75 161 168

HSL 184.52, 0.38%, 0.48%

LAB 61.49, -23.74, -11.52

 

CMYK 55 / 19 / 0 / 34

HEX #4B88A8

RGB 75 136 168

HSL 200.65, 0.38%, 0.48%

LAB 53.95, -10.34, -22.97

 

CMYK 55 / 34 / 0 / 34

HEX #4B6FA8

RGB 75 111 168

HSL 216.77, 0.38%, 0.48%

LAB 46.57, 4.38, -34.46

 

CMYK 55 / 49 / 0 / 34

HEX #4B56A8

RGB 75 86 168

HSL 232.9, 0.38%, 0.48%

LAB 39.54, 20.15, -45.62

 

CMYK 55 / 55 / 0 / 34

HEX #4B4BA8

RGB 75 75 168

HSL 240, 0.38%, 0.48%

LAB 36.66, 27.19, -50.26

 

CMYK 55 / 4 / 0 / 34

HEX #4BA1A8

RGB 75 161 168

HSL 184.52, 0.38%, 0.48%

LAB 61.49, -23.74, -11.52

 

CMYK 70 / 5 / 0 / 26

HEX #38B2BC

RGB 56 178 188

HSL 184.55, 0.54%, 0.48%

LAB 66.76, -29.55, -14.82

 

CMYK 83 / 6 / 0 / 18

HEX #24C3D0

RGB 36 195 208

HSL 184.53, 0.7%, 0.48%

LAB 72.2, -33.7, -17.61

 

CMYK 93 / 7 / 0 / 11

HEX #10D4E4

RGB 16 212 228

HSL 184.53, 0.87%, 0.48%

LAB 77.76, -36.55, -20.02

 

CMYK 55 / 4 / 0 / 34

HEX #4BA1A8

RGB 75 161 168

HSL 184.52, 0.38%, 0.48%

LAB 61.49, -23.74, -11.52

 

CMYK 36 / 3 / 0 / 42

HEX #5F9195

RGB 95 145 149

HSL 184.44, 0.22%, 0.48%

LAB 56.93, -15.64, -7.45

 

CMYK 11 / 1 / 0 / 49

HEX #738081

RGB 115 128 129

HSL 184.29, 0.06%, 0.48%

LAB 52.58, -4.55, -2.18

 

CMYK 0 / 18 / 19 / 47

HEX #876F6D

RGB 135 111 109

HSL 4.62, 0.11%, 0.48%

LAB 49.04, 9.1, 4.65

 

CMYK 0 / 39 / 43 / 39

HEX #9B5E59

RGB 155 94 89

HSL 4.55, 0.27%, 0.48%

LAB 46.57, 24.3, 13.45

 

CMYK 55 / 0 / 26 / 34

HEX #4BA87D

RGB 75 168 125

HSL 152.26, 0.38%, 0.48%

LAB 62.49, -37.96, 14.02

 

CMYK 55 / 0 / 11 / 34

HEX #4BA896

RGB 75 168 150

HSL 168.39, 0.38%, 0.48%

LAB 63.1, -32.05, 0.96

 

CMYK 55 / 4 / 0 / 34

HEX #4BA2A8

RGB 75 162 168

HSL 183.87, 0.38%, 0.48%

LAB 61.8, -24.24, -11.07

 

CMYK 55 / 18 / 0 / 34

HEX #4B89A8

RGB 75 137 168

HSL 200, 0.38%, 0.48%

LAB 54.25, -10.9, -22.51

 

CMYK 55 / 33 / 0 / 34

HEX #4B71A8

RGB 75 113 168

HSL 215.48, 0.38%, 0.48%

LAB 47.15, 3.16, -33.55

 

CMYK 55 / 4 / 0 / 56

HEX #326B6F

RGB 50 107 111

HSL 183.93, 0.38%, 0.32%

LAB 41.75, -17.37, -7.96

 

CMYK 55 / 4 / 0 / 45

HEX #3F868C

RGB 63 134 140

HSL 184.68, 0.38%, 0.4%

LAB 51.84, -20.36, -10.02

 

CMYK 55 / 4 / 0 / 34

HEX #4BA1A8

RGB 75 161 168

HSL 184.52, 0.38%, 0.48%

LAB 61.49, -23.74, -11.52

 

CMYK 46 / 3 / 0 / 27

HEX #64B3B9

RGB 100 179 185

HSL 184.24, 0.38%, 0.56%

LAB 68.35, -22.66, -10.63

 

CMYK 35 / 3 / 0 / 22

HEX #80C1C6

RGB 128 193 198

HSL 184.29, 0.38%, 0.64%

LAB 74.07, -19.34, -9.09

 

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

CMYK 40 / 55 / 0 / 34

HEX #644BA8

RGB 100 75 168

HSL 256.13, 0.38%, 0.48%

LAB 38.84, 32.84, -46.63

 

CMYK 0 / 18 / 55 / 34

HEX #A8894B

RGB 168 137 75

HSL 40, 0.38%, 0.48%

LAB 58.72, 4.02, 37.33

 

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

CMYK 0 / 55 / 4 / 34

HEX #A84BA2

RGB 168 75 162

HSL 303.87, 0.38%, 0.48%

LAB 46.93, 49.91, -29.72

 

CMYK 4 / 0 / 55 / 34

HEX #A2A84B

RGB 162 168 75

HSL 63.87, 0.38%, 0.48%

LAB 66.67, -15.24, 46.5

 

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

CMYK 40 / 55 / 0 / 34

HEX #644BA8

RGB 100 75 168

HSL 256.13, 0.38%, 0.48%

LAB 38.84, 32.84, -46.63

 

CMYK 0 / 51 / 55 / 34

HEX #A8524B

RGB 168 82 75

HSL 4.52, 0.38%, 0.48%

LAB 45.45, 34.66, 20.65

 

CMYK 14 / 0 / 55 / 34

HEX #90A84B

RGB 144 168 75

HSL 75.48, 0.38%, 0.48%

LAB 65.31, -22.72, 44.59

 

CMYK 55 / 4 / 0 / 34

HEX #4CA1A8

RGB 76 161 168

HSL 184.57, 0.38%, 0.48%

LAB 61.53, -23.53, -11.46

 

CMYK 24 / 55 / 0 / 34

HEX #804BA8

RGB 128 75 168

HSL 274.19, 0.38%, 0.48%

LAB 41.92, 40.04, -41.53

 

CMYK 0 / 51 / 55 / 34

HEX #A8524B

RGB 168 82 75

HSL 4.52, 0.38%, 0.48%

LAB 45.45, 34.66, 20.65

 

CMYK 31 / 0 / 55 / 34

HEX #74A84B

RGB 116 168 75

HSL 93.55, 0.38%, 0.48%

LAB 63.53, -33.61, 42.06

 

Description

Color code: HEX #4CA1A8 | qconv.com Color code: HEX #4CA1A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 161 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 161 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 4 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 4% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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