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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CA2A0 it is the complementary color #B35D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CA2A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CA2A0 shade: #51A29B, #62B4AE, #73C6C1, #84D8D4 and #95EAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CA2A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CA2A0 shade: #4CA2A0, #3B908D, #2A7E7A, #196C67 and #085A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CA2A0 shade: #4CA2A0, #4CA289, #4CA272, #4CA25B and #55A24C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CA2A0 shade: #4CA2A0, #4C8DA2, #4C76A2, #4C5FA2 and #4C4CA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CA2A0 shade matches the following richer shades: #4CA2A0, #39B6B3, #25C9C5 and #12DDD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CA2A0 shade: #4CA2A0, #608F8E, #737C7C, #866869 and #9A5557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CA2A0 shade: #4CA272, #4CA289, #4CA2A0, #4C8EA2 and #4C77A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CA2A0 shade: #326A69, #3F8685, #4CA2A0, #63B5B3 and #7FC2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CA2A0 shade: #4CA2A0, #5B4CA2 and #A27D4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CA2A0 shade: #4CA2A0, #A04CA2 and #A2A04C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CA2A0 shade: #4CA2A0, #5B4CA2, #A24C4F and #94A24C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CA2A0 shade: #4CA2A0, #744CA2, #A24C4F and #7AA24C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

Complementary color

CMYK 0 / 48 / 47 / 30

HEX #B35D5F

RGB 179 93 95

HSL 358.6, 0.36%, 0.53%

LAB 49.78, 34.96, 14.81

 

CMYK 50 / 0 / 4 / 36

HEX #51A29B

RGB 81 162 155

HSL 174.81, 0.33%, 0.48%

LAB 61.62, -26.49, -3.99

 

CMYK 46 / 0 / 3 / 29

HEX #62B4AE

RGB 98 180 174

HSL 175.61, 0.35%, 0.55%

LAB 68.24, -26.49, -4.73

 

CMYK 42 / 0 / 3 / 22

HEX #73C6C1

RGB 115 198 193

HSL 176.39, 0.42%, 0.61%

LAB 74.75, -26.45, -5.43

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D4

RGB 132 216 212

HSL 177.14, 0.52%, 0.68%

LAB 81.17, -26.38, -6.08

 

CMYK 36 / 0 / 1 / 8

HEX #95EAE7

RGB 149 234 231

HSL 177.88, 0.67%, 0.75%

LAB 87.49, -26.3, -6.69

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 59 / 0 / 2 / 44

HEX #3B908D

RGB 59 144 141

HSL 177.88, 0.42%, 0.4%

LAB 54.87, -26.05, -6.09

 

CMYK 67 / 0 / 3 / 51

HEX #2A7E7A

RGB 42 126 122

HSL 177.14, 0.5%, 0.33%

LAB 48.03, -25.66, -5.21

 

CMYK 77 / 0 / 5 / 58

HEX #196C67

RGB 25 108 103

HSL 176.39, 0.62%, 0.26%

LAB 41.07, -24.97, -4.19

 

CMYK 91 / 0 / 7 / 65

HEX #085A54

RGB 8 90 84

HSL 175.61, 0.84%, 0.19%

LAB 33.99, -23.78, -2.98

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 53 / 0 / 15 / 36

HEX #4CA289

RGB 76 162 137

HSL 162.56, 0.36%, 0.47%

LAB 60.94, -32.21, 5.14

 

CMYK 53 / 0 / 30 / 36

HEX #4CA272

RGB 76 162 114

HSL 146.51, 0.36%, 0.47%

LAB 60.42, -37.36, 17.24

 

CMYK 53 / 0 / 44 / 36

HEX #4CA25B

RGB 76 162 91

HSL 130.47, 0.36%, 0.47%

LAB 60.01, -41.62, 29.17

 

CMYK 48 / 0 / 53 / 36

HEX #55A24C

RGB 85 162 76

HSL 113.72, 0.36%, 0.47%

LAB 60.15, -41.27, 37.17

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 53 / 13 / 0 / 36

HEX #4C8DA2

RGB 76 141 162

HSL 194.65, 0.36%, 0.47%

LAB 55.27, -14.72, -17.5

 

CMYK 53 / 27 / 0 / 36

HEX #4C76A2

RGB 76 118 162

HSL 210.7, 0.36%, 0.47%

LAB 48.39, -1.57, -28.1

 

CMYK 53 / 41 / 0 / 36

HEX #4C5FA2

RGB 76 95 162

HSL 226.74, 0.36%, 0.47%

LAB 41.74, 12.62, -38.56

 

CMYK 53 / 53 / 0 / 36

HEX #4C4CA2

RGB 76 76 162

HSL 240, 0.36%, 0.47%

LAB 36.58, 24.79, -46.79

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 69 / 0 / 2 / 29

HEX #39B6B3

RGB 57 182 179

HSL 178.56, 0.52%, 0.47%

LAB 67.71, -33.96, -8.42

 

CMYK 82 / 0 / 2 / 21

HEX #25C9C5

RGB 37 201 197

HSL 178.54, 0.69%, 0.47%

LAB 73.67, -39.68, -9.42

 

CMYK 92 / 0 / 2 / 13

HEX #12DDD8

RGB 18 221 216

HSL 178.52, 0.85%, 0.47%

LAB 80.07, -44.13, -10.13

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 33 / 0 / 1 / 44

HEX #608F8E

RGB 96 143 142

HSL 178.72, 0.2%, 0.47%

LAB 56.17, -16.05, -4.56

 

CMYK 7 / 0 / 0 / 51

HEX #737C7C

RGB 115 124 124

HSL 180, 0.04%, 0.47%

LAB 51.28, -3.34, -1.16

 

CMYK 0 / 22 / 22 / 47

HEX #866869

RGB 134 104 105

HSL 358, 0.13%, 0.47%

LAB 46.96, 12.15, 4.04

 

CMYK 0 / 45 / 44 / 40

HEX #9A5557

RGB 154 85 87

HSL 358.26, 0.29%, 0.47%

LAB 44.31, 28.73, 11.5

 

CMYK 53 / 0 / 30 / 36

HEX #4CA272

RGB 76 162 114

HSL 146.51, 0.36%, 0.47%

LAB 60.42, -37.36, 17.24

 

CMYK 53 / 0 / 15 / 36

HEX #4CA289

RGB 76 162 137

HSL 162.56, 0.36%, 0.47%

LAB 60.94, -32.21, 5.14

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 53 / 12 / 0 / 36

HEX #4C8EA2

RGB 76 142 162

HSL 193.95, 0.36%, 0.47%

LAB 55.57, -15.26, -17.04

 

CMYK 53 / 27 / 0 / 36

HEX #4C77A2

RGB 76 119 162

HSL 210, 0.36%, 0.47%

LAB 48.68, -2.17, -27.64

 

CMYK 53 / 0 / 1 / 58

HEX #326A69

RGB 50 106 105

HSL 178.93, 0.36%, 0.31%

LAB 41.23, -18.6, -5.1

 

CMYK 53 / 0 / 1 / 47

HEX #3F8685

RGB 63 134 133

HSL 179.15, 0.36%, 0.39%

LAB 51.61, -22.38, -6.27

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 45 / 0 / 1 / 29

HEX #63B5B3

RGB 99 181 179

HSL 178.54, 0.36%, 0.55%

LAB 68.72, -25.47, -6.78

 

CMYK 35 / 0 / 1 / 24

HEX #7FC2C1

RGB 127 194 193

HSL 179.1, 0.35%, 0.63%

LAB 74.16, -21.33, -6.25

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 44 / 53 / 0 / 36

HEX #5B4CA2

RGB 91 76 162

HSL 250.47, 0.36%, 0.47%

LAB 37.85, 28.27, -44.69

 

CMYK 0 / 23 / 53 / 36

HEX #A27D4C

RGB 162 125 76

HSL 34.19, 0.36%, 0.47%

LAB 54.94, 8.22, 32.04

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 1 / 53 / 0 / 36

HEX #A04CA2

RGB 160 76 162

HSL 298.6, 0.36%, 0.47%

LAB 45.98, 47.14, -31.29

 

CMYK 0 / 1 / 53 / 36

HEX #A2A04C

RGB 162 160 76

HSL 58.6, 0.36%, 0.47%

LAB 64.44, -10.98, 43.45

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 44 / 53 / 0 / 36

HEX #5B4CA2

RGB 91 76 162

HSL 250.47, 0.36%, 0.47%

LAB 37.85, 28.27, -44.69

 

CMYK 0 / 53 / 51 / 36

HEX #A24C4F

RGB 162 76 79

HSL 357.91, 0.36%, 0.47%

LAB 43.38, 35.86, 15.29

 

CMYK 9 / 0 / 53 / 36

HEX #94A24C

RGB 148 162 76

HSL 69.77, 0.36%, 0.47%

LAB 63.88, -17.94, 42.52

 

CMYK 53 / 0 / 1 / 36

HEX #4CA2A0

RGB 76 162 160

HSL 178.6, 0.36%, 0.47%

LAB 61.58, -26.27, -6.88

 

CMYK 28 / 53 / 0 / 36

HEX #744CA2

RGB 116 76 162

HSL 267.91, 0.36%, 0.47%

LAB 40.39, 34.76, -40.47

 

CMYK 0 / 53 / 51 / 36

HEX #A24C4F

RGB 162 76 79

HSL 357.91, 0.36%, 0.47%

LAB 43.38, 35.86, 15.29

 

CMYK 25 / 0 / 53 / 36

HEX #7AA24C

RGB 122 162 76

HSL 87.91, 0.36%, 0.47%

LAB 62.08, -28.41, 39.95

 

Description

Color code: HEX #4CA2A0 | qconv.com Color code: HEX #4CA2A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 162 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 162 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 1 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 1% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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