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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAD38 it is the complementary color #B352C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAD38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CAD38 shade: #51AD33, #62BF46, #73D159, #84E36C and #95F57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAD38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CAD38 shade: #4CAD38, #3B9B25, #2A8912, #197700 and #086500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CAD38 shade: #4CAD38, #6BAD38, #8BAD38, #AAAD38 and #AD9038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CAD38 shade: #4CAD38, #38AD43, #38AD63, #38AD82 and #38ADA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CAD38 shade matches the following richer shades: #4CAD38, #40BF25, #33D213 and #27E400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CAD38 shade: #4CAD38, #589A4A, #64885D, #70756F and #7D6382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CAD38 shade: #8CAD38, #6CAD38, #4DAD38, #38AD41 and #38AD61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CAD38 shade: #306E24, #3E8E2E, #4CAD38, #5FC44A and #7ACE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CAD38 shade: #4CAD38, #38ABAD and #AD387C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CAD38 shade: #4CAD38, #384DAD and #AD384D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CAD38 shade: #4CAD38, #38ABAD, #9738AD and #AD3A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CAD38 shade: #4CAD38, #3888AD, #9738AD and #AD5D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

Complementary color

CMYK 10 / 59 / 0 / 22

HEX #B352C7

RGB 179 82 199

HSL 289.74, 0.51%, 0.55%

LAB 51.54, 56.39, -43.94

 

CMYK 53 / 0 / 71 / 32

HEX #51AD33

RGB 81 173 51

HSL 105.25, 0.54%, 0.44%

LAB 63.24, -49.53, 51.86

 

CMYK 49 / 0 / 63 / 25

HEX #62BF46

RGB 98 191 70

HSL 106.12, 0.49%, 0.51%

LAB 69.68, -49.94, 51.13

 

CMYK 45 / 0 / 57 / 18

HEX #73D159

RGB 115 209 89

HSL 107, 0.57%, 0.58%

LAB 76.05, -50.11, 50.12

 

CMYK 42 / 0 / 52 / 11

HEX #84E36C

RGB 132 227 108

HSL 107.9, 0.68%, 0.66%

LAB 82.34, -50.15, 48.98

 

CMYK 39 / 0 / 48 / 4

HEX #95F57F

RGB 149 245 127

HSL 108.81, 0.86%, 0.73%

LAB 88.56, -50.09, 47.8

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 62 / 0 / 76 / 39

HEX #3B9B25

RGB 59 155 37

HSL 108.81, 0.61%, 0.38%

LAB 56.59, -49.72, 50.12

 

CMYK 69 / 0 / 87 / 46

HEX #2A8912

RGB 42 137 18

HSL 107.9, 0.77%, 0.3%

LAB 50.01, -48.41, 49.61

 

CMYK 79 / 0 / 100 / 53

HEX #197700

RGB 25 119 0

HSL 107.39, 1%, 0.23%

LAB 43.36, -46.3, 47.73

 

CMYK 92 / 0 / 100 / 60

HEX #086500

RGB 8 101 0

HSL 115.25, 1%, 0.2%

LAB 36.67, -42.79, 42.27

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 38 / 0 / 68 / 32

HEX #6BAD38

RGB 107 173 56

HSL 93.85, 0.51%, 0.45%

LAB 64.4, -40.87, 51.43

 

CMYK 20 / 0 / 68 / 32

HEX #8BAD38

RGB 139 173 56

HSL 77.44, 0.51%, 0.45%

LAB 66.26, -28.73, 53.94

 

CMYK 2 / 0 / 68 / 32

HEX #AAAD38

RGB 170 173 56

HSL 61.54, 0.51%, 0.45%

LAB 68.55, -15.74, 57.02

 

CMYK 0 / 17 / 68 / 32

HEX #AD9038

RGB 173 144 56

HSL 45.13, 0.51%, 0.45%

LAB 60.88, 0.98, 49.18

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 68 / 0 / 61 / 32

HEX #38AD43

RGB 56 173 67

HSL 125.64, 0.51%, 0.45%

LAB 62.62, -53.96, 44.15

 

CMYK 68 / 0 / 43 / 32

HEX #38AD63

RGB 56 173 99

HSL 142.05, 0.51%, 0.45%

LAB 63.03, -49.21, 28.75

 

CMYK 68 / 0 / 25 / 32

HEX #38AD82

RGB 56 173 130

HSL 157.95, 0.51%, 0.45%

LAB 63.62, -42.84, 12.76

 

CMYK 68 / 0 / 6 / 32

HEX #38ADA2

RGB 56 173 162

HSL 174.36, 0.51%, 0.45%

LAB 64.43, -34.68, -3.84

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 66 / 0 / 81 / 25

HEX #40BF25

RGB 64 191 37

HSL 109.48, 0.68%, 0.45%

LAB 68.38, -61.04, 61.47

 

CMYK 76 / 0 / 91 / 18

HEX #33D213

RGB 51 210 19

HSL 109.95, 0.83%, 0.45%

LAB 74.09, -69.98, 70.31

 

CMYK 83 / 0 / 100 / 11

HEX #27E400

RGB 39 228 0

HSL 109.74, 1%, 0.45%

LAB 79.57, -76.95, 76.73

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 43 / 0 / 52 / 40

HEX #589A4A

RGB 88 154 74

HSL 109.5, 0.35%, 0.45%

LAB 57.73, -37.12, 35.27

 

CMYK 26 / 0 / 32 / 47

HEX #64885D

RGB 100 136 93

HSL 110.23, 0.19%, 0.45%

LAB 53.07, -21.42, 19.14

 

CMYK 4 / 0 / 5 / 54

HEX #70756F

RGB 112 117 111

HSL 110, 0.03%, 0.45%

LAB 48.65, -3.11, 2.65

 

CMYK 4 / 24 / 0 / 49

HEX #7D6382

RGB 125 99 130

HSL 290.32, 0.14%, 0.45%

LAB 45.49, 16.38, -13.27

 

CMYK 19 / 0 / 68 / 32

HEX #8CAD38

RGB 140 173 56

HSL 76.92, 0.51%, 0.45%

LAB 66.33, -28.33, 54.03

 

CMYK 38 / 0 / 68 / 32

HEX #6CAD38

RGB 108 173 56

HSL 93.33, 0.51%, 0.45%

LAB 64.45, -40.52, 51.49

 

CMYK 55 / 0 / 68 / 32

HEX #4DAD38

RGB 77 173 56

HSL 109.23, 0.51%, 0.45%

LAB 63.14, -50.2, 49.7

 

CMYK 68 / 0 / 62 / 32

HEX #38AD41

RGB 56 173 65

HSL 124.62, 0.51%, 0.45%

LAB 62.6, -54.19, 45.04

 

CMYK 68 / 0 / 44 / 32

HEX #38AD61

RGB 56 173 97

HSL 141.03, 0.51%, 0.45%

LAB 63, -49.56, 29.76

 

CMYK 56 / 0 / 67 / 57

HEX #306E24

RGB 48 110 36

HSL 110.27, 0.51%, 0.29%

LAB 41.07, -35.28, 34.25

 

CMYK 56 / 0 / 68 / 44

HEX #3E8E2E

RGB 62 142 46

HSL 110, 0.51%, 0.37%

LAB 52.47, -43.25, 42.31

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 52 / 0 / 62 / 23

HEX #5FC44A

RGB 95 196 74

HSL 109.67, 0.51%, 0.53%

LAB 71.15, -52.35, 51

 

CMYK 41 / 0 / 49 / 19

HEX #7ACE69

RGB 122 206 105

HSL 109.9, 0.51%, 0.61%

LAB 75.64, -44.83, 42.15

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 68 / 1 / 0 / 32

HEX #38ABAD

RGB 56 171 173

HSL 181.03, 0.51%, 0.45%

LAB 64.15, -30.6, -10.4

 

CMYK 0 / 68 / 28 / 32

HEX #AD387C

RGB 173 56 124

HSL 325.13, 0.51%, 0.45%

LAB 43.02, 53.94, -12.76

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 68 / 55 / 0 / 32

HEX #384DAD

RGB 56 77 173

HSL 229.23, 0.51%, 0.45%

LAB 36.3, 24.19, -53.87

 

CMYK 0 / 68 / 55 / 32

HEX #AD384D

RGB 173 56 77

HSL 349.23, 0.51%, 0.45%

LAB 41.61, 49.02, 14.41

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 68 / 1 / 0 / 32

HEX #38ABAD

RGB 56 171 173

HSL 181.03, 0.51%, 0.45%

LAB 64.15, -30.6, -10.4

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

CMYK 0 / 66 / 68 / 32

HEX #AD3A38

RGB 173 58 56

HSL 1.03, 0.51%, 0.45%

LAB 41.53, 46.74, 27.23

 

CMYK 56 / 0 / 68 / 32

HEX #4CAD38

RGB 76 173 56

HSL 109.74, 0.51%, 0.45%

LAB 63.1, -50.47, 49.65

 

CMYK 68 / 21 / 0 / 32

HEX #3888AD

RGB 56 136 173

HSL 198.97, 0.51%, 0.45%

LAB 53.46, -12.37, -26.68

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

CMYK 0 / 46 / 68 / 32

HEX #AD5D38

RGB 173 93 56

HSL 18.97, 0.51%, 0.45%

LAB 48.26, 29.38, 35.24

 

Description

Color code: HEX #4CAD38 | qconv.com Color code: HEX #4CAD38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 173 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 173 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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