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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAF00 it is the complementary color #B350FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CAF00 shade: #51AF00, #62C10E, #73D321, #84E534 and #95F747

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CAF00 shade: #4CAF00, #3B9D00, #2A8B00, #197900 and #086700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CAF00 shade: #4BAD00, #7AAD00, #A8AD00, #AD8300 and #AD5400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CAF00 shade: #4BAD00, #1CAD00, #00AD12, #00AD40 and #00AD6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CAF00 shade matches the following richer shades: #4BAD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CAF00 shade: #4BAD00, #4D9F0E, #4E911C, #50832A and #527538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CAF00 shade: #AAAD00, #7CAD00, #4EAD00, #1FAD00 and #00AD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CAF00 shade: #275A00, #398400, #4BAD00, #5DD600 and #6FFF00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CAF00 shade: #4CAF00, #00AD82 and #AD0093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CAF00 shade: #4CAF00, #004EAD and #AD004E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CAF00 shade: #4CAF00, #00AD82, #5F00AD and #AD002B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CAF00 shade: #4CAF00, #00A4AD, #5F00AD and #AD0800

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

Complementary color

CMYK 30 / 69 / 0 / 0

HEX #B350FF

RGB 179 80 255

HSL 273.94, 1%, 0.66%

LAB 54.6, 68.86, -70.64

 

CMYK 54 / 0 / 100 / 31

HEX #51AF00

RGB 81 175 0

HSL 92.23, 1%, 0.34%

LAB 63.68, -52.52, 64.5

 

CMYK 49 / 0 / 93 / 24

HEX #62C10E

RGB 98 193 14

HSL 91.84, 0.86%, 0.41%

LAB 70.01, -53.9, 68.14

 

CMYK 45 / 0 / 84 / 17

HEX #73D321

RGB 115 211 33

HSL 92.36, 0.73%, 0.48%

LAB 76.28, -54.92, 70.27

 

CMYK 42 / 0 / 77 / 10

HEX #84E534

RGB 132 229 52

HSL 92.88, 0.77%, 0.55%

LAB 82.48, -55.65, 71.19

 

CMYK 40 / 0 / 71 / 3

HEX #95F747

RGB 149 247 71

HSL 93.41, 0.92%, 0.62%

LAB 88.62, -56.15, 71.32

 

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

CMYK 62 / 0 / 100 / 38

HEX #3B9D00

RGB 59 157 0

HSL 97.45, 1%, 0.31%

LAB 57.12, -51.98, 59.01

 

CMYK 70 / 0 / 100 / 45

HEX #2A8B00

RGB 42 139 0

HSL 101.87, 1%, 0.27%

LAB 50.64, -49.72, 53.68

 

CMYK 79 / 0 / 100 / 53

HEX #197900

RGB 25 121 0

HSL 107.6, 1%, 0.24%

LAB 44.06, -46.95, 48.29

 

CMYK 92 / 0 / 100 / 60

HEX #086700

RGB 8 103 0

HSL 115.34, 1%, 0.2%

LAB 37.39, -43.42, 42.85

 

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 29 / 0 / 100 / 32

HEX #7AAD00

RGB 122 173 0

HSL 77.69, 1%, 0.34%

LAB 64.98, -37.62, 66.34

 

CMYK 3 / 0 / 100 / 32

HEX #A8AD00

RGB 168 173 0

HSL 61.73, 1%, 0.34%

LAB 68.18, -18.32, 70.15

HEX #A8AD00

CMYK 0 / 24 / 100 / 32

HEX #AD8300

RGB 173 131 0

HSL 45.43, 1%, 0.34%

LAB 57.19, 6.38, 62.52

HEX #AD8300

CMYK 0 / 51 / 100 / 32

HEX #AD5400

RGB 173 84 0

HSL 29.13, 1%, 0.34%

LAB 45.94, 32.4, 55.26

HEX #AD5400

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 84 / 0 / 100 / 32

HEX #1CAD00

RGB 28 173 0

HSL 110.29, 1%, 0.34%

LAB 61.77, -62.5, 62.45

 

CMYK 100 / 0 / 90 / 32

HEX #00AD12

RGB 0 173 18

HSL 126.24, 1%, 0.34%

LAB 61.59, -63.94, 59.6

 

CMYK 100 / 0 / 63 / 32

HEX #00AD40

RGB 0 173 64

HSL 142.2, 1%, 0.34%

LAB 61.88, -60.35, 44.47

 

CMYK 100 / 0 / 36 / 32

HEX #00AD6F

RGB 0 173 111

HSL 158.5, 1%, 0.34%

LAB 62.54, -52.39, 21.55

 

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 52 / 0 / 91 / 38

HEX #4D9F0E

RGB 77 159 14

HSL 93.93, 0.84%, 0.34%

LAB 58.42, -47.38, 58.19

 

CMYK 46 / 0 / 81 / 43

HEX #4E911C

RGB 78 145 28

HSL 94.36, 0.68%, 0.34%

LAB 53.98, -40.9, 50.87

 

CMYK 39 / 0 / 68 / 49

HEX #50832A

RGB 80 131 42

HSL 94.38, 0.51%, 0.34%

LAB 49.62, -33.13, 41.23

 

CMYK 30 / 0 / 52 / 54

HEX #527538

RGB 82 117 56

HSL 94.43, 0.35%, 0.34%

LAB 45.36, -24.16, 29.51

 

CMYK 2 / 0 / 100 / 32

HEX #AAAD00

RGB 170 173 0

HSL 61.04, 1%, 0.34%

LAB 68.34, -17.44, 70.35

 

CMYK 28 / 0 / 100 / 32

HEX #7CAD00

RGB 124 173 0

HSL 76.99, 1%, 0.34%

LAB 65.1, -36.84, 66.48

 

CMYK 55 / 0 / 100 / 32

HEX #4EAD00

RGB 78 173 0

HSL 92.95, 1%, 0.34%

LAB 62.93, -52.64, 63.86

 

CMYK 82 / 0 / 100 / 32

HEX #1FAD00

RGB 31 173 0

HSL 109.25, 1%, 0.34%

LAB 61.81, -62.16, 62.5

 

CMYK 100 / 0 / 92 / 32

HEX #00AD0E

RGB 0 173 14

HSL 124.86, 1%, 0.34%

LAB 61.58, -64.08, 60.29

 

CMYK 57 / 0 / 100 / 65

HEX #275A00

RGB 39 90 0

HSL 94, 1%, 0.18%

LAB 33.44, -32.33, 40.03

 

CMYK 57 / 0 / 100 / 48

HEX #398400

RGB 57 132 0

HSL 94.09, 1%, 0.26%

LAB 48.73, -43.43, 52.36

 

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 57 / 0 / 100 / 16

HEX #5DD600

RGB 93 214 0

HSL 93.93, 1%, 0.42%

LAB 76.33, -63.06, 74.63

 

CMYK 56 / 0 / 100 / 0

HEX #6FFF00

RGB 111 255 0

HSL 93.88, 1%, 0.5%

LAB 89.35, -72.29, 85.14

 

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

CMYK 100 / 0 / 25 / 32

HEX #00AD82

RGB 0 173 130

HSL 165.09, 1%, 0.34%

LAB 62.93, -47.99, 11.68

 

CMYK 0 / 100 / 15 / 32

HEX #AD0093

RGB 173 0 147

HSL 309.02, 1%, 0.34%

LAB 39.57, 69.8, -32.19

 

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

CMYK 100 / 55 / 0 / 32

HEX #004EAD

RGB 0 78 173

HSL 212.95, 1%, 0.34%

LAB 34.93, 18.58, -56.17

 

CMYK 0 / 100 / 55 / 32

HEX #AD004E

RGB 173 0 78

HSL 332.95, 1%, 0.34%

LAB 36.81, 62.71, 7.11

 

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

CMYK 100 / 0 / 25 / 32

HEX #00AD82

RGB 0 173 130

HSL 165.09, 1%, 0.34%

LAB 62.93, -47.99, 11.68

 

CMYK 45 / 100 / 0 / 32

HEX #5F00AD

RGB 95 0 173

HSL 272.95, 1%, 0.34%

LAB 27.98, 63.08, -67.34

 

CMYK 0 / 100 / 75 / 32

HEX #AD002B

RGB 173 0 43

HSL 345.09, 1%, 0.34%

LAB 36.1, 60.81, 28.73

 

CMYK 57 / 0 / 100 / 31

HEX #4CAF00

RGB 76 175 0

HSL 93.94, 1%, 0.34%

LAB 63.5, -53.92, 64.29

 

CMYK 100 / 5 / 0 / 32

HEX #00A4AD

RGB 0 164 173

HSL 183.12, 1%, 0.34%

LAB 61.28, -31.71, -14.78

 

CMYK 45 / 100 / 0 / 32

HEX #5F00AD

RGB 95 0 173

HSL 272.95, 1%, 0.34%

LAB 27.98, 63.08, -67.34

 

CMYK 0 / 95 / 100 / 32

HEX #AD0800

RGB 173 8 0

HSL 2.77, 1%, 0.34%

LAB 36.1, 58.92, 50.28

 

Description

Color code: HEX #4CAF00 | qconv.com Color code: HEX #4CAF00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 175 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 175 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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