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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CBF86 it is the complementary color #B34079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CBF86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CBF86 shade: #51BF81, #62D194, #73E3A7, #84F5BA and #95FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CBF86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CBF86 shade: #4CBF86, #3BAD73, #2A9B60, #19894D and #08773A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CBF86 shade: #4BBE85, #4BBE66, #4FBE4B, #6EBE4B and #8DBE4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CBF86 shade: #4BBE85, #4BBEA4, #4BB9BE, #4B9ABE and #4B7BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CBF86 shade matches the following richer shades: #4BBE85, #37D185, #23E585 and #0FF985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CBF86 shade: #4BBE85, #5EAA84, #729684, #868284 and #9A6E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CBF86 shade: #4EBE4B, #4BBE65, #4BBE84, #4BBEA3 and #4BBABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CBF86 shade: #30865B, #3BA470, #4BBE85, #69C999 and #87D3AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CBF86 shade: #4CBF86, #4B6DBE and #BE564B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CBF86 shade: #4CBF86, #844BBE and #BE844B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CBF86 shade: #4CBF86, #4B6DBE, #BE4B84 and #BE9B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CBF86 shade: #4CBF86, #4B4BBE, #BE4B84 and #BEBE4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

Complementary color

CMYK 0 / 64 / 32 / 30

HEX #B34079

RGB 179 64 121

HSL 330.26, 0.47%, 0.48%

LAB 45.12, 52.01, -7.64

 

CMYK 58 / 0 / 32 / 25

HEX #51BF81

RGB 81 191 129

HSL 146.18, 0.46%, 0.53%

LAB 69.89, -45.7, 22.08

 

CMYK 53 / 0 / 29 / 18

HEX #62D194

RGB 98 209 148

HSL 147.03, 0.55%, 0.6%

LAB 76.27, -45.67, 20.82

 

CMYK 49 / 0 / 26 / 11

HEX #73E3A7

RGB 115 227 167

HSL 147.86, 0.67%, 0.67%

LAB 82.58, -45.54, 19.66

 

CMYK 46 / 0 / 24 / 4

HEX #84F5BA

RGB 132 245 186

HSL 148.67, 0.85%, 0.74%

LAB 88.81, -45.37, 18.57

 

CMYK 42 / 0 / 20 / 0

HEX #95FFCD

RGB 149 255 205

HSL 151.7, 1%, 0.79%

LAB 92.71, -41.66, 14.39

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 66 / 0 / 34 / 32

HEX #3BAD73

RGB 59 173 115

HSL 149.47, 0.49%, 0.45%

LAB 63.39, -45.58, 20.66

 

CMYK 73 / 0 / 38 / 39

HEX #2A9B60

RGB 42 155 96

HSL 148.67, 0.57%, 0.39%

LAB 56.86, -45.13, 22.17

 

CMYK 82 / 0 / 44 / 46

HEX #19894D

RGB 25 137 77

HSL 147.86, 0.69%, 0.32%

LAB 50.26, -44.26, 23.84

 

CMYK 93 / 0 / 51 / 53

HEX #08773A

RGB 8 119 58

HSL 147.03, 0.87%, 0.25%

LAB 43.58, -42.73, 25.68

 

CMYK 61 / 0 / 30 / 25

HEX #4BBE85

RGB 75 190 133

HSL 150.26, 0.47%, 0.52%

LAB 69.48, -45.77, 19.34

 

CMYK 61 / 0 / 46 / 25

HEX #4BBE66

RGB 75 190 102

HSL 134.09, 0.47%, 0.52%

LAB 68.96, -51.42, 34.9

 

CMYK 58 / 0 / 61 / 25

HEX #4FBE4B

RGB 79 190 75

HSL 117.91, 0.47%, 0.52%

LAB 68.75, -54.14, 47.7

 

CMYK 42 / 0 / 61 / 25

HEX #6EBE4B

RGB 110 190 75

HSL 101.74, 0.47%, 0.52%

LAB 69.93, -45.34, 49.35

 

CMYK 26 / 0 / 61 / 25

HEX #8DBE4B

RGB 141 190 75

HSL 85.57, 0.47%, 0.52%

LAB 71.55, -34.44, 51.62

 

CMYK 61 / 0 / 30 / 25

HEX #4BBE85

RGB 75 190 133

HSL 150.26, 0.47%, 0.52%

LAB 69.48, -45.77, 19.34

 

CMYK 61 / 0 / 14 / 25

HEX #4BBEA4

RGB 75 190 164

HSL 166.43, 0.47%, 0.52%

LAB 70.18, -38.7, 3.51

 

CMYK 61 / 3 / 0 / 25

HEX #4BB9BE

RGB 75 185 190

HSL 182.61, 0.47%, 0.52%

LAB 69.41, -29.43, -11.89

 

CMYK 61 / 19 / 0 / 25

HEX #4B9ABE

RGB 75 154 190

HSL 198.78, 0.47%, 0.52%

LAB 60.18, -13.43, -25.91

 

CMYK 61 / 35 / 0 / 25

HEX #4B7BBE

RGB 75 123 190

HSL 214.96, 0.47%, 0.52%

LAB 51.13, 4.43, -40.03

 

CMYK 61 / 0 / 30 / 25

HEX #4BBE85

RGB 75 190 133

HSL 150.26, 0.47%, 0.52%

LAB 69.48, -45.77, 19.34

 

CMYK 74 / 0 / 36 / 18

HEX #37D185

RGB 55 209 133

HSL 150.39, 0.63%, 0.52%

LAB 74.89, -56.69, 26.62

 

CMYK 85 / 0 / 42 / 10

HEX #23E585

RGB 35 229 133

HSL 150.31, 0.79%, 0.52%

LAB 80.79, -65.96, 34.37

 

CMYK 94 / 0 / 47 / 2

HEX #0FF985

RGB 15 249 133

HSL 150.26, 0.95%, 0.52%

LAB 86.77, -73.66, 42.05

 

CMYK 61 / 0 / 30 / 25

HEX #4BBE85

RGB 75 190 133

HSL 150.26, 0.47%, 0.52%

LAB 69.48, -45.77, 19.34

 

CMYK 45 / 0 / 22 / 33

HEX #5EAA84

RGB 94 170 132

HSL 150, 0.31%, 0.52%

LAB 63.99, -32.53, 12.37

 

CMYK 24 / 0 / 12 / 41

HEX #729684

RGB 114 150 132

HSL 150, 0.15%, 0.52%

LAB 59.03, -16.34, 5.45

 

CMYK 0 / 3 / 1 / 47

HEX #868284

RGB 134 130 132

HSL 330, 0.02%, 0.52%

LAB 54.76, 1.89, -0.55

 

CMYK 0 / 29 / 14 / 40

HEX #9A6E84

RGB 154 110 132

HSL 330, 0.18%, 0.52%

LAB 51.48, 21.01, -5.15

 

CMYK 59 / 0 / 61 / 25

HEX #4EBE4B

RGB 78 190 75

HSL 118.43, 0.47%, 0.52%

LAB 68.72, -54.38, 47.65

 

CMYK 61 / 0 / 47 / 25

HEX #4BBE65

RGB 75 190 101

HSL 133.57, 0.47%, 0.52%

LAB 68.94, -51.58, 35.39

 

CMYK 61 / 0 / 31 / 25

HEX #4BBE84

RGB 75 190 132

HSL 149.74, 0.47%, 0.52%

LAB 69.46, -45.97, 19.85

 

CMYK 61 / 0 / 14 / 25

HEX #4BBEA3

RGB 75 190 163

HSL 165.91, 0.47%, 0.52%

LAB 70.15, -38.95, 4.02

 

CMYK 61 / 2 / 0 / 25

HEX #4BBABE

RGB 75 186 190

HSL 182.09, 0.47%, 0.52%

LAB 69.7, -29.92, -11.45

 

CMYK 64 / 0 / 32 / 47

HEX #30865B

RGB 48 134 91

HSL 150, 0.47%, 0.36%

LAB 50.02, -36.32, 15.74

 

CMYK 64 / 0 / 32 / 36

HEX #3BA470

RGB 59 164 112

HSL 150.29, 0.47%, 0.44%

LAB 60.47, -42.47, 18.33

 

CMYK 61 / 0 / 30 / 25

HEX #4BBE85

RGB 75 190 133

HSL 150.26, 0.47%, 0.52%

LAB 69.48, -45.77, 19.34

 

CMYK 48 / 0 / 24 / 21

HEX #69C999

RGB 105 201 153

HSL 150, 0.47%, 0.6%

LAB 74.24, -39.46, 15.38

 

CMYK 36 / 0 / 18 / 17

HEX #87D3AE

RGB 135 211 174

HSL 150.79, 0.46%, 0.68%

LAB 78.92, -31.59, 10.96

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 61 / 43 / 0 / 25

HEX #4B6DBE

RGB 75 109 190

HSL 222.26, 0.47%, 0.52%

LAB 47.17, 13.04, -46.31

 

CMYK 0 / 55 / 61 / 25

HEX #BE564B

RGB 190 86 75

HSL 5.74, 0.47%, 0.52%

LAB 49.63, 40.99, 26.71

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 31 / 61 / 0 / 25

HEX #844BBE

RGB 132 75 190

HSL 269.74, 0.47%, 0.52%

LAB 43.73, 46.35, -51.54

 

CMYK 0 / 31 / 61 / 25

HEX #BE844B

RGB 190 132 75

HSL 29.74, 0.47%, 0.52%

LAB 59.85, 16.33, 39.26

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 61 / 43 / 0 / 25

HEX #4B6DBE

RGB 75 109 190

HSL 222.26, 0.47%, 0.52%

LAB 47.17, 13.04, -46.31

 

CMYK 0 / 61 / 31 / 25

HEX #BE4B84

RGB 190 75 132

HSL 330.26, 0.47%, 0.52%

LAB 49.06, 51.92, -8.24

 

CMYK 0 / 18 / 61 / 25

HEX #BE9B4B

RGB 190 155 75

HSL 41.74, 0.47%, 0.52%

LAB 65.67, 3.7, 46.03

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 61 / 61 / 0 / 25

HEX #4B4BBE

RGB 75 75 190

HSL 240, 0.47%, 0.52%

LAB 38.28, 34.5, -60.63

 

CMYK 0 / 61 / 31 / 25

HEX #BE4B84

RGB 190 75 132

HSL 330.26, 0.47%, 0.52%

LAB 49.06, 51.92, -8.24

 

CMYK 0 / 0 / 61 / 25

HEX #BEBE4B

RGB 190 190 75

HSL 60, 0.47%, 0.52%

LAB 75, -14.71, 56.39

 

Description

Color code: HEX #4CBF86 | qconv.com Color code: HEX #4CBF86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 191 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 191 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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