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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC62E it is the complementary color #B339D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC62E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC62E shade: #51C629, #62D83C, #73EA4F, #84FC62 and #95FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC62E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC62E shade: #4CC62E, #3BB41B, #2AA208, #199000 and #087E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC62E shade: #4CC62E, #75C62E, #9EC62E, #C6C52E and #C69C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC62E shade: #4CC62E, #2EC639, #2EC662, #2EC68B and #2EC6B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC62E shade matches the following richer shades: #4CC62E, #40DA1A and #34ED06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC62E shade: #4CC62E, #58B242, #649E56, #708A69 and #7C777D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC62E shade: #9DC62E, #75C62E, #4CC62E, #2EC638 and #2EC661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC62E shade: #32831E, #3FA426, #4CC62E, #65D449 and #81DC6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC62E shade: #4CC62E, #2EC6C6 and #C62E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC62E shade: #4CC62E, #2E4CC6 and #C62E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC62E shade: #4CC62E, #2EC6C6, #A72EC6 and #C62E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC62E shade: #4CC62E, #2E98C6, #A72EC6 and #C65C2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

Complementary color

CMYK 14 / 73 / 0 / 18

HEX #B339D1

RGB 179 57 209

HSL 288.16, 0.62%, 0.52%

LAB 48.4, 68.64, -54.7

 

CMYK 59 / 0 / 79 / 22

HEX #51C629

RGB 81 198 41

HSL 104.71, 0.66%, 0.47%

LAB 71.08, -59.35, 63.02

 

CMYK 55 / 0 / 72 / 15

HEX #62D83C

RGB 98 216 60

HSL 105.38, 0.67%, 0.54%

LAB 77.3, -60.19, 63.11

 

CMYK 51 / 0 / 66 / 8

HEX #73EA4F

RGB 115 234 79

HSL 106.06, 0.79%, 0.61%

LAB 83.47, -60.72, 62.62

 

CMYK 48 / 0 / 61 / 1

HEX #84FC62

RGB 132 252 98

HSL 106.75, 0.96%, 0.69%

LAB 89.58, -61.04, 61.8

 

CMYK 42 / 0 / 54 / 0

HEX #95FF75

RGB 149 255 117

HSL 106.09, 1%, 0.73%

LAB 91.32, -55.33, 55.76

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 67 / 0 / 85 / 29

HEX #3BB41B

RGB 59 180 27

HSL 107.45, 0.74%, 0.41%

LAB 64.68, -58.94, 60.68

 

CMYK 74 / 0 / 95 / 36

HEX #2AA208

RGB 42 162 8

HSL 106.75, 0.91%, 0.33%

LAB 58.37, -57, 58.65

 

CMYK 83 / 0 / 100 / 44

HEX #199000

RGB 25 144 0

HSL 109.58, 1%, 0.28%

LAB 52.01, -54.2, 54.63

 

CMYK 94 / 0 / 100 / 51

HEX #087E00

RGB 8 126 0

HSL 116.19, 1%, 0.25%

LAB 45.6, -50.47, 49.42

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 41 / 0 / 77 / 22

HEX #75C62E

RGB 117 198 46

HSL 91.97, 0.62%, 0.48%

LAB 72.47, -48.57, 63.3

 

CMYK 20 / 0 / 77 / 22

HEX #9EC62E

RGB 158 198 46

HSL 75.79, 0.62%, 0.48%

LAB 74.73, -33.43, 66.24

 

CMYK 0 / 1 / 77 / 22

HEX #C6C52E

RGB 198 197 46

HSL 59.61, 0.62%, 0.48%

LAB 77.36, -16.37, 69.72

 

CMYK 0 / 21 / 77 / 22

HEX #C69C2E

RGB 198 156 46

HSL 43.42, 0.62%, 0.48%

LAB 66.5, 5.03, 59.72

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 0 / 71 / 22

HEX #2EC639

RGB 46 198 57

HSL 124.34, 0.62%, 0.48%

LAB 70.36, -64.97, 56.68

 

CMYK 77 / 0 / 51 / 22

HEX #2EC662

RGB 46 198 98

HSL 140.53, 0.62%, 0.48%

LAB 70.77, -60.07, 39.04

 

CMYK 77 / 0 / 30 / 22

HEX #2EC68B

RGB 46 198 139

HSL 156.71, 0.62%, 0.48%

LAB 71.44, -52.41, 18.73

 

CMYK 77 / 0 / 9 / 22

HEX #2EC6B4

RGB 46 198 180

HSL 172.89, 0.62%, 0.48%

LAB 72.4, -42.3, -2.05

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 71 / 0 / 88 / 15

HEX #40DA1A

RGB 64 218 26

HSL 108.13, 0.79%, 0.48%

LAB 76.86, -70.09, 71.6

 

CMYK 78 / 0 / 97 / 7

HEX #34ED06

RGB 52 237 6

HSL 108.05, 0.95%, 0.48%

LAB 82.55, -77.9, 78.68

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 51 / 0 / 63 / 30

HEX #58B242

RGB 88 178 66

HSL 108.21, 0.46%, 0.48%

LAB 65.21, -48.1, 47.79

 

CMYK 37 / 0 / 46 / 38

HEX #649E56

RGB 100 158 86

HSL 108.33, 0.3%, 0.48%

LAB 59.74, -33.28, 31.68

 

CMYK 19 / 0 / 24 / 46

HEX #708A69

RGB 112 138 105

HSL 107.27, 0.14%, 0.48%

LAB 54.7, -15.92, 14.69

 

CMYK 1 / 5 / 0 / 51

HEX #7C777D

RGB 124 119 125

HSL 290, 0.02%, 0.48%

LAB 50.64, 3.1, -2.61

 

CMYK 21 / 0 / 77 / 22

HEX #9DC62E

RGB 157 198 46

HSL 76.18, 0.62%, 0.48%

LAB 74.67, -33.83, 66.15

 

CMYK 41 / 0 / 77 / 22

HEX #75C62E

RGB 117 198 46

HSL 91.97, 0.62%, 0.48%

LAB 72.47, -48.57, 63.3

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 0 / 72 / 22

HEX #2EC638

RGB 46 198 56

HSL 123.95, 0.62%, 0.48%

LAB 70.35, -65.06, 57.05

 

CMYK 77 / 0 / 51 / 22

HEX #2EC661

RGB 46 198 97

HSL 140.13, 0.62%, 0.48%

LAB 70.75, -60.22, 39.52

 

CMYK 62 / 0 / 77 / 49

HEX #32831E

RGB 50 131 30

HSL 108.12, 0.63%, 0.32%

LAB 48.27, -43.62, 44.31

 

CMYK 62 / 0 / 77 / 36

HEX #3FA426

RGB 63 164 38

HSL 108.1, 0.62%, 0.4%

LAB 59.66, -51.92, 52.83

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 52 / 0 / 66 / 17

HEX #65D449

RGB 101 212 73

HSL 107.91, 0.62%, 0.56%

LAB 76.27, -56.87, 57.12

 

CMYK 41 / 0 / 51 / 14

HEX #81DC6B

RGB 129 220 107

HSL 108.32, 0.62%, 0.64%

LAB 80.13, -48.29, 46.75

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 0 / 0 / 22

HEX #2EC6C6

RGB 46 198 198

HSL 180, 0.62%, 0.48%

LAB 72.92, -37.22, -11.07

 

CMYK 0 / 77 / 31 / 22

HEX #C62E89

RGB 198 46 137

HSL 324.08, 0.62%, 0.48%

LAB 46.67, 65.65, -14.74

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 62 / 0 / 22

HEX #2E4CC6

RGB 46 76 198

HSL 228.16, 0.62%, 0.48%

LAB 37.53, 32.72, -66.59

 

CMYK 0 / 77 / 62 / 22

HEX #C62E4C

RGB 198 46 76

HSL 348.16, 0.62%, 0.48%

LAB 44.92, 60.21, 20.28

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 0 / 0 / 22

HEX #2EC6C6

RGB 46 198 198

HSL 180, 0.62%, 0.48%

LAB 72.92, -37.22, -11.07

 

CMYK 16 / 77 / 0 / 22

HEX #A72EC6

RGB 167 46 198

HSL 287.76, 0.62%, 0.48%

LAB 44.58, 67.97, -54.58

 

CMYK 0 / 77 / 77 / 22

HEX #C62E2E

RGB 198 46 46

HSL 0, 0.62%, 0.48%

LAB 44.46, 58.73, 37.68

 

CMYK 62 / 0 / 77 / 22

HEX #4CC62E

RGB 76 198 46

HSL 108.16, 0.62%, 0.48%

LAB 70.95, -60.24, 61.32

 

CMYK 77 / 23 / 0 / 22

HEX #2E98C6

RGB 46 152 198

HSL 198.16, 0.62%, 0.48%

LAB 59.08, -14.1, -32.18

 

CMYK 16 / 77 / 0 / 22

HEX #A72EC6

RGB 167 46 198

HSL 287.76, 0.62%, 0.48%

LAB 44.58, 67.97, -54.58

 

CMYK 0 / 54 / 77 / 22

HEX #C65C2E

RGB 198 92 46

HSL 18.16, 0.62%, 0.48%

LAB 51.68, 39.43, 45.24

 

Description

Color code: HEX #4CC62E | qconv.com Color code: HEX #4CC62E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 198 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 198 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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