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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD931 it is the complementary color #B326CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD931 shade: #51D92C, #62EB3F, #73FD52, #84FF65 and #95FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD931 shade: #4CD931, #3BC71E, #2AB50B, #19A300 and #089100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD931 shade: #4BD930, #78D930, #A6D930, #D3D930 and #D9B030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD931 shade: #4BD930, #30D942, #30D970, #30D99D and #30D9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD931 shade matches the following richer shades: #4BD930 and #3DEC1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD931 shade: #4BD930, #58C543, #66B157, #739D6B and #81897F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD931 shade: #A6D930, #79D930, #4CD930, #30D941 and #30D96E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD931 shade: #309A1C, #3BBD22, #4BD930, #69DF53 and #87E575

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD931 shade: #4CD931, #30D3D9 and #D9308F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD931 shade: #4CD931, #304CD9 and #D9304C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD931 shade: #4CD931, #30D3D9, #BC30D9 and #D93530

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD931 shade: #4CD931, #30A0D9, #BC30D9 and #D96830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

Complementary color

CMYK 13 / 82 / 0 / 19

HEX #B326CE

RGB 179 38 206

HSL 290.36, 0.69%, 0.48%

LAB 46.21, 73.87, -56.49

 

CMYK 63 / 0 / 80 / 15

HEX #51D92C

RGB 81 217 44

HSL 107.17, 0.69%, 0.51%

LAB 77.02, -65.64, 67.72

 

CMYK 58 / 0 / 73 / 8

HEX #62EB3F

RGB 98 235 63

HSL 107.79, 0.81%, 0.58%

LAB 83.11, -66.64, 67.9

 

CMYK 55 / 0 / 68 / 1

HEX #73FD52

RGB 115 253 82

HSL 108.42, 0.98%, 0.66%

LAB 89.16, -67.31, 67.51

 

CMYK 48 / 0 / 60 / 0

HEX #84FF65

RGB 132 255 101

HSL 107.92, 1%, 0.7%

LAB 90.49, -61.87, 61.57

 

CMYK 42 / 0 / 53 / 0

HEX #95FF78

RGB 149 255 120

HSL 107.11, 1%, 0.74%

LAB 91.35, -54.99, 54.44

 

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

CMYK 70 / 0 / 85 / 22

HEX #3BC71E

RGB 59 199 30

HSL 109.7, 0.74%, 0.45%

LAB 70.78, -64.93, 65.42

 

CMYK 77 / 0 / 94 / 29

HEX #2AB50B

RGB 42 181 11

HSL 109.06, 0.89%, 0.38%

LAB 64.62, -62.82, 63.43

 

CMYK 85 / 0 / 100 / 36

HEX #19A300

RGB 25 163 0

HSL 110.8, 1%, 0.32%

LAB 58.42, -59.89, 59.75

 

CMYK 94 / 0 / 100 / 43

HEX #089100

RGB 8 145 0

HSL 116.69, 1%, 0.28%

LAB 52.18, -56.06, 54.69

 

CMYK 65 / 0 / 78 / 15

HEX #4BD930

RGB 75 217 48

HSL 110.41, 0.69%, 0.52%

LAB 76.88, -66.68, 66.39

 

CMYK 45 / 0 / 78 / 15

HEX #78D930

RGB 120 217 48

HSL 94.44, 0.69%, 0.52%

LAB 78.36, -54.99, 68.31

 

CMYK 24 / 0 / 78 / 15

HEX #A6D930

RGB 166 217 48

HSL 78.11, 0.69%, 0.52%

LAB 80.71, -38.84, 71.34

 

CMYK 3 / 0 / 78 / 15

HEX #D3D930

RGB 211 217 48

HSL 62.13, 0.69%, 0.52%

LAB 83.8, -20.7, 75.29

 

CMYK 0 / 19 / 78 / 15

HEX #D9B030

RGB 217 176 48

HSL 45.44, 0.69%, 0.52%

LAB 73.56, 2.74, 66.25

 

CMYK 65 / 0 / 78 / 15

HEX #4BD930

RGB 75 217 48

HSL 110.41, 0.69%, 0.52%

LAB 76.88, -66.68, 66.39

 

CMYK 78 / 0 / 70 / 15

HEX #30D942

RGB 48 217 66

HSL 126.39, 0.69%, 0.52%

LAB 76.46, -69.81, 59.68

 

CMYK 78 / 0 / 48 / 15

HEX #30D970

RGB 48 217 112

HSL 142.72, 0.69%, 0.52%

LAB 76.94, -64.14, 39.88

 

CMYK 78 / 0 / 28 / 15

HEX #30D99D

RGB 48 217 157

HSL 158.7, 0.69%, 0.52%

LAB 77.69, -55.58, 17.85

 

CMYK 78 / 0 / 6 / 15

HEX #30D9CB

RGB 48 217 203

HSL 175.03, 0.69%, 0.52%

LAB 78.79, -44.12, -5.05

 

CMYK 65 / 0 / 78 / 15

HEX #4BD930

RGB 75 217 48

HSL 110.41, 0.69%, 0.52%

LAB 76.88, -66.68, 66.39

 

CMYK 74 / 0 / 88 / 7

HEX #3DEC1C

RGB 61 236 28

HSL 110.48, 0.85%, 0.52%

LAB 82.41, -75.9, 75.99

 

CMYK 65 / 0 / 78 / 15

HEX #4BD930

RGB 75 217 48

HSL 110.41, 0.69%, 0.52%

LAB 76.88, -66.68, 66.39

 

CMYK 55 / 0 / 66 / 23

HEX #58C543

RGB 88 197 67

HSL 110.31, 0.53%, 0.52%

LAB 71.15, -55.29, 53.9

 

CMYK 42 / 0 / 51 / 31

HEX #66B157

RGB 102 177 87

HSL 110, 0.37%, 0.52%

LAB 65.72, -41, 38.62

 

CMYK 27 / 0 / 32 / 38

HEX #739D6B

RGB 115 157 107

HSL 110.4, 0.2%, 0.52%

LAB 60.62, -24.3, 21.69

 

CMYK 6 / 0 / 7 / 46

HEX #81897F

RGB 129 137 127

HSL 108, 0.04%, 0.52%

LAB 56.18, -4.91, 4.34

 

CMYK 24 / 0 / 78 / 15

HEX #A6D930

RGB 166 217 48

HSL 78.11, 0.69%, 0.52%

LAB 80.71, -38.84, 71.34

 

CMYK 44 / 0 / 78 / 15

HEX #79D930

RGB 121 217 48

HSL 94.08, 0.69%, 0.52%

LAB 78.41, -54.68, 68.37

 

CMYK 65 / 0 / 78 / 15

HEX #4CD930

RGB 76 217 48

HSL 110.06, 0.69%, 0.52%

LAB 76.91, -66.47, 66.42

 

CMYK 78 / 0 / 70 / 15

HEX #30D941

RGB 48 217 65

HSL 126.04, 0.69%, 0.52%

LAB 76.46, -69.9, 60.05

 

CMYK 78 / 0 / 49 / 15

HEX #30D96E

RGB 48 217 110

HSL 142.01, 0.69%, 0.52%

LAB 76.91, -64.46, 40.82

 

CMYK 69 / 0 / 82 / 40

HEX #309A1C

RGB 48 154 28

HSL 110.48, 0.69%, 0.36%

LAB 55.91, -52.45, 52.3

 

CMYK 69 / 0 / 82 / 26

HEX #3BBD22

RGB 59 189 34

HSL 110.32, 0.7%, 0.44%

LAB 67.61, -61.55, 61.55

 

CMYK 65 / 0 / 78 / 15

HEX #4BD930

RGB 75 217 48

HSL 110.41, 0.69%, 0.52%

LAB 76.88, -66.68, 66.39

 

CMYK 53 / 0 / 63 / 13

HEX #69DF53

RGB 105 223 83

HSL 110.57, 0.69%, 0.6%

LAB 79.84, -58.96, 56.94

 

CMYK 41 / 0 / 49 / 10

HEX #87E575

RGB 135 229 117

HSL 110.36, 0.68%, 0.68%

LAB 83.16, -48.96, 45.77

 

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

CMYK 78 / 3 / 0 / 15

HEX #30D3D9

RGB 48 211 217

HSL 182.13, 0.69%, 0.52%

LAB 77.42, -37.45, -14.6

 

CMYK 0 / 78 / 34 / 15

HEX #D9308F

RGB 217 48 143

HSL 326.27, 0.69%, 0.52%

LAB 50.51, 70.44, -12.21

 

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

CMYK 78 / 65 / 0 / 15

HEX #304CD9

RGB 48 76 217

HSL 230.06, 0.69%, 0.52%

LAB 39.25, 39.79, -74.74

 

CMYK 0 / 78 / 65 / 15

HEX #D9304C

RGB 217 48 76

HSL 350.06, 0.69%, 0.52%

LAB 48.74, 65.02, 25.95

 

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

CMYK 78 / 3 / 0 / 15

HEX #30D3D9

RGB 48 211 217

HSL 182.13, 0.69%, 0.52%

LAB 77.42, -37.45, -14.6

 

CMYK 13 / 78 / 0 / 15

HEX #BC30D9

RGB 188 48 217

HSL 289.7, 0.69%, 0.52%

LAB 49.27, 74.71, -57.81

 

CMYK 0 / 76 / 78 / 15

HEX #D93530

RGB 217 53 48

HSL 1.78, 0.69%, 0.52%

LAB 48.9, 62.29, 42.37

 

CMYK 65 / 0 / 77 / 15

HEX #4CD931

RGB 76 217 49

HSL 110.36, 0.69%, 0.52%

LAB 76.91, -66.41, 66.12

 

CMYK 78 / 26 / 0 / 15

HEX #30A0D9

RGB 48 160 217

HSL 200.24, 0.69%, 0.52%

LAB 62.32, -11.71, -37.74

 

CMYK 13 / 78 / 0 / 15

HEX #BC30D9

RGB 188 48 217

HSL 289.7, 0.69%, 0.52%

LAB 49.27, 74.71, -57.81

 

CMYK 0 / 52 / 78 / 15

HEX #D96830

RGB 217 104 48

HSL 19.88, 0.69%, 0.52%

LAB 56.94, 40.87, 50.52

 

Description

Color code: HEX #4CD931 | qconv.com Color code: HEX #4CD931 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 217 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 217 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 77 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 77% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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