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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD098 it is the complementary color #B32F67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD098 shade: #51D093, #62E2A6, #73F4B9, #84FFCC and #95FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD098 shade: #4CD098, #3BBE85, #2AAC72, #199A5F and #08884C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD098 shade: #4DCF98, #4DCF75, #4DCF52, #6CCF4D and #8FCF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD098 shade: #4DCF98, #4DCFBB, #4DC0CF, #4D9DCF and #4D7ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD098 shade matches the following richer shades: #4DCF98, #3BE29B and #29F49E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD098 shade: #4DCF98, #5FBD95, #72AB93, #849990 and #96878D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD098 shade: #4DCF52, #4DCF74, #4DCF97, #4DCFBA and #4DC2CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD098 shade: #2AA06E, #33C184, #4DCF98, #6ED8AB and #8EE1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD098 shade: #4CD098, #4D6CCF and #CF634D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD098 shade: #4CD098, #974DCF and #CF974D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD098 shade: #4CD098, #4D6CCF, #CF4D86 and #CFB14D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD098 shade: #4CD098, #564DCF, #CF4D86 and #C7CF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

Complementary color

CMYK 0 / 74 / 42 / 30

HEX #B32F67

RGB 179 47 103

HSL 334.55, 0.58%, 0.44%

LAB 42.15, 56.61, -0.93

 

CMYK 61 / 0 / 29 / 18

HEX #51D093

RGB 81 208 147

HSL 151.18, 0.57%, 0.57%

LAB 75.43, -49.13, 20.1

 

CMYK 57 / 0 / 27 / 11

HEX #62E2A6

RGB 98 226 166

HSL 151.88, 0.69%, 0.64%

LAB 81.7, -49.2, 18.87

 

CMYK 53 / 0 / 24 / 4

HEX #73F4B9

RGB 115 244 185

HSL 152.56, 0.85%, 0.7%

LAB 87.9, -49.16, 17.73

 

CMYK 48 / 0 / 20 / 0

HEX #84FFCC

RGB 132 255 204

HSL 155.12, 1%, 0.76%

LAB 92.04, -46.07, 13.85

 

CMYK 42 / 0 / 13 / 0

HEX #95FFDF

RGB 149 255 223

HSL 161.89, 1%, 0.79%

LAB 93.12, -37.94, 5.7

 

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

CMYK 69 / 0 / 30 / 25

HEX #3BBE85

RGB 59 190 133

HSL 153.89, 0.53%, 0.49%

LAB 69.08, -48.71, 18.72

 

CMYK 76 / 0 / 34 / 33

HEX #2AAC72

RGB 42 172 114

HSL 153.23, 0.61%, 0.42%

LAB 62.69, -48.13, 20.19

 

CMYK 84 / 0 / 38 / 40

HEX #199A5F

RGB 25 154 95

HSL 152.56, 0.72%, 0.35%

LAB 56.23, -47.15, 21.83

 

CMYK 94 / 0 / 44 / 47

HEX #08884C

RGB 8 136 76

HSL 151.88, 0.89%, 0.28%

LAB 49.72, -45.58, 23.65

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF98

RGB 77 207 152

HSL 154.62, 0.58%, 0.56%

LAB 75.12, -48.44, 17.01

 

CMYK 63 / 0 / 43 / 19

HEX #4DCF75

RGB 77 207 117

HSL 138.46, 0.58%, 0.56%

LAB 74.5, -55.1, 34.41

 

CMYK 63 / 0 / 60 / 19

HEX #4DCF52

RGB 77 207 82

HSL 122.31, 0.58%, 0.56%

LAB 74.07, -59.97, 50.64

 

CMYK 48 / 0 / 63 / 19

HEX #6CCF4D

RGB 108 207 77

HSL 105.69, 0.58%, 0.56%

LAB 75.04, -52.62, 54.19

 

CMYK 31 / 0 / 63 / 19

HEX #8FCF4D

RGB 143 207 77

HSL 89.54, 0.58%, 0.56%

LAB 76.68, -41.17, 56.45

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF98

RGB 77 207 152

HSL 154.62, 0.58%, 0.56%

LAB 75.12, -48.44, 17.01

 

CMYK 63 / 0 / 10 / 19

HEX #4DCFBB

RGB 77 207 187

HSL 170.77, 0.58%, 0.56%

LAB 75.94, -40.17, -0.58

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CF

RGB 77 192 207

HSL 186.92, 0.58%, 0.56%

LAB 72.08, -27.63, -17.17

 

CMYK 63 / 24 / 0 / 19

HEX #4D9DCF

RGB 77 157 207

HSL 203.08, 0.58%, 0.56%

LAB 61.82, -9.3, -32.89

 

CMYK 63 / 41 / 0 / 19

HEX #4D7ACF

RGB 77 122 207

HSL 219.23, 0.58%, 0.56%

LAB 51.84, 11.21, -48.6

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF98

RGB 77 207 152

HSL 154.62, 0.58%, 0.56%

LAB 75.12, -48.44, 17.01

 

CMYK 74 / 0 / 31 / 11

HEX #3BE29B

RGB 59 226 155

HSL 154.49, 0.74%, 0.56%

LAB 80.57, -58.13, 22.89

 

CMYK 83 / 0 / 35 / 4

HEX #29F49E

RGB 41 244 158

HSL 154.58, 0.9%, 0.56%

LAB 85.83, -65.98, 28.46

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF98

RGB 77 207 152

HSL 154.62, 0.58%, 0.56%

LAB 75.12, -48.44, 17.01

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD95

RGB 95 189 149

HSL 154.47, 0.42%, 0.56%

LAB 70.17, -37.4, 11.76

 

CMYK 33 / 0 / 14 / 33

HEX #72AB93

RGB 114 171 147

HSL 154.74, 0.25%, 0.56%

LAB 65.6, -23.98, 6.47

 

CMYK 14 / 0 / 6 / 40

HEX #849990

RGB 132 153 144

HSL 154.29, 0.09%, 0.56%

LAB 61.4, -9.27, 2.22

 

CMYK 0 / 10 / 6 / 41

HEX #96878D

RGB 150 135 141

HSL 336, 0.07%, 0.56%

LAB 57.78, 6.74, -1.16

 

CMYK 63 / 0 / 60 / 19

HEX #4DCF52

RGB 77 207 82

HSL 122.31, 0.58%, 0.56%

LAB 74.07, -59.97, 50.64

 

CMYK 63 / 0 / 44 / 19

HEX #4DCF74

RGB 77 207 116

HSL 138, 0.58%, 0.56%

LAB 74.49, -55.26, 34.89

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF97

RGB 77 207 151

HSL 154.15, 0.58%, 0.56%

LAB 75.1, -48.65, 17.51

 

CMYK 63 / 0 / 10 / 19

HEX #4DCFBA

RGB 77 207 186

HSL 170.31, 0.58%, 0.56%

LAB 75.91, -40.43, -0.08

 

CMYK 63 / 6 / 0 / 19

HEX #4DC2CF

RGB 77 194 207

HSL 186, 0.58%, 0.56%

LAB 72.67, -28.61, -16.28

 

CMYK 74 / 0 / 31 / 37

HEX #2AA06E

RGB 42 160 110

HSL 154.58, 0.58%, 0.4%

LAB 58.75, -44.18, 17.01

 

CMYK 74 / 0 / 32 / 24

HEX #33C184

RGB 51 193 132

HSL 154.23, 0.58%, 0.48%

LAB 69.83, -51.32, 20.27

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF98

RGB 77 207 152

HSL 154.62, 0.58%, 0.56%

LAB 75.12, -48.44, 17.01

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AB

RGB 110 216 171

HSL 154.53, 0.58%, 0.64%

LAB 79.25, -41.14, 12.87

 

CMYK 37 / 0 / 16 / 12

HEX #8EE1BE

RGB 142 225 190

HSL 154.7, 0.58%, 0.72%

LAB 83.61, -32.92, 9.21

 

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

CMYK 63 / 48 / 0 / 19

HEX #4D6CCF

RGB 77 108 207

HSL 225.69, 0.58%, 0.56%

LAB 48.02, 19.89, -54.71

 

CMYK 0 / 52 / 63 / 19

HEX #CF634D

RGB 207 99 77

HSL 10.15, 0.58%, 0.56%

LAB 54.79, 41.02, 32.58

 

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

CMYK 27 / 63 / 0 / 19

HEX #974DCF

RGB 151 77 207

HSL 274.15, 0.58%, 0.56%

LAB 47.48, 53.73, -55.23

 

CMYK 0 / 27 / 63 / 19

HEX #CF974D

RGB 207 151 77

HSL 34.15, 0.58%, 0.56%

LAB 66.47, 13.32, 46.44

 

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

CMYK 63 / 48 / 0 / 19

HEX #4D6CCF

RGB 77 108 207

HSL 225.69, 0.58%, 0.56%

LAB 48.02, 19.89, -54.71

 

CMYK 0 / 63 / 35 / 19

HEX #CF4D86

RGB 207 77 134

HSL 333.69, 0.58%, 0.56%

LAB 52.17, 56.49, -4.52

 

CMYK 0 / 14 / 63 / 19

HEX #CFB14D

RGB 207 177 77

HSL 46.15, 0.58%, 0.56%

LAB 73.05, -0.63, 53.81

 

CMYK 63 / 0 / 27 / 18

HEX #4CD098

RGB 76 208 152

HSL 154.55, 0.58%, 0.56%

LAB 75.4, -49.03, 17.39

 

CMYK 58 / 63 / 0 / 19

HEX #564DCF

RGB 86 77 207

HSL 244.15, 0.58%, 0.56%

LAB 40.88, 40.64, -66.23

 

CMYK 0 / 63 / 35 / 19

HEX #CF4D86

RGB 207 77 134

HSL 333.69, 0.58%, 0.56%

LAB 52.17, 56.49, -4.52

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

Description

Color code: HEX #4CD098 | qconv.com Color code: HEX #4CD098 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 208 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 208 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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