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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CDF47 it is the complementary color #B320B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CDF47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CDF47 shade: #51DF42, #62F155, #73FF68, #84FF7B and #95FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CDF47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CDF47 shade: #4CDF47, #3BCD34, #2ABB21, #19A90E and #089700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CDF47 shade: #4DDE48, #76DE48, #9EDE48, #C7DE48 and #DECE48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CDF47 shade: #4DDE48, #48DE6C, #48DE94, #48DEBD and #48D7DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CDF47 shade matches the following richer shades: #4DDE48 and #3DF037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CDF47 shade: #4DDE48, #5ECD5A, #6EBC6B, #7EAA7C and #8E998E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CDF47 shade: #9DDE48, #75DE48, #4DDE48, #48DE6B and #48DE93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CDF47 shade: #24B51F, #2CD826, #4DDE48, #6FE56C and #92EB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CDF47 shade: #4CDF47, #48C5DE and #DE4889

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CDF47 shade: #4CDF47, #484DDE and #DE484D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CDF47 shade: #4CDF47, #48C5DE, #D948DE and #DE6148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CDF47 shade: #4CDF47, #4898DE, #D948DE and #DE8E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

Complementary color

CMYK 3 / 83 / 0 / 28

HEX #B320B8

RGB 179 32 184

HSL 298.03, 0.7%, 0.42%

LAB 44.34, 71.63, -46.68

 

CMYK 64 / 0 / 70 / 13

HEX #51DF42

RGB 81 223 66

HSL 114.27, 0.71%, 0.57%

LAB 78.99, -66.16, 62.52

 

CMYK 59 / 0 / 65 / 5

HEX #62F155

RGB 98 241 85

HSL 115, 0.85%, 0.64%

LAB 85.08, -66.92, 61.82

 

CMYK 55 / 0 / 59 / 0

HEX #73FF68

RGB 115 255 104

HSL 115.63, 1%, 0.7%

LAB 89.94, -65.97, 59.52

 

CMYK 48 / 0 / 52 / 0

HEX #84FF7B

RGB 132 255 123

HSL 115.91, 1%, 0.74%

LAB 90.71, -59.46, 52.15

 

CMYK 42 / 0 / 44 / 0

HEX #95FF8E

RGB 149 255 142

HSL 116.28, 1%, 0.78%

LAB 91.62, -52.25, 44.49

 

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

CMYK 71 / 0 / 75 / 20

HEX #3BCD34

RGB 59 205 52

HSL 117.25, 0.6%, 0.5%

LAB 72.79, -65.56, 61

 

CMYK 78 / 0 / 82 / 27

HEX #2ABB21

RGB 42 187 33

HSL 116.49, 0.7%, 0.43%

LAB 66.63, -63.81, 60.79

 

CMYK 85 / 0 / 92 / 34

HEX #19A90E

RGB 25 169 14

HSL 115.74, 0.85%, 0.36%

LAB 60.44, -61.29, 59.39

 

CMYK 95 / 0 / 100 / 41

HEX #089700

RGB 8 151 0

HSL 116.82, 1%, 0.3%

LAB 54.22, -57.8, 56.33

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 47 / 0 / 68 / 13

HEX #76DE48

RGB 118 222 72

HSL 101.6, 0.69%, 0.58%

LAB 79.93, -55.93, 61.61

 

CMYK 29 / 0 / 68 / 13

HEX #9EDE48

RGB 158 222 72

HSL 85.6, 0.69%, 0.58%

LAB 81.83, -42.68, 64.18

 

CMYK 10 / 0 / 68 / 13

HEX #C7DE48

RGB 199 222 72

HSL 69.2, 0.69%, 0.58%

LAB 84.41, -26.91, 67.65

 

CMYK 0 / 7 / 68 / 13

HEX #DECE48

RGB 222 206 72

HSL 53.6, 0.69%, 0.58%

LAB 81.91, -9.56, 65.69

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 68 / 0 / 51 / 13

HEX #48DE6C

RGB 72 222 108

HSL 134.4, 0.69%, 0.58%

LAB 78.87, -62.91, 44.31

 

CMYK 68 / 0 / 33 / 13

HEX #48DE94

RGB 72 222 148

HSL 150.4, 0.69%, 0.58%

LAB 79.48, -56.12, 25.07

 

CMYK 68 / 0 / 15 / 13

HEX #48DEBD

RGB 72 222 189

HSL 166.8, 0.69%, 0.58%

LAB 80.34, -47, 4.73

 

CMYK 68 / 3 / 0 / 13

HEX #48D7DE

RGB 72 215 222

HSL 182.8, 0.69%, 0.58%

LAB 79.19, -35.1, -14.58

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 75 / 0 / 77 / 6

HEX #3DF037

RGB 61 240 55

HSL 118.05, 0.86%, 0.58%

LAB 83.75, -75.81, 70.78

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 54 / 0 / 56 / 20

HEX #5ECD5A

RGB 94 205 90

HSL 117.91, 0.53%, 0.58%

LAB 74.05, -54.29, 47.12

 

CMYK 41 / 0 / 43 / 26

HEX #6EBC6B

RGB 110 188 107

HSL 117.78, 0.38%, 0.58%

LAB 69.71, -40.5, 33.58

 

CMYK 26 / 0 / 27 / 33

HEX #7EAA7C

RGB 126 170 124

HSL 117.39, 0.21%, 0.58%

LAB 65.47, -24.03, 19.06

 

CMYK 7 / 0 / 7 / 40

HEX #8E998E

RGB 142 153 142

HSL 120, 0.05%, 0.58%

LAB 62.07, -6.1, 4.42

 

CMYK 29 / 0 / 68 / 13

HEX #9DDE48

RGB 157 222 72

HSL 86, 0.69%, 0.58%

LAB 81.77, -43.04, 64.1

 

CMYK 47 / 0 / 68 / 13

HEX #75DE48

RGB 117 222 72

HSL 102, 0.69%, 0.58%

LAB 79.89, -56.23, 61.56

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 68 / 0 / 52 / 13

HEX #48DE6B

RGB 72 222 107

HSL 134, 0.69%, 0.58%

LAB 78.86, -63.05, 44.77

 

CMYK 68 / 0 / 34 / 13

HEX #48DE93

RGB 72 222 147

HSL 150, 0.69%, 0.58%

LAB 79.46, -56.31, 25.57

 

CMYK 80 / 0 / 83 / 29

HEX #24B51F

RGB 36 181 31

HSL 118, 0.71%, 0.42%

LAB 64.58, -62.89, 59.41

 

CMYK 80 / 0 / 82 / 15

HEX #2CD826

RGB 44 216 38

HSL 117.98, 0.7%, 0.5%

LAB 75.94, -71.94, 68.05

 

CMYK 65 / 0 / 68 / 13

HEX #4DDE48

RGB 77 222 72

HSL 118, 0.69%, 0.58%

LAB 78.63, -66.13, 59.84

 

CMYK 52 / 0 / 53 / 10

HEX #6FE56C

RGB 111 229 108

HSL 118.51, 0.7%, 0.66%

LAB 82.11, -56.88, 48.51

 

CMYK 38 / 0 / 39 / 8

HEX #92EB8F

RGB 146 235 143

HSL 118.04, 0.7%, 0.74%

LAB 85.76, -44.59, 36.43

 

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

CMYK 68 / 11 / 0 / 13

HEX #48C5DE

RGB 72 197 222

HSL 190, 0.69%, 0.58%

LAB 73.92, -26.43, -22.54

 

CMYK 0 / 68 / 38 / 13

HEX #DE4889

RGB 222 72 137

HSL 334, 0.69%, 0.58%

LAB 54, 63.24, -3.33

 

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

CMYK 68 / 65 / 0 / 13

HEX #484DDE

RGB 72 77 222

HSL 238, 0.69%, 0.58%

LAB 41.15, 43.48, -74.44

 

CMYK 0 / 68 / 65 / 13

HEX #DE484D

RGB 222 72 77

HSL 358, 0.69%, 0.58%

LAB 52.62, 58.4, 30.43

 

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

CMYK 68 / 11 / 0 / 13

HEX #48C5DE

RGB 72 197 222

HSL 190, 0.69%, 0.58%

LAB 73.92, -26.43, -22.54

 

CMYK 2 / 68 / 0 / 13

HEX #D948DE

RGB 217 72 222

HSL 298, 0.69%, 0.58%

LAB 56.74, 73.59, -48.45

 

CMYK 0 / 56 / 68 / 13

HEX #DE6148

RGB 222 97 72

HSL 10, 0.69%, 0.58%

LAB 56.63, 47.25, 38.12

 

CMYK 66 / 0 / 68 / 13

HEX #4CDF47

RGB 76 223 71

HSL 118.03, 0.7%, 0.58%

LAB 78.91, -66.75, 60.51

 

CMYK 68 / 32 / 0 / 13

HEX #4898DE

RGB 72 152 222

HSL 208, 0.69%, 0.58%

LAB 60.88, -2.34, -42.74

 

CMYK 2 / 68 / 0 / 13

HEX #D948DE

RGB 217 72 222

HSL 298, 0.69%, 0.58%

LAB 56.74, 73.59, -48.45

 

CMYK 0 / 36 / 68 / 13

HEX #DE8E48

RGB 222 142 72

HSL 28, 0.69%, 0.58%

LAB 66.02, 24.18, 48.84

 

Description

Color code: HEX #4CDF47 | qconv.com Color code: HEX #4CDF47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 223 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 223 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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