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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE4FF it is the complementary color #B31B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE4FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE4FF shade: #51E4FA, #62F6FF, #73FFFF, #84FFFF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE4FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE4FF shade: #4CE4FF, #3BD2EC, #2AC0D9, #19AEC6 and #089CB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE4FF shade: #4CE4FF, #4CB3FF, #4C83FF, #4C53FF and #754CFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE4FF shade: #4CE4FF, #4CB3FF, #4C83FF, #4C53FF and #4C4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE4FF shade matches the following richer shades: #4CE4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE4FF shade: #4CE4FF, #5AD9F0, #69CFE2, #77C5D3 and #86BBC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE4FF shade: #4CFFBA, #4CFFEA, #4CE4FF, #4CB4FF and #4C85FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE4FF shade: #00D3F8, #23DDFF, #4CE4FF, #75EAFF and #9FF0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE4FF shade: #4CE4FF, #8A4CFF and #FFD24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE4FF shade: #4CE4FF, #FF4CE4 and #E4FF4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE4FF shade: #4CE4FF, #8A4CFF, #FF674C and #C0FF4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE4FF shade: #4CE4FF, #C04CFF, #FF674C and #8AFF4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

Complementary color

CMYK 0 / 85 / 100 / 30

HEX #B31B00

RGB 179 27 0

HSL 9.05, 1%, 0.35%

LAB 38.49, 57.37, 52.06

 

CMYK 68 / 9 / 0 / 2

HEX #51E4FA

RGB 81 228 250

HSL 187.81, 0.94%, 0.65%

LAB 84.04, -31.94, -22.1

 

CMYK 62 / 4 / 0 / 0

HEX #62F6FF

RGB 98 246 255

HSL 183.44, 1%, 0.69%

LAB 89.73, -36.47, -16.09

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 75 / 11 / 0 / 7

HEX #3BD2EC

RGB 59 210 236

HSL 188.81, 0.82%, 0.58%

LAB 77.92, -30.17, -24

 

CMYK 81 / 12 / 0 / 15

HEX #2AC0D9

RGB 42 192 217

HSL 188.57, 0.7%, 0.51%

LAB 71.69, -28.96, -23.28

 

CMYK 87 / 12 / 0 / 22

HEX #19AEC6

RGB 25 174 198

HSL 188.32, 0.78%, 0.44%

LAB 65.4, -27.42, -22.47

 

CMYK 96 / 13 / 0 / 30

HEX #089CB3

RGB 8 156 179

HSL 188.07, 0.91%, 0.37%

LAB 59.05, -25.48, -21.55

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 70 / 30 / 0 / 0

HEX #4CB3FF

RGB 76 179 255

HSL 205.47, 1%, 0.65%

LAB 70.17, -5.86, -46.2

 

CMYK 70 / 49 / 0 / 0

HEX #4C83FF

RGB 76 131 255

HSL 221.56, 1%, 0.65%

LAB 57.06, 22.24, -67.06

 

CMYK 70 / 67 / 0 / 0

HEX #4C53FF

RGB 76 83 255

HSL 237.65, 1%, 0.65%

LAB 45.56, 51.24, -85.79

 

CMYK 54 / 70 / 0 / 0

HEX #754CFF

RGB 117 76 255

HSL 253.74, 1%, 0.65%

LAB 47.2, 60.17, -82.99

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 70 / 30 / 0 / 0

HEX #4CB3FF

RGB 76 179 255

HSL 205.47, 1%, 0.65%

LAB 70.17, -5.86, -46.2

 

CMYK 70 / 49 / 0 / 0

HEX #4C83FF

RGB 76 131 255

HSL 221.56, 1%, 0.65%

LAB 57.06, 22.24, -67.06

 

CMYK 70 / 67 / 0 / 0

HEX #4C53FF

RGB 76 83 255

HSL 237.65, 1%, 0.65%

LAB 45.56, 51.24, -85.79

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 63 / 10 / 0 / 6

HEX #5AD9F0

RGB 90 217 240

HSL 189.2, 0.83%, 0.65%

LAB 80.79, -28.2, -21.71

 

CMYK 54 / 8 / 0 / 11

HEX #69CFE2

RGB 105 207 226

HSL 189.42, 0.68%, 0.65%

LAB 77.95, -24.51, -18.49

 

CMYK 44 / 7 / 0 / 17

HEX #77C5D3

RGB 119 197 211

HSL 189.13, 0.51%, 0.65%

LAB 75.18, -20.4, -14.53

 

CMYK 32 / 5 / 0 / 23

HEX #86BBC5

RGB 134 187 197

HSL 189.52, 0.35%, 0.65%

LAB 72.65, -14.83, -10.62

 

CMYK 70 / 0 / 27 / 0

HEX #4CFFBA

RGB 76 255 186

HSL 156.87, 1%, 0.65%

LAB 90.14, -60.42, 20.19

 

CMYK 70 / 0 / 8 / 0

HEX #4CFFEA

RGB 76 255 234

HSL 172.96, 1%, 0.65%

LAB 91.23, -49.14, -3

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 70 / 29 / 0 / 0

HEX #4CB4FF

RGB 76 180 255

HSL 205.14, 1%, 0.65%

LAB 70.45, -6.41, -45.75

 

CMYK 70 / 48 / 0 / 0

HEX #4C85FF

RGB 76 133 255

HSL 220.89, 1%, 0.65%

LAB 57.59, 21.02, -66.21

 

CMYK 100 / 15 / 0 / 3

HEX #00D3F8

RGB 0 211 248

HSL 188.95, 1%, 0.49%

LAB 78.09, -30.13, -30.21

 

CMYK 86 / 13 / 0 / 0

HEX #23DDFF

RGB 35 221 255

HSL 189.27, 1%, 0.57%

LAB 81.45, -31.51, -28.76

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 54 / 8 / 0 / 0

HEX #75EAFF

RGB 117 234 255

HSL 189.13, 1%, 0.73%

LAB 86.92, -27.46, -20.27

 

CMYK 38 / 6 / 0 / 0

HEX #9FF0FF

RGB 159 240 255

HSL 189.38, 1%, 0.81%

LAB 90.28, -20.99, -15.04

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 46 / 70 / 0 / 0

HEX #8A4CFF

RGB 138 76 255

HSL 260.78, 1%, 0.65%

LAB 49.24, 63.38, -79.56

 

CMYK 0 / 18 / 70 / 0

HEX #FFD24C

RGB 255 210 76

HSL 44.92, 1%, 0.65%

LAB 85.94, 2.43, 69.18

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 0 / 70 / 11 / 0

HEX #FF4CE4

RGB 255 76 228

HSL 309.05, 1%, 0.65%

LAB 63.37, 81.58, -40.98

 

CMYK 11 / 0 / 70 / 0

HEX #E4FF4C

RGB 228 255 76

HSL 69.05, 1%, 0.65%

LAB 95.39, -30.61, 77.81

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 46 / 70 / 0 / 0

HEX #8A4CFF

RGB 138 76 255

HSL 260.78, 1%, 0.65%

LAB 49.24, 63.38, -79.56

 

CMYK 0 / 60 / 70 / 0

HEX #FF674C

RGB 255 103 76

HSL 9.05, 1%, 0.65%

LAB 62.91, 56.35, 44.59

 

CMYK 25 / 0 / 70 / 0

HEX #C0FF4C

RGB 192 255 76

HSL 81.12, 1%, 0.65%

LAB 93.12, -44.31, 74.82

 

CMYK 70 / 11 / 0 / 0

HEX #4CE4FF

RGB 76 228 255

HSL 189.05, 1%, 0.65%

LAB 84.09, -31.13, -24.67

 

CMYK 25 / 70 / 0 / 0

HEX #C04CFF

RGB 192 76 255

HSL 278.88, 1%, 0.65%

LAB 55.68, 72.99, -68.81

 

CMYK 0 / 60 / 70 / 0

HEX #FF674C

RGB 255 103 76

HSL 9.05, 1%, 0.65%

LAB 62.91, 56.35, 44.59

 

CMYK 46 / 0 / 70 / 0

HEX #8AFF4C

RGB 138 255 76

HSL 99.22, 1%, 0.65%

LAB 90.53, -62.25, 71.36

 

Description

Color code: HEX #4CE4FF | qconv.com Color code: HEX #4CE4FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 228 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 228 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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