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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE038 it is the complementary color #B31FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE038 shade: #51E033, #62F246, #73FF59, #84FF6C and #95FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE038 shade: #4CE038, #3BCE25, #2ABC12, #19AA00 and #089800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE038 shade: #4CE038, #79E038, #A6E038, #D3E038 and #E0BE38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE038 shade: #4CE038, #38E051, #38E07E, #38E0AC and #38E0D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE038 shade matches the following richer shades: #4CE038 and #3EF225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE038 shade: #4CE038, #5ACD4B, #68BA5D, #76A870 and #859582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE038 shade: #A8E038, #7BE038, #4EE038, #38E04E and #38E07B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE038 shade: #2BAB1A, #35CE20, #4CE038, #6CE55C and #8CEB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE038 shade: #4CE038, #38D4E0 and #E03891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE038 shade: #4CE038, #384EE0 and #E0384E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE038 shade: #4CE038, #38D4E0, #C938E0 and #E04338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE038 shade: #4CE038, #38A2E0, #C938E0 and #E07538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

Complementary color

CMYK 10 / 84 / 0 / 22

HEX #B31FC7

RGB 179 31 199

HSL 292.86, 0.73%, 0.45%

LAB 45.2, 74.3, -54.07

 

CMYK 64 / 0 / 77 / 12

HEX #51E033

RGB 81 224 51

HSL 109.6, 0.74%, 0.54%

LAB 79.21, -67.54, 67.77

 

CMYK 60 / 0 / 71 / 5

HEX #62F246

RGB 98 242 70

HSL 110.23, 0.87%, 0.61%

LAB 85.27, -68.52, 67.68

 

CMYK 55 / 0 / 65 / 0

HEX #73FF59

RGB 115 255 89

HSL 110.6, 1%, 0.67%

LAB 89.81, -67.43, 65.52

 

CMYK 48 / 0 / 58 / 0

HEX #84FF6C

RGB 132 255 108

HSL 110.2, 1%, 0.71%

LAB 90.56, -61.17, 58.66

 

CMYK 42 / 0 / 50 / 0

HEX #95FF7F

RGB 149 255 127

HSL 109.69, 1%, 0.75%

LAB 91.43, -54.18, 51.33

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 71 / 0 / 82 / 19

HEX #3BCE25

RGB 59 206 37

HSL 112.19, 0.7%, 0.48%

LAB 73.03, -66.79, 65.73

 

CMYK 78 / 0 / 90 / 26

HEX #2ABC12

RGB 42 188 18

HSL 111.53, 0.83%, 0.4%

LAB 66.9, -64.74, 64.31

 

CMYK 85 / 0 / 100 / 33

HEX #19AA00

RGB 25 170 0

HSL 111.18, 1%, 0.33%

LAB 60.74, -61.94, 61.61

 

CMYK 95 / 0 / 100 / 40

HEX #089800

RGB 8 152 0

HSL 116.84, 1%, 0.3%

LAB 54.56, -58.08, 56.6

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 46 / 0 / 75 / 12

HEX #79E038

RGB 121 224 56

HSL 96.79, 0.73%, 0.55%

LAB 80.55, -56.92, 67.95

 

CMYK 26 / 0 / 75 / 12

HEX #A6E038

RGB 166 224 56

HSL 80.71, 0.73%, 0.55%

LAB 82.76, -41.55, 70.84

 

CMYK 6 / 0 / 75 / 12

HEX #D3E038

RGB 211 224 56

HSL 64.64, 0.73%, 0.55%

LAB 85.73, -23.77, 74.69

 

CMYK 0 / 15 / 75 / 12

HEX #E0BE38

RGB 224 190 56

HSL 47.86, 0.73%, 0.55%

LAB 77.85, -1.26, 67.73

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 75 / 0 / 64 / 12

HEX #38E051

RGB 56 224 81

HSL 128.93, 0.73%, 0.55%

LAB 78.89, -69.46, 56.38

 

CMYK 75 / 0 / 44 / 12

HEX #38E07E

RGB 56 224 126

HSL 145, 0.73%, 0.55%

LAB 79.42, -63.26, 36.14

 

CMYK 75 / 0 / 23 / 12

HEX #38E0AC

RGB 56 224 172

HSL 161.43, 0.73%, 0.55%

LAB 80.25, -54.02, 13.56

 

CMYK 75 / 0 / 3 / 12

HEX #38E0D9

RGB 56 224 217

HSL 177.5, 0.73%, 0.55%

LAB 81.38, -42.53, -8.66

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 74 / 0 / 85 / 5

HEX #3EF225

RGB 62 242 37

HSL 112.68, 0.89%, 0.55%

LAB 84.31, -77.18, 75.91

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 56 / 0 / 63 / 20

HEX #5ACD4B

RGB 90 205 75

HSL 113.08, 0.57%, 0.55%

LAB 73.77, -56.96, 53.44

 

CMYK 44 / 0 / 50 / 27

HEX #68BA5D

RGB 104 186 93

HSL 112.9, 0.4%, 0.55%

LAB 68.64, -43.45, 39.26

 

CMYK 30 / 0 / 33 / 34

HEX #76A870

RGB 118 168 112

HSL 113.57, 0.24%, 0.55%

LAB 64.18, -27.85, 23.77

 

CMYK 11 / 0 / 13 / 42

HEX #859582

RGB 133 149 130

HSL 110.53, 0.08%, 0.55%

LAB 59.97, -9.48, 8.11

 

CMYK 25 / 0 / 75 / 12

HEX #A8E038

RGB 168 224 56

HSL 80, 0.73%, 0.55%

LAB 82.87, -40.8, 70.99

 

CMYK 45 / 0 / 75 / 12

HEX #7BE038

RGB 123 224 56

HSL 96.07, 0.73%, 0.55%

LAB 80.63, -56.31, 68.06

 

CMYK 65 / 0 / 75 / 12

HEX #4EE038

RGB 78 224 56

HSL 112.14, 0.73%, 0.55%

LAB 79.17, -67.84, 66.13

 

CMYK 75 / 0 / 65 / 12

HEX #38E04E

RGB 56 224 78

HSL 127.86, 0.73%, 0.55%

LAB 78.87, -69.77, 57.58

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 0 / 85 / 33

HEX #2BAB1A

RGB 43 171 26

HSL 112.97, 0.74%, 0.39%

LAB 61.41, -59.04, 57.85

 

CMYK 74 / 0 / 84 / 19

HEX #35CE20

RGB 53 206 32

HSL 112.76, 0.73%, 0.47%

LAB 72.89, -68.02, 66.8

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 53 / 0 / 60 / 10

HEX #6CE55C

RGB 108 229 92

HSL 112.99, 0.72%, 0.63%

LAB 81.84, -59.5, 55.37

 

CMYK 40 / 0 / 46 / 8

HEX #8CEB7F

RGB 140 235 127

HSL 112.78, 0.73%, 0.71%

LAB 85.26, -48.65, 43.61

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 75 / 5 / 0 / 12

HEX #38D4E0

RGB 56 212 224

HSL 184.29, 0.73%, 0.55%

LAB 78.06, -35.06, -17.38

 

CMYK 0 / 75 / 35 / 12

HEX #E03891

RGB 224 56 145

HSL 328.21, 0.73%, 0.55%

LAB 52.64, 70.08, -10.07

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 75 / 65 / 0 / 12

HEX #384EE0

RGB 56 78 224

HSL 232.14, 0.73%, 0.55%

LAB 40.69, 41.77, -76.37

 

CMYK 0 / 75 / 65 / 12

HEX #E0384E

RGB 224 56 78

HSL 352.14, 0.73%, 0.55%

LAB 50.95, 64.71, 27.82

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 75 / 5 / 0 / 12

HEX #38D4E0

RGB 56 212 224

HSL 184.29, 0.73%, 0.55%

LAB 78.06, -35.06, -17.38

 

CMYK 10 / 75 / 0 / 12

HEX #C938E0

RGB 201 56 224

HSL 291.79, 0.73%, 0.55%

LAB 52.54, 75.98, -56.43

 

CMYK 0 / 70 / 75 / 12

HEX #E04338

RGB 224 67 56

HSL 3.93, 0.73%, 0.55%

LAB 52, 59.94, 41.71

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

CMYK 75 / 28 / 0 / 12

HEX #38A2E0

RGB 56 162 224

HSL 202.14, 0.73%, 0.55%

LAB 63.4, -9.5, -39.92

 

CMYK 10 / 75 / 0 / 12

HEX #C938E0

RGB 201 56 224

HSL 291.79, 0.73%, 0.55%

LAB 52.54, 75.98, -56.43

 

CMYK 0 / 48 / 75 / 12

HEX #E07538

RGB 224 117 56

HSL 21.79, 0.73%, 0.55%

LAB 60.65, 37.34, 50.85

 

Description

Color code: HEX #4CE038 | qconv.com Color code: HEX #4CE038 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 224 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 224 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 75 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 75% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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