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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE143 it is the complementary color #B31EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE143 shade: #51E13E, #62F351, #73FF64, #84FF77 and #95FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE143 shade: #4CE143, #3BCF30, #2ABD1D, #19AB0A and #089900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE143 shade: #4BE042, #75E042, #A0E042, #CBE042 and #E0CA42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE143 shade: #4BE042, #42E063, #42E08E, #42E0B9 and #42DCE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE143 shade matches the following richer shades: #4BE042 and #3BF230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE143 shade: #4BE042, #5BCE54, #6ABC65, #7AAB77 and #8A9989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE143 shade: #A1E042, #77E042, #4CE042, #42E061 and #42E08C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE143 shade: #25B31D, #2DD622, #4BE042, #6DE665 and #8EEB89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE143 shade: #4CE143, #42CBE0 and #E0428C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE143 shade: #4CE143, #424CE0 and #E0424C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE143 shade: #4CE143, #42CBE0, #D542E0 and #E05742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE143 shade: #4CE143, #429BE0, #D542E0 and #E08642

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

Complementary color

CMYK 5 / 84 / 0 / 26

HEX #B31EBC

RGB 179 30 188

HSL 296.58, 0.72%, 0.43%

LAB 44.44, 72.71, -48.88

 

CMYK 64 / 0 / 72 / 12

HEX #51E13E

RGB 81 225 62

HSL 113.01, 0.73%, 0.56%

LAB 79.58, -67.13, 64.55

 

CMYK 60 / 0 / 67 / 5

HEX #62F351

RGB 98 243 81

HSL 113.7, 0.87%, 0.64%

LAB 85.65, -67.97, 64.01

 

CMYK 55 / 0 / 61 / 0

HEX #73FF64

RGB 115 255 100

HSL 114.19, 1%, 0.7%

LAB 89.9, -66.39, 61.16

 

CMYK 48 / 0 / 53 / 0

HEX #84FF77

RGB 132 255 119

HSL 114.26, 1%, 0.73%

LAB 90.67, -59.94, 53.92

 

CMYK 42 / 0 / 46 / 0

HEX #95FF8A

RGB 149 255 138

HSL 114.36, 1%, 0.77%

LAB 91.57, -52.79, 46.33

 

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 78 / 0 / 85 / 26

HEX #2ABD1D

RGB 42 189 29

HSL 115.13, 0.73%, 0.43%

LAB 67.26, -64.62, 62.38

 

CMYK 85 / 0 / 94 / 33

HEX #19AB0A

RGB 25 171 10

HSL 114.41, 0.89%, 0.35%

LAB 61.09, -61.98, 60.54

 

CMYK 95 / 0 / 100 / 40

HEX #089900

RGB 8 153 0

HSL 116.86, 1%, 0.3%

LAB 54.9, -58.37, 56.87

 

CMYK 67 / 0 / 71 / 12

HEX #4BE042

RGB 75 224 66

HSL 116.58, 0.72%, 0.57%

LAB 79.16, -67.69, 62.64

 

CMYK 48 / 0 / 71 / 12

HEX #75E042

RGB 117 224 66

HSL 100.63, 0.72%, 0.57%

LAB 80.45, -57.45, 64.38

 

CMYK 29 / 0 / 71 / 12

HEX #A0E042

RGB 160 224 66

HSL 84.3, 0.72%, 0.57%

LAB 82.47, -43.21, 67.09

 

CMYK 9 / 0 / 71 / 12

HEX #CBE042

RGB 203 224 66

HSL 67.97, 0.72%, 0.57%

LAB 85.2, -26.57, 70.7

 

CMYK 0 / 10 / 71 / 12

HEX #E0CA42

RGB 224 202 66

HSL 51.65, 0.72%, 0.57%

LAB 81.01, -6.99, 67.14

 

CMYK 67 / 0 / 71 / 12

HEX #4BE042

RGB 75 224 66

HSL 116.58, 0.72%, 0.57%

LAB 79.16, -67.69, 62.64

 

CMYK 71 / 0 / 56 / 12

HEX #42E063

RGB 66 224 99

HSL 132.53, 0.72%, 0.57%

LAB 79.25, -65.83, 48.95

 

CMYK 71 / 0 / 37 / 12

HEX #42E08E

RGB 66 224 142

HSL 148.86, 0.72%, 0.57%

LAB 79.85, -58.98, 28.65

 

CMYK 71 / 0 / 17 / 12

HEX #42E0B9

RGB 66 224 185

HSL 165.19, 0.72%, 0.57%

LAB 80.72, -49.67, 7.38

 

CMYK 71 / 2 / 0 / 12

HEX #42DCE0

RGB 66 220 224

HSL 181.52, 0.72%, 0.57%

LAB 80.59, -37.63, -13.56

 

CMYK 67 / 0 / 71 / 12

HEX #4BE042

RGB 75 224 66

HSL 116.58, 0.72%, 0.57%

LAB 79.16, -67.69, 62.64

 

CMYK 76 / 0 / 80 / 5

HEX #3BF230

RGB 59 242 48

HSL 116.6, 0.88%, 0.57%

LAB 84.3, -77.09, 73.26

 

CMYK 67 / 0 / 71 / 12

HEX #4BE042

RGB 75 224 66

HSL 116.58, 0.72%, 0.57%

LAB 79.16, -67.69, 62.64

 

CMYK 56 / 0 / 59 / 19

HEX #5BCE54

RGB 91 206 84

HSL 116.56, 0.55%, 0.57%

LAB 74.19, -56.13, 50

 

CMYK 44 / 0 / 46 / 26

HEX #6ABC65

RGB 106 188 101

HSL 116.55, 0.39%, 0.57%

LAB 69.45, -42.59, 36.27

 

CMYK 29 / 0 / 30 / 33

HEX #7AAB77

RGB 122 171 119

HSL 116.54, 0.24%, 0.57%

LAB 65.43, -26.77, 21.7

 

CMYK 10 / 0 / 10 / 40

HEX #8A9989

RGB 138 153 137

HSL 116.25, 0.07%, 0.57%

LAB 61.65, -8.51, 6.59

 

CMYK 28 / 0 / 71 / 12

HEX #A1E042

RGB 161 224 66

HSL 83.92, 0.72%, 0.57%

LAB 82.53, -42.84, 67.16

 

CMYK 47 / 0 / 71 / 12

HEX #77E042

RGB 119 224 66

HSL 99.87, 0.72%, 0.57%

LAB 80.53, -56.86, 64.49

 

CMYK 66 / 0 / 71 / 12

HEX #4CE042

RGB 76 224 66

HSL 116.2, 0.72%, 0.57%

LAB 79.18, -67.5, 62.67

 

CMYK 71 / 0 / 57 / 12

HEX #42E061

RGB 66 224 97

HSL 131.77, 0.72%, 0.57%

LAB 79.23, -66.09, 49.84

 

CMYK 71 / 0 / 38 / 12

HEX #42E08C

RGB 66 224 140

HSL 148.1, 0.72%, 0.57%

LAB 79.82, -59.35, 29.63

 

CMYK 79 / 0 / 84 / 30

HEX #25B31D

RGB 37 179 29

HSL 116.8, 0.72%, 0.41%

LAB 63.94, -62.26, 59.35

 

CMYK 79 / 0 / 84 / 16

HEX #2DD622

RGB 45 214 34

HSL 116.33, 0.73%, 0.49%

LAB 75.31, -71.43, 68.45

 

CMYK 67 / 0 / 71 / 12

HEX #4BE042

RGB 75 224 66

HSL 116.58, 0.72%, 0.57%

LAB 79.16, -67.69, 62.64

 

CMYK 53 / 0 / 56 / 10

HEX #6DE665

RGB 109 230 101

HSL 116.28, 0.72%, 0.65%

LAB 82.26, -58.62, 51.89

 

CMYK 40 / 0 / 42 / 8

HEX #8EEB89

RGB 142 235 137

HSL 116.94, 0.71%, 0.73%

LAB 85.49, -46.67, 39.03

 

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

CMYK 71 / 9 / 0 / 12

HEX #42CBE0

RGB 66 203 224

HSL 187.97, 0.72%, 0.57%

LAB 75.61, -29.59, -21.07

 

CMYK 0 / 71 / 38 / 12

HEX #E0428C

RGB 224 66 140

HSL 331.9, 0.72%, 0.57%

LAB 53.64, 66.29, -5.61

 

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

CMYK 71 / 66 / 0 / 12

HEX #424CE0

RGB 66 76 224

HSL 236.2, 0.72%, 0.57%

LAB 40.75, 44.03, -76.25

 

CMYK 0 / 71 / 66 / 12

HEX #E0424C

RGB 224 66 76

HSL 356.2, 0.72%, 0.57%

LAB 52.14, 61.22, 30.49

 

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

CMYK 71 / 9 / 0 / 12

HEX #42CBE0

RGB 66 203 224

HSL 187.97, 0.72%, 0.57%

LAB 75.61, -29.59, -21.07

 

CMYK 5 / 71 / 0 / 12

HEX #D542E0

RGB 213 66 224

HSL 295.82, 0.72%, 0.57%

LAB 55.51, 75.15, -51.59

 

CMYK 0 / 61 / 71 / 12

HEX #E05742

RGB 224 87 66

HSL 7.97, 0.72%, 0.57%

LAB 55.13, 52.23, 39.74

 

CMYK 66 / 0 / 70 / 12

HEX #4CE143

RGB 76 225 67

HSL 116.58, 0.72%, 0.57%

LAB 79.5, -67.74, 62.63

 

CMYK 71 / 31 / 0 / 12

HEX #429BE0

RGB 66 155 224

HSL 206.2, 0.72%, 0.57%

LAB 61.64, -4.26, -42.66

 

CMYK 5 / 71 / 0 / 12

HEX #D542E0

RGB 213 66 224

HSL 295.82, 0.72%, 0.57%

LAB 55.51, 75.15, -51.59

 

CMYK 0 / 40 / 71 / 12

HEX #E08642

RGB 224 134 66

HSL 25.82, 0.72%, 0.57%

LAB 64.4, 28.94, 50.04

 

Description

Color code: HEX #4CE143 | qconv.com Color code: HEX #4CE143 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 225 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 225 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 70 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 70% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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