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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE15C it is the complementary color #B31EA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE15C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE15C shade: #51E157, #62F36A, #73FF7D, #84FF90 and #95FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE15C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE15C shade: #4CE15C, #3BCF49, #2ABD36, #19AB23 and #089910

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE15C shade: #4CE05C, #64E04C, #8CE04C, #B4E04C and #DCE04C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE15C shade: #4CE05C, #4CE084, #4CE0AC, #4CE0D4 and #4CC5E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE15C shade matches the following richer shades: #4CE05C and #3BF14E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE15C shade: #4CE05C, #5DCF69, #6EBE76, #7EAD84 and #8F9D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE15C shade: #8CE04C, #64E04C, #4CE05B, #4CE082 and #4CE0AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE15C shade: #1FBA30, #28DA3C, #4CE05C, #6FE67C and #92EC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE15C shade: #4CE15C, #4CB4E0 and #E04C78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE15C shade: #4CE15C, #5B4CE0 and #E05B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE15C shade: #4CE15C, #4CB4E0, #E04CD1 and #E0784C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE15C shade: #4CE15C, #4C87E0, #E04CD1 and #E0A54C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

Complementary color

CMYK 0 / 83 / 9 / 30

HEX #B31EA3

RGB 179 30 163

HSL 306.44, 0.71%, 0.41%

LAB 43, 68.87, -36.37

 

CMYK 64 / 0 / 61 / 12

HEX #51E157

RGB 81 225 87

HSL 122.5, 0.71%, 0.6%

LAB 79.78, -64.86, 54.98

 

CMYK 60 / 0 / 56 / 5

HEX #62F36A

RGB 98 243 106

HSL 123.31, 0.86%, 0.67%

LAB 85.88, -65.4, 53.81

 

CMYK 55 / 0 / 51 / 0

HEX #73FF7D

RGB 115 255 125

HSL 124.29, 1%, 0.73%

LAB 90.16, -63.51, 50.42

 

CMYK 48 / 0 / 44 / 0

HEX #84FF90

RGB 132 255 144

HSL 125.85, 1%, 0.76%

LAB 90.98, -56.66, 42.57

 

CMYK 42 / 0 / 36 / 0

HEX #95FFA3

RGB 149 255 163

HSL 127.92, 1%, 0.79%

LAB 91.93, -49.16, 34.61

 

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

CMYK 71 / 0 / 65 / 19

HEX #3BCF49

RGB 59 207 73

HSL 125.68, 0.61%, 0.52%

LAB 73.57, -64.36, 53.83

 

CMYK 78 / 0 / 71 / 26

HEX #2ABD36

RGB 42 189 54

HSL 124.9, 0.64%, 0.45%

LAB 67.39, -62.96, 54.71

 

CMYK 85 / 0 / 80 / 33

HEX #19AB23

RGB 25 171 35

HSL 124.11, 0.74%, 0.38%

LAB 61.18, -60.88, 55.02

 

CMYK 95 / 0 / 90 / 40

HEX #089910

RGB 8 153 16

HSL 123.31, 0.9%, 0.32%

LAB 54.94, -57.87, 54.23

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05C

RGB 76 224 92

HSL 126.49, 0.7%, 0.59%

LAB 79.4, -64.93, 52.33

 

CMYK 55 / 0 / 66 / 12

HEX #64E04C

RGB 100 224 76

HSL 110.27, 0.7%, 0.59%

LAB 79.92, -61.27, 59.84

 

CMYK 38 / 0 / 66 / 12

HEX #8CE04C

RGB 140 224 76

HSL 94.05, 0.7%, 0.59%

LAB 81.52, -49.5, 62.02

 

CMYK 20 / 0 / 66 / 12

HEX #B4E04C

RGB 180 224 76

HSL 77.84, 0.7%, 0.59%

LAB 83.72, -35.07, 65.02

 

CMYK 2 / 0 / 66 / 12

HEX #DCE04C

RGB 220 224 76

HSL 61.62, 0.7%, 0.59%

LAB 86.53, -19.12, 68.79

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05C

RGB 76 224 92

HSL 126.49, 0.7%, 0.59%

LAB 79.4, -64.93, 52.33

 

CMYK 66 / 0 / 41 / 12

HEX #4CE084

RGB 76 224 132

HSL 142.7, 0.7%, 0.59%

LAB 79.91, -59.14, 33.84

 

CMYK 66 / 0 / 23 / 12

HEX #4CE0AC

RGB 76 224 172

HSL 158.92, 0.7%, 0.59%

LAB 80.64, -51.21, 14.16

 

CMYK 66 / 0 / 5 / 12

HEX #4CE0D4

RGB 76 224 212

HSL 175.14, 0.7%, 0.59%

LAB 81.62, -41.4, -5.61

 

CMYK 66 / 12 / 0 / 12

HEX #4CC5E0

RGB 76 197 224

HSL 190.95, 0.7%, 0.59%

LAB 74.09, -25.23, -23.35

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05C

RGB 76 224 92

HSL 126.49, 0.7%, 0.59%

LAB 79.4, -64.93, 52.33

 

CMYK 76 / 0 / 68 / 5

HEX #3BF14E

RGB 59 241 78

HSL 126.26, 0.87%, 0.59%

LAB 84.17, -74.63, 63.32

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05C

RGB 76 224 92

HSL 126.49, 0.7%, 0.59%

LAB 79.4, -64.93, 52.33

 

CMYK 55 / 0 / 49 / 19

HEX #5DCF69

RGB 93 207 105

HSL 126.32, 0.54%, 0.59%

LAB 74.81, -53.35, 40.87

 

CMYK 42 / 0 / 38 / 25

HEX #6EBE76

RGB 110 190 118

HSL 126, 0.38%, 0.59%

LAB 70.49, -39.66, 28.88

 

CMYK 27 / 0 / 24 / 32

HEX #7EAD84

RGB 126 173 132

HSL 127.66, 0.22%, 0.59%

LAB 66.51, -24.1, 16.12

 

CMYK 9 / 0 / 8 / 38

HEX #8F9D91

RGB 143 157 145

HSL 128.57, 0.07%, 0.59%

LAB 63.34, -7.34, 4.57

 

CMYK 38 / 0 / 66 / 12

HEX #8CE04C

RGB 140 224 76

HSL 94.05, 0.7%, 0.59%

LAB 81.52, -49.5, 62.02

 

CMYK 55 / 0 / 66 / 12

HEX #64E04C

RGB 100 224 76

HSL 110.27, 0.7%, 0.59%

LAB 79.92, -61.27, 59.84

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05B

RGB 76 224 91

HSL 126.08, 0.7%, 0.59%

LAB 79.39, -65.05, 52.76

 

CMYK 66 / 0 / 42 / 12

HEX #4CE082

RGB 76 224 130

HSL 141.89, 0.7%, 0.59%

LAB 79.87, -59.48, 34.81

 

CMYK 66 / 0 / 24 / 12

HEX #4CE0AA

RGB 76 224 170

HSL 158.11, 0.7%, 0.59%

LAB 80.6, -51.65, 15.15

 

CMYK 83 / 0 / 74 / 27

HEX #1FBA30

RGB 31 186 48

HSL 126.58, 0.71%, 0.43%

LAB 66.23, -63.86, 55.67

 

CMYK 82 / 0 / 72 / 15

HEX #28DA3C

RGB 40 218 60

HSL 126.74, 0.71%, 0.51%

LAB 76.63, -71.55, 62.01

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05C

RGB 76 224 92

HSL 126.49, 0.7%, 0.59%

LAB 79.4, -64.93, 52.33

 

CMYK 52 / 0 / 46 / 10

HEX #6FE67C

RGB 111 230 124

HSL 126.55, 0.7%, 0.67%

LAB 82.61, -55.12, 41.49

 

CMYK 38 / 0 / 34 / 7

HEX #92EC9C

RGB 146 236 156

HSL 126.67, 0.7%, 0.75%

LAB 86.26, -43, 30.54

 

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

CMYK 66 / 20 / 0 / 12

HEX #4CB4E0

RGB 76 180 224

HSL 197.84, 0.7%, 0.59%

LAB 69.16, -16.5, -30.93

 

CMYK 0 / 66 / 46 / 12

HEX #E04C78

RGB 224 76 120

HSL 342.16, 0.7%, 0.59%

LAB 54.42, 60.61, 7.44

 

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

CMYK 59 / 66 / 0 / 12

HEX #5B4CE0

RGB 91 76 224

HSL 246.08, 0.7%, 0.59%

LAB 42.42, 47.32, -73.45

 

CMYK 0 / 59 / 66 / 12

HEX #E05B4C

RGB 224 91 76

HSL 6.08, 0.7%, 0.59%

LAB 55.94, 50.97, 35.16

 

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

CMYK 66 / 20 / 0 / 12

HEX #4CB4E0

RGB 76 180 224

HSL 197.84, 0.7%, 0.59%

LAB 69.16, -16.5, -30.93

 

CMYK 0 / 66 / 7 / 12

HEX #E04CD1

RGB 224 76 209

HSL 306.08, 0.7%, 0.59%

LAB 57.67, 71.66, -39.55

 

CMYK 0 / 46 / 66 / 12

HEX #E0784C

RGB 224 120 76

HSL 17.84, 0.7%, 0.59%

LAB 61.48, 36.81, 41.74

 

CMYK 66 / 0 / 59 / 12

HEX #4CE15C

RGB 76 225 92

HSL 126.44, 0.71%, 0.59%

LAB 79.7, -65.27, 52.69

 

CMYK 66 / 40 / 0 / 12

HEX #4C87E0

RGB 76 135 224

HSL 216.08, 0.7%, 0.59%

LAB 56.33, 9, -51.03

 

CMYK 0 / 66 / 7 / 12

HEX #E04CD1

RGB 224 76 209

HSL 306.08, 0.7%, 0.59%

LAB 57.67, 71.66, -39.55

 

CMYK 0 / 26 / 66 / 12

HEX #E0A54C

RGB 224 165 76

HSL 36.08, 0.7%, 0.59%

LAB 71.74, 12.93, 53.33

 

Description

Color code: HEX #4CE15C | qconv.com Color code: HEX #4CE15C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 225 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 225 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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