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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A1541 it is the complementary color #B5EABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A1541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A1541 shade: #4F153C, #60274F, #713962, #824B75 and #935D88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A1541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A1541 shade: #4A1541, #39032E, #28001B, #170008 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A1541 shade: #4B1542, #4B1533, #4B1525, #4B1516 and #4B1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A1541 shade: #4B1542, #46154B, #37154B, #28154B and #1A154B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A1541 shade matches the following richer shades: #4B1542, #530D47 and #5B054C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A1541 shade: #4B1542, #431D3D, #3B2438, #342C32 and #2C342D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A1541 shade: #37154B, #46154B, #4B1542, #4B1534 and #4B1525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A1541 shade: #0B0309, #2B0C26, #4B1542, #6B1E5E and #8B277A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A1541 shade: #4A1541, #4B2915 and #154B3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A1541 shade: #4A1541, #424B15 and #15424B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A1541 shade: #4A1541, #4B2915, #154B1E and #15374B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A1541 shade: #4A1541, #4B3915, #154B1E and #15274B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

Complementary color

CMYK 23 / 0 / 19 / 8

HEX #B5EABE

RGB 181 234 190

HSL 130.19, 0.56%, 0.81%

LAB 88.15, -25.4, 15.93

 

CMYK 0 / 73 / 24 / 69

HEX #4F153C

RGB 79 21 60

HSL 319.66, 0.58%, 0.2%

LAB 18.03, 31.59, -10.65

 

CMYK 0 / 59 / 18 / 62

HEX #60274F

RGB 96 39 79

HSL 317.89, 0.42%, 0.26%

LAB 25.27, 31.31, -12.26

 

CMYK 0 / 50 / 13 / 56

HEX #713962

RGB 113 57 98

HSL 316.07, 0.33%, 0.33%

LAB 32.52, 30.6, -13.33

 

CMYK 0 / 42 / 10 / 49

HEX #824B75

RGB 130 75 117

HSL 314.18, 0.27%, 0.4%

LAB 39.69, 29.78, -14.12

 

CMYK 0 / 37 / 7 / 42

HEX #935D88

RGB 147 93 136

HSL 312.22, 0.23%, 0.47%

LAB 46.72, 28.96, -14.76

 

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

CMYK 0 / 95 / 19 / 78

HEX #39032E

RGB 57 3 46

HSL 312.22, 0.9%, 0.12%

LAB 10.05, 30.5, -13.32

 

CMYK 0 / 100 / 33 / 84

HEX #28001B

RGB 40 0 27

HSL 319.5, 1%, 0.08%

LAB 4.79, 22.55, -7.16

 

CMYK 0 / 100 / 65 / 91

HEX #170008

RGB 23 0 8

HSL 339.13, 1%, 0.05%

LAB 1.8, 8.5, -0.43

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 0 / 72 / 32 / 71

HEX #4B1533

RGB 75 21 51

HSL 326.67, 0.56%, 0.19%

LAB 16.85, 28.88, -6.17

 

CMYK 0 / 72 / 51 / 71

HEX #4B1525

RGB 75 21 37

HSL 342.22, 0.56%, 0.19%

LAB 16.33, 27.03, 3.12

 

CMYK 0 / 72 / 71 / 71

HEX #4B1516

RGB 75 21 22

HSL 358.89, 0.56%, 0.19%

LAB 15.95, 25.63, 13.38

 

CMYK 0 / 72 / 72 / 71

HEX #4B1515

RGB 75 21 21

HSL 0, 0.56%, 0.19%

LAB 15.93, 25.55, 14.06

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 7 / 72 / 0 / 71

HEX #46154B

RGB 70 21 75

HSL 294.44, 0.56%, 0.19%

LAB 17.21, 31.7, -22.46

 

CMYK 27 / 72 / 0 / 71

HEX #37154B

RGB 55 21 75

HSL 277.78, 0.56%, 0.19%

LAB 14.72, 27.59, -26.59

 

CMYK 47 / 72 / 0 / 71

HEX #28154B

RGB 40 21 75

HSL 261.11, 0.56%, 0.19%

LAB 12.58, 23.77, -30.15

 

CMYK 65 / 72 / 0 / 71

HEX #1A154B

RGB 26 21 75

HSL 245.56, 0.56%, 0.19%

LAB 11.02, 20.74, -32.75

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 0 / 84 / 14 / 67

HEX #530D47

RGB 83 13 71

HSL 310.29, 0.73%, 0.19%

LAB 18.28, 37.66, -17.85

 

CMYK 0 / 95 / 16 / 64

HEX #5B054C

RGB 91 5 76

HSL 310.47, 0.9%, 0.19%

LAB 19.45, 42.6, -19.34

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 0 / 57 / 9 / 74

HEX #431D3D

RGB 67 29 61

HSL 309.47, 0.4%, 0.19%

LAB 17.5, 23.46, -12.35

 

CMYK 0 / 39 / 5 / 77

HEX #3B2438

RGB 59 36 56

HSL 307.83, 0.24%, 0.19%

LAB 17.81, 14.82, -8.48

 

CMYK 0 / 15 / 4 / 80

HEX #342C32

RGB 52 44 50

HSL 315, 0.08%, 0.19%

LAB 19.06, 4.97, -2.52

 

CMYK 15 / 0 / 13 / 80

HEX #2C342D

RGB 44 52 45

HSL 127.5, 0.08%, 0.19%

LAB 20.75, -5.11, 3.29

 

CMYK 27 / 72 / 0 / 71

HEX #37154B

RGB 55 21 75

HSL 277.78, 0.56%, 0.19%

LAB 14.72, 27.59, -26.59

 

CMYK 7 / 72 / 0 / 71

HEX #46154B

RGB 70 21 75

HSL 294.44, 0.56%, 0.19%

LAB 17.21, 31.7, -22.46

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 0 / 72 / 31 / 71

HEX #4B1534

RGB 75 21 52

HSL 325.56, 0.56%, 0.19%

LAB 16.89, 29.03, -6.81

 

CMYK 0 / 72 / 51 / 71

HEX #4B1525

RGB 75 21 37

HSL 342.22, 0.56%, 0.19%

LAB 16.33, 27.03, 3.12

 

CMYK 0 / 73 / 18 / 96

HEX #0B0309

RGB 11 3 9

HSL 315, 0.57%, 0.03%

LAB 1.41, 2.93, -1.53

 

CMYK 0 / 72 / 12 / 83

HEX #2B0C26

RGB 43 12 38

HSL 309.68, 0.56%, 0.11%

LAB 8.28, 20.15, -10.32

 

CMYK 0 / 72 / 12 / 71

HEX #4B1542

RGB 75 21 66

HSL 310, 0.56%, 0.19%

LAB 17.58, 31.38, -15.6

 

CMYK 0 / 72 / 12 / 58

HEX #6B1E5E

RGB 107 30 94

HSL 310.13, 0.56%, 0.27%

LAB 26.34, 41.52, -20.37

 

CMYK 0 / 72 / 12 / 45

HEX #8B277A

RGB 139 39 122

HSL 310.2, 0.56%, 0.35%

LAB 34.69, 51.02, -24.83

 

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

CMYK 0 / 45 / 72 / 71

HEX #4B2915

RGB 75 41 21

HSL 22.22, 0.56%, 0.19%

LAB 20.58, 13.74, 19.67

 

CMYK 72 / 0 / 17 / 71

HEX #154B3E

RGB 21 75 62

HSL 165.56, 0.56%, 0.19%

LAB 28.22, -21.22, 2.61

 

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

CMYK 12 / 0 / 72 / 71

HEX #424B15

RGB 66 75 21

HSL 70, 0.56%, 0.19%

LAB 30.02, -12.3, 29.79

 

CMYK 72 / 12 / 0 / 71

HEX #15424B

RGB 21 66 75

HSL 190, 0.56%, 0.19%

LAB 25.45, -11.9, -9.97

 

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

CMYK 0 / 45 / 72 / 71

HEX #4B2915

RGB 75 41 21

HSL 22.22, 0.56%, 0.19%

LAB 20.58, 13.74, 19.67

 

CMYK 72 / 0 / 60 / 71

HEX #154B1E

RGB 21 75 30

HSL 130, 0.56%, 0.19%

LAB 27.53, -28.59, 21.53

 

CMYK 72 / 27 / 0 / 71

HEX #15374B

RGB 21 55 75

HSL 202.22, 0.56%, 0.19%

LAB 21.58, -4.93, -15.93

 

CMYK 0 / 72 / 12 / 71

HEX #4A1541

RGB 74 21 65

HSL 310.19, 0.56%, 0.19%

LAB 17.34, 30.89, -15.3

 

CMYK 0 / 24 / 72 / 71

HEX #4B3915

RGB 75 57 21

HSL 40, 0.56%, 0.19%

LAB 25.19, 3.35, 24.88

 

CMYK 72 / 0 / 60 / 71

HEX #154B1E

RGB 21 75 30

HSL 130, 0.56%, 0.19%

LAB 27.53, -28.59, 21.53

 

CMYK 72 / 48 / 0 / 71

HEX #15274B

RGB 21 39 75

HSL 220, 0.56%, 0.19%

LAB 16.1, 6.37, -24.57

 

Description

Color code: HEX #4A1541 | qconv.com Color code: HEX #4A1541 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 21 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 21 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 12 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 12% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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