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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A1143 it is the complementary color #B5EEBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A1143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A1143 shade: #4F113E, #602351, #713564, #824777 and #93598A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A1143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A1143 shade: #4A1143, #390030, #28001D, #17000A and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A1143 shade: #4A1043, #4A1034, #4A1024, #4A1014 and #4A1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A1143 shade: #4A1043, #42104A, #32104A, #23104A and #13104A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A1143 shade matches the following richer shades: #4A1043, #520949 and #59024E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A1143 shade: #4A1043, #43183E, #3B1F38, #342732 and #2D2E2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A1143 shade: #32104A, #42104A, #4A1044, #4A1034 and #4A1025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A1143 shade: #070106, #290925, #4A1043, #6C1862 and #8E2080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A1143 shade: #4A1143, #4A2310 and #104A3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A1143 shade: #4A1143, #444A10 and #10444A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A1143 shade: #4A1143, #4A2310, #104A17 and #10384A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A1143 shade: #4A1143, #4A3410, #104A17 and #10274A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

Complementary color

CMYK 24 / 0 / 21 / 7

HEX #B5EEBC

RGB 181 238 188

HSL 127.37, 0.63%, 0.82%

LAB 89.21, -27.66, 18.45

 

CMYK 0 / 78 / 22 / 69

HEX #4F113E

RGB 79 17 62

HSL 316.45, 0.65%, 0.19%

LAB 17.51, 33.64, -12.86

 

CMYK 0 / 64 / 16 / 62

HEX #602351

RGB 96 35 81

HSL 314.75, 0.47%, 0.26%

LAB 24.59, 33.74, -14.65

 

CMYK 0 / 53 / 12 / 56

HEX #713564

RGB 113 53 100

HSL 313, 0.36%, 0.33%

LAB 31.75, 33.18, -15.78

 

CMYK 0 / 45 / 8 / 49

HEX #824777

RGB 130 71 119

HSL 311.19, 0.29%, 0.39%

LAB 38.87, 32.41, -16.6

 

CMYK 0 / 39 / 6 / 42

HEX #93598A

RGB 147 89 138

HSL 309.31, 0.25%, 0.46%

LAB 45.88, 31.61, -17.24

 

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

CMYK 0 / 100 / 16 / 78

HEX #390030

RGB 57 0 48

HSL 309.47, 1%, 0.11%

LAB 9.67, 32.31, -15.39

 

CMYK 0 / 100 / 28 / 84

HEX #28001D

RGB 40 0 29

HSL 316.5, 1%, 0.08%

LAB 4.88, 23.01, -8.62

 

CMYK 0 / 100 / 57 / 91

HEX #17000A

RGB 23 0 10

HSL 333.91, 1%, 0.05%

LAB 1.84, 8.77, -1.18

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 78 / 9 / 71

HEX #4A1043

RGB 74 16 67

HSL 307.24, 0.64%, 0.18%

LAB 16.66, 33.47, -17.75

 

CMYK 0 / 78 / 30 / 71

HEX #4A1034

RGB 74 16 52

HSL 322.76, 0.64%, 0.18%

LAB 15.87, 30.99, -8.38

 

CMYK 0 / 78 / 51 / 71

HEX #4A1024

RGB 74 16 36

HSL 339.31, 0.64%, 0.18%

LAB 15.24, 28.9, 2.26

 

CMYK 0 / 78 / 73 / 71

HEX #4A1014

RGB 74 16 20

HSL 355.86, 0.64%, 0.18%

LAB 14.83, 27.48, 13.28

 

CMYK 0 / 78 / 78 / 71

HEX #4A1010

RGB 74 16 16

HSL 0, 0.64%, 0.18%

LAB 14.76, 27.23, 15.62

 

CMYK 0 / 78 / 9 / 71

HEX #4A1043

RGB 74 16 67

HSL 307.24, 0.64%, 0.18%

LAB 16.66, 33.47, -17.75

 

CMYK 11 / 78 / 0 / 71

HEX #42104A

RGB 66 16 74

HSL 291.72, 0.64%, 0.18%

LAB 15.61, 32.72, -24.37

 

CMYK 32 / 78 / 0 / 71

HEX #32104A

RGB 50 16 74

HSL 275.17, 0.64%, 0.18%

LAB 12.88, 28.77, -28.9

 

CMYK 53 / 78 / 0 / 71

HEX #23104A

RGB 35 16 74

HSL 259.66, 0.64%, 0.18%

LAB 10.72, 25.45, -32.51

 

CMYK 74 / 78 / 0 / 71

HEX #13104A

RGB 19 16 74

HSL 243.1, 0.64%, 0.18%

LAB 9.02, 22.65, -35.36

 

CMYK 0 / 78 / 9 / 71

HEX #4A1043

RGB 74 16 67

HSL 307.24, 0.64%, 0.18%

LAB 16.66, 33.47, -17.75

 

CMYK 0 / 89 / 11 / 68

HEX #520949

RGB 82 9 73

HSL 307.4, 0.8%, 0.18%

LAB 17.78, 38.94, -20.03

 

CMYK 0 / 98 / 12 / 65

HEX #59024E

RGB 89 2 78

HSL 307.59, 0.96%, 0.18%

LAB 18.87, 43.27, -21.64

 

CMYK 0 / 78 / 9 / 71

HEX #4A1043

RGB 74 16 67

HSL 307.24, 0.64%, 0.18%

LAB 16.66, 33.47, -17.75

 

CMYK 0 / 64 / 7 / 74

HEX #43183E

RGB 67 24 62

HSL 306.98, 0.47%, 0.18%

LAB 16.48, 26.54, -14.64

 

CMYK 0 / 47 / 5 / 77

HEX #3B1F38

RGB 59 31 56

HSL 306.43, 0.31%, 0.18%

LAB 16.48, 18.14, -10.52

 

CMYK 0 / 25 / 4 / 80

HEX #342732

RGB 52 39 50

HSL 309.23, 0.14%, 0.18%

LAB 17.51, 8.44, -4.83

 

CMYK 2 / 0 / 2 / 82

HEX #2D2E2D

RGB 45 46 45

HSL 120, 0.01%, 0.18%

LAB 18.81, -0.68, 0.49

 

CMYK 32 / 78 / 0 / 71

HEX #32104A

RGB 50 16 74

HSL 275.17, 0.64%, 0.18%

LAB 12.88, 28.77, -28.9

 

CMYK 11 / 78 / 0 / 71

HEX #42104A

RGB 66 16 74

HSL 291.72, 0.64%, 0.18%

LAB 15.61, 32.72, -24.37

 

CMYK 0 / 78 / 8 / 71

HEX #4A1044

RGB 74 16 68

HSL 306.21, 0.64%, 0.18%

LAB 16.72, 33.65, -18.36

 

CMYK 0 / 78 / 30 / 71

HEX #4A1034

RGB 74 16 52

HSL 322.76, 0.64%, 0.18%

LAB 15.87, 30.99, -8.38

 

CMYK 0 / 78 / 50 / 71

HEX #4A1025

RGB 74 16 37

HSL 338.28, 0.64%, 0.18%

LAB 15.28, 29.02, 1.58

 

CMYK 0 / 86 / 14 / 97

HEX #070106

RGB 7 1 6

HSL 310, 0.75%, 0.02%

LAB 0.72, 2.26, -1.34

 

CMYK 0 / 78 / 10 / 84

HEX #290925

RGB 41 9 37

HSL 307.5, 0.64%, 0.1%

LAB 7.23, 20.84, -11.21

 

CMYK 0 / 78 / 9 / 71

HEX #4A1043

RGB 74 16 67

HSL 307.24, 0.64%, 0.18%

LAB 16.66, 33.47, -17.75

 

CMYK 0 / 78 / 9 / 58

HEX #6C1862

RGB 108 24 98

HSL 307.14, 0.64%, 0.26%

LAB 25.93, 44.73, -23.61

 

CMYK 0 / 77 / 10 / 44

HEX #8E2080

RGB 142 32 128

HSL 307.64, 0.63%, 0.34%

LAB 34.69, 55.1, -28.55

 

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

CMYK 0 / 53 / 78 / 71

HEX #4A2310

RGB 74 35 16

HSL 19.66, 0.64%, 0.18%

LAB 18.78, 16.73, 20.58

 

CMYK 78 / 0 / 22 / 71

HEX #104A3A

RGB 16 74 58

HSL 163.45, 0.64%, 0.18%

LAB 27.61, -22.8, 4.3

 

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

CMYK 8 / 0 / 78 / 71

HEX #444A10

RGB 68 74 16

HSL 66.21, 0.64%, 0.18%

LAB 29.82, -11.09, 31.92

 

CMYK 78 / 8 / 0 / 71

HEX #10444A

RGB 16 68 74

HSL 186.21, 0.64%, 0.18%

LAB 25.98, -14.32, -8.53

 

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

CMYK 0 / 53 / 78 / 71

HEX #4A2310

RGB 74 35 16

HSL 19.66, 0.64%, 0.18%

LAB 18.78, 16.73, 20.58

 

CMYK 78 / 0 / 69 / 71

HEX #104A17

RGB 16 74 23

HSL 127.24, 0.64%, 0.18%

LAB 26.93, -30.32, 24.62

 

CMYK 78 / 24 / 0 / 71

HEX #10384A

RGB 16 56 74

HSL 198.62, 0.64%, 0.18%

LAB 21.7, -6.91, -15.08

 

CMYK 0 / 77 / 9 / 71

HEX #4A1143

RGB 74 17 67

HSL 307.37, 0.63%, 0.18%

LAB 16.81, 33.06, -17.52

 

CMYK 0 / 30 / 78 / 71

HEX #4A3410

RGB 74 52 16

HSL 37.24, 0.64%, 0.18%

LAB 23.5, 5.73, 25.76

 

CMYK 78 / 0 / 69 / 71

HEX #104A17

RGB 16 74 23

HSL 127.24, 0.64%, 0.18%

LAB 26.93, -30.32, 24.62

 

CMYK 78 / 47 / 0 / 71

HEX #10274A

RGB 16 39 74

HSL 216.21, 0.64%, 0.18%

LAB 15.78, 4.99, -24.41

 

Description

Color code: HEX #4A1143 | qconv.com Color code: HEX #4A1143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 17 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 17 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 9 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 9% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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