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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A275D it is the complementary color #B5D8A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A275D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A275D shade: #4F2758, #60396B, #714B7E, #825D91 and #936FA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A275D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A275D shade: #4A275D, #39154A, #280337, #170024 and #060011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A275D shade: #4A275D, #59275D, #5D2753, #5D2744 and #5D2735

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A275D shade: #4A275D, #3B275D, #2D275D and #27275D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A275D shade matches the following richer shades: #4A275D, #4D1C68, #501172 and #53067D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A275D shade: #4A275D, #473152, #433C48, #40473D and #3D5232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A275D shade: #2C275D, #3B275D, #49275D, #58275D and #5D2754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A275D shade: #1C0E23, #331A40, #4A275D, #61337A and #783F97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A275D shade: #4A275D, #5D2730 and #275D33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A275D shade: #4A275D, #5D4927 and #275D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A275D shade: #4A275D, #5D2730, #3B5D27 and #275D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A275D shade: #4A275D, #5D2E27, #3B5D27 and #27565D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

Complementary color

CMYK 16 / 0 / 25 / 15

HEX #B5D8A2

RGB 181 216 162

HSL 98.89, 0.41%, 0.74%

LAB 82.67, -21.32, 22.91

 

CMYK 10 / 56 / 0 / 65

HEX #4F2758

RGB 79 39 88

HSL 288.98, 0.39%, 0.25%

LAB 23.06, 27.48, -21.88

 

CMYK 10 / 47 / 0 / 58

HEX #60396B

RGB 96 57 107

HSL 286.8, 0.3%, 0.32%

LAB 30.58, 26.62, -22.26

 

CMYK 10 / 40 / 0 / 51

HEX #714B7E

RGB 113 75 126

HSL 284.71, 0.25%, 0.39%

LAB 37.93, 25.76, -22.55

 

CMYK 10 / 36 / 0 / 43

HEX #825D91

RGB 130 93 145

HSL 282.69, 0.22%, 0.47%

LAB 45.11, 24.96, -22.8

 

CMYK 10 / 32 / 0 / 36

HEX #936FA4

RGB 147 111 164

HSL 280.75, 0.23%, 0.54%

LAB 52.12, 24.23, -23.04

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 23 / 72 / 0 / 71

HEX #39154A

RGB 57 21 74

HSL 280.75, 0.56%, 0.19%

LAB 14.96, 27.87, -25.5

 

CMYK 27 / 95 / 0 / 78

HEX #280337

RGB 40 3 55

HSL 282.69, 0.9%, 0.11%

LAB 7.15, 28.26, -24.76

 

CMYK 36 / 100 / 0 / 86

HEX #170024

RGB 23 0 36

HSL 278.33, 1%, 0.07%

LAB 2.8, 15.47, -17.52

 

CMYK 65 / 100 / 0 / 93

HEX #060011

RGB 6 0 17

HSL 261.18, 1%, 0.03%

LAB 0.72, 4.14, -6.44

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 4 / 58 / 0 / 64

HEX #59275D

RGB 89 39 93

HSL 295.56, 0.41%, 0.26%

LAB 24.84, 31.73, -22.27

 

CMYK 0 / 58 / 11 / 64

HEX #5D2753

RGB 93 39 83

HSL 311.11, 0.41%, 0.26%

LAB 24.96, 31.02, -15.44

 

CMYK 0 / 58 / 27 / 64

HEX #5D2744

RGB 93 39 68

HSL 327.78, 0.41%, 0.26%

LAB 24.31, 28.43, -6.39

 

CMYK 0 / 58 / 43 / 64

HEX #5D2735

RGB 93 39 53

HSL 344.44, 0.41%, 0.26%

LAB 23.79, 26.28, 3.03

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 37 / 58 / 0 / 64

HEX #3B275D

RGB 59 39 93

HSL 262.22, 0.41%, 0.26%

LAB 20.72, 22.69, -29.08

 

CMYK 52 / 58 / 0 / 64

HEX #2D275D

RGB 45 39 93

HSL 246.67, 0.41%, 0.26%

LAB 19.22, 18.91, -31.56

 

CMYK 58 / 58 / 0 / 64

HEX #27275D

RGB 39 39 93

HSL 240, 0.41%, 0.26%

LAB 18.68, 17.45, -32.45

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 26 / 73 / 0 / 59

HEX #4D1C68

RGB 77 28 104

HSL 278.68, 0.58%, 0.26%

LAB 21.61, 36.7, -34.74

 

CMYK 30 / 85 / 0 / 55

HEX #501172

RGB 80 17 114

HSL 278.97, 0.74%, 0.26%

LAB 21.29, 44.23, -41.72

 

CMYK 34 / 95 / 0 / 51

HEX #53067D

RGB 83 6 125

HSL 278.82, 0.91%, 0.26%

LAB 21.76, 50.1, -47.97

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 13 / 40 / 0 / 68

HEX #473152

RGB 71 49 82

HSL 280, 0.25%, 0.26%

LAB 24.15, 17.01, -16.28

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 10 / 0 / 14 / 72

HEX #40473D

RGB 64 71 61

HSL 102, 0.08%, 0.26%

LAB 29.24, -5.08, 5.05

 

CMYK 26 / 0 / 39 / 68

HEX #3D5232

RGB 61 82 50

HSL 99.38, 0.24%, 0.26%

LAB 32.38, -14.96, 16.24

 

CMYK 53 / 58 / 0 / 64

HEX #2C275D

RGB 44 39 93

HSL 245.56, 0.41%, 0.26%

LAB 19.13, 18.66, -31.71

 

CMYK 37 / 58 / 0 / 64

HEX #3B275D

RGB 59 39 93

HSL 262.22, 0.41%, 0.26%

LAB 20.72, 22.69, -29.08

 

CMYK 22 / 58 / 0 / 64

HEX #49275D

RGB 73 39 93

HSL 277.78, 0.41%, 0.26%

LAB 22.51, 26.82, -26.12

 

CMYK 5 / 58 / 0 / 64

HEX #58275D

RGB 88 39 93

HSL 294.44, 0.41%, 0.26%

LAB 24.69, 31.42, -22.52

 

CMYK 0 / 58 / 10 / 64

HEX #5D2754

RGB 93 39 84

HSL 310, 0.41%, 0.26%

LAB 25.01, 31.21, -16.03

 

CMYK 20 / 60 / 0 / 86

HEX #1C0E23

RGB 28 14 35

HSL 280, 0.43%, 0.1%

LAB 6.16, 11.77, -11.5

 

CMYK 20 / 59 / 0 / 75

HEX #331A40

RGB 51 26 64

HSL 279.47, 0.42%, 0.18%

LAB 14.47, 20.46, -19.37

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 20 / 58 / 0 / 52

HEX #61337A

RGB 97 51 122

HSL 278.87, 0.41%, 0.34%

LAB 30.19, 33.96, -32.36

 

CMYK 21 / 58 / 0 / 41

HEX #783F97

RGB 120 63 151

HSL 278.86, 0.41%, 0.42%

LAB 37.45, 40.47, -38.52

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 0 / 58 / 48 / 64

HEX #5D2730

RGB 93 39 48

HSL 350, 0.41%, 0.26%

LAB 23.64, 25.67, 6.23

 

CMYK 58 / 0 / 45 / 64

HEX #275D33

RGB 39 93 51

HSL 133.33, 0.41%, 0.26%

LAB 35, -28.23, 18.83

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 0 / 22 / 58 / 64

HEX #5D4927

RGB 93 73 39

HSL 37.78, 0.41%, 0.26%

LAB 32.34, 3.79, 23.39

 

CMYK 58 / 0 / 22 / 64

HEX #275D49

RGB 39 93 73

HSL 157.78, 0.41%, 0.26%

LAB 35.48, -23.33, 6.14

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 0 / 58 / 48 / 64

HEX #5D2730

RGB 93 39 48

HSL 350, 0.41%, 0.26%

LAB 23.64, 25.67, 6.23

 

CMYK 37 / 0 / 58 / 64

HEX #3B5D27

RGB 59 93 39

HSL 97.78, 0.41%, 0.26%

LAB 35.8, -23.27, 26.84

 

CMYK 58 / 0 / 10 / 64

HEX #275D54

RGB 39 93 84

HSL 170, 0.41%, 0.26%

LAB 35.79, -20.34, -0.24

 

CMYK 20 / 58 / 0 / 64

HEX #4A275D

RGB 74 39 93

HSL 278.89, 0.41%, 0.26%

LAB 22.64, 27.12, -25.89

 

CMYK 0 / 51 / 58 / 64

HEX #5D2E27

RGB 93 46 39

HSL 7.78, 0.41%, 0.26%

LAB 25.04, 20.61, 14.17

 

CMYK 37 / 0 / 58 / 64

HEX #3B5D27

RGB 59 93 39

HSL 97.78, 0.41%, 0.26%

LAB 35.8, -23.27, 26.84

 

CMYK 58 / 8 / 0 / 64

HEX #27565D

RGB 39 86 93

HSL 187.78, 0.41%, 0.26%

LAB 33.73, -13.71, -8.95

 

Description

Color code: HEX #4A275D | qconv.com Color code: HEX #4A275D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 39 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 39 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 58 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 58% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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