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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A2F24 it is the complementary color #B5D0DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A2F24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A2F24 shade: #4F2F1F, #604132, #715345, #826558 and #93776B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A2F24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A2F24 shade: #4A2F24, #391D11, #280B00, #170000 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A2F24 shade: #4B2F24, #4B2524 and #4B2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A2F24 shade: #4B2F24, #4B3A24, #4B4524, #474B24 and #3D4B24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A2F24 shade matches the following richer shades: #4B2F24, #542C1B, #5D2812, #662409 and #702000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A2F24 shade: #4B2F24, #42332D, #393736, #303B3F and #273F48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A2F24 shade: #4B242E, #4B2524, #4B2F24, #4B3A24 and #4B4424

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A2F24 shade: #140C09, #2F1E17, #4B2F24, #674131 and #83533F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A2F24 shade: #4A2F24, #384B24 and #24294B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A2F24 shade: #4A2F24, #244B2F and #2F244B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A2F24 shade: #4A2F24, #384B24, #24404B and #37244B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A2F24 shade: #4A2F24, #2C4B24, #24404B and #43244B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

Complementary color

CMYK 17 / 5 / 0 / 14

HEX #B5D0DB

RGB 181 208 219

HSL 197.37, 0.35%, 0.78%

LAB 81.87, -6.7, -8.48

 

CMYK 0 / 41 / 61 / 69

HEX #4F2F1F

RGB 79 47 31

HSL 20, 0.44%, 0.22%

LAB 22.98, 12.71, 16.33

 

CMYK 0 / 32 / 48 / 62

HEX #604132

RGB 96 65 50

HSL 19.57, 0.32%, 0.29%

LAB 30.63, 11.42, 14.55

 

CMYK 0 / 27 / 39 / 56

HEX #715345

RGB 113 83 69

HSL 19.09, 0.24%, 0.36%

LAB 38.07, 10.44, 13.08

 

CMYK 0 / 22 / 32 / 49

HEX #826558

RGB 130 101 88

HSL 18.57, 0.19%, 0.43%

LAB 45.3, 9.65, 11.82

 

CMYK 0 / 19 / 27 / 42

HEX #93776B

RGB 147 119 107

HSL 18, 0.16%, 0.5%

LAB 52.35, 9.01, 10.71

 

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

CMYK 0 / 49 / 70 / 78

HEX #391D11

RGB 57 29 17

HSL 18, 0.54%, 0.15%

LAB 14.34, 12.32, 13.88

 

CMYK 0 / 73 / 100 / 84

HEX #280B00

RGB 40 11 0

HSL 16.5, 1%, 0.08%

LAB 6.24, 13.52, 9.6

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 51 / 52 / 71

HEX #4B2524

RGB 75 37 36

HSL 1.54, 0.35%, 0.22%

LAB 19.83, 17.76, 8.71

 

CMYK 0 / 52 / 52 / 71

HEX #4B2424

RGB 75 36 36

HSL 0, 0.35%, 0.22%

LAB 19.58, 18.38, 8.37

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 23 / 52 / 71

HEX #4B3A24

RGB 75 58 36

HSL 33.85, 0.35%, 0.22%

LAB 25.71, 4.16, 16.49

 

CMYK 0 / 8 / 52 / 71

HEX #4B4524

RGB 75 69 36

HSL 50.77, 0.35%, 0.22%

LAB 29.11, -2.82, 20.76

 

CMYK 5 / 0 / 52 / 71

HEX #474B24

RGB 71 75 36

HSL 66.15, 0.35%, 0.22%

LAB 30.64, -8.42, 22.55

 

CMYK 19 / 0 / 52 / 71

HEX #3D4B24

RGB 61 75 36

HSL 81.54, 0.35%, 0.22%

LAB 29.79, -13.09, 21.32

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 48 / 68 / 67

HEX #542C1B

RGB 84 44 27

HSL 17.89, 0.51%, 0.22%

LAB 22.88, 16.65, 18.95

 

CMYK 0 / 57 / 81 / 64

HEX #5D2812

RGB 93 40 18

HSL 17.6, 0.68%, 0.22%

LAB 23.3, 22.61, 25.33

 

CMYK 0 / 65 / 91 / 60

HEX #662409

RGB 102 36 9

HSL 17.42, 0.84%, 0.22%

LAB 24.02, 28.34, 31.02

 

CMYK 0 / 71 / 100 / 56

HEX #702000

RGB 112 32 0

HSL 17.14, 1%, 0.22%

LAB 25.19, 34, 36.5

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 23 / 32 / 74

HEX #42332D

RGB 66 51 45

HSL 17.14, 0.19%, 0.22%

LAB 22.71, 5.68, 6.37

 

CMYK 0 / 4 / 5 / 78

HEX #393736

RGB 57 55 54

HSL 20, 0.03%, 0.22%

LAB 23.23, 0.65, 0.93

 

CMYK 24 / 6 / 0 / 75

HEX #303B3F

RGB 48 59 63

HSL 196, 0.14%, 0.22%

LAB 24.05, -3.47, -3.99

 

CMYK 46 / 13 / 0 / 72

HEX #273F48

RGB 39 63 72

HSL 196.36, 0.3%, 0.22%

LAB 25.12, -6.51, -8.42

 

CMYK 0 / 52 / 39 / 71

HEX #4B242E

RGB 75 36 46

HSL 344.62, 0.35%, 0.22%

LAB 19.86, 19.71, 1.81

 

CMYK 0 / 51 / 52 / 71

HEX #4B2524

RGB 75 37 36

HSL 1.54, 0.35%, 0.22%

LAB 19.83, 17.76, 8.71

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 23 / 52 / 71

HEX #4B3A24

RGB 75 58 36

HSL 33.85, 0.35%, 0.22%

LAB 25.71, 4.16, 16.49

 

CMYK 0 / 9 / 52 / 71

HEX #4B4424

RGB 75 68 36

HSL 49.23, 0.35%, 0.22%

LAB 28.79, -2.2, 20.37

 

CMYK 0 / 40 / 55 / 92

HEX #140C09

RGB 20 12 9

HSL 16.36, 0.38%, 0.06%

LAB 3.9, 2.43, 2.18

 

CMYK 0 / 36 / 51 / 82

HEX #2F1E17

RGB 47 30 23

HSL 17.5, 0.34%, 0.14%

LAB 13.2, 7.2, 8.13

 

CMYK 0 / 37 / 52 / 71

HEX #4B2F24

RGB 75 47 36

HSL 16.92, 0.35%, 0.22%

LAB 22.5, 11.33, 12.31

 

CMYK 0 / 37 / 52 / 60

HEX #674131

RGB 103 65 49

HSL 17.78, 0.36%, 0.3%

LAB 31.55, 14.53, 16.55

 

CMYK 0 / 37 / 52 / 49

HEX #83533F

RGB 131 83 63

HSL 17.65, 0.35%, 0.38%

LAB 40.2, 17.68, 19.98

 

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

CMYK 25 / 0 / 52 / 71

HEX #384B24

RGB 56 75 36

HSL 89.23, 0.35%, 0.22%

LAB 29.41, -15.33, 20.77

 

CMYK 52 / 45 / 0 / 71

HEX #24294B

RGB 36 41 75

HSL 232.31, 0.35%, 0.22%

LAB 17.78, 8.65, -21.83

 

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

CMYK 52 / 0 / 37 / 71

HEX #244B2F

RGB 36 75 47

HSL 136.92, 0.35%, 0.22%

LAB 28.41, -21.12, 12.53

 

CMYK 37 / 52 / 0 / 71

HEX #2F244B

RGB 47 36 75

HSL 256.92, 0.35%, 0.22%

LAB 17.34, 15.58, -22.46

 

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

CMYK 25 / 0 / 52 / 71

HEX #384B24

RGB 56 75 36

HSL 89.23, 0.35%, 0.22%

LAB 29.41, -15.33, 20.77

 

CMYK 52 / 15 / 0 / 71

HEX #24404B

RGB 36 64 75

HSL 196.92, 0.35%, 0.22%

LAB 25.41, -7.07, -9.97

 

CMYK 27 / 52 / 0 / 71

HEX #37244B

RGB 55 36 75

HSL 269.23, 0.35%, 0.22%

LAB 18.29, 18.19, -20.9

 

CMYK 0 / 36 / 51 / 71

HEX #4A2F24

RGB 74 47 36

HSL 17.37, 0.35%, 0.22%

LAB 22.36, 10.85, 12.1

 

CMYK 41 / 0 / 52 / 71

HEX #2C4B24

RGB 44 75 36

HSL 107.69, 0.35%, 0.22%

LAB 28.63, -20.31, 19.62

 

CMYK 52 / 15 / 0 / 71

HEX #24404B

RGB 36 64 75

HSL 196.92, 0.35%, 0.22%

LAB 25.41, -7.07, -9.97

 

CMYK 11 / 52 / 0 / 71

HEX #43244B

RGB 67 36 75

HSL 287.69, 0.35%, 0.22%

LAB 19.9, 22.27, -18.26

 

Description

Color code: HEX #4A2F24 | qconv.com Color code: HEX #4A2F24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 47 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 47 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 51 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 51% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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