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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3820 it is the complementary color #B5C7DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A3820 shade: #4F381B, #604A2E, #715C41, #826E54 and #938067

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A3820 shade: #4A3820, #39260D, #281400, #170200 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A3820 shade: #4A3820, #4A2D20, #4A2120 and #4A2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A3820 shade: #4A3820, #4A4420, #464A20, #3A4A20 and #2F4A20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A3820 shade matches the following richer shades: #4A3820, #533917, #5C3B0E and #643C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A3820 shade: #4A3820, #423728, #393631, #30343A and #283342

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A3820 shade: #4A2120, #4A2C20, #4A3820, #4A4320 and #464A20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A3820 shade: #110C07, #2E2213, #4A3820, #674E2C and #846438

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A3820 shade: #4A3820, #2A4A20 and #27204A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A3820 shade: #4A3820, #204A38 and #38204A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A3820 shade: #4A3820, #2A4A20, #20324A and #40204A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A3820 shade: #4A3820, #204A22, #20324A and #4A2048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

Complementary color

CMYK 19 / 11 / 0 / 13

HEX #B5C7DF

RGB 181 199 223

HSL 214.29, 0.4%, 0.79%

LAB 79.61, -1.1, -13.98

 

CMYK 0 / 29 / 66 / 69

HEX #4F381B

RGB 79 56 27

HSL 33.46, 0.49%, 0.21%

LAB 25.47, 6.52, 21.87

 

CMYK 0 / 23 / 52 / 62

HEX #604A2E

RGB 96 74 46

HSL 33.6, 0.35%, 0.28%

LAB 33.1, 5.34, 20.23

 

CMYK 0 / 19 / 42 / 56

HEX #715C41

RGB 113 92 65

HSL 33.75, 0.27%, 0.35%

LAB 40.49, 4.48, 18.75

 

CMYK 0 / 15 / 35 / 49

HEX #826E54

RGB 130 110 84

HSL 33.91, 0.21%, 0.42%

LAB 47.67, 3.81, 17.44

 

CMYK 0 / 13 / 30 / 42

HEX #938067

RGB 147 128 103

HSL 34.09, 0.18%, 0.49%

LAB 54.68, 3.27, 16.26

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 33 / 77 / 78

HEX #39260D

RGB 57 38 13

HSL 34.09, 0.63%, 0.14%

LAB 16.92, 5.88, 19.26

 

CMYK 0 / 50 / 100 / 84

HEX #281400

RGB 40 20 0

HSL 30, 1%, 0.08%

LAB 8.58, 8.01, 13.01

 

CMYK 0 / 91 / 100 / 91

HEX #170200

RGB 23 2 0

HSL 5.22, 1%, 0.05%

LAB 2.04, 6.58, 3.17

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 39 / 57 / 71

HEX #4A2D20

RGB 74 45 32

HSL 18.57, 0.4%, 0.21%

LAB 21.71, 11.69, 13.91

 

CMYK 0 / 55 / 57 / 71

HEX #4A2120

RGB 74 33 32

HSL 1.43, 0.4%, 0.21%

LAB 18.57, 19.33, 9.76

 

CMYK 0 / 57 / 57 / 71

HEX #4A2020

RGB 74 32 32

HSL 0, 0.4%, 0.21%

LAB 18.33, 19.94, 9.43

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 8 / 57 / 71

HEX #4A4420

RGB 74 68 32

HSL 51.43, 0.4%, 0.21%

LAB 28.63, -3.14, 22.52

 

CMYK 5 / 0 / 57 / 71

HEX #464A20

RGB 70 74 32

HSL 65.71, 0.4%, 0.21%

LAB 30.17, -8.75, 24.25

 

CMYK 22 / 0 / 57 / 71

HEX #3A4A20

RGB 58 74 32

HSL 82.86, 0.4%, 0.21%

LAB 29.16, -14.4, 22.81

 

CMYK 36 / 0 / 57 / 71

HEX #2F4A20

RGB 47 74 32

HSL 98.57, 0.4%, 0.21%

LAB 28.4, -19.18, 21.71

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 31 / 72 / 67

HEX #533917

RGB 83 57 23

HSL 34, 0.57%, 0.21%

LAB 26.24, 7.58, 25.21

 

CMYK 0 / 36 / 85 / 64

HEX #5C3B0E

RGB 92 59 14

HSL 34.62, 0.74%, 0.21%

LAB 27.94, 10.32, 31.94

 

CMYK 0 / 40 / 94 / 61

HEX #643C06

RGB 100 60 6

HSL 34.47, 0.89%, 0.21%

LAB 29.3, 13.38, 36.81

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 17 / 39 / 74

HEX #423728

RGB 66 55 40

HSL 34.62, 0.25%, 0.21%

LAB 23.82, 2.24, 11.22

 

CMYK 0 / 5 / 14 / 78

HEX #393631

RGB 57 54 49

HSL 37.5, 0.08%, 0.21%

LAB 22.76, 0.25, 3.61

 

CMYK 17 / 10 / 0 / 77

HEX #30343A

RGB 48 52 58

HSL 216, 0.09%, 0.21%

LAB 21.54, -0.19, -4.36

 

CMYK 39 / 23 / 0 / 74

HEX #283342

RGB 40 51 66

HSL 214.62, 0.25%, 0.21%

LAB 20.87, -0.19, -10.86

 

CMYK 0 / 55 / 57 / 71

HEX #4A2120

RGB 74 33 32

HSL 1.43, 0.4%, 0.21%

LAB 18.57, 19.33, 9.76

 

CMYK 0 / 41 / 57 / 71

HEX #4A2C20

RGB 74 44 32

HSL 17.14, 0.4%, 0.21%

LAB 21.44, 12.34, 13.55

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 9 / 57 / 71

HEX #4A4320

RGB 74 67 32

HSL 50, 0.4%, 0.21%

LAB 28.31, -2.51, 22.14

 

CMYK 5 / 0 / 57 / 71

HEX #464A20

RGB 70 74 32

HSL 65.71, 0.4%, 0.21%

LAB 30.17, -8.75, 24.25

 

CMYK 0 / 29 / 59 / 93

HEX #110C07

RGB 17 12 7

HSL 30, 0.42%, 0.05%

LAB 3.59, 0.95, 2.52

 

CMYK 0 / 26 / 59 / 82

HEX #2E2213

RGB 46 34 19

HSL 33.33, 0.42%, 0.13%

LAB 14.24, 3.32, 12.22

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 0 / 24 / 57 / 60

HEX #674E2C

RGB 103 78 44

HSL 34.58, 0.4%, 0.29%

LAB 35.03, 6, 24.01

 

CMYK 0 / 24 / 58 / 48

HEX #846438

RGB 132 100 56

HSL 34.74, 0.4%, 0.37%

LAB 44.67, 7.42, 29.68

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 43 / 0 / 57 / 71

HEX #2A4A20

RGB 42 74 32

HSL 105.71, 0.4%, 0.21%

LAB 28.1, -21.17, 21.28

 

CMYK 47 / 57 / 0 / 71

HEX #27204A

RGB 39 32 74

HSL 250, 0.4%, 0.21%

LAB 15.27, 15.66, -25.13

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 57 / 0 / 24 / 71

HEX #204A38

RGB 32 74 56

HSL 154.29, 0.4%, 0.21%

LAB 28.09, -19.69, 6.34

 

CMYK 24 / 57 / 0 / 71

HEX #38204A

RGB 56 32 74

HSL 274.29, 0.4%, 0.21%

LAB 17.31, 20.89, -21.75

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 43 / 0 / 57 / 71

HEX #2A4A20

RGB 42 74 32

HSL 105.71, 0.4%, 0.21%

LAB 28.1, -21.17, 21.28

 

CMYK 57 / 32 / 0 / 71

HEX #20324A

RGB 32 50 74

HSL 214.29, 0.4%, 0.21%

LAB 20.37, 0.75, -17.09

 

CMYK 14 / 57 / 0 / 71

HEX #40204A

RGB 64 32 74

HSL 285.71, 0.4%, 0.21%

LAB 18.44, 23.51, -19.89

 

CMYK 0 / 24 / 57 / 71

HEX #4A3820

RGB 74 56 32

HSL 34.29, 0.4%, 0.21%

LAB 24.92, 4.5, 17.98

 

CMYK 57 / 0 / 54 / 71

HEX #204A22

RGB 32 74 34

HSL 122.86, 0.4%, 0.21%

LAB 27.63, -24.39, 19.42

 

CMYK 57 / 32 / 0 / 71

HEX #20324A

RGB 32 50 74

HSL 214.29, 0.4%, 0.21%

LAB 20.37, 0.75, -17.09

 

CMYK 0 / 57 / 3 / 71

HEX #4A2048

RGB 74 32 72

HSL 302.86, 0.4%, 0.21%

LAB 19.87, 26.41, -16.18

 

Description

Color code: HEX #4A3820 | qconv.com Color code: HEX #4A3820 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 56 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 56 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 57 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 57% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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