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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A334C it is the complementary color #B5CCB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A334C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A334C shade: #4F3347, #60455A, #71576D, #826980 and #937B93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A334C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A334C shade: #4A334C, #392139, #280F26, #170013 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A334C shade: #4A334C, #4C3347, #4C3340, #4C3339 and #4C3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A334C shade: #4A334C, #43334C, #3C334C, #35334C and #33334C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A334C shade matches the following richer shades: #4A334C, #532856, #5B1E61, #64146B and #6D0975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A334C shade: #4A334C, #413D42, #394737, #30512D and #275C23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A334C shade: #3C334C, #43334C, #4A334C, #4C3347 and #4C3341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A334C shade: #1A111A, #322233, #4A334C, #624365 and #7A547E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A334C shade: #4A334C, #4C3533 and #334C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A334C shade: #4A334C, #4C4A33 and #334C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A334C shade: #4A334C, #4C3533, #354C33 and #33494C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A334C shade: #4A334C, #4C3D33, #354C33 and #33414C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

Complementary color

CMYK 11 / 0 / 12 / 20

HEX #B5CCB3

RGB 181 204 179

HSL 115.2, 0.2%, 0.75%

LAB 79.76, -12.44, 9.85

 

CMYK 0 / 35 / 10 / 69

HEX #4F3347

RGB 79 51 71

HSL 317.14, 0.22%, 0.25%

LAB 25.21, 16.28, -7.25

 

CMYK 0 / 28 / 6 / 62

HEX #60455A

RGB 96 69 90

HSL 313.33, 0.16%, 0.32%

LAB 32.88, 15.49, -7.89

 

CMYK 0 / 23 / 4 / 56

HEX #71576D

RGB 113 87 109

HSL 309.23, 0.13%, 0.39%

LAB 40.3, 14.81, -8.45

 

CMYK 0 / 19 / 2 / 49

HEX #826980

RGB 130 105 128

HSL 304.8, 0.11%, 0.46%

LAB 47.5, 14.22, -8.98

 

CMYK 0 / 16 / 0 / 42

HEX #937B93

RGB 147 123 147

HSL 300, 0.1%, 0.53%

LAB 54.53, 13.7, -9.48

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 42 / 0 / 78

HEX #392139

RGB 57 33 57

HSL 300, 0.27%, 0.18%

LAB 16.76, 16.26, -10.82

 

CMYK 0 / 63 / 5 / 84

HEX #280F26

RGB 40 15 38

HSL 304.8, 0.45%, 0.11%

LAB 8.42, 17.19, -10.14

 

CMYK 0 / 100 / 17 / 91

HEX #170013

RGB 23 0 19

HSL 310.43, 1%, 0.05%

LAB 2.07, 10.37, -5.52

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 33 / 7 / 70

HEX #4C3347

RGB 76 51 71

HSL 312, 0.2%, 0.25%

LAB 24.82, 15.07, -7.87

 

CMYK 0 / 33 / 16 / 70

HEX #4C3340

RGB 76 51 64

HSL 328.8, 0.2%, 0.25%

LAB 24.56, 13.64, -3.59

 

CMYK 0 / 33 / 25 / 70

HEX #4C3339

RGB 76 51 57

HSL 345.6, 0.2%, 0.25%

LAB 24.32, 12.33, 0.77

 

CMYK 0 / 33 / 33 / 70

HEX #4C3333

RGB 76 51 51

HSL 0, 0.2%, 0.25%

LAB 24.14, 11.31, 4.54

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 12 / 33 / 0 / 70

HEX #43334C

RGB 67 51 76

HSL 278.4, 0.2%, 0.25%

LAB 23.94, 12.69, -12.65

 

CMYK 21 / 33 / 0 / 70

HEX #3C334C

RGB 60 51 76

HSL 261.6, 0.2%, 0.25%

LAB 23.17, 10.04, -13.9

 

CMYK 30 / 33 / 0 / 70

HEX #35334C

RGB 53 51 76

HSL 244.8, 0.2%, 0.25%

LAB 22.47, 7.48, -15.05

 

CMYK 33 / 33 / 0 / 70

HEX #33334C

RGB 51 51 76

HSL 240, 0.2%, 0.25%

LAB 22.28, 6.78, -15.36

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 3 / 53 / 0 / 66

HEX #532856

RGB 83 40 86

HSL 296.09, 0.37%, 0.25%

LAB 23.77, 27.75, -19.41

 

CMYK 6 / 69 / 0 / 62

HEX #5B1E61

RGB 91 30 97

HSL 294.63, 0.53%, 0.25%

LAB 23.72, 37.72, -26.65

 

CMYK 7 / 81 / 0 / 58

HEX #64146B

RGB 100 20 107

HSL 295.17, 0.69%, 0.25%

LAB 24.55, 45.79, -31.76

 

CMYK 7 / 92 / 0 / 54

HEX #6D0975

RGB 109 9 117

HSL 295.56, 0.86%, 0.25%

LAB 25.95, 52.14, -35.86

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 2 / 8 / 0 / 74

HEX #413D42

RGB 65 61 66

HSL 288, 0.04%, 0.25%

LAB 26.32, 2.83, -2.45

 

CMYK 20 / 0 / 23 / 72

HEX #394737

RGB 57 71 55

HSL 112.5, 0.13%, 0.25%

LAB 28.52, -9.28, 7.8

 

CMYK 41 / 0 / 44 / 68

HEX #30512D

RGB 48 81 45

HSL 115, 0.29%, 0.25%

LAB 31.12, -20.43, 17.46

 

CMYK 58 / 0 / 62 / 64

HEX #275C23

RGB 39 92 35

HSL 115.79, 0.45%, 0.25%

LAB 34.41, -30.35, 27.1

 

CMYK 21 / 33 / 0 / 70

HEX #3C334C

RGB 60 51 76

HSL 261.6, 0.2%, 0.25%

LAB 23.17, 10.04, -13.9

 

CMYK 12 / 33 / 0 / 70

HEX #43334C

RGB 67 51 76

HSL 278.4, 0.2%, 0.25%

LAB 23.94, 12.69, -12.65

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 33 / 7 / 70

HEX #4C3347

RGB 76 51 71

HSL 312, 0.2%, 0.25%

LAB 24.82, 15.07, -7.87

 

CMYK 0 / 33 / 14 / 70

HEX #4C3341

RGB 76 51 65

HSL 326.4, 0.2%, 0.25%

LAB 24.59, 13.84, -4.2

 

CMYK 0 / 35 / 0 / 90

HEX #1A111A

RGB 26 17 26

HSL 300, 0.21%, 0.08%

LAB 6.28, 6.24, -4.41

 

CMYK 2 / 33 / 0 / 80

HEX #322233

RGB 50 34 51

HSL 296.47, 0.2%, 0.17%

LAB 15.81, 11.31, -8.14

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 3 / 34 / 0 / 60

HEX #624365

RGB 98 67 101

HSL 294.71, 0.2%, 0.33%

LAB 33.03, 19.84, -14.64

 

CMYK 3 / 33 / 0 / 51

HEX #7A547E

RGB 122 84 126

HSL 294.29, 0.2%, 0.41%

LAB 41.19, 23.46, -17.43

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 30 / 33 / 70

HEX #4C3533

RGB 76 53 51

HSL 4.8, 0.2%, 0.25%

LAB 24.71, 10, 5.34

 

CMYK 33 / 0 / 16 / 70

HEX #334C40

RGB 51 76 64

HSL 151.2, 0.2%, 0.25%

LAB 30.02, -12.58, 4.09

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 3 / 33 / 70

HEX #4C4A33

RGB 76 74 51

HSL 55.2, 0.2%, 0.25%

LAB 31.05, -3.42, 14.07

 

CMYK 33 / 0 / 3 / 70

HEX #334C4A

RGB 51 76 74

HSL 175.2, 0.2%, 0.25%

LAB 30.32, -10.02, -1.88

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 30 / 33 / 70

HEX #4C3533

RGB 76 53 51

HSL 4.8, 0.2%, 0.25%

LAB 24.71, 10, 5.34

 

CMYK 30 / 0 / 33 / 70

HEX #354C33

RGB 53 76 51

HSL 115.2, 0.2%, 0.25%

LAB 29.82, -14.65, 12.1

 

CMYK 33 / 4 / 0 / 70

HEX #33494C

RGB 51 73 76

HSL 187.2, 0.2%, 0.25%

LAB 29.39, -7.64, -4.55

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 20 / 33 / 70

HEX #4C3D33

RGB 76 61 51

HSL 24, 0.2%, 0.25%

LAB 27.05, 4.8, 8.63

 

CMYK 30 / 0 / 33 / 70

HEX #354C33

RGB 53 76 51

HSL 115.2, 0.2%, 0.25%

LAB 29.82, -14.65, 12.1

 

CMYK 33 / 14 / 0 / 70

HEX #33414C

RGB 51 65 76

HSL 206.4, 0.2%, 0.25%

LAB 26.75, -2.6, -8.5

 

Description

Color code: HEX #4A334C | qconv.com Color code: HEX #4A334C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 51 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 51 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 33 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 33% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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