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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A33A7 it is the complementary color #B5CC58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A33A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A33A7 shade: #4F33A2, #6045B5, #7157C8, #8269DB and #937BEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A33A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A33A7 shade: #4A33A7, #392194, #280F81, #17006E and #06005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A33A7 shade: #4A33A7, #6933A7, #8933A7, #A733A6 and #A73387

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A33A7 shade: #4A33A7 and #3333A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A33A7 shade matches the following richer shades: #4A33A7, #3F21B9 and #3510CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A33A7 shade: #4A33A7, #554596, #5F5784, #6A6872 and #757A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A33A7 shade: #335CA7, #333DA7, #4833A7, #6733A7 and #8633A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A33A7 shade: #2E2068, #3C2988, #4A33A7, #5A40C4 and #755FCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A33A7 shade: #4A33A7, #A7337B and #4CA733

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A33A7 shade: #4A33A7, #A74833 and #33A748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A33A7 shade: #4A33A7, #A7337B, #92A733 and #33A760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A33A7 shade: #4A33A7, #A73358, #92A733 and #33A782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

Complementary color

CMYK 11 / 0 / 57 / 20

HEX #B5CC58

RGB 181 204 88

HSL 71.9, 0.53%, 0.57%

LAB 78.29, -24.37, 54.12

 

CMYK 51 / 69 / 0 / 36

HEX #4F33A2

RGB 79 51 162

HSL 255.14, 0.52%, 0.42%

LAB 30.97, 40.69, -55.88

 

CMYK 47 / 62 / 0 / 29

HEX #6045B5

RGB 96 69 181

HSL 254.46, 0.45%, 0.49%

LAB 37.98, 39.26, -55.74

 

CMYK 44 / 57 / 0 / 22

HEX #7157C8

RGB 113 87 200

HSL 253.81, 0.51%, 0.56%

LAB 44.94, 37.89, -55.51

 

CMYK 41 / 52 / 0 / 14

HEX #8269DB

RGB 130 105 219

HSL 253.16, 0.61%, 0.64%

LAB 51.8, 36.64, -55.27

 

CMYK 38 / 48 / 0 / 7

HEX #937BEE

RGB 147 123 238

HSL 252.52, 0.77%, 0.71%

LAB 58.55, 35.51, -55.04

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 61 / 78 / 0 / 42

HEX #392194

RGB 57 33 148

HSL 252.52, 0.64%, 0.35%

LAB 23.99, 42.84, -58.86

 

CMYK 69 / 88 / 0 / 49

HEX #280F81

RGB 40 15 129

HSL 253.16, 0.79%, 0.28%

LAB 17.36, 43.67, -57.98

 

CMYK 79 / 100 / 0 / 57

HEX #17006E

RGB 23 0 110

HSL 252.55, 1%, 0.22%

LAB 11.33, 43.1, -55.8

 

CMYK 93 / 100 / 0 / 64

HEX #06005B

RGB 6 0 91

HSL 243.96, 1%, 0.18%

LAB 7.17, 37.31, -50.12

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 37 / 69 / 0 / 35

HEX #6933A7

RGB 105 51 167

HSL 267.93, 0.53%, 0.43%

LAB 34.32, 47.08, -53.31

 

CMYK 18 / 69 / 0 / 35

HEX #8933A7

RGB 137 51 167

HSL 284.48, 0.53%, 0.43%

LAB 38.68, 53.93, -46.04

 

CMYK 0 / 69 / 1 / 35

HEX #A733A6

RGB 167 51 166

HSL 300.52, 0.53%, 0.43%

LAB 43.27, 60.59, -37.87

 

CMYK 0 / 69 / 19 / 35

HEX #A73387

RGB 167 51 135

HSL 316.55, 0.53%, 0.43%

LAB 41.74, 55.74, -21.55

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 69 / 69 / 0 / 35

HEX #3333A7

RGB 51 51 167

HSL 240, 0.53%, 0.43%

LAB 29.06, 38.01, -62.11

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 66 / 82 / 0 / 27

HEX #3F21B9

RGB 63 33 185

HSL 251.84, 0.7%, 0.43%

LAB 28.5, 54.39, -73.76

 

CMYK 74 / 92 / 0 / 20

HEX #3510CB

RGB 53 16 203

HSL 251.87, 0.85%, 0.43%

LAB 27.95, 64.37, -85.31

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 43 / 54 / 0 / 41

HEX #554596

RGB 85 69 150

HSL 251.85, 0.37%, 0.43%

LAB 34.78, 27.55, -42.41

 

CMYK 28 / 34 / 0 / 48

HEX #5F5784

RGB 95 87 132

HSL 250.67, 0.21%, 0.43%

LAB 39.44, 13.9, -24.03

 

CMYK 7 / 9 / 0 / 55

HEX #6A6872

RGB 106 104 114

HSL 252, 0.05%, 0.43%

LAB 44.49, 2.9, -5.32

 

CMYK 4 / 0 / 21 / 52

HEX #757A60

RGB 117 122 96

HSL 71.54, 0.12%, 0.43%

LAB 50.15, -6.74, 13.64

 

CMYK 69 / 45 / 0 / 35

HEX #335CA7

RGB 51 92 167

HSL 218.79, 0.53%, 0.43%

LAB 39.83, 11.35, -44.64

 

CMYK 69 / 63 / 0 / 35

HEX #333DA7

RGB 51 61 167

HSL 234.83, 0.53%, 0.43%

LAB 31.42, 31.72, -58.25

 

CMYK 57 / 69 / 0 / 35

HEX #4833A7

RGB 72 51 167

HSL 250.86, 0.53%, 0.43%

LAB 30.72, 41.01, -59.32

 

CMYK 38 / 69 / 0 / 35

HEX #6733A7

RGB 103 51 167

HSL 266.9, 0.53%, 0.43%

LAB 34.07, 46.68, -53.72

 

CMYK 20 / 69 / 0 / 35

HEX #8633A7

RGB 134 51 167

HSL 282.93, 0.53%, 0.43%

LAB 38.25, 53.27, -46.77

 

CMYK 56 / 69 / 0 / 59

HEX #2E2068

RGB 46 32 104

HSL 251.67, 0.53%, 0.27%

LAB 18.42, 27.57, -40.09

 

CMYK 56 / 70 / 0 / 47

HEX #3C2988

RGB 60 41 136

HSL 252, 0.54%, 0.35%

LAB 24.72, 35.08, -50.2

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 54 / 67 / 0 / 23

HEX #5A40C4

RGB 90 64 196

HSL 251.82, 0.53%, 0.51%

LAB 37.53, 45.43, -65.31

 

CMYK 43 / 54 / 0 / 19

HEX #755FCE

RGB 117 95 206

HSL 251.89, 0.53%, 0.59%

LAB 47.52, 35.81, -54.78

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 0 / 69 / 26 / 35

HEX #A7337B

RGB 167 51 123

HSL 322.76, 0.53%, 0.43%

LAB 41.24, 54.09, -14.94

 

CMYK 54 / 0 / 69 / 35

HEX #4CA733

RGB 76 167 51

HSL 107.07, 0.53%, 0.43%

LAB 61.14, -48.63, 49.62

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 0 / 57 / 69 / 35

HEX #A74833

RGB 167 72 51

HSL 10.86, 0.53%, 0.43%

LAB 42.9, 37.72, 31.56

 

CMYK 69 / 0 / 57 / 35

HEX #33A748

RGB 51 167 72

HSL 130.86, 0.53%, 0.43%

LAB 60.61, -52.13, 39.43

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 0 / 69 / 26 / 35

HEX #A7337B

RGB 167 51 123

HSL 322.76, 0.53%, 0.43%

LAB 41.24, 54.09, -14.94

 

CMYK 13 / 0 / 69 / 35

HEX #92A733

RGB 146 167 51

HSL 70.86, 0.53%, 0.43%

LAB 64.95, -23.24, 54.75

 

CMYK 69 / 0 / 43 / 35

HEX #33A760

RGB 51 167 96

HSL 143.28, 0.53%, 0.43%

LAB 60.95, -48.33, 27.59

 

CMYK 56 / 69 / 0 / 35

HEX #4A33A7

RGB 74 51 167

HSL 251.9, 0.53%, 0.43%

LAB 30.91, 41.34, -59.01

 

CMYK 0 / 69 / 47 / 35

HEX #A73358

RGB 167 51 88

HSL 340.86, 0.53%, 0.43%

LAB 40.06, 50.1, 5.19

 

CMYK 13 / 0 / 69 / 35

HEX #92A733

RGB 146 167 51

HSL 70.86, 0.53%, 0.43%

LAB 64.95, -23.24, 54.75

 

CMYK 69 / 0 / 22 / 35

HEX #33A782

RGB 51 167 130

HSL 160.86, 0.53%, 0.43%

LAB 61.61, -41.1, 9.92

 

Description

Color code: HEX #4A33A7 | qconv.com Color code: HEX #4A33A7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 51 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 51 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 69 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 69% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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