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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3F7B it is the complementary color #B5C084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A3F7B shade: #4F3F76, #605189, #71639C, #8275AF and #9387C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A3F7B shade: #4A3F7B, #392D68, #281B55, #170942 and #06002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A3F7B shade: #493E79, #593E79, #683E79, #783E79 and #793E69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A3F7B shade: #493E79 and #3E3E79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A3F7B shade matches the following richer shades: #493E79, #3F2F88, #362096, #2C11A5 and #2303B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A3F7B shade: #493E79, #524D6A, #5C5C5B, #656A4C and #6E793D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A3F7B shade: #3E5279, #3E4379, #493E79, #583E79 and #683E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A3F7B shade: #282242, #38305D, #493E79, #594C94 and #6C5EAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A3F7B shade: #4A3F7B, #793E62 and #4B793E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A3F7B shade: #4A3F7B, #79493E and #3E7949

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A3F7B shade: #4A3F7B, #793E62, #6E793E and #3E7954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A3F7B shade: #4A3F7B, #793E51, #6E793E and #3E7966

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

Complementary color

CMYK 6 / 0 / 31 / 25

HEX #B5C084

RGB 181 192 132

HSL 71, 0.32%, 0.64%

LAB 75.57, -13.64, 29.04

 

CMYK 33 / 47 / 0 / 54

HEX #4F3F76

RGB 79 63 118

HSL 257.45, 0.3%, 0.35%

LAB 30.7, 20.28, -29.17

 

CMYK 30 / 41 / 0 / 46

HEX #605189

RGB 96 81 137

HSL 256.07, 0.26%, 0.43%

LAB 38.16, 19.33, -29.06

 

CMYK 28 / 37 / 0 / 39

HEX #71639C

RGB 113 99 156

HSL 254.74, 0.22%, 0.5%

LAB 45.41, 18.53, -29.02

 

CMYK 26 / 33 / 0 / 31

HEX #8275AF

RGB 130 117 175

HSL 253.45, 0.27%, 0.57%

LAB 52.47, 17.83, -29.02

 

CMYK 24 / 30 / 0 / 24

HEX #9387C2

RGB 147 135 194

HSL 252.2, 0.33%, 0.65%

LAB 59.37, 17.21, -29.08

 

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

CMYK 45 / 57 / 0 / 59

HEX #392D68

RGB 57 45 104

HSL 252.2, 0.4%, 0.29%

LAB 22.81, 21.59, -32.93

 

CMYK 53 / 68 / 0 / 67

HEX #281B55

RGB 40 27 85

HSL 253.45, 0.52%, 0.22%

LAB 14.9, 23.15, -33.21

 

CMYK 65 / 86 / 0 / 74

HEX #170942

RGB 23 9 66

HSL 254.74, 0.76%, 0.15%

LAB 6.96, 24.58, -33.1

 

CMYK 87 / 100 / 0 / 82

HEX #06002F

RGB 6 0 47

HSL 247.66, 1%, 0.09%

LAB 2.2, 14.6, -26.98

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 26 / 49 / 0 / 53

HEX #593E79

RGB 89 62 121

HSL 267.46, 0.32%, 0.36%

LAB 31.69, 24.78, -29.42

 

CMYK 14 / 49 / 0 / 53

HEX #683E79

RGB 104 62 121

HSL 282.71, 0.32%, 0.36%

LAB 33.5, 29.45, -26.45

 

CMYK 1 / 49 / 0 / 53

HEX #783E79

RGB 120 62 121

HSL 298.98, 0.32%, 0.36%

LAB 35.63, 34.53, -22.96

 

CMYK 0 / 49 / 13 / 53

HEX #793E69

RGB 121 62 105

HSL 316.27, 0.32%, 0.36%

LAB 35.06, 31.83, -13.79

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 49 / 49 / 0 / 53

HEX #3E3E79

RGB 62 62 121

HSL 240, 0.32%, 0.36%

LAB 29.03, 17.08, -33.81

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 54 / 65 / 0 / 47

HEX #3F2F88

RGB 63 47 136

HSL 250.79, 0.49%, 0.36%

LAB 26.35, 32, -47.51

 

CMYK 64 / 79 / 0 / 41

HEX #362096

RGB 54 32 150

HSL 251.19, 0.65%, 0.36%

LAB 23.74, 43.59, -60.51

 

CMYK 73 / 90 / 0 / 35

HEX #2C11A5

RGB 44 17 165

HSL 250.95, 0.81%, 0.36%

LAB 22.49, 53.5, -71.78

 

CMYK 81 / 98 / 0 / 29

HEX #2303B4

RGB 35 3 180

HSL 250.85, 0.97%, 0.36%

LAB 22.72, 60.71, -80.47

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 23 / 27 / 0 / 58

HEX #524D6A

RGB 82 77 106

HSL 250.34, 0.16%, 0.36%

LAB 34.28, 8.93, -16.02

 

CMYK 0 / 0 / 1 / 64

HEX #5C5C5B

RGB 92 92 91

HSL 60, 0.01%, 0.36%

LAB 39.04, -0.21, 0.57

 

CMYK 5 / 0 / 28 / 58

HEX #656A4C

RGB 101 106 76

HSL 70, 0.16%, 0.36%

LAB 43.65, -7.5, 16.25

 

CMYK 9 / 0 / 50 / 53

HEX #6E793D

RGB 110 121 61

HSL 71, 0.33%, 0.36%

LAB 48.67, -14, 31.32

 

CMYK 49 / 32 / 0 / 53

HEX #3E5279

RGB 62 82 121

HSL 219.66, 0.32%, 0.36%

LAB 34.88, 3.89, -24.57

 

CMYK 49 / 45 / 0 / 53

HEX #3E4379

RGB 62 67 121

HSL 234.92, 0.32%, 0.36%

LAB 30.45, 13.74, -31.56

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 27 / 49 / 0 / 53

HEX #583E79

RGB 88 62 121

HSL 266.44, 0.32%, 0.36%

LAB 31.58, 24.48, -29.6

 

CMYK 14 / 49 / 0 / 53

HEX #683E79

RGB 104 62 121

HSL 282.71, 0.32%, 0.36%

LAB 33.5, 29.45, -26.45

 

CMYK 39 / 48 / 0 / 74

HEX #282242

RGB 40 34 66

HSL 251.25, 0.32%, 0.2%

LAB 15.43, 11.85, -19.34

 

CMYK 40 / 48 / 0 / 64

HEX #38305D

RGB 56 48 93

HSL 250.67, 0.32%, 0.28%

LAB 22.81, 15.76, -25.76

 

CMYK 40 / 49 / 0 / 53

HEX #493E79

RGB 73 62 121

HSL 251.19, 0.32%, 0.36%

LAB 30.02, 20.06, -32.18

 

CMYK 40 / 49 / 0 / 42

HEX #594C94

RGB 89 76 148

HSL 250.83, 0.32%, 0.44%

LAB 36.8, 23.59, -37.94

 

CMYK 37 / 45 / 0 / 33

HEX #6C5EAC

RGB 108 94 172

HSL 250.77, 0.32%, 0.52%

LAB 44.48, 24.49, -39.96

 

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

CMYK 0 / 49 / 19 / 53

HEX #793E62

RGB 121 62 98

HSL 323.39, 0.32%, 0.36%

LAB 34.79, 30.61, -9.78

 

CMYK 38 / 0 / 49 / 53

HEX #4B793E

RGB 75 121 62

HSL 106.78, 0.32%, 0.36%

LAB 46.34, -27.95, 27.38

 

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

CMYK 0 / 40 / 49 / 53

HEX #79493E

RGB 121 73 62

HSL 11.19, 0.32%, 0.36%

LAB 36.32, 19.13, 15.21

 

CMYK 49 / 0 / 40 / 53

HEX #3E7949

RGB 62 121 73

HSL 131.19, 0.32%, 0.36%

LAB 45.88, -30.47, 20.53

 

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

CMYK 0 / 49 / 19 / 53

HEX #793E62

RGB 121 62 98

HSL 323.39, 0.32%, 0.36%

LAB 34.79, 30.61, -9.78

 

CMYK 9 / 0 / 49 / 53

HEX #6E793E

RGB 110 121 62

HSL 71.19, 0.32%, 0.36%

LAB 48.68, -13.89, 30.8

 

CMYK 49 / 0 / 31 / 53

HEX #3E7954

RGB 62 121 84

HSL 142.37, 0.32%, 0.36%

LAB 46.1, -28.32, 14.48

 

CMYK 40 / 49 / 0 / 52

HEX #4A3F7B

RGB 74 63 123

HSL 251, 0.32%, 0.36%

LAB 30.5, 20.3, -32.66

 

CMYK 0 / 49 / 33 / 53

HEX #793E51

RGB 121 62 81

HSL 340.68, 0.32%, 0.36%

LAB 34.2, 27.97, 0.2

 

CMYK 9 / 0 / 49 / 53

HEX #6E793E

RGB 110 121 62

HSL 71.19, 0.32%, 0.36%

LAB 48.68, -13.89, 30.8

 

CMYK 49 / 0 / 16 / 53

HEX #3E7966

RGB 62 121 102

HSL 160.68, 0.32%, 0.36%

LAB 46.52, -24.2, 4.5

 

Description

Color code: HEX #4A3F7B | qconv.com Color code: HEX #4A3F7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 63 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 63 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 49 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 49% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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