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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A4144 it is the complementary color #B5BEBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A4144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A4144 shade: #4F413F, #605352, #716565, #827778 and #93898B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A4144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A4144 shade: #4A4144, #392F31, #281D1E, #170B0B and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A4144 shade: #484043, #484041 and #484040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A4144 shade: #484043, #484045, #484047, #474048 and #454048

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A4144 shade matches the following richer shades: #484043, #54353F, #5F2A3C, #6A1F38 and #751434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A4144 shade: #484043, #3D4B47, #32564A, #27624E and #1C6D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A4144 shade: #484047, #484045, #484043, #484041 and #484240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A4144 shade: #1D191B, #332D2F, #484043, #5E5457 and #74676B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A4144 shade: #4A4144, #484740 and #404648

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A4144 shade: #4A4144, #434840 and #404348

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A4144 shade: #4A4144, #484740, #404846 and #404148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A4144 shade: #4A4144, #474840, #404846 and #424048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

Complementary color

CMYK 5 / 0 / 2 / 25

HEX #B5BEBB

RGB 181 190 187

HSL 160, 0.06%, 0.73%

LAB 76.22, -3.67, 0.43

 

CMYK 0 / 18 / 20 / 69

HEX #4F413F

RGB 79 65 63

HSL 7.5, 0.11%, 0.28%

LAB 28.91, 5.66, 3.47

 

CMYK 0 / 14 / 15 / 62

HEX #605352

RGB 96 83 82

HSL 4.29, 0.08%, 0.35%

LAB 36.52, 5.16, 2.55

 

CMYK 0 / 11 / 11 / 56

HEX #716565

RGB 113 101 101

HSL 0, 0.06%, 0.42%

LAB 43.88, 4.76, 1.73

 

CMYK 0 / 8 / 8 / 49

HEX #827778

RGB 130 119 120

HSL 354.55, 0.04%, 0.49%

LAB 51.03, 4.41, 0.98

 

CMYK 0 / 7 / 5 / 42

HEX #93898B

RGB 147 137 139

HSL 348, 0.04%, 0.56%

LAB 58, 4.11, 0.27

 

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

CMYK 0 / 18 / 14 / 78

HEX #392F31

RGB 57 47 49

HSL 348, 0.1%, 0.2%

LAB 20.54, 4.94, 0.4

 

CMYK 0 / 28 / 25 / 84

HEX #281D1E

RGB 40 29 30

HSL 354.55, 0.16%, 0.14%

LAB 12.11, 5.58, 1.38

 

CMYK 0 / 52 / 52 / 91

HEX #170B0B

RGB 23 11 11

HSL 0, 0.35%, 0.07%

LAB 4.03, 4.5, 1.58

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 0 / 11 / 10 / 72

HEX #484041

RGB 72 64 65

HSL 352.5, 0.06%, 0.27%

LAB 27.92, 3.63, 0.64

 

CMYK 0 / 11 / 11 / 72

HEX #484040

RGB 72 64 64

HSL 0, 0.06%, 0.27%

LAB 27.88, 3.43, 1.25

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 0 / 11 / 4 / 72

HEX #484045

RGB 72 64 69

HSL 322.5, 0.06%, 0.27%

LAB 28.05, 4.48, -1.79

 

CMYK 0 / 11 / 1 / 72

HEX #484047

RGB 72 64 71

HSL 307.5, 0.06%, 0.27%

LAB 28.11, 4.92, -3

 

CMYK 1 / 11 / 0 / 72

HEX #474048

RGB 71 64 72

HSL 292.5, 0.06%, 0.27%

LAB 28.05, 4.73, -3.77

 

CMYK 4 / 11 / 0 / 72

HEX #454048

RGB 69 64 72

HSL 277.5, 0.06%, 0.27%

LAB 27.84, 3.91, -4.09

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 0 / 37 / 25 / 67

HEX #54353F

RGB 84 53 63

HSL 340.65, 0.23%, 0.27%

LAB 26.13, 15.56, -0.48

 

CMYK 0 / 56 / 37 / 63

HEX #5F2A3C

RGB 95 42 60

HSL 339.62, 0.39%, 0.27%

LAB 25, 26.3, 0.08

 

CMYK 0 / 71 / 47 / 58

HEX #6A1F38

RGB 106 31 56

HSL 340, 0.55%, 0.27%

LAB 24.73, 35.47, 2.65

 

CMYK 0 / 83 / 56 / 54

HEX #751434

RGB 117 20 52

HSL 340.21, 0.71%, 0.27%

LAB 25.35, 42.75, 6.57

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 19 / 0 / 5 / 71

HEX #3D4B47

RGB 61 75 71

HSL 162.86, 0.1%, 0.27%

LAB 30.59, -6.52, 0.52

 

CMYK 42 / 0 / 14 / 66

HEX #32564A

RGB 50 86 74

HSL 160, 0.26%, 0.27%

LAB 33.62, -16.15, 2.92

 

CMYK 60 / 0 / 20 / 62

HEX #27624E

RGB 39 98 78

HSL 159.66, 0.43%, 0.27%

LAB 37.33, -24.57, 5.68

 

CMYK 74 / 0 / 25 / 57

HEX #1C6D52

RGB 28 109 82

HSL 160, 0.59%, 0.27%

LAB 40.89, -31.02, 8.25

 

CMYK 0 / 11 / 1 / 72

HEX #484047

RGB 72 64 71

HSL 307.5, 0.06%, 0.27%

LAB 28.11, 4.92, -3

 

CMYK 0 / 11 / 4 / 72

HEX #484045

RGB 72 64 69

HSL 322.5, 0.06%, 0.27%

LAB 28.05, 4.48, -1.79

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 0 / 11 / 10 / 72

HEX #484041

RGB 72 64 65

HSL 352.5, 0.06%, 0.27%

LAB 27.92, 3.63, 0.64

 

CMYK 0 / 8 / 11 / 72

HEX #484240

RGB 72 66 64

HSL 15, 0.06%, 0.27%

LAB 28.5, 2.14, 2.13

 

CMYK 0 / 14 / 7 / 89

HEX #1D191B

RGB 29 25 27

HSL 330, 0.07%, 0.11%

LAB 9.28, 2.45, -0.68

 

CMYK 0 / 12 / 8 / 80

HEX #332D2F

RGB 51 45 47

HSL 340, 0.06%, 0.19%

LAB 19.16, 3.16, -0.3

 

CMYK 0 / 11 / 7 / 72

HEX #484043

RGB 72 64 67

HSL 337.5, 0.06%, 0.27%

LAB 27.98, 4.05, -0.58

 

CMYK 0 / 11 / 7 / 63

HEX #5E5457

RGB 94 84 87

HSL 342, 0.06%, 0.35%

LAB 36.76, 4.69, -0.26

 

CMYK 0 / 11 / 8 / 55

HEX #74676B

RGB 116 103 107

HSL 341.54, 0.06%, 0.43%

LAB 44.91, 5.9, -0.37

 

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

CMYK 0 / 1 / 11 / 72

HEX #484740

RGB 72 71 64

HSL 52.5, 0.06%, 0.27%

LAB 30.05, -1.05, 4.36

 

CMYK 11 / 3 / 0 / 72

HEX #404648

RGB 64 70 72

HSL 195, 0.06%, 0.27%

LAB 29.26, -1.98, -2.05

 

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

CMYK 7 / 0 / 11 / 72

HEX #434840

RGB 67 72 64

HSL 97.5, 0.06%, 0.27%

LAB 29.91, -3.81, 4.1

 

CMYK 11 / 7 / 0 / 72

HEX #404348

RGB 64 67 72

HSL 217.5, 0.06%, 0.27%

LAB 28.31, -0.06, -3.45

 

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

CMYK 0 / 1 / 11 / 72

HEX #484740

RGB 72 71 64

HSL 52.5, 0.06%, 0.27%

LAB 30.05, -1.05, 4.36

 

CMYK 11 / 0 / 3 / 72

HEX #404846

RGB 64 72 70

HSL 165, 0.06%, 0.27%

LAB 29.83, -3.71, 0.09

 

CMYK 11 / 10 / 0 / 72

HEX #404148

RGB 64 65 72

HSL 232.5, 0.06%, 0.27%

LAB 27.68, 1.23, -4.39

 

CMYK 0 / 12 / 8 / 71

HEX #4A4144

RGB 74 65 68

HSL 340, 0.06%, 0.27%

LAB 28.52, 4.47, -0.42

 

CMYK 1 / 0 / 11 / 72

HEX #474840

RGB 71 72 64

HSL 67.5, 0.06%, 0.27%

LAB 30.27, -2.1, 4.66

 

CMYK 11 / 0 / 3 / 72

HEX #404846

RGB 64 72 70

HSL 165, 0.06%, 0.27%

LAB 29.83, -3.71, 0.09

 

CMYK 8 / 11 / 0 / 72

HEX #424048

RGB 66 64 72

HSL 255, 0.06%, 0.27%

LAB 27.55, 2.69, -4.55

 

Description

Color code: HEX #4A4144 | qconv.com Color code: HEX #4A4144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 65 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 65 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 8 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 8% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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