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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A4C59 it is the complementary color #B5B3A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A4C59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A4C59 shade: #4F4C54, #605E67, #71707A, #82828D and #9394A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A4C59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A4C59 shade: #4A4C59, #393A46, #282833, #171620 and #06040D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A4C59 shade: #4A4C58, #4C4A58, #504A58, #544A58 and #584A58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A4C59 shade: #4A4C58 and #4A4A58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A4C59 shade matches the following richer shades: #4A4C58, #3D4266, #2F3873, #222F80 and #15258D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A4C59 shade: #4A4C58, #57554B, #645F3E, #716931 and #7F7224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A4C59 shade: #4A5458, #4A5058, #4A4C58, #4C4A58 and #504A58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A4C59 shade: #24252B, #373842, #4A4C58, #5D5F6F and #6F7285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A4C59 shade: #4A4C59, #584A57 and #52584A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A4C59 shade: #4A4C59, #584A4C and #4C584A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A4C59 shade: #4A4C59, #584A57, #58564A and #4A584B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A4C59 shade: #4A4C59, #584A53, #58564A and #4A584F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

Complementary color

CMYK 0 / 1 / 8 / 29

HEX #B5B3A6

RGB 181 179 166

HSL 52, 0.09%, 0.68%

LAB 72.77, -1.62, 6.88

 

CMYK 6 / 10 / 0 / 67

HEX #4F4C54

RGB 79 76 84

HSL 262.5, 0.05%, 0.31%

LAB 32.86, 3, -4.28

 

CMYK 7 / 9 / 0 / 60

HEX #605E67

RGB 96 94 103

HSL 253.33, 0.05%, 0.39%

LAB 40.36, 2.73, -4.84

 

CMYK 7 / 8 / 0 / 52

HEX #71707A

RGB 113 112 122

HSL 246, 0.04%, 0.46%

LAB 47.63, 2.49, -5.38

 

CMYK 8 / 8 / 0 / 45

HEX #82828D

RGB 130 130 141

HSL 240, 0.05%, 0.53%

LAB 54.69, 2.26, -5.91

 

CMYK 8 / 7 / 0 / 37

HEX #9394A0

RGB 147 148 160

HSL 235.38, 0.06%, 0.6%

LAB 61.59, 2.06, -6.43

 

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

CMYK 19 / 17 / 0 / 73

HEX #393A46

RGB 57 58 70

HSL 235.38, 0.1%, 0.25%

LAB 24.76, 2.56, -7.51

 

CMYK 22 / 22 / 0 / 80

HEX #282833

RGB 40 40 51

HSL 240, 0.12%, 0.18%

LAB 16.54, 2.9, -7.12

 

CMYK 28 / 31 / 0 / 87

HEX #171620

RGB 23 22 32

HSL 246, 0.19%, 0.11%

LAB 7.77, 3.36, -6.8

 

CMYK 54 / 69 / 0 / 95

HEX #06040D

RGB 6 4 13

HSL 253.33, 0.53%, 0.03%

LAB 1.4, 1.81, -3.32

 

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

 

CMYK 14 / 16 / 0 / 65

HEX #4C4A58

RGB 76 74 88

HSL 248.57, 0.09%, 0.32%

LAB 32.12, 4.05, -7.96

 

CMYK 9 / 16 / 0 / 65

HEX #504A58

RGB 80 74 88

HSL 265.71, 0.09%, 0.32%

LAB 32.5, 5.6, -7.36

 

CMYK 5 / 16 / 0 / 65

HEX #544A58

RGB 84 74 88

HSL 282.86, 0.09%, 0.32%

LAB 32.89, 7.16, -6.73

 

CMYK 0 / 16 / 0 / 65

HEX #584A58

RGB 88 74 88

HSL 300, 0.09%, 0.32%

LAB 33.3, 8.74, -6.07

 

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

 

CMYK 16 / 16 / 0 / 65

HEX #4A4A58

RGB 74 74 88

HSL 240, 0.09%, 0.32%

LAB 31.94, 3.29, -8.25

 

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

 

CMYK 40 / 35 / 0 / 60

HEX #3D4266

RGB 61 66 102

HSL 232.68, 0.25%, 0.32%

LAB 29.03, 7.96, -21.77

 

CMYK 59 / 51 / 0 / 55

HEX #2F3873

RGB 47 56 115

HSL 232.06, 0.42%, 0.32%

LAB 25.77, 15.43, -35.29

 

CMYK 73 / 63 / 0 / 50

HEX #222F80

RGB 34 47 128

HSL 231.7, 0.58%, 0.32%

LAB 23.44, 24.22, -47.34

 

CMYK 85 / 74 / 0 / 45

HEX #15258D

RGB 21 37 141

HSL 232, 0.74%, 0.32%

LAB 21.6, 34.54, -58.54

 

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

 

CMYK 0 / 2 / 14 / 66

HEX #57554B

RGB 87 85 75

HSL 50, 0.07%, 0.32%

LAB 36.04, -1.18, 6.12

 

CMYK 0 / 5 / 38 / 61

HEX #645F3E

RGB 100 95 62

HSL 52.11, 0.23%, 0.32%

LAB 39.98, -3.57, 19.63

 

CMYK 0 / 7 / 57 / 56

HEX #716931

RGB 113 105 49

HSL 52.5, 0.4%, 0.32%

LAB 44, -4.91, 32.2

 

CMYK 0 / 10 / 72 / 50

HEX #7F7224

RGB 127 114 36

HSL 51.43, 0.56%, 0.32%

LAB 47.85, -4.47, 43.09

 

CMYK 16 / 5 / 0 / 65

HEX #4A5458

RGB 74 84 88

HSL 197.14, 0.09%, 0.32%

LAB 35.01, -2.98, -3.67

HEX #4A5458

CMYK 16 / 9 / 0 / 65

HEX #4A5058

RGB 74 80 88

HSL 214.29, 0.09%, 0.32%

LAB 33.77, -0.5, -5.51

HEX #4A5058

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

HEX #4A4C58

CMYK 14 / 16 / 0 / 65

HEX #4C4A58

RGB 76 74 88

HSL 248.57, 0.09%, 0.32%

LAB 32.12, 4.05, -7.96

HEX #4C4A58

CMYK 9 / 16 / 0 / 65

HEX #504A58

RGB 80 74 88

HSL 265.71, 0.09%, 0.32%

LAB 32.5, 5.6, -7.36

HEX #504A58

CMYK 16 / 14 / 0 / 83

HEX #24252B

RGB 36 37 43

HSL 231.43, 0.09%, 0.15%

LAB 14.8, 1.12, -4.12

 

CMYK 17 / 15 / 0 / 74

HEX #373842

RGB 55 56 66

HSL 234.55, 0.09%, 0.24%

LAB 23.78, 2.05, -6.33

 

CMYK 16 / 14 / 0 / 65

HEX #4A4C58

RGB 74 76 88

HSL 231.43, 0.09%, 0.32%

LAB 32.55, 2.02, -7.34

 

CMYK 16 / 14 / 0 / 56

HEX #5D5F6F

RGB 93 95 111

HSL 233.33, 0.09%, 0.4%

LAB 40.67, 2.86, -9.32

 

CMYK 17 / 14 / 0 / 48

HEX #6F7285

RGB 111 114 133

HSL 231.82, 0.09%, 0.48%

LAB 48.4, 3.07, -10.8

 

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

CMYK 0 / 16 / 1 / 65

HEX #584A57

RGB 88 74 87

HSL 304.29, 0.09%, 0.32%

LAB 33.27, 8.53, -5.49

 

CMYK 7 / 0 / 16 / 65

HEX #52584A

RGB 82 88 74

HSL 85.71, 0.09%, 0.32%

LAB 36.49, -5.29, 7.32

 

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

CMYK 0 / 16 / 14 / 65

HEX #584A4C

RGB 88 74 76

HSL 351.43, 0.09%, 0.32%

LAB 32.91, 6.27, 1

 

CMYK 14 / 0 / 16 / 65

HEX #4C584A

RGB 76 88 74

HSL 111.43, 0.09%, 0.32%

LAB 36, -7.75, 6.56

 

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

CMYK 0 / 16 / 1 / 65

HEX #584A57

RGB 88 74 87

HSL 304.29, 0.09%, 0.32%

LAB 33.27, 8.53, -5.49

 

CMYK 0 / 2 / 16 / 65

HEX #58564A

RGB 88 86 74

HSL 51.43, 0.09%, 0.32%

LAB 36.41, -1.55, 7.28

 

CMYK 16 / 0 / 15 / 65

HEX #4A584B

RGB 74 88 75

HSL 124.29, 0.09%, 0.32%

LAB 35.87, -8.34, 5.73

 

CMYK 17 / 15 / 0 / 65

HEX #4A4C59

RGB 74 76 89

HSL 232, 0.09%, 0.32%

LAB 32.58, 2.27, -7.92

 

CMYK 0 / 16 / 6 / 65

HEX #584A53

RGB 88 74 83

HSL 321.43, 0.09%, 0.32%

LAB 33.13, 7.68, -3.14

 

CMYK 0 / 2 / 16 / 65

HEX #58564A

RGB 88 86 74

HSL 51.43, 0.09%, 0.32%

LAB 36.41, -1.55, 7.28

 

CMYK 16 / 0 / 10 / 65

HEX #4A584F

RGB 74 88 79

HSL 141.43, 0.09%, 0.32%

LAB 35.98, -7.49, 3.4

 

Description

Color code: HEX #4A4C59 | qconv.com Color code: HEX #4A4C59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 76 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 76 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 15 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 15% 0% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Daum 게임
Link: http://game.daum.net

58% - Cart - B Yoga
Link: http://byoganow.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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