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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A4F86 it is the complementary color #B5B079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A4F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A4F86 shade: #4F4F81, #606194, #7173A7, #8285BA and #9397CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A4F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A4F86 shade: #4A4F86, #393D73, #282B60, #17194D and #06073A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A4F86 shade: #4A4F86, #554A86, #654A86, #764A86 and #864A86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A4F86 shade: #4A4F86 and #4A4A86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A4F86 shade matches the following richer shades: #4A4F86, #394197, #2833A8, #1724B9 and #0616CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A4F86 shade: #4A4F86, #5B5D75, #6C6B65, #7C7954 and #8D8743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A4F86 shade: #4A6F86, #4A5F86, #4A4F86, #554A86 and #654A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A4F86 shade: #2C2F51, #3B3F6C, #4A4F86, #585EA1 and #7277B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A4F86 shade: #4A4F86, #864A7F and #67864A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A4F86 shade: #4A4F86, #864A4F and #4F864A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A4F86 shade: #4A4F86, #864A7F, #86814A and #4A8651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A4F86 shade: #4A4F86, #864A6D, #86814A and #4A8663

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

Complementary color

CMYK 0 / 3 / 33 / 29

HEX #B5B079

RGB 181 176 121

HSL 55, 0.29%, 0.59%

LAB 71.05, -6.75, 28.86

 

CMYK 39 / 39 / 0 / 49

HEX #4F4F81

RGB 79 79 129

HSL 240, 0.24%, 0.41%

LAB 35.67, 13.18, -28.18

 

CMYK 35 / 34 / 0 / 42

HEX #606194

RGB 96 97 148

HSL 238.85, 0.21%, 0.48%

LAB 43.02, 12.4, -28.08

 

CMYK 32 / 31 / 0 / 35

HEX #7173A7

RGB 113 115 167

HSL 237.78, 0.23%, 0.55%

LAB 50.17, 11.76, -28.06

 

CMYK 30 / 28 / 0 / 27

HEX #8285BA

RGB 130 133 186

HSL 236.79, 0.29%, 0.62%

LAB 57.14, 11.21, -28.09

 

CMYK 28 / 26 / 0 / 20

HEX #9397CD

RGB 147 151 205

HSL 235.86, 0.37%, 0.69%

LAB 63.95, 10.72, -28.17

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 50 / 47 / 0 / 55

HEX #393D73

RGB 57 61 115

HSL 235.86, 0.34%, 0.34%

LAB 27.97, 14.44, -31.74

 

CMYK 58 / 55 / 0 / 62

HEX #282B60

RGB 40 43 96

HSL 236.79, 0.41%, 0.27%

LAB 20.14, 15.96, -32.09

 

CMYK 70 / 68 / 0 / 70

HEX #17194D

RGB 23 25 77

HSL 237.78, 0.54%, 0.2%

LAB 12.05, 18.08, -32.47

 

CMYK 90 / 88 / 0 / 77

HEX #06073A

RGB 6 7 58

HSL 238.85, 0.81%, 0.13%

LAB 4.48, 18.07, -31.45

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 37 / 45 / 0 / 47

HEX #554A86

RGB 85 74 134

HSL 251, 0.29%, 0.41%

LAB 35.1, 19.63, -32.12

 

CMYK 25 / 45 / 0 / 47

HEX #654A86

RGB 101 74 134

HSL 267, 0.29%, 0.41%

LAB 36.72, 24.43, -29.46

 

CMYK 12 / 45 / 0 / 47

HEX #764A86

RGB 118 74 134

HSL 284, 0.29%, 0.41%

LAB 38.67, 29.79, -26.25

 

CMYK 0 / 45 / 0 / 47

HEX #864A86

RGB 134 74 134

HSL 300, 0.29%, 0.41%

LAB 40.71, 34.93, -22.92

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 45 / 45 / 0 / 47

HEX #4A4A86

RGB 74 74 134

HSL 240, 0.29%, 0.41%

LAB 34.14, 16.55, -33.71

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 62 / 57 / 0 / 41

HEX #394197

RGB 57 65 151

HSL 234.89, 0.45%, 0.41%

LAB 31.54, 24.34, -48.35

 

CMYK 76 / 70 / 0 / 34

HEX #2833A8

RGB 40 51 168

HSL 234.84, 0.62%, 0.41%

LAB 28.5, 37.15, -63.66

 

CMYK 88 / 81 / 0 / 27

HEX #1724B9

RGB 23 36 185

HSL 235.19, 0.78%, 0.41%

LAB 26.58, 50.44, -77.02

 

CMYK 97 / 89 / 0 / 21

HEX #0616CA

RGB 6 22 202

HSL 235.1, 0.94%, 0.41%

LAB 26.38, 61.15, -87.4

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 22 / 21 / 0 / 54

HEX #5B5D75

RGB 91 93 117

HSL 235.38, 0.13%, 0.41%

LAB 40.14, 4.87, -13.81

 

CMYK 0 / 1 / 6 / 58

HEX #6C6B65

RGB 108 107 101

HSL 51.43, 0.03%, 0.41%

LAB 45.14, -0.8, 3.49

 

CMYK 0 / 2 / 32 / 51

HEX #7C7954

RGB 124 121 84

HSL 55.5, 0.19%, 0.41%

LAB 50.22, -5.09, 20.75

 

CMYK 0 / 4 / 52 / 45

HEX #8D8743

RGB 141 135 67

HSL 55.14, 0.36%, 0.41%

LAB 55.48, -7.46, 36.97

 

CMYK 45 / 17 / 0 / 47

HEX #4A6F86

RGB 74 111 134

HSL 203, 0.29%, 0.41%

LAB 45.01, -6.59, -16.77

 

CMYK 45 / 29 / 0 / 47

HEX #4A5F86

RGB 74 95 134

HSL 219, 0.29%, 0.41%

LAB 40.18, 3.1, -24.21

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 37 / 45 / 0 / 47

HEX #554A86

RGB 85 74 134

HSL 251, 0.29%, 0.41%

LAB 35.1, 19.63, -32.12

 

CMYK 25 / 45 / 0 / 47

HEX #654A86

RGB 101 74 134

HSL 267, 0.29%, 0.41%

LAB 36.72, 24.43, -29.46

 

CMYK 46 / 42 / 0 / 68

HEX #2C2F51

RGB 44 47 81

HSL 235.14, 0.3%, 0.25%

LAB 20.68, 8.87, -21.24

 

CMYK 45 / 42 / 0 / 58

HEX #3B3F6C

RGB 59 63 108

HSL 235.1, 0.29%, 0.33%

LAB 28.29, 11.3, -26.77

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 45 / 42 / 0 / 37

HEX #585EA1

RGB 88 94 161

HSL 235.07, 0.29%, 0.49%

LAB 42.24, 15.9, -37.11

 

CMYK 36 / 33 / 0 / 31

HEX #7277B1

RGB 114 119 177

HSL 235.24, 0.29%, 0.57%

LAB 51.78, 12.38, -31.36

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 0 / 45 / 5 / 47

HEX #864A7F

RGB 134 74 127

HSL 307, 0.29%, 0.41%

LAB 40.41, 33.58, -19.12

 

CMYK 23 / 0 / 45 / 47

HEX #67864A

RGB 103 134 74

HSL 91, 0.29%, 0.41%

LAB 52.32, -22.16, 28.74

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 0 / 45 / 41 / 47

HEX #864A4F

RGB 134 74 79

HSL 355, 0.29%, 0.41%

LAB 38.78, 25.99, 8.28

 

CMYK 41 / 0 / 45 / 47

HEX #4F864A

RGB 79 134 74

HSL 115, 0.29%, 0.41%

LAB 50.93, -30.96, 26.68

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 0 / 45 / 5 / 47

HEX #864A7F

RGB 134 74 127

HSL 307, 0.29%, 0.41%

LAB 40.41, 33.58, -19.12

 

CMYK 0 / 4 / 45 / 47

HEX #86814A

RGB 134 129 74

HSL 55, 0.29%, 0.41%

LAB 53.24, -6.5, 30.4

 

CMYK 45 / 0 / 40 / 47

HEX #4A8651

RGB 74 134 81

HSL 127, 0.29%, 0.41%

LAB 50.8, -31.43, 22.61

 

CMYK 45 / 41 / 0 / 47

HEX #4A4F86

RGB 74 79 134

HSL 235, 0.29%, 0.41%

LAB 35.54, 13.3, -31.49

 

CMYK 0 / 45 / 19 / 47

HEX #864A6D

RGB 134 74 109

HSL 325, 0.29%, 0.41%

LAB 39.7, 30.37, -9.09

 

CMYK 0 / 4 / 45 / 47

HEX #86814A

RGB 134 129 74

HSL 55, 0.29%, 0.41%

LAB 53.24, -6.5, 30.4

 

CMYK 45 / 0 / 26 / 47

HEX #4A8663

RGB 74 134 99

HSL 145, 0.29%, 0.41%

LAB 51.16, -27.96, 12.88

 

Description

Color code: HEX #4A4F86 | qconv.com Color code: HEX #4A4F86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 79 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 79 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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