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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A513F it is the complementary color #B5AEC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A513F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A513F shade: #4F513A, #60634D, #717560, #828773 and #939986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A513F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A513F shade: #4A513F, #393F2C, #282D19, #171B06 and #060900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A513F shade: #49503E, #4E503E, #504D3E, #50483E and #50433E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A513F shade: #49503E, #44503E, #3F503E, #3E5041 and #3E5046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A513F shade matches the following richer shades: #49503E, #4C5C32, #4E6727, #51731B and #537E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A513F shade: #49503E, #464549, #443955, #412E60 and #3F226C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A513F shade: #504D3E, #4E503E, #49503E, #44503E and #3F503E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A513F shade: #1F221A, #34392C, #49503E, #5E6750 and #737F62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A513F shade: #4A513F, #3E5048 and #503E50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A513F shade: #4A513F, #3E4950 and #503E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A513F shade: #4A513F, #3E5048, #453E50 and #503E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A513F shade: #4A513F, #3E504E, #453E50 and #503E40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

Complementary color

CMYK 6 / 9 / 0 / 25

HEX #B5AEC0

RGB 181 174 192

HSL 263.33, 0.13%, 0.72%

LAB 72.16, 5.92, -8.27

 

CMYK 2 / 0 / 28 / 68

HEX #4F513A

RGB 79 81 58

HSL 65.22, 0.17%, 0.27%

LAB 33.67, -5.22, 13.3

 

CMYK 3 / 0 / 22 / 61

HEX #60634D

RGB 96 99 77

HSL 68.18, 0.13%, 0.35%

LAB 41.13, -5.39, 12.14

 

CMYK 3 / 0 / 18 / 54

HEX #717560

RGB 113 117 96

HSL 71.43, 0.1%, 0.42%

LAB 48.36, -5.52, 11.09

 

CMYK 4 / 0 / 15 / 47

HEX #828773

RGB 130 135 115

HSL 75, 0.08%, 0.49%

LAB 55.39, -5.62, 10.14

 

CMYK 4 / 0 / 12 / 40

HEX #939986

RGB 147 153 134

HSL 78.95, 0.09%, 0.56%

LAB 62.26, -5.72, 9.25

 

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

CMYK 10 / 0 / 30 / 75

HEX #393F2C

RGB 57 63 44

HSL 78.95, 0.18%, 0.21%

LAB 25.58, -6.5, 10.85

 

CMYK 11 / 0 / 44 / 82

HEX #282D19

RGB 40 45 25

HSL 75, 0.29%, 0.14%

LAB 17.45, -6.4, 12.23

 

CMYK 15 / 0 / 78 / 89

HEX #171B06

RGB 23 27 6

HSL 71.43, 0.64%, 0.06%

LAB 8.82, -6.13, 10.62

 

CMYK 33 / 0 / 100 / 96

HEX #060900

RGB 6 9 0

HSL 80, 1%, 0.02%

LAB 2.11, -2.04, 3.13

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 2 / 0 / 23 / 69

HEX #4E503E

RGB 78 80 62

HSL 66.67, 0.13%, 0.28%

LAB 33.36, -4.38, 10.37

 

CMYK 0 / 4 / 23 / 69

HEX #504D3E

RGB 80 77 62

HSL 50, 0.13%, 0.28%

LAB 32.62, -1.66, 9.36

 

CMYK 0 / 10 / 23 / 69

HEX #50483E

RGB 80 72 62

HSL 33.33, 0.13%, 0.28%

LAB 31.09, 1.46, 7.22

 

CMYK 0 / 16 / 23 / 69

HEX #50433E

RGB 80 67 62

HSL 16.67, 0.13%, 0.28%

LAB 29.58, 4.64, 5.1

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 15 / 0 / 23 / 69

HEX #44503E

RGB 68 80 62

HSL 100, 0.13%, 0.28%

LAB 32.51, -8.67, 9.06

 

CMYK 21 / 0 / 23 / 69

HEX #3F503E

RGB 63 80 62

HSL 116.67, 0.13%, 0.28%

LAB 32.13, -10.73, 8.47

 

CMYK 23 / 0 / 19 / 69

HEX #3E5041

RGB 62 80 65

HSL 130, 0.13%, 0.28%

LAB 32.13, -10.5, 6.57

 

CMYK 23 / 0 / 13 / 69

HEX #3E5046

RGB 62 80 70

HSL 146.67, 0.13%, 0.28%

LAB 32.27, -9.39, 3.59

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 17 / 0 / 46 / 64

HEX #4C5C32

RGB 76 92 50

HSL 82.86, 0.3%, 0.28%

LAB 36.78, -14.17, 22.13

 

CMYK 24 / 0 / 62 / 60

HEX #4E6727

RGB 78 103 39

HSL 83.44, 0.45%, 0.28%

LAB 40.36, -20.57, 32.43

 

CMYK 30 / 0 / 77 / 55

HEX #51731B

RGB 81 115 27

HSL 83.18, 0.62%, 0.28%

LAB 44.36, -26.35, 42.07

 

CMYK 34 / 0 / 88 / 51

HEX #537E0F

RGB 83 126 15

HSL 83.24, 0.79%, 0.28%

LAB 48, -31.36, 49.22

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 4 / 5 / 0 / 71

HEX #464549

RGB 70 69 73

HSL 255, 0.03%, 0.28%

LAB 29.51, 1.32, -2.26

 

CMYK 20 / 33 / 0 / 67

HEX #443955

RGB 68 57 85

HSL 263.57, 0.2%, 0.28%

LAB 26.19, 11.39, -15.13

 

CMYK 32 / 52 / 0 / 62

HEX #412E60

RGB 65 46 96

HSL 262.8, 0.35%, 0.28%

LAB 23.41, 20.76, -26.71

 

CMYK 42 / 69 / 0 / 58

HEX #3F226C

RGB 63 34 108

HSL 263.51, 0.52%, 0.28%

LAB 21.15, 31.26, -38.18

 

CMYK 0 / 4 / 23 / 69

HEX #504D3E

RGB 80 77 62

HSL 50, 0.13%, 0.28%

LAB 32.62, -1.66, 9.36

 

CMYK 2 / 0 / 23 / 69

HEX #4E503E

RGB 78 80 62

HSL 66.67, 0.13%, 0.28%

LAB 33.36, -4.38, 10.37

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 15 / 0 / 23 / 69

HEX #44503E

RGB 68 80 62

HSL 100, 0.13%, 0.28%

LAB 32.51, -8.67, 9.06

 

CMYK 21 / 0 / 23 / 69

HEX #3F503E

RGB 63 80 62

HSL 116.67, 0.13%, 0.28%

LAB 32.13, -10.73, 8.47

 

CMYK 9 / 0 / 24 / 87

HEX #1F221A

RGB 31 34 26

HSL 82.5, 0.13%, 0.12%

LAB 12.67, -3.29, 4.94

 

CMYK 9 / 0 / 23 / 78

HEX #34392C

RGB 52 57 44

HSL 83.08, 0.13%, 0.2%

LAB 23.13, -4.99, 7.41

 

CMYK 9 / 0 / 23 / 69

HEX #49503E

RGB 73 80 62

HSL 83.33, 0.13%, 0.28%

LAB 32.92, -6.55, 9.69

 

CMYK 9 / 0 / 22 / 60

HEX #5E6750

RGB 94 103 80

HSL 83.48, 0.13%, 0.36%

LAB 42.25, -8.03, 11.85

 

CMYK 9 / 0 / 23 / 50

HEX #737F62

RGB 115 127 98

HSL 84.83, 0.13%, 0.44%

LAB 51.5, -10, 14.32

 

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

CMYK 23 / 0 / 10 / 69

HEX #3E5048

RGB 62 80 72

HSL 153.33, 0.13%, 0.28%

LAB 32.32, -8.93, 2.41

 

CMYK 0 / 23 / 0 / 69

HEX #503E50

RGB 80 62 80

HSL 300, 0.13%, 0.28%

LAB 28.72, 11.49, -7.88

 

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

CMYK 23 / 9 / 0 / 69

HEX #3E4950

RGB 62 73 80

HSL 203.33, 0.13%, 0.28%

LAB 30.32, -2.63, -5.65

 

CMYK 0 / 23 / 9 / 69

HEX #503E49

RGB 80 62 73

HSL 323.33, 0.13%, 0.28%

LAB 28.46, 9.98, -3.69

 

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

CMYK 23 / 0 / 10 / 69

HEX #3E5048

RGB 62 80 72

HSL 153.33, 0.13%, 0.28%

LAB 32.32, -8.93, 2.41

 

CMYK 14 / 23 / 0 / 69

HEX #453E50

RGB 69 62 80

HSL 263.33, 0.13%, 0.28%

LAB 27.54, 7.16, -9.77

 

CMYK 0 / 23 / 14 / 69

HEX #503E45

RGB 80 62 69

HSL 336.67, 0.13%, 0.28%

LAB 28.33, 9.17, -1.28

 

CMYK 9 / 0 / 22 / 68

HEX #4A513F

RGB 74 81 63

HSL 83.33, 0.13%, 0.28%

LAB 33.35, -6.54, 9.67

 

CMYK 23 / 0 / 2 / 69

HEX #3E504E

RGB 62 80 78

HSL 173.33, 0.13%, 0.28%

LAB 32.51, -7.47, -1.14

 

CMYK 14 / 23 / 0 / 69

HEX #453E50

RGB 69 62 80

HSL 263.33, 0.13%, 0.28%

LAB 27.54, 7.16, -9.77

 

CMYK 0 / 23 / 20 / 69

HEX #503E40

RGB 80 62 64

HSL 353.33, 0.13%, 0.28%

LAB 28.17, 8.21, 1.77

 

Description

Color code: HEX #4A513F | qconv.com Color code: HEX #4A513F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 81 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 81 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 22 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 22% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - cusanus trägergesell...
Link: http://www.cusanus-traegergesellschaft-trier.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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