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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A88B0 it is the complementary color #B5774F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A88B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A88B0 shade: #4F88AB, #609ABE, #71ACD1, #82BEE4 and #93D0F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A88B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A88B0 shade: #4A88B0, #39769D, #28648A, #175277 and #064064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A88B0 shade: #4987B0, #496CB0, #4950B0, #5E49B0 and #7949B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A88B0 shade: #4987B0, #496CB0, #4950B0 and #4949B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A88B0 shade matches the following richer shades: #4987B0, #358CC4, #2190D8 and #0D95EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A88B0 shade: #4987B0, #5D839B, #727F87, #867A73 and #9A765F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A88B0 shade: #49B0A0, #49A4B0, #4988B0, #496DB0 and #4952B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A88B0 shade: #315B76, #3D7193, #4987B0, #649BBE and #81AECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A88B0 shade: #4A88B0, #8549B0 and #B0AE49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A88B0 shade: #4A88B0, #B04988 and #88B049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A88B0 shade: #4A88B0, #8549B0, #B07049 and #74B049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A88B0 shade: #4A88B0, #A449B0, #B07049 and #55B049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

Complementary color

CMYK 0 / 34 / 56 / 29

HEX #B5774F

RGB 181 119 79

HSL 23.53, 0.41%, 0.51%

LAB 55.67, 20.04, 31.78

 

CMYK 54 / 20 / 0 / 33

HEX #4F88AB

RGB 79 136 171

HSL 202.83, 0.37%, 0.49%

LAB 54.25, -8.52, -24.23

 

CMYK 49 / 19 / 0 / 25

HEX #609ABE

RGB 96 154 190

HSL 202.98, 0.42%, 0.56%

LAB 61.06, -8.94, -24.49

 

CMYK 46 / 18 / 0 / 18

HEX #71ACD1

RGB 113 172 209

HSL 203.13, 0.51%, 0.63%

LAB 67.74, -9.27, -24.75

 

CMYK 43 / 17 / 0 / 11

HEX #82BEE4

RGB 130 190 228

HSL 203.27, 0.64%, 0.7%

LAB 74.3, -9.53, -25.01

 

CMYK 40 / 16 / 0 / 3

HEX #93D0F7

RGB 147 208 247

HSL 203.4, 0.86%, 0.77%

LAB 80.76, -9.75, -25.28

 

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

CMYK 64 / 25 / 0 / 38

HEX #39769D

RGB 57 118 157

HSL 203.4, 0.47%, 0.42%

LAB 47.32, -7.28, -26.9

 

CMYK 71 / 28 / 0 / 46

HEX #28648A

RGB 40 100 138

HSL 203.27, 0.55%, 0.35%

LAB 40.25, -6.25, -26.65

 

CMYK 81 / 31 / 0 / 53

HEX #175277

RGB 23 82 119

HSL 203.13, 0.68%, 0.28%

LAB 33.02, -4.76, -26.36

 

CMYK 94 / 36 / 0 / 61

HEX #064064

RGB 6 64 100

HSL 202.98, 0.89%, 0.21%

LAB 25.64, -2.59, -26

 

CMYK 59 / 23 / 0 / 31

HEX #4987B0

RGB 73 135 176

HSL 203.88, 0.41%, 0.49%

LAB 53.9, -7.67, -27.67

 

CMYK 59 / 39 / 0 / 31

HEX #496CB0

RGB 73 108 176

HSL 219.61, 0.41%, 0.49%

LAB 46.01, 8.49, -40.03

 

CMYK 59 / 55 / 0 / 31

HEX #4950B0

RGB 73 80 176

HSL 235.92, 0.41%, 0.49%

LAB 38.36, 26.28, -52.28

 

CMYK 47 / 59 / 0 / 31

HEX #5E49B0

RGB 94 73 176

HSL 252.23, 0.41%, 0.49%

LAB 38.34, 34.99, -52.22

 

CMYK 31 / 59 / 0 / 31

HEX #7949B0

RGB 121 73 176

HSL 267.96, 0.41%, 0.49%

LAB 41.16, 41.31, -47.53

 

CMYK 59 / 23 / 0 / 31

HEX #4987B0

RGB 73 135 176

HSL 203.88, 0.41%, 0.49%

LAB 53.9, -7.67, -27.67

 

CMYK 59 / 39 / 0 / 31

HEX #496CB0

RGB 73 108 176

HSL 219.61, 0.41%, 0.49%

LAB 46.01, 8.49, -40.03

 

CMYK 59 / 55 / 0 / 31

HEX #4950B0

RGB 73 80 176

HSL 235.92, 0.41%, 0.49%

LAB 38.36, 26.28, -52.28

 

CMYK 59 / 59 / 0 / 31

HEX #4949B0

RGB 73 73 176

HSL 240, 0.41%, 0.49%

LAB 36.59, 30.73, -55.14

 

CMYK 59 / 23 / 0 / 31

HEX #4987B0

RGB 73 135 176

HSL 203.88, 0.41%, 0.49%

LAB 53.9, -7.67, -27.67

 

CMYK 73 / 29 / 0 / 23

HEX #358CC4

RGB 53 140 196

HSL 203.5, 0.57%, 0.49%

LAB 55.58, -7.19, -36.5

 

CMYK 85 / 33 / 0 / 15

HEX #2190D8

RGB 33 144 216

HSL 203.61, 0.73%, 0.49%

LAB 57.3, -4.38, -45.1

 

CMYK 94 / 37 / 0 / 7

HEX #0D95EC

RGB 13 149 236

HSL 203.41, 0.9%, 0.49%

LAB 59.56, -0.89, -52.66

 

CMYK 59 / 23 / 0 / 31

HEX #4987B0

RGB 73 135 176

HSL 203.88, 0.41%, 0.49%

LAB 53.9, -7.67, -27.67

 

CMYK 40 / 15 / 0 / 39

HEX #5D839B

RGB 93 131 155

HSL 203.23, 0.25%, 0.49%

LAB 52.87, -6.84, -17.04

 

CMYK 16 / 6 / 0 / 47

HEX #727F87

RGB 114 127 135

HSL 202.86, 0.08%, 0.49%

LAB 52.4, -2.99, -5.96

 

CMYK 0 / 9 / 14 / 47

HEX #867A73

RGB 134 122 115

HSL 22.11, 0.08%, 0.49%

LAB 52.09, 3.33, 5.49

 

CMYK 0 / 23 / 38 / 40

HEX #9A765F

RGB 154 118 95

HSL 23.39, 0.24%, 0.49%

LAB 52.57, 10.84, 18.1

 

CMYK 59 / 0 / 9 / 31

HEX #49B0A0

RGB 73 176 160

HSL 170.68, 0.41%, 0.49%

LAB 65.75, -33.66, -0.74

 

CMYK 59 / 7 / 0 / 31

HEX #49A4B0

RGB 73 164 176

HSL 186.99, 0.41%, 0.49%

LAB 62.59, -23.35, -14.37

 

CMYK 59 / 23 / 0 / 31

HEX #4988B0

RGB 73 136 176

HSL 203.3, 0.41%, 0.49%

LAB 54.2, -8.24, -27.2

 

CMYK 59 / 38 / 0 / 31

HEX #496DB0

RGB 73 109 176

HSL 219.03, 0.41%, 0.49%

LAB 46.3, 7.86, -39.58

 

CMYK 59 / 53 / 0 / 31

HEX #4952B0

RGB 73 82 176

HSL 234.76, 0.41%, 0.49%

LAB 38.87, 25, -51.44

 

CMYK 58 / 23 / 0 / 54

HEX #315B76

RGB 49 91 118

HSL 203.48, 0.41%, 0.33%

LAB 36.82, -6.06, -19.75

 

CMYK 59 / 23 / 0 / 42

HEX #3D7193

RGB 61 113 147

HSL 203.72, 0.41%, 0.41%

LAB 45.51, -6.88, -23.79

 

CMYK 59 / 23 / 0 / 31

HEX #4987B0

RGB 73 135 176

HSL 203.88, 0.41%, 0.49%

LAB 53.9, -7.67, -27.67

 

CMYK 47 / 18 / 0 / 25

HEX #649BBE

RGB 100 155 190

HSL 203.33, 0.41%, 0.57%

LAB 61.54, -8.53, -23.73

 

CMYK 36 / 14 / 0 / 21

HEX #81AECA

RGB 129 174 202

HSL 203.01, 0.41%, 0.65%

LAB 68.9, -8.07, -19.04

 

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

CMYK 24 / 59 / 0 / 31

HEX #8549B0

RGB 133 73 176

HSL 274.95, 0.41%, 0.49%

LAB 42.59, 44.31, -45.16

 

CMYK 0 / 1 / 59 / 31

HEX #B0AE49

RGB 176 174 73

HSL 58.83, 0.41%, 0.49%

LAB 69.46, -12.57, 50.88

 

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

CMYK 0 / 59 / 23 / 31

HEX #B04988

RGB 176 73 136

HSL 323.3, 0.41%, 0.49%

LAB 46.67, 49.06, -14.46

 

CMYK 23 / 0 / 59 / 31

HEX #88B049

RGB 136 176 73

HSL 83.3, 0.41%, 0.49%

LAB 67.1, -29.99, 47.43

 

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

CMYK 24 / 59 / 0 / 31

HEX #8549B0

RGB 133 73 176

HSL 274.95, 0.41%, 0.49%

LAB 42.59, 44.31, -45.16

 

CMYK 0 / 36 / 59 / 31

HEX #B07049

RGB 176 112 73

HSL 22.72, 0.41%, 0.49%

LAB 53.28, 21.33, 31.99

 

CMYK 34 / 0 / 59 / 31

HEX #74B049

RGB 116 176 73

HSL 94.95, 0.41%, 0.49%

LAB 65.94, -37.46, 45.8

 

CMYK 58 / 23 / 0 / 31

HEX #4A88B0

RGB 74 136 176

HSL 203.53, 0.41%, 0.49%

LAB 54.24, -8.03, -27.14

 

CMYK 7 / 59 / 0 / 31

HEX #A449B0

RGB 164 73 176

HSL 293.01, 0.41%, 0.49%

LAB 46.7, 52.34, -38.38

 

CMYK 0 / 36 / 59 / 31

HEX #B07049

RGB 176 112 73

HSL 22.72, 0.41%, 0.49%

LAB 53.28, 21.33, 31.99

 

CMYK 52 / 0 / 59 / 31

HEX #55B049

RGB 85 176 73

HSL 113.01, 0.41%, 0.49%

LAB 64.53, -47.4, 43.81

 

Description

Color code: HEX #4A88B0 | qconv.com Color code: HEX #4A88B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 136 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 136 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 23 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 23% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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