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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8037 it is the complementary color #B57FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A8037 shade: #4F8032, #609245, #71A458, #82B66B and #93C87E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A8037 shade: #4A8037, #396E24, #285C11, #174A00 and #063800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A8037 shade: #4A8037, #5E8037, #718037, #807B37 and #806737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A8037 shade: #4A8037, #378037, #37804B, #37805F and #378073

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A8037 shade matches the following richer shades: #4A8037, #438F28, #3B9E19 and #34AD0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A8037 shade: #4A8037, #517145, #586254, #5F5363 and #664572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A8037 shade: #718037, #5E8037, #4A8037, #378037 and #37804A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A8037 shade: #28461E, #39632A, #4A8037, #5A9D43 and #6DB554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A8037 shade: #4A8037, #37807B and #803768

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A8037 shade: #4A8037, #374A80 and #80374A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A8037 shade: #4A8037, #37807B, #6C3780 and #80373B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A8037 shade: #4A8037, #376F80, #6C3780 and #804837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

Complementary color

CMYK 10 / 37 / 0 / 22

HEX #B57FC8

RGB 181 127 200

HSL 284.38, 0.4%, 0.64%

LAB 60.93, 33.7, -29.78

 

CMYK 38 / 0 / 61 / 50

HEX #4F8032

RGB 79 128 50

HSL 97.69, 0.44%, 0.35%

LAB 48.67, -31.33, 36.45

 

CMYK 34 / 0 / 53 / 43

HEX #609245

RGB 96 146 69

HSL 98.96, 0.36%, 0.42%

LAB 55.56, -31.35, 35.27

 

CMYK 31 / 0 / 46 / 36

HEX #71A458

RGB 113 164 88

HSL 100.26, 0.3%, 0.49%

LAB 62.31, -31.26, 34.02

 

CMYK 29 / 0 / 41 / 29

HEX #82B66B

RGB 130 182 107

HSL 101.6, 0.34%, 0.57%

LAB 68.94, -31.12, 32.8

 

CMYK 27 / 0 / 37 / 22

HEX #93C87E

RGB 147 200 126

HSL 102.97, 0.4%, 0.64%

LAB 75.46, -30.96, 31.61

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 48 / 0 / 67 / 57

HEX #396E24

RGB 57 110 36

HSL 102.97, 0.51%, 0.29%

LAB 41.45, -32.4, 34.78

 

CMYK 57 / 0 / 82 / 64

HEX #285C11

RGB 40 92 17

HSL 101.6, 0.69%, 0.21%

LAB 34.28, -31.89, 35.29

 

CMYK 69 / 0 / 100 / 71

HEX #174A00

RGB 23 74 0

HSL 101.35, 1%, 0.15%

LAB 26.96, -30.71, 34.57

 

CMYK 89 / 0 / 100 / 78

HEX #063800

RGB 6 56 0

HSL 113.57, 1%, 0.11%

LAB 19.5, -27.92, 26.83

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 27 / 0 / 57 / 50

HEX #5E8037

RGB 94 128 55

HSL 87.95, 0.4%, 0.36%

LAB 49.61, -25.02, 35.28

 

CMYK 12 / 0 / 57 / 50

HEX #718037

RGB 113 128 55

HSL 72.33, 0.4%, 0.36%

LAB 50.95, -17.07, 37.17

 

CMYK 0 / 4 / 57 / 50

HEX #807B37

RGB 128 123 55

HSL 55.89, 0.4%, 0.36%

LAB 50.72, -7.7, 37.24

 

CMYK 0 / 20 / 57 / 50

HEX #806737

RGB 128 103 55

HSL 39.45, 0.4%, 0.36%

LAB 45.03, 3.73, 30.57

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 0 / 57 / 50

HEX #378037

RGB 55 128 55

HSL 120, 0.4%, 0.36%

LAB 47.66, -38.47, 32.49

 

CMYK 57 / 0 / 41 / 50

HEX #37804B

RGB 55 128 75

HSL 136.44, 0.4%, 0.36%

LAB 47.95, -35.26, 22.08

 

CMYK 57 / 0 / 26 / 50

HEX #37805F

RGB 55 128 95

HSL 152.88, 0.4%, 0.36%

LAB 48.36, -31.11, 11.17

 

CMYK 57 / 0 / 10 / 50

HEX #378073

RGB 55 128 115

HSL 169.32, 0.4%, 0.36%

LAB 48.87, -26.09, 0.2

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 53 / 0 / 72 / 44

HEX #438F28

RGB 67 143 40

HSL 104.27, 0.56%, 0.36%

LAB 52.94, -42.75, 45.38

 

CMYK 63 / 0 / 84 / 38

HEX #3B9E19

RGB 59 158 25

HSL 104.66, 0.73%, 0.36%

LAB 57.51, -51.53, 54.73

 

CMYK 70 / 0 / 94 / 32

HEX #34AD0A

RGB 52 173 10

HSL 104.54, 0.89%, 0.36%

LAB 62.2, -58.64, 61.64

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 28 / 0 / 39 / 56

HEX #517145

RGB 81 113 69

HSL 103.64, 0.24%, 0.36%

LAB 44.22, -20.62, 20.82

 

CMYK 10 / 0 / 14 / 62

HEX #586254

RGB 88 98 84

HSL 102.86, 0.08%, 0.36%

LAB 40.33, -6.81, 6.67

 

CMYK 4 / 16 / 0 / 61

HEX #5F5363

RGB 95 83 99

HSL 285, 0.09%, 0.36%

LAB 36.97, 8.24, -7.44

 

CMYK 11 / 39 / 0 / 55

HEX #664572

RGB 102 69 114

HSL 284, 0.25%, 0.36%

LAB 34.59, 22.94, -20.38

 

CMYK 12 / 0 / 57 / 50

HEX #718037

RGB 113 128 55

HSL 72.33, 0.4%, 0.36%

LAB 50.95, -17.07, 37.17

 

CMYK 27 / 0 / 57 / 50

HEX #5E8037

RGB 94 128 55

HSL 87.95, 0.4%, 0.36%

LAB 49.61, -25.02, 35.28

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 0 / 57 / 50

HEX #378037

RGB 55 128 55

HSL 120, 0.4%, 0.36%

LAB 47.66, -38.47, 32.49

 

CMYK 57 / 0 / 42 / 50

HEX #37804A

RGB 55 128 74

HSL 135.62, 0.4%, 0.36%

LAB 47.94, -35.44, 22.62

 

CMYK 43 / 0 / 57 / 73

HEX #28461E

RGB 40 70 30

HSL 105, 0.4%, 0.2%

LAB 26.52, -20.17, 20.5

 

CMYK 42 / 0 / 58 / 61

HEX #39632A

RGB 57 99 42

HSL 104.21, 0.4%, 0.28%

LAB 37.77, -26.6, 27.54

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 43 / 0 / 57 / 38

HEX #5A9D43

RGB 90 157 67

HSL 104.67, 0.4%, 0.44%

LAB 58.69, -38.65, 39.91

 

CMYK 40 / 0 / 54 / 29

HEX #6DB554

RGB 109 181 84

HSL 104.54, 0.4%, 0.52%

LAB 67.23, -40.85, 42.01

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 0 / 4 / 50

HEX #37807B

RGB 55 128 123

HSL 175.89, 0.4%, 0.36%

LAB 49.11, -23.88, -4.16

 

CMYK 0 / 57 / 19 / 50

HEX #803768

RGB 128 55 104

HSL 319.73, 0.4%, 0.36%

LAB 34.64, 37.78, -13.7

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 42 / 0 / 50

HEX #374A80

RGB 55 74 128

HSL 224.38, 0.4%, 0.36%

LAB 32.41, 9.73, -32.83

 

CMYK 0 / 57 / 42 / 50

HEX #80374A

RGB 128 55 74

HSL 344.38, 0.4%, 0.36%

LAB 33.6, 33.55, 3.96

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 0 / 4 / 50

HEX #37807B

RGB 55 128 123

HSL 175.89, 0.4%, 0.36%

LAB 49.11, -23.88, -4.16

 

CMYK 16 / 57 / 0 / 50

HEX #6C3780

RGB 108 55 128

HSL 283.56, 0.4%, 0.36%

LAB 32.87, 36.26, -31.77

 

CMYK 0 / 57 / 54 / 50

HEX #80373B

RGB 128 55 59

HSL 356.71, 0.4%, 0.36%

LAB 33.22, 31.95, 13.1

 

CMYK 42 / 0 / 57 / 50

HEX #4A8037

RGB 74 128 55

HSL 104.38, 0.4%, 0.36%

LAB 48.47, -32.53, 33.66

 

CMYK 57 / 13 / 0 / 50

HEX #376F80

RGB 55 111 128

HSL 193.97, 0.4%, 0.36%

LAB 43.86, -13.19, -15.02

 

CMYK 16 / 57 / 0 / 50

HEX #6C3780

RGB 108 55 128

HSL 283.56, 0.4%, 0.36%

LAB 32.87, 36.26, -31.77

 

CMYK 0 / 44 / 57 / 50

HEX #804837

RGB 128 72 55

HSL 13.97, 0.4%, 0.36%

LAB 36.93, 22.05, 20.51

 

Description

Color code: HEX #4A8037 | qconv.com Color code: HEX #4A8037 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 128 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 128 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 57 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 57% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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