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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8EBA it is the complementary color #B57145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8EBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A8EBA shade: #4F8EB5, #60A0C8, #71B2DB, #82C4EE and #93D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8EBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A8EBA shade: #4A8EBA, #397CA7, #286A94, #175881 and #06466E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A8EBA shade: #498EBA, #496FBA, #4951BA, #6049BA and #7E49BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A8EBA shade: #498EBA, #496FBA, #4951BA and #4949BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A8EBA shade matches the following richer shades: #498EBA, #3592CE, #2196E2 and #0D9BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A8EBA shade: #498EBA, #5E89A6, #728591, #86817D and #9A7C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A8EBA shade: #49BAA9, #49ADBA, #498FBA, #4971BA and #4953BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A8EBA shade: #306180, #3C779E, #498EBA, #67A0C5 and #85B3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A8EBA shade: #4A8EBA, #8B49BA and #BAB849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A8EBA shade: #4A8EBA, #BA498F and #8FBA49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A8EBA shade: #4A8EBA, #8B49BA, #BA7449 and #78BA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A8EBA shade: #4A8EBA, #AD49BA, #BA7449 and #56BA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

Complementary color

CMYK 0 / 38 / 62 / 29

HEX #B57145

RGB 181 113 69

HSL 23.57, 0.45%, 0.49%

LAB 54.09, 22.59, 35.32

 

CMYK 56 / 22 / 0 / 29

HEX #4F8EB5

RGB 79 142 181

HSL 202.94, 0.41%, 0.51%

LAB 56.43, -8.79, -26.59

 

CMYK 52 / 20 / 0 / 22

HEX #60A0C8

RGB 96 160 200

HSL 203.08, 0.49%, 0.58%

LAB 63.18, -9.3, -26.83

 

CMYK 48 / 19 / 0 / 14

HEX #71B2DB

RGB 113 178 219

HSL 203.21, 0.6%, 0.65%

LAB 69.8, -9.69, -27.08

 

CMYK 45 / 18 / 0 / 7

HEX #82C4EE

RGB 130 196 238

HSL 203.33, 0.76%, 0.72%

LAB 76.31, -10.01, -27.33

 

CMYK 42 / 16 / 0 / 0

HEX #93D6FF

RGB 147 214 255

HSL 202.78, 1%, 0.79%

LAB 82.66, -10.79, -26.63

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 66 / 26 / 0 / 35

HEX #397CA7

RGB 57 124 167

HSL 203.45, 0.49%, 0.44%

LAB 49.59, -7.38, -29.21

 

CMYK 73 / 28 / 0 / 42

HEX #286A94

RGB 40 106 148

HSL 203.33, 0.57%, 0.37%

LAB 42.61, -6.23, -28.96

 

CMYK 82 / 32 / 0 / 49

HEX #175881

RGB 23 88 129

HSL 203.21, 0.7%, 0.3%

LAB 35.49, -4.61, -28.66

 

CMYK 95 / 36 / 0 / 57

HEX #06466E

RGB 6 70 110

HSL 203.08, 0.9%, 0.23%

LAB 28.23, -2.32, -28.29

 

CMYK 61 / 24 / 0 / 27

HEX #498EBA

RGB 73 142 186

HSL 203.36, 0.45%, 0.51%

LAB 56.39, -8.42, -29.51

 

CMYK 61 / 40 / 0 / 27

HEX #496FBA

RGB 73 111 186

HSL 219.82, 0.45%, 0.51%

LAB 47.41, 10.04, -43.63

 

CMYK 61 / 56 / 0 / 27

HEX #4951BA

RGB 73 81 186

HSL 235.75, 0.45%, 0.51%

LAB 39.32, 29.04, -56.6

 

CMYK 48 / 61 / 0 / 27

HEX #6049BA

RGB 96 73 186

HSL 252.21, 0.45%, 0.51%

LAB 39.24, 38.39, -56.65

 

CMYK 32 / 61 / 0 / 27

HEX #7E49BA

RGB 126 73 186

HSL 268.14, 0.45%, 0.51%

LAB 42.38, 45.02, -51.42

 

CMYK 61 / 24 / 0 / 27

HEX #498EBA

RGB 73 142 186

HSL 203.36, 0.45%, 0.51%

LAB 56.39, -8.42, -29.51

 

CMYK 61 / 40 / 0 / 27

HEX #496FBA

RGB 73 111 186

HSL 219.82, 0.45%, 0.51%

LAB 47.41, 10.04, -43.63

 

CMYK 61 / 56 / 0 / 27

HEX #4951BA

RGB 73 81 186

HSL 235.75, 0.45%, 0.51%

LAB 39.32, 29.04, -56.6

 

CMYK 61 / 61 / 0 / 27

HEX #4949BA

RGB 73 73 186

HSL 240, 0.45%, 0.51%

LAB 37.35, 34.07, -59.81

 

CMYK 61 / 24 / 0 / 27

HEX #498EBA

RGB 73 142 186

HSL 203.36, 0.45%, 0.51%

LAB 56.39, -8.42, -29.51

 

CMYK 74 / 29 / 0 / 19

HEX #3592CE

RGB 53 146 206

HSL 203.53, 0.61%, 0.51%

LAB 57.82, -7.12, -38.64

 

CMYK 85 / 34 / 0 / 11

HEX #2196E2

RGB 33 150 226

HSL 203.63, 0.77%, 0.51%

LAB 59.55, -4.18, -47.12

 

CMYK 95 / 37 / 0 / 4

HEX #0D9BF6

RGB 13 155 246

HSL 203.43, 0.93%, 0.51%

LAB 61.81, -0.65, -54.58

 

CMYK 61 / 24 / 0 / 27

HEX #498EBA

RGB 73 142 186

HSL 203.36, 0.45%, 0.51%

LAB 56.39, -8.42, -29.51

 

CMYK 43 / 17 / 0 / 35

HEX #5E89A6

RGB 94 137 166

HSL 204.17, 0.29%, 0.51%

LAB 55.1, -6.87, -19.99

 

CMYK 21 / 8 / 0 / 43

HEX #728591

RGB 114 133 145

HSL 203.23, 0.12%, 0.51%

LAB 54.45, -4.09, -8.73

 

CMYK 0 / 4 / 7 / 47

HEX #86817D

RGB 134 129 125

HSL 26.67, 0.04%, 0.51%

LAB 54.29, 1.12, 2.83

 

CMYK 0 / 19 / 32 / 40

HEX #9A7C69

RGB 154 124 105

HSL 23.27, 0.2%, 0.51%

LAB 54.35, 8.73, 14.76

 

CMYK 61 / 0 / 9 / 27

HEX #49BAA9

RGB 73 186 169

HSL 170.97, 0.45%, 0.51%

LAB 69.04, -35.98, -0.9

 

CMYK 61 / 7 / 0 / 27

HEX #49ADBA

RGB 73 173 186

HSL 186.9, 0.45%, 0.51%

LAB 65.63, -24.99, -15.37

 

CMYK 61 / 23 / 0 / 27

HEX #498FBA

RGB 73 143 186

HSL 202.83, 0.45%, 0.51%

LAB 56.69, -8.98, -29.05

 

CMYK 61 / 39 / 0 / 27

HEX #4971BA

RGB 73 113 186

HSL 218.76, 0.45%, 0.51%

LAB 47.97, 8.79, -42.73

 

CMYK 61 / 55 / 0 / 27

HEX #4953BA

RGB 73 83 186

HSL 234.69, 0.45%, 0.51%

LAB 39.83, 27.77, -55.78

 

CMYK 63 / 24 / 0 / 50

HEX #306180

RGB 48 97 128

HSL 203.25, 0.45%, 0.35%

LAB 39.13, -6.5, -22.3

 

CMYK 62 / 25 / 0 / 38

HEX #3C779E

RGB 60 119 158

HSL 203.88, 0.45%, 0.43%

LAB 47.78, -6.95, -26.75

 

CMYK 61 / 24 / 0 / 27

HEX #498EBA

RGB 73 142 186

HSL 203.36, 0.45%, 0.51%

LAB 56.39, -8.42, -29.51

 

CMYK 48 / 19 / 0 / 23

HEX #67A0C5

RGB 103 160 197

HSL 203.62, 0.45%, 0.59%

LAB 63.39, -8.55, -24.8

 

CMYK 36 / 14 / 0 / 18

HEX #85B3D0

RGB 133 179 208

HSL 203.2, 0.44%, 0.67%

LAB 70.72, -8.12, -19.56

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 25 / 61 / 0 / 27

HEX #8B49BA

RGB 139 73 186

HSL 275.04, 0.45%, 0.51%

LAB 43.94, 48.12, -48.83

 

CMYK 0 / 1 / 61 / 27

HEX #BAB849

RGB 186 184 73

HSL 58.94, 0.45%, 0.51%

LAB 73.02, -13.48, 55.02

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 0 / 61 / 23 / 27

HEX #BA498F

RGB 186 73 143

HSL 322.83, 0.45%, 0.51%

LAB 48.5, 53.06, -15.76

 

CMYK 23 / 0 / 61 / 27

HEX #8FBA49

RGB 143 186 73

HSL 82.83, 0.45%, 0.51%

LAB 70.48, -32, 51.35

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 25 / 61 / 0 / 27

HEX #8B49BA

RGB 139 73 186

HSL 275.04, 0.45%, 0.51%

LAB 43.94, 48.12, -48.83

 

CMYK 0 / 38 / 61 / 27

HEX #BA7449

RGB 186 116 73

HSL 22.83, 0.45%, 0.51%

LAB 55.49, 23.33, 34.99

 

CMYK 35 / 0 / 61 / 27

HEX #78BA49

RGB 120 186 73

HSL 95.04, 0.45%, 0.51%

LAB 69.18, -40.47, 49.53

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 7 / 61 / 0 / 27

HEX #AD49BA

RGB 173 73 186

HSL 293.1, 0.45%, 0.51%

LAB 48.5, 56.54, -41.29

 

CMYK 0 / 38 / 61 / 27

HEX #BA7449

RGB 186 116 73

HSL 22.83, 0.45%, 0.51%

LAB 55.49, 23.33, 34.99

 

CMYK 54 / 0 / 61 / 27

HEX #56BA49

RGB 86 186 73

HSL 113.1, 0.45%, 0.51%

LAB 67.71, -51.05, 47.47

 

Description

Color code: HEX #4A8EBA | qconv.com Color code: HEX #4A8EBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 142 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 142 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 24 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 24% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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