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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A952E it is the complementary color #B56AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A952E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A952E shade: #4F9529, #60A73C, #71B94F, #82CB62 and #93DD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A952E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A952E shade: #4A952E, #39831B, #287108, #175F00 and #064D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A952E shade: #49942D, #65942D, #80942D, #948B2D and #94702D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A952E shade: #49942D, #2D942D, #2D9449, #2D9464 and #2D9480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A952E shade matches the following richer shades: #49942D, #42A31D and #3BB30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A952E shade: #49942D, #50843D, #57744C, #5E655C and #66556C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A952E shade: #81942D, #66942D, #4A942D, #2F942D and #2D9447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A952E shade: #2A551A, #397423, #49942D, #59B337 and #6DC84C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A952E shade: #4A952E, #2D948B and #942D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A952E shade: #4A952E, #2D4A94 and #942D4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A952E shade: #4A952E, #2D948B, #772D94 and #942D36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A952E shade: #4A952E, #2D7E94, #772D94 and #94432D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

Complementary color

CMYK 13 / 49 / 0 / 18

HEX #B56AD1

RGB 181 106 209

HSL 283.69, 0.53%, 0.62%

LAB 56.82, 46.95, -41.3

 

CMYK 47 / 0 / 72 / 42

HEX #4F9529

RGB 79 149 41

HSL 98.89, 0.57%, 0.37%

LAB 55.4, -41.37, 47.67

 

CMYK 43 / 0 / 64 / 35

HEX #60A73C

RGB 96 167 60

HSL 99.81, 0.47%, 0.45%

LAB 62.04, -41.7, 47.02

 

CMYK 39 / 0 / 57 / 27

HEX #71B94F

RGB 113 185 79

HSL 100.75, 0.43%, 0.52%

LAB 68.59, -41.82, 46.03

 

CMYK 36 / 0 / 52 / 20

HEX #82CB62

RGB 130 203 98

HSL 101.71, 0.5%, 0.59%

LAB 75.04, -41.82, 44.89

 

CMYK 33 / 0 / 47 / 13

HEX #93DD75

RGB 147 221 117

HSL 102.69, 0.6%, 0.66%

LAB 81.4, -41.74, 43.71

 

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

CMYK 56 / 0 / 79 / 49

HEX #39831B

RGB 57 131 27

HSL 102.69, 0.66%, 0.31%

LAB 48.49, -41.91, 45.68

 

CMYK 65 / 0 / 93 / 56

HEX #287108

RGB 40 113 8

HSL 101.71, 0.87%, 0.24%

LAB 41.66, -40.71, 44.6

 

CMYK 76 / 0 / 100 / 63

HEX #175F00

RGB 23 95 0

HSL 105.47, 1%, 0.19%

LAB 34.73, -38.54, 40.84

 

CMYK 92 / 0 / 100 / 70

HEX #064D00

RGB 6 77 0

HSL 115.32, 1%, 0.15%

LAB 27.7, -35.26, 35.05

 

CMYK 51 / 0 / 70 / 42

HEX #49942D

RGB 73 148 45

HSL 103.69, 0.53%, 0.38%

LAB 54.85, -42.53, 45.41

 

CMYK 32 / 0 / 70 / 42

HEX #65942D

RGB 101 148 45

HSL 87.38, 0.53%, 0.38%

LAB 56.22, -32.78, 47.27

 

CMYK 14 / 0 / 70 / 42

HEX #80942D

RGB 128 148 45

HSL 71.65, 0.53%, 0.38%

LAB 58, -21.73, 49.65

 

CMYK 0 / 6 / 70 / 42

HEX #948B2D

RGB 148 139 45

HSL 54.76, 0.53%, 0.38%

LAB 57.03, -8.15, 49.2

 

CMYK 0 / 24 / 70 / 42

HEX #94702D

RGB 148 112 45

HSL 39.03, 0.53%, 0.38%

LAB 49.59, 6.97, 41.47

 

CMYK 51 / 0 / 70 / 42

HEX #49942D

RGB 73 148 45

HSL 103.69, 0.53%, 0.38%

LAB 54.85, -42.53, 45.41

 

CMYK 70 / 0 / 70 / 42

HEX #2D942D

RGB 45 148 45

HSL 120, 0.53%, 0.38%

LAB 53.95, -49.66, 44.18

 

CMYK 70 / 0 / 51 / 42

HEX #2D9449

RGB 45 148 73

HSL 136.31, 0.53%, 0.38%

LAB 54.26, -46.05, 31.16

 

CMYK 70 / 0 / 32 / 42

HEX #2D9464

RGB 45 148 100

HSL 152.04, 0.53%, 0.38%

LAB 54.72, -40.94, 17.07

 

CMYK 70 / 0 / 14 / 42

HEX #2D9480

RGB 45 148 128

HSL 168.35, 0.53%, 0.38%

LAB 55.38, -34.08, 2.08

 

CMYK 51 / 0 / 70 / 42

HEX #49942D

RGB 73 148 45

HSL 103.69, 0.53%, 0.38%

LAB 54.85, -42.53, 45.41

 

CMYK 60 / 0 / 82 / 36

HEX #42A31D

RGB 66 163 29

HSL 103.43, 0.7%, 0.38%

LAB 59.38, -51.36, 55.42

 

CMYK 67 / 0 / 92 / 30

HEX #3BB30E

RGB 59 179 14

HSL 103.64, 0.85%, 0.38%

LAB 64.32, -59.08, 62.91

 

CMYK 51 / 0 / 70 / 42

HEX #49942D

RGB 73 148 45

HSL 103.69, 0.53%, 0.38%

LAB 54.85, -42.53, 45.41

 

CMYK 39 / 0 / 54 / 48

HEX #50843D

RGB 80 132 61

HSL 103.94, 0.37%, 0.38%

LAB 50.15, -31.53, 32.65

 

CMYK 25 / 0 / 34 / 55

HEX #57744C

RGB 87 116 76

HSL 103.5, 0.21%, 0.38%

LAB 45.69, -18.73, 18.8

 

CMYK 7 / 0 / 9 / 60

HEX #5E655C

RGB 94 101 92

HSL 106.67, 0.05%, 0.38%

LAB 41.94, -4.59, 4.16

 

CMYK 6 / 21 / 0 / 58

HEX #66556C

RGB 102 85 108

HSL 284.35, 0.12%, 0.38%

LAB 38.56, 11.66, -10.57

 

CMYK 13 / 0 / 70 / 42

HEX #81942D

RGB 129 148 45

HSL 71.07, 0.53%, 0.38%

LAB 58.07, -21.3, 49.75

 

CMYK 31 / 0 / 70 / 42

HEX #66942D

RGB 102 148 45

HSL 86.8, 0.53%, 0.38%

LAB 56.28, -32.39, 47.35

 

CMYK 50 / 0 / 70 / 42

HEX #4A942D

RGB 74 148 45

HSL 103.11, 0.53%, 0.38%

LAB 54.89, -42.22, 45.46

 

CMYK 68 / 0 / 70 / 42

HEX #2F942D

RGB 47 148 45

HSL 118.83, 0.53%, 0.38%

LAB 54, -49.25, 44.25

 

CMYK 70 / 0 / 52 / 42

HEX #2D9447

RGB 45 148 71

HSL 135.15, 0.53%, 0.38%

LAB 54.23, -46.37, 32.17

 

CMYK 51 / 0 / 69 / 67

HEX #2A551A

RGB 42 85 26

HSL 103.73, 0.53%, 0.22%

LAB 31.95, -27.3, 28.96

 

CMYK 51 / 0 / 70 / 55

HEX #397423

RGB 57 116 35

HSL 103.7, 0.54%, 0.3%

LAB 43.48, -35.12, 37.43

 

CMYK 51 / 0 / 70 / 42

HEX #49942D

RGB 73 148 45

HSL 103.69, 0.53%, 0.38%

LAB 54.85, -42.53, 45.41

 

CMYK 50 / 0 / 69 / 30

HEX #59B337

RGB 89 179 55

HSL 103.55, 0.53%, 0.46%

LAB 65.47, -49.22, 52.71

 

CMYK 46 / 0 / 62 / 22

HEX #6DC84C

RGB 109 200 76

HSL 104.03, 0.53%, 0.54%

LAB 72.95, -49.65, 52.29

 

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

CMYK 70 / 0 / 6 / 42

HEX #2D948B

RGB 45 148 139

HSL 174.76, 0.53%, 0.38%

LAB 55.69, -31.02, -3.77

 

CMYK 0 / 70 / 22 / 42

HEX #942D73

RGB 148 45 115

HSL 319.22, 0.53%, 0.38%

LAB 36.76, 50.06, -17.1

 

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

CMYK 70 / 50 / 0 / 42

HEX #2D4A94

RGB 45 74 148

HSL 223.11, 0.53%, 0.38%

LAB 33.12, 15.12, -44.01

 

CMYK 0 / 70 / 50 / 42

HEX #942D4A

RGB 148 45 74

HSL 343.11, 0.53%, 0.38%

LAB 35.34, 45.2, 6.92

 

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

CMYK 70 / 0 / 6 / 42

HEX #2D948B

RGB 45 148 139

HSL 174.76, 0.53%, 0.38%

LAB 55.69, -31.02, -3.77

 

CMYK 20 / 70 / 0 / 42

HEX #772D94

RGB 119 45 148

HSL 283.11, 0.53%, 0.38%

LAB 33.85, 48.5, -42.46

 

CMYK 0 / 70 / 64 / 42

HEX #942D36

RGB 148 45 54

HSL 354.76, 0.53%, 0.38%

LAB 34.88, 43.59, 19.14

 

CMYK 50 / 0 / 69 / 42

HEX #4A952E

RGB 74 149 46

HSL 103.69, 0.53%, 0.38%

LAB 55.22, -42.54, 45.4

 

CMYK 70 / 15 / 0 / 42

HEX #2D7E94

RGB 45 126 148

HSL 192.82, 0.53%, 0.38%

LAB 49.03, -16.94, -19.01

 

CMYK 20 / 70 / 0 / 42

HEX #772D94

RGB 119 45 148

HSL 283.11, 0.53%, 0.38%

LAB 33.85, 48.5, -42.46

 

CMYK 0 / 55 / 70 / 42

HEX #94432D

RGB 148 67 45

HSL 12.82, 0.53%, 0.38%

LAB 38.72, 32.47, 29.37

 

Description

Color code: HEX #4A952E | qconv.com Color code: HEX #4A952E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 149 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 149 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 69 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 69% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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