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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA871 it is the complementary color #B5578E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA871 shade: #4FA86C, #60BA7F, #71CC92, #82DEA5 and #93F0B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA871 shade: #4AA871, #39965E, #28844B, #177238 and #066025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA871 shade: #49A66F, #49A656, #54A649, #6DA649 and #87A649

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA871 shade: #49A66F, #49A689, #49A6A2, #4991A6 and #4978A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA871 shade matches the following richer shades: #49A66F, #35B96C, #22CD69 and #0EE065

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA871 shade: #49A66F, #5C9373, #6F7F76, #836C79 and #96597D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA871 shade: #55A649, #49A655, #49A66E, #49A687 and #49A6A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA871 shade: #2F6D49, #3C895C, #49A66F, #5FB984 and #7CC59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA871 shade: #4AA871, #496EA6 and #A64949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA871 shade: #4AA871, #6E49A6 and #A66E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA871 shade: #4AA871, #496EA6, #A64981 and #A68149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA871 shade: #4AA871, #4952A6, #A64981 and #A69D49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

Complementary color

CMYK 0 / 52 / 22 / 29

HEX #B5578E

RGB 181 87 142

HSL 324.89, 0.39%, 0.53%

LAB 50.21, 44.71, -12.63

 

CMYK 53 / 0 / 36 / 34

HEX #4FA86C

RGB 79 168 108

HSL 139.55, 0.36%, 0.48%

LAB 62.3, -40.42, 23.09

 

CMYK 48 / 0 / 32 / 27

HEX #60BA7F

RGB 96 186 127

HSL 140.67, 0.39%, 0.55%

LAB 68.85, -40.27, 21.82

 

CMYK 45 / 0 / 28 / 20

HEX #71CC92

RGB 113 204 146

HSL 141.76, 0.47%, 0.62%

LAB 75.31, -40.07, 20.64

 

CMYK 41 / 0 / 26 / 13

HEX #82DEA5

RGB 130 222 165

HSL 142.83, 0.58%, 0.69%

LAB 81.68, -39.83, 19.54

 

CMYK 39 / 0 / 23 / 6

HEX #93F0B8

RGB 147 240 184

HSL 143.87, 0.76%, 0.76%

LAB 87.96, -39.58, 18.52

 

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

CMYK 62 / 0 / 37 / 41

HEX #39965E

RGB 57 150 94

HSL 143.87, 0.45%, 0.41%

LAB 55.57, -40.65, 21.62

 

CMYK 70 / 0 / 43 / 48

HEX #28844B

RGB 40 132 75

HSL 142.83, 0.53%, 0.34%

LAB 48.84, -40.35, 23.15

 

CMYK 80 / 0 / 51 / 55

HEX #177238

RGB 23 114 56

HSL 141.76, 0.66%, 0.27%

LAB 42, -39.59, 24.84

 

CMYK 94 / 0 / 61 / 62

HEX #066025

RGB 6 96 37

HSL 140.67, 0.88%, 0.2%

LAB 35.08, -38.06, 26.63

 

CMYK 56 / 0 / 33 / 35

HEX #49A66F

RGB 73 166 111

HSL 144.52, 0.39%, 0.47%

LAB 61.51, -40.46, 20.37

 

CMYK 56 / 0 / 48 / 35

HEX #49A656

RGB 73 166 86

HSL 128.39, 0.39%, 0.47%

LAB 61.1, -44.85, 33.15

 

CMYK 49 / 0 / 56 / 35

HEX #54A649

RGB 84 166 73

HSL 112.9, 0.39%, 0.47%

LAB 61.34, -43.63, 40.06

 

CMYK 34 / 0 / 56 / 35

HEX #6DA649

RGB 109 166 73

HSL 96.77, 0.39%, 0.47%

LAB 62.51, -35.44, 41.73

 

CMYK 19 / 0 / 56 / 35

HEX #87A649

RGB 135 166 73

HSL 80, 0.39%, 0.47%

LAB 64.08, -25.55, 43.96

 

CMYK 56 / 0 / 33 / 35

HEX #49A66F

RGB 73 166 111

HSL 144.52, 0.39%, 0.47%

LAB 61.51, -40.46, 20.37

 

CMYK 56 / 0 / 17 / 35

HEX #49A689

RGB 73 166 137

HSL 161.29, 0.39%, 0.47%

LAB 62.08, -34.76, 6.76

 

CMYK 56 / 0 / 2 / 35

HEX #49A6A2

RGB 73 166 162

HSL 177.42, 0.39%, 0.47%

LAB 62.76, -28.32, -6.27

 

CMYK 56 / 13 / 0 / 35

HEX #4991A6

RGB 73 145 166

HSL 193.55, 0.39%, 0.47%

LAB 56.51, -16.35, -17.93

 

CMYK 56 / 28 / 0 / 35

HEX #4978A6

RGB 73 120 166

HSL 209.68, 0.39%, 0.47%

LAB 49.01, -2.16, -29.48

 

CMYK 56 / 0 / 33 / 35

HEX #49A66F

RGB 73 166 111

HSL 144.52, 0.39%, 0.47%

LAB 61.51, -40.46, 20.37

 

CMYK 71 / 0 / 42 / 27

HEX #35B96C

RGB 53 185 108

HSL 145, 0.55%, 0.47%

LAB 66.93, -52.69, 29.09

 

CMYK 83 / 0 / 49 / 20

HEX #22CD69

RGB 34 205 105

HSL 144.91, 0.72%, 0.47%

LAB 72.91, -62.69, 38.22

 

CMYK 94 / 0 / 55 / 12

HEX #0EE065

RGB 14 224 101

HSL 144.86, 0.88%, 0.47%

LAB 78.66, -70.7, 47.18

 

CMYK 56 / 0 / 33 / 35

HEX #49A66F

RGB 73 166 111

HSL 144.52, 0.39%, 0.47%

LAB 61.51, -40.46, 20.37

 

CMYK 37 / 0 / 22 / 42

HEX #5C9373

RGB 92 147 115

HSL 145.09, 0.23%, 0.47%

LAB 56.47, -25.53, 11.29

 

CMYK 13 / 0 / 7 / 50

HEX #6F7F76

RGB 111 127 118

HSL 146.25, 0.07%, 0.47%

LAB 51.69, -7.76, 2.9

 

CMYK 0 / 18 / 8 / 49

HEX #836C79

RGB 131 108 121

HSL 326.09, 0.1%, 0.47%

LAB 48.17, 11.45, -3.8

 

CMYK 0 / 41 / 17 / 41

HEX #96597D

RGB 150 89 125

HSL 324.59, 0.26%, 0.47%

LAB 45.78, 30.35, -9.53

 

CMYK 49 / 0 / 56 / 35

HEX #55A649

RGB 85 166 73

HSL 112.26, 0.39%, 0.47%

LAB 61.38, -43.33, 40.12

 

CMYK 56 / 0 / 49 / 35

HEX #49A655

RGB 73 166 85

HSL 127.74, 0.39%, 0.47%

LAB 61.08, -45, 33.65

 

CMYK 56 / 0 / 34 / 35

HEX #49A66E

RGB 73 166 110

HSL 143.87, 0.39%, 0.47%

LAB 61.49, -40.66, 20.89

 

CMYK 56 / 0 / 19 / 35

HEX #49A687

RGB 73 166 135

HSL 160, 0.39%, 0.47%

LAB 62.03, -35.24, 7.8

 

CMYK 56 / 0 / 4 / 35

HEX #49A6A0

RGB 73 166 160

HSL 176.13, 0.39%, 0.47%

LAB 62.7, -28.87, -5.23

 

CMYK 57 / 0 / 33 / 57

HEX #2F6D49

RGB 47 109 73

HSL 145.16, 0.4%, 0.31%

LAB 41.25, -29.09, 14.21

 

CMYK 56 / 0 / 33 / 46

HEX #3C895C

RGB 60 137 92

HSL 144.94, 0.39%, 0.39%

LAB 51.41, -34.67, 17.14

 

CMYK 56 / 0 / 33 / 35

HEX #49A66F

RGB 73 166 111

HSL 144.52, 0.39%, 0.47%

LAB 61.51, -40.46, 20.37

 

CMYK 49 / 0 / 29 / 27

HEX #5FB984

RGB 95 185 132

HSL 144.67, 0.39%, 0.55%

LAB 68.6, -39.13, 18.78

 

CMYK 37 / 0 / 22 / 23

HEX #7CC59A

RGB 124 197 154

HSL 144.66, 0.39%, 0.63%

LAB 73.9, -32.18, 14.49

 

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

CMYK 56 / 34 / 0 / 35

HEX #496EA6

RGB 73 110 166

HSL 216.13, 0.39%, 0.47%

LAB 46.07, 3.89, -34.08

 

CMYK 0 / 56 / 56 / 35

HEX #A64949

RGB 166 73 73

HSL 0, 0.39%, 0.47%

LAB 43.29, 38.38, 18.94

 

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

CMYK 34 / 56 / 0 / 35

HEX #6E49A6

RGB 110 73 166

HSL 263.87, 0.39%, 0.47%

LAB 39.3, 35.96, -44.65

 

CMYK 0 / 34 / 56 / 35

HEX #A66E49

RGB 166 110 73

HSL 23.87, 0.39%, 0.47%

LAB 51.54, 18.19, 29.57

 

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

CMYK 56 / 34 / 0 / 35

HEX #496EA6

RGB 73 110 166

HSL 216.13, 0.39%, 0.47%

LAB 46.07, 3.89, -34.08

 

CMYK 0 / 56 / 22 / 35

HEX #A64981

RGB 166 73 129

HSL 323.87, 0.39%, 0.47%

LAB 44.88, 44.9, -13.09

 

CMYK 0 / 22 / 56 / 35

HEX #A68149

RGB 166 129 73

HSL 36.13, 0.39%, 0.47%

LAB 56.38, 7.45, 35.51

 

CMYK 56 / 0 / 33 / 34

HEX #4AA871

RGB 74 168 113

HSL 144.89, 0.39%, 0.47%

LAB 62.21, -40.69, 20.23

 

CMYK 56 / 51 / 0 / 35

HEX #4952A6

RGB 73 82 166

HSL 234.19, 0.39%, 0.47%

LAB 38.21, 21.62, -46.58

 

CMYK 0 / 56 / 22 / 35

HEX #A64981

RGB 166 73 129

HSL 323.87, 0.39%, 0.47%

LAB 44.88, 44.9, -13.09

 

CMYK 0 / 5 / 56 / 35

HEX #A69D49

RGB 166 157 73

HSL 54.19, 0.39%, 0.47%

LAB 63.92, -7.93, 44.4

 

Description

Color code: HEX #4AA871 | qconv.com Color code: HEX #4AA871 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 168 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 168 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 33 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 33% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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