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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB5C6 it is the complementary color #B54A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB5C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB5C6 shade: #4FB5C1, #60C7D4, #71D9E7, #82EBFA and #93FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB5C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB5C6 shade: #4AB5C6, #39A3B3, #2891A0, #177F8D and #066D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB5C6 shade: #48B4C5, #4892C5, #4871C5, #484FC5 and #6348C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB5C6 shade: #48B4C5, #4892C5, #4871C5, #484FC5 and #4848C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB5C6 shade matches the following richer shades: #48B4C5, #35C2D8 and #22D0EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB5C6 shade: #48B4C5, #5CA6B2, #6F989E, #838A8B and #967C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB5C6 shade: #48C593, #48C5B4, #48B4C5, #4893C5 and #4872C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB5C6 shade: #2D818E, #369DAE, #48B4C5, #68C1CF and #87CED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB5C6 shade: #4AB5C6, #7248C5 and #C5A448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB5C6 shade: #4AB5C6, #C548B4 and #B4C548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB5C6 shade: #4AB5C6, #7248C5, #C55948 and #9BC548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB5C6 shade: #4AB5C6, #9748C5, #C55948 and #76C548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

Complementary color

CMYK 0 / 59 / 69 / 29

HEX #B54A39

RGB 181 74 57

HSL 8.23, 0.52%, 0.47%

LAB 45.66, 42.36, 31.94

 

CMYK 59 / 6 / 0 / 24

HEX #4FB5C1

RGB 79 181 193

HSL 186.32, 0.48%, 0.53%

LAB 68.43, -25.88, -15

 

CMYK 55 / 6 / 0 / 17

HEX #60C7D4

RGB 96 199 212

HSL 186.72, 0.57%, 0.6%

LAB 74.88, -26.21, -15.61

 

CMYK 51 / 6 / 0 / 9

HEX #71D9E7

RGB 113 217 231

HSL 187.12, 0.71%, 0.67%

LAB 81.24, -26.44, -16.17

 

CMYK 48 / 6 / 0 / 2

HEX #82EBFA

RGB 130 235 250

HSL 187.5, 0.92%, 0.75%

LAB 87.52, -26.6, -16.7

 

CMYK 42 / 1 / 0 / 0

HEX #93FDFF

RGB 147 253 255

HSL 181.11, 1%, 0.79%

LAB 93.31, -30.17, -10.58

 

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

CMYK 68 / 9 / 0 / 30

HEX #39A3B3

RGB 57 163 179

HSL 187.87, 0.52%, 0.46%

LAB 61.93, -24.68, -17.1

 

CMYK 75 / 9 / 0 / 37

HEX #2891A0

RGB 40 145 160

HSL 187.5, 0.6%, 0.39%

LAB 55.32, -23.8, -16.39

 

CMYK 84 / 10 / 0 / 45

HEX #177F8D

RGB 23 127 141

HSL 187.12, 0.72%, 0.32%

LAB 48.62, -22.56, -15.57

 

CMYK 95 / 11 / 0 / 52

HEX #066D7A

RGB 6 109 122

HSL 186.72, 0.91%, 0.25%

LAB 41.82, -20.83, -14.62

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 63 / 26 / 0 / 23

HEX #4892C5

RGB 72 146 197

HSL 204.48, 0.52%, 0.53%

LAB 58.01, -7.28, -33.24

 

CMYK 63 / 43 / 0 / 23

HEX #4871C5

RGB 72 113 197

HSL 220.32, 0.52%, 0.53%

LAB 48.54, 12.41, -48.17

 

CMYK 63 / 60 / 0 / 23

HEX #484FC5

RGB 72 79 197

HSL 236.64, 0.52%, 0.53%

LAB 39.58, 33.87, -62.6

 

CMYK 50 / 63 / 0 / 23

HEX #6348C5

RGB 99 72 197

HSL 252.96, 0.52%, 0.53%

LAB 40.11, 42.81, -61.65

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 63 / 26 / 0 / 23

HEX #4892C5

RGB 72 146 197

HSL 204.48, 0.52%, 0.53%

LAB 58.01, -7.28, -33.24

 

CMYK 63 / 43 / 0 / 23

HEX #4871C5

RGB 72 113 197

HSL 220.32, 0.52%, 0.53%

LAB 48.54, 12.41, -48.17

 

CMYK 63 / 60 / 0 / 23

HEX #484FC5

RGB 72 79 197

HSL 236.64, 0.52%, 0.53%

LAB 39.58, 33.87, -62.6

 

CMYK 63 / 63 / 0 / 23

HEX #4848C5

RGB 72 72 197

HSL 240, 0.52%, 0.53%

LAB 37.92, 38.19, -65.31

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 75 / 10 / 0 / 15

HEX #35C2D8

RGB 53 194 216

HSL 188.1, 0.68%, 0.53%

LAB 72.43, -29.18, -21.59

 

CMYK 86 / 12 / 0 / 7

HEX #22D0EC

RGB 34 208 236

HSL 188.32, 0.84%, 0.53%

LAB 76.99, -31.31, -25.46

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 48 / 7 / 0 / 30

HEX #5CA6B2

RGB 92 166 178

HSL 188.37, 0.36%, 0.53%

LAB 63.97, -19.76, -13.35

 

CMYK 30 / 4 / 0 / 38

HEX #6F989E

RGB 111 152 158

HSL 187.66, 0.2%, 0.53%

LAB 60.16, -12.46, -7.68

 

CMYK 6 / 1 / 0 / 45

HEX #838A8B

RGB 131 138 139

HSL 187.5, 0.03%, 0.53%

LAB 56.94, -2.35, -1.43

 

CMYK 0 / 17 / 21 / 41

HEX #967C77

RGB 150 124 119

HSL 9.68, 0.13%, 0.53%

LAB 54.27, 9.2, 6.48

 

CMYK 63 / 0 / 25 / 23

HEX #48C593

RGB 72 197 147

HSL 156, 0.52%, 0.53%

LAB 71.84, -46.29, 15.08

 

CMYK 63 / 0 / 9 / 23

HEX #48C5B4

RGB 72 197 180

HSL 171.84, 0.52%, 0.53%

LAB 72.63, -38.31, -1.65

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 63 / 25 / 0 / 23

HEX #4893C5

RGB 72 147 197

HSL 204, 0.52%, 0.53%

LAB 58.3, -7.84, -32.78

 

CMYK 63 / 42 / 0 / 23

HEX #4872C5

RGB 72 114 197

HSL 219.84, 0.52%, 0.53%

LAB 48.81, 11.79, -47.73

 

CMYK 68 / 9 / 0 / 44

HEX #2D818E

RGB 45 129 142

HSL 188.04, 0.52%, 0.37%

LAB 49.75, -20.52, -14.39

 

CMYK 69 / 10 / 0 / 32

HEX #369DAE

RGB 54 157 174

HSL 188.5, 0.53%, 0.45%

LAB 59.85, -23.61, -17.45

 

CMYK 63 / 9 / 0 / 23

HEX #48B4C5

RGB 72 180 197

HSL 188.16, 0.52%, 0.53%

LAB 68.06, -25.44, -17.79

 

CMYK 50 / 7 / 0 / 19

HEX #68C1CF

RGB 104 193 207

HSL 188.16, 0.52%, 0.61%

LAB 73.28, -22.91, -15.28

 

CMYK 38 / 5 / 0 / 15

HEX #87CED9

RGB 135 206 217

HSL 188.05, 0.52%, 0.69%

LAB 78.64, -19.42, -12.5

 

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

CMYK 42 / 63 / 0 / 23

HEX #7248C5

RGB 114 72 197

HSL 260.16, 0.52%, 0.53%

LAB 41.6, 45.78, -59.16

 

CMYK 0 / 17 / 63 / 23

HEX #C5A448

RGB 197 164 72

HSL 44.16, 0.52%, 0.53%

LAB 68.67, 1.66, 51

 

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

CMYK 0 / 63 / 9 / 23

HEX #C548B4

RGB 197 72 180

HSL 308.16, 0.52%, 0.53%

LAB 51.61, 62.05, -32.66

 

CMYK 9 / 0 / 63 / 23

HEX #B4C548

RGB 180 197 72

HSL 68.16, 0.52%, 0.53%

LAB 76.13, -22.56, 58.64

 

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

CMYK 42 / 63 / 0 / 23

HEX #7248C5

RGB 114 72 197

HSL 260.16, 0.52%, 0.53%

LAB 41.6, 45.78, -59.16

 

CMYK 0 / 55 / 63 / 23

HEX #C55948

RGB 197 89 72

HSL 8.16, 0.52%, 0.53%

LAB 51.25, 41.91, 30.71

 

CMYK 21 / 0 / 63 / 23

HEX #9BC548

RGB 155 197 72

HSL 80.16, 0.52%, 0.53%

LAB 74.43, -32.57, 56.31

 

CMYK 63 / 9 / 0 / 22

HEX #4AB5C6

RGB 74 181 198

HSL 188.23, 0.52%, 0.53%

LAB 68.45, -25.31, -17.75

 

CMYK 23 / 63 / 0 / 23

HEX #9748C5

RGB 151 72 197

HSL 277.92, 0.52%, 0.53%

LAB 45.97, 53.93, -51.9

 

CMYK 0 / 55 / 63 / 23

HEX #C55948

RGB 197 89 72

HSL 8.16, 0.52%, 0.53%

LAB 51.25, 41.91, 30.71

 

CMYK 40 / 0 / 63 / 23

HEX #76C548

RGB 118 197 72

HSL 97.92, 0.52%, 0.53%

LAB 72.4, -45.94, 53.51

 

Description

Color code: HEX #4AB5C6 | qconv.com Color code: HEX #4AB5C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 181 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 181 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 9 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 9% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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