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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB840 it is the complementary color #B547BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB840 shade: #4FB83B, #60CA4E, #71DC61, #82EE74 and #93FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB840 shade: #4AB840, #39A62D, #28941A, #178207 and #067000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB840 shade: #4AB840, #6BB840, #8BB840, #ACB840 and #B8A540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB840 shade: #4AB840, #40B857, #40B877, #40B898 and #40B8B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB840 shade matches the following richer shades: #4AB840, #3ACD2C, #29E118 and #18F504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB840 shade: #4AB840, #5BA455, #6C9069, #7D7C7D and #8E6891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB840 shade: #8AB840, #6AB840, #4AB840, #40B856 and #40B876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB840 shade: #327B2B, #3E9A36, #4AB840, #65C65D and #82D07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB840 shade: #4AB840, #40AAB8 and #B8407A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB840 shade: #4AB840, #404AB8 and #B8404A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB840 shade: #4AB840, #40AAB8, #AE40B8 and #B84E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB840 shade: #4AB840, #4086B8, #AE40B8 and #B87240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

Complementary color

CMYK 5 / 63 / 0 / 25

HEX #B547BF

RGB 181 71 191

HSL 295, 0.48%, 0.51%

LAB 49.61, 60.32, -42.37

 

CMYK 57 / 0 / 68 / 28

HEX #4FB83B

RGB 79 184 59

HSL 110.4, 0.51%, 0.48%

LAB 66.72, -53.53, 52.32

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 49 / 0 / 56 / 14

HEX #71DC61

RGB 113 220 97

HSL 112.2, 0.64%, 0.62%

LAB 79.36, -54.17, 50.33

 

CMYK 45 / 0 / 51 / 7

HEX #82EE74

RGB 130 238 116

HSL 113.11, 0.78%, 0.69%

LAB 85.58, -54.22, 49.15

 

CMYK 42 / 0 / 47 / 0

HEX #93FF87

RGB 147 255 135

HSL 114, 1%, 0.76%

LAB 91.45, -53.76, 47.59

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 66 / 0 / 73 / 35

HEX #39A62D

RGB 57 166 45

HSL 114.05, 0.57%, 0.41%

LAB 60.19, -53.49, 50.79

 

CMYK 73 / 0 / 82 / 42

HEX #28941A

RGB 40 148 26

HSL 113.11, 0.7%, 0.34%

LAB 53.71, -52.11, 50.78

 

CMYK 82 / 0 / 95 / 49

HEX #178207

RGB 23 130 7

HSL 112.2, 0.9%, 0.27%

LAB 47.19, -49.87, 49.36

 

CMYK 95 / 0 / 100 / 56

HEX #067000

RGB 6 112 0

HSL 116.79, 1%, 0.22%

LAB 40.62, -46.41, 45.42

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 42 / 0 / 65 / 28

HEX #6BB840

RGB 107 184 64

HSL 98.5, 0.48%, 0.49%

LAB 67.86, -44.85, 51.8

 

CMYK 24 / 0 / 65 / 28

HEX #8BB840

RGB 139 184 64

HSL 82.5, 0.48%, 0.49%

LAB 69.57, -33.34, 54.15

 

CMYK 7 / 0 / 65 / 28

HEX #ACB840

RGB 172 184 64

HSL 66, 0.48%, 0.49%

LAB 71.84, -19.97, 57.23

 

CMYK 0 / 10 / 65 / 28

HEX #B8A540

RGB 184 165 64

HSL 50.5, 0.48%, 0.49%

LAB 67.63, -5.02, 53.11

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 0 / 53 / 28

HEX #40B857

RGB 64 184 87

HSL 131.5, 0.48%, 0.49%

LAB 66.57, -53.73, 39.36

 

CMYK 65 / 0 / 35 / 28

HEX #40B877

RGB 64 184 119

HSL 147.5, 0.48%, 0.49%

LAB 67.05, -48.3, 23.49

 

CMYK 65 / 0 / 17 / 28

HEX #40B898

RGB 64 184 152

HSL 164, 0.48%, 0.49%

LAB 67.75, -40.98, 6.55

 

CMYK 65 / 0 / 0 / 28

HEX #40B8B8

RGB 64 184 184

HSL 180, 0.48%, 0.49%

LAB 68.63, -32.46, -9.79

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 72 / 0 / 79 / 20

HEX #3ACD2C

RGB 58 205 44

HSL 114.78, 0.65%, 0.49%

LAB 72.72, -66.26, 63.49

 

CMYK 82 / 0 / 89 / 12

HEX #29E118

RGB 41 225 24

HSL 114.93, 0.81%, 0.49%

LAB 78.69, -75.42, 73.36

 

CMYK 90 / 0 / 98 / 4

HEX #18F504

RGB 24 245 4

HSL 115.02, 0.97%, 0.49%

LAB 84.74, -82.64, 80.5

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 45 / 0 / 48 / 36

HEX #5BA455

RGB 91 164 85

HSL 115.44, 0.32%, 0.49%

LAB 61.16, -39.06, 33.9

 

CMYK 25 / 0 / 27 / 44

HEX #6C9069

RGB 108 144 105

HSL 115.38, 0.16%, 0.49%

LAB 56.24, -20.54, 16.77

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 2 / 28 / 0 / 43

HEX #8E6891

RGB 142 104 145

HSL 295.61, 0.16%, 0.49%

LAB 49.12, 22.6, -16.52

 

CMYK 25 / 0 / 65 / 28

HEX #8AB840

RGB 138 184 64

HSL 83, 0.48%, 0.49%

LAB 69.51, -33.72, 54.06

 

CMYK 42 / 0 / 65 / 28

HEX #6AB840

RGB 106 184 64

HSL 99, 0.48%, 0.49%

LAB 67.81, -45.18, 51.74

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 0 / 53 / 28

HEX #40B856

RGB 64 184 86

HSL 131, 0.48%, 0.49%

LAB 66.55, -53.87, 39.83

 

CMYK 65 / 0 / 36 / 28

HEX #40B876

RGB 64 184 118

HSL 147, 0.48%, 0.49%

LAB 67.04, -48.49, 24

 

CMYK 59 / 0 / 65 / 52

HEX #327B2B

RGB 50 123 43

HSL 114.75, 0.48%, 0.33%

LAB 45.66, -39.28, 36.06

 

CMYK 60 / 0 / 65 / 40

HEX #3E9A36

RGB 62 154 54

HSL 115.2, 0.48%, 0.41%

LAB 56.49, -47.09, 43.17

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 49 / 0 / 53 / 22

HEX #65C65D

RGB 101 198 93

HSL 115.43, 0.48%, 0.57%

LAB 72.19, -49.29, 43.55

 

CMYK 38 / 0 / 41 / 18

HEX #82D07B

RGB 130 208 123

HSL 115.06, 0.47%, 0.65%

LAB 76.85, -40.7, 34.79

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 8 / 0 / 28

HEX #40AAB8

RGB 64 170 184

HSL 187, 0.48%, 0.49%

LAB 64.4, -25.61, -16.14

 

CMYK 0 / 65 / 34 / 28

HEX #B8407A

RGB 184 64 122

HSL 331, 0.48%, 0.49%

LAB 45.99, 53.64, -6.87

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 60 / 0 / 28

HEX #404AB8

RGB 64 74 184

HSL 235, 0.48%, 0.49%

LAB 36.83, 31.3, -59.49

 

CMYK 0 / 65 / 60 / 28

HEX #B8404A

RGB 184 64 74

HSL 355, 0.48%, 0.49%

LAB 44.73, 49.06, 20.79

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 8 / 0 / 28

HEX #40AAB8

RGB 64 170 184

HSL 187, 0.48%, 0.49%

LAB 64.4, -25.61, -16.14

 

CMYK 5 / 65 / 0 / 28

HEX #AE40B8

RGB 174 64 184

HSL 295, 0.48%, 0.49%

LAB 47.14, 60.3, -42.28

 

CMYK 0 / 58 / 65 / 28

HEX #B84E40

RGB 184 78 64

HSL 7, 0.48%, 0.49%

LAB 46.99, 41.96, 29.61

 

CMYK 60 / 0 / 65 / 28

HEX #4AB840

RGB 74 184 64

HSL 115, 0.48%, 0.49%

LAB 66.6, -54.3, 50.07

 

CMYK 65 / 27 / 0 / 28

HEX #4086B8

RGB 64 134 184

HSL 205, 0.48%, 0.49%

LAB 53.6, -6.16, -32.74

 

CMYK 5 / 65 / 0 / 28

HEX #AE40B8

RGB 174 64 184

HSL 295, 0.48%, 0.49%

LAB 47.14, 60.3, -42.28

 

CMYK 0 / 38 / 65 / 28

HEX #B87240

RGB 184 114 64

HSL 25, 0.48%, 0.49%

LAB 54.65, 22.96, 38.74

 

Description

Color code: HEX #4AB840 | qconv.com Color code: HEX #4AB840 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 184 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 184 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 65 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 65% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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