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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC47D it is the complementary color #B53B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC47D shade: #4FC478, #60D68B, #71E89E, #82FAB1 and #93FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC47D shade: #4AC47D, #39B26A, #28A057, #178E44 and #067C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC47D shade: #4AC47D, #4AC45C, #58C44A, #79C44A and #9AC44A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC47D shade: #4AC47D, #4AC49E, #4AC4BF, #4AA8C4 and #4A87C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC47D shade matches the following richer shades: #4AC47D, #36D779, #23EB76 and #0FFE73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC47D shade: #4AC47D, #5DB080, #709D83, #848A86 and #977689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC47D shade: #58C44A, #4AC45C, #4AC47C, #4AC49D and #4AC4BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC47D shade: #2E8D56, #38AC68, #4AC47D, #69CE93 and #88D8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC47D shade: #4AC47D, #4A78C4 and #C44C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC47D shade: #4AC47D, #7C4AC4 and #C47C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC47D shade: #4AC47D, #4A78C4, #C44A91 and #C4954A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC47D shade: #4AC47D, #4A54C4, #C44A91 and #C4BA4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

Complementary color

CMYK 0 / 67 / 28 / 29

HEX #B53B82

RGB 181 59 130

HSL 325.08, 0.51%, 0.47%

LAB 45.03, 55.79, -13.25

 

CMYK 60 / 0 / 39 / 23

HEX #4FC478

RGB 79 196 120

HSL 141.03, 0.5%, 0.54%

LAB 71.21, -49.87, 28.58

 

CMYK 55 / 0 / 35 / 16

HEX #60D68B

RGB 96 214 139

HSL 141.86, 0.59%, 0.61%

LAB 77.55, -49.92, 27.24

 

CMYK 51 / 0 / 32 / 9

HEX #71E89E

RGB 113 232 158

HSL 142.69, 0.72%, 0.68%

LAB 83.81, -49.85, 25.99

 

CMYK 48 / 0 / 29 / 2

HEX #82FAB1

RGB 130 250 177

HSL 143.5, 0.92%, 0.75%

LAB 89.99, -49.7, 24.82

 

CMYK 42 / 0 / 23 / 0

HEX #93FFC4

RGB 147 255 196

HSL 147.22, 1%, 0.79%

LAB 92.45, -43.94, 18.62

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 68 / 0 / 40 / 30

HEX #39B26A

RGB 57 178 106

HSL 144.3, 0.51%, 0.46%

LAB 64.76, -49.69, 27.32

 

CMYK 75 / 0 / 46 / 37

HEX #28A057

RGB 40 160 87

HSL 143.5, 0.6%, 0.39%

LAB 58.3, -49.07, 28.9

 

CMYK 84 / 0 / 52 / 44

HEX #178E44

RGB 23 142 68

HSL 142.69, 0.72%, 0.32%

LAB 51.78, -47.96, 30.6

 

CMYK 95 / 0 / 60 / 51

HEX #067C31

RGB 6 124 49

HSL 141.86, 0.91%, 0.25%

LAB 45.19, -46.11, 32.35

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 62 / 0 / 53 / 23

HEX #4AC45C

RGB 74 196 92

HSL 128.85, 0.51%, 0.53%

LAB 70.67, -55.38, 41.98

 

CMYK 55 / 0 / 62 / 23

HEX #58C44A

RGB 88 196 74

HSL 113.11, 0.51%, 0.53%

LAB 70.9, -54.23, 50.66

 

CMYK 38 / 0 / 62 / 23

HEX #79C44A

RGB 121 196 74

HSL 96.89, 0.51%, 0.53%

LAB 72.25, -44.34, 52.54

 

CMYK 21 / 0 / 62 / 23

HEX #9AC44A

RGB 154 196 74

HSL 80.66, 0.51%, 0.53%

LAB 74.09, -32.33, 55.08

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 62 / 0 / 19 / 23

HEX #4AC49E

RGB 74 196 158

HSL 161.31, 0.51%, 0.53%

LAB 71.83, -42.99, 9.14

 

CMYK 62 / 0 / 3 / 23

HEX #4AC4BF

RGB 74 196 191

HSL 177.54, 0.51%, 0.53%

LAB 72.69, -34.57, -7.54

 

CMYK 62 / 14 / 0 / 23

HEX #4AA8C4

RGB 74 168 196

HSL 193.77, 0.51%, 0.53%

LAB 64.52, -19.24, -22.61

 

CMYK 62 / 31 / 0 / 23

HEX #4A87C4

RGB 74 135 196

HSL 210, 0.51%, 0.53%

LAB 54.83, -0.89, -37.62

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 75 / 0 / 44 / 16

HEX #36D779

RGB 54 215 121

HSL 144.97, 0.67%, 0.53%

LAB 76.54, -61.21, 34.92

 

CMYK 85 / 0 / 50 / 8

HEX #23EB76

RGB 35 235 118

HSL 144.9, 0.83%, 0.53%

LAB 82.42, -70.45, 43.8

 

CMYK 94 / 0 / 55 / 0

HEX #0FFE73

RGB 15 254 115

HSL 145.1, 0.99%, 0.53%

LAB 88.08, -77.91, 52.08

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 47 / 0 / 27 / 31

HEX #5DB080

RGB 93 176 128

HSL 145.3, 0.34%, 0.53%

LAB 65.7, -36.4, 16.93

 

CMYK 29 / 0 / 17 / 38

HEX #709D83

RGB 112 157 131

HSL 145.33, 0.19%, 0.53%

LAB 60.96, -20.87, 8.75

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 0 / 22 / 9 / 41

HEX #977689

RGB 151 118 137

HSL 325.45, 0.14%, 0.53%

LAB 53.32, 16.15, -5.4

 

CMYK 55 / 0 / 62 / 23

HEX #58C44A

RGB 88 196 74

HSL 113.11, 0.51%, 0.53%

LAB 70.9, -54.23, 50.66

 

CMYK 62 / 0 / 53 / 23

HEX #4AC45C

RGB 74 196 92

HSL 128.85, 0.51%, 0.53%

LAB 70.67, -55.38, 41.98

 

CMYK 62 / 0 / 37 / 23

HEX #4AC47C

RGB 74 196 124

HSL 144.59, 0.51%, 0.53%

LAB 71.14, -50.19, 26.37

 

CMYK 62 / 0 / 20 / 23

HEX #4AC49D

RGB 74 196 157

HSL 160.82, 0.51%, 0.53%

LAB 71.81, -43.23, 9.65

 

CMYK 62 / 0 / 3 / 23

HEX #4AC4BE

RGB 74 196 190

HSL 177.05, 0.51%, 0.53%

LAB 72.66, -34.85, -7.04

 

CMYK 67 / 0 / 39 / 45

HEX #2E8D56

RGB 46 141 86

HSL 145.26, 0.51%, 0.37%

LAB 52.18, -40.75, 21.46

 

CMYK 67 / 0 / 40 / 33

HEX #38AC68

RGB 56 172 104

HSL 144.83, 0.51%, 0.45%

LAB 62.8, -47.9, 25.79

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 49 / 0 / 29 / 19

HEX #69CE93

RGB 105 206 147

HSL 144.95, 0.51%, 0.61%

LAB 75.61, -42.86, 20.47

 

CMYK 37 / 0 / 22 / 15

HEX #88D8A9

RGB 136 216 169

HSL 144.75, 0.51%, 0.69%

LAB 80.3, -34.63, 15.56

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 62 / 39 / 0 / 23

HEX #4A78C4

RGB 74 120 196

HSL 217.38, 0.51%, 0.53%

LAB 50.54, 8.11, -44.4

 

CMYK 0 / 61 / 62 / 23

HEX #C44C4A

RGB 196 76 74

HSL 0.98, 0.51%, 0.53%

LAB 48.76, 47.86, 26.39

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 37 / 62 / 0 / 23

HEX #7C4AC4

RGB 124 74 196

HSL 264.59, 0.51%, 0.53%

LAB 43.02, 46.57, -56.24

 

CMYK 0 / 37 / 62 / 23

HEX #C47C4A

RGB 196 124 74

HSL 24.59, 0.51%, 0.53%

LAB 58.64, 23.2, 38.53

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 62 / 39 / 0 / 23

HEX #4A78C4

RGB 74 120 196

HSL 217.38, 0.51%, 0.53%

LAB 50.54, 8.11, -44.4

 

CMYK 0 / 62 / 26 / 23

HEX #C44A91

RGB 196 74 145

HSL 325.08, 0.51%, 0.53%

LAB 50.31, 55.85, -14.05

 

CMYK 0 / 24 / 62 / 23

HEX #C4954A

RGB 196 149 74

HSL 36.89, 0.51%, 0.53%

LAB 64.74, 9.49, 45.62

 

CMYK 62 / 0 / 36 / 23

HEX #4AC47D

RGB 74 196 125

HSL 145.08, 0.51%, 0.53%

LAB 71.16, -50, 25.87

 

CMYK 62 / 57 / 0 / 23

HEX #4A54C4

RGB 74 84 196

HSL 235.08, 0.51%, 0.53%

LAB 40.87, 30.72, -59.93

 

CMYK 0 / 62 / 26 / 23

HEX #C44A91

RGB 196 74 145

HSL 325.08, 0.51%, 0.53%

LAB 50.31, 55.85, -14.05

 

CMYK 0 / 5 / 62 / 23

HEX #C4BA4A

RGB 196 186 74

HSL 55.08, 0.51%, 0.53%

LAB 74.41, -10.2, 56.33

 

Description

Color code: HEX #4AC47D | qconv.com Color code: HEX #4AC47D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 196 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 196 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 36 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 36% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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