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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC62D it is the complementary color #B539D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC62D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC62D shade: #4FC628, #60D83B, #71EA4E, #82FC61 and #93FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC62D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC62D shade: #4AC62D, #39B41A, #28A207, #179000 and #067E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC62D shade: #4AC72D, #74C72D, #9DC72D, #C7C72D and #C79E2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC62D shade: #4AC72D, #2DC739, #2DC763, #2DC78C and #2DC7B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC62D shade matches the following richer shades: #4AC72D, #3EDB19 and #31EF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC62D shade: #4AC72D, #56B341, #639F54, #6F8C68 and #7B787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC62D shade: #9EC72D, #75C72D, #4CC72D, #2DC737 and #2DC760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC62D shade: #31841E, #3DA525, #4AC72D, #63D548 and #7FDD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC62D shade: #4AC62D, #2DC7C7 and #C72D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC62D shade: #4AC62D, #2D4CC7 and #C72D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC62D shade: #4AC62D, #2DC7C7, #A82DC7 and #C72D2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC62D shade: #4AC62D, #2D99C7, #A82DC7 and #C75B2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

Complementary color

CMYK 14 / 73 / 0 / 18

HEX #B539D2

RGB 181 57 210

HSL 288.63, 0.63%, 0.52%

LAB 48.76, 69.23, -54.67

 

CMYK 60 / 0 / 80 / 22

HEX #4FC628

RGB 79 198 40

HSL 105.19, 0.66%, 0.47%

LAB 71.01, -59.89, 63.22

 

CMYK 56 / 0 / 73 / 15

HEX #60D83B

RGB 96 216 59

HSL 105.86, 0.67%, 0.54%

LAB 77.23, -60.78, 63.36

 

CMYK 52 / 0 / 67 / 8

HEX #71EA4E

RGB 113 234 78

HSL 106.54, 0.79%, 0.61%

LAB 83.39, -61.35, 62.9

 

CMYK 48 / 0 / 62 / 1

HEX #82FC61

RGB 130 252 97

HSL 107.23, 0.96%, 0.68%

LAB 89.5, -61.69, 62.11

 

CMYK 42 / 0 / 55 / 0

HEX #93FF74

RGB 147 255 116

HSL 106.62, 1%, 0.73%

LAB 91.23, -56.03, 56.07

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

CMYK 68 / 0 / 86 / 29

HEX #39B41A

RGB 57 180 26

HSL 107.92, 0.75%, 0.4%

LAB 64.63, -59.39, 60.85

 

CMYK 75 / 0 / 96 / 36

HEX #28A207

RGB 40 162 7

HSL 107.23, 0.92%, 0.33%

LAB 58.33, -57.37, 58.75

 

CMYK 84 / 0 / 100 / 44

HEX #179000

RGB 23 144 0

HSL 110.42, 1%, 0.28%

LAB 51.98, -54.44, 54.6

 

CMYK 95 / 0 / 100 / 51

HEX #067E00

RGB 6 126 0

HSL 117.14, 1%, 0.25%

LAB 45.58, -50.63, 49.4

 

CMYK 63 / 0 / 77 / 22

HEX #4AC72D

RGB 74 199 45

HSL 108.7, 0.63%, 0.48%

LAB 71.21, -61.1, 61.86

 

CMYK 42 / 0 / 77 / 22

HEX #74C72D

RGB 116 199 45

HSL 92.34, 0.63%, 0.48%

LAB 72.73, -49.36, 63.84

 

CMYK 21 / 0 / 77 / 22

HEX #9DC72D

RGB 157 199 45

HSL 76.36, 0.63%, 0.48%

LAB 74.95, -34.34, 66.72

 

CMYK 0 / 0 / 77 / 22

HEX #C7C72D

RGB 199 199 45

HSL 60, 0.63%, 0.48%

LAB 77.98, -16.98, 70.6

 

CMYK 0 / 21 / 77 / 22

HEX #C79E2D

RGB 199 158 45

HSL 44.03, 0.63%, 0.48%

LAB 67.12, 4.35, 60.7

 

CMYK 63 / 0 / 77 / 22

HEX #4AC72D

RGB 74 199 45

HSL 108.7, 0.63%, 0.48%

LAB 71.21, -61.1, 61.86

 

CMYK 77 / 0 / 71 / 22

HEX #2DC739

RGB 45 199 57

HSL 124.68, 0.63%, 0.48%

LAB 70.66, -65.42, 56.99

 

CMYK 77 / 0 / 50 / 22

HEX #2DC763

RGB 45 199 99

HSL 141.04, 0.63%, 0.48%

LAB 71.08, -60.39, 38.93

 

CMYK 77 / 0 / 30 / 22

HEX #2DC78C

RGB 45 199 140

HSL 157.01, 0.63%, 0.48%

LAB 71.76, -52.7, 18.63

 

CMYK 77 / 0 / 9 / 22

HEX #2DC7B6

RGB 45 199 182

HSL 173.38, 0.63%, 0.48%

LAB 72.75, -42.3, -2.63

 

CMYK 63 / 0 / 77 / 22

HEX #4AC72D

RGB 74 199 45

HSL 108.7, 0.63%, 0.48%

LAB 71.21, -61.1, 61.86

 

CMYK 72 / 0 / 89 / 14

HEX #3EDB19

RGB 62 219 25

HSL 108.56, 0.8%, 0.48%

LAB 77.14, -70.77, 71.99

 

CMYK 79 / 0 / 98 / 6

HEX #31EF05

RGB 49 239 5

HSL 108.72, 0.96%, 0.48%

LAB 83.12, -78.84, 79.21

 

CMYK 63 / 0 / 77 / 22

HEX #4AC72D

RGB 74 199 45

HSL 108.7, 0.63%, 0.48%

LAB 71.21, -61.1, 61.86

 

CMYK 52 / 0 / 64 / 30

HEX #56B341

RGB 86 179 65

HSL 108.95, 0.47%, 0.48%

LAB 65.44, -49.17, 48.47

 

CMYK 38 / 0 / 47 / 38

HEX #639F54

RGB 99 159 84

HSL 108, 0.31%, 0.48%

LAB 59.97, -34.36, 33.01

 

CMYK 21 / 0 / 26 / 45

HEX #6F8C68

RGB 111 140 104

HSL 108.33, 0.15%, 0.48%

LAB 55.21, -17.53, 15.95

 

CMYK 1 / 3 / 0 / 51

HEX #7B787C

RGB 123 120 124

HSL 285, 0.02%, 0.48%

LAB 50.8, 1.94, -1.79

 

CMYK 21 / 0 / 77 / 22

HEX #9EC72D

RGB 158 199 45

HSL 75.97, 0.63%, 0.48%

LAB 75.02, -33.94, 66.81

 

CMYK 41 / 0 / 77 / 22

HEX #75C72D

RGB 117 199 45

HSL 91.95, 0.63%, 0.48%

LAB 72.77, -49.02, 63.9

 

CMYK 62 / 0 / 77 / 22

HEX #4CC72D

RGB 76 199 45

HSL 107.92, 0.63%, 0.48%

LAB 71.26, -60.65, 61.93

 

CMYK 77 / 0 / 72 / 22

HEX #2DC737

RGB 45 199 55

HSL 123.9, 0.63%, 0.48%

LAB 70.65, -65.59, 57.71

 

CMYK 77 / 0 / 52 / 22

HEX #2DC760

RGB 45 199 96

HSL 139.87, 0.63%, 0.48%

LAB 71.04, -60.84, 40.36

 

CMYK 63 / 0 / 77 / 48

HEX #31841E

RGB 49 132 30

HSL 108.82, 0.63%, 0.32%

LAB 48.57, -44.25, 44.6

 

CMYK 63 / 0 / 78 / 35

HEX #3DA525

RGB 61 165 37

HSL 108.75, 0.63%, 0.4%

LAB 59.92, -52.83, 53.41

 

CMYK 63 / 0 / 77 / 22

HEX #4AC72D

RGB 74 199 45

HSL 108.7, 0.63%, 0.48%

LAB 71.21, -61.1, 61.86

 

CMYK 54 / 0 / 66 / 16

HEX #63D548

RGB 99 213 72

HSL 108.51, 0.63%, 0.56%

LAB 76.5, -57.87, 57.75

 

CMYK 43 / 0 / 52 / 13

HEX #7FDD6A

RGB 127 221 106

HSL 109.04, 0.63%, 0.64%

LAB 80.33, -49.44, 47.44

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

CMYK 77 / 0 / 0 / 22

HEX #2DC7C7

RGB 45 199 199

HSL 180, 0.63%, 0.48%

LAB 73.24, -37.49, -11.14

 

CMYK 0 / 77 / 31 / 22

HEX #C72D89

RGB 199 45 137

HSL 324.16, 0.63%, 0.48%

LAB 46.74, 66.19, -14.6

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

CMYK 77 / 62 / 0 / 22

HEX #2D4CC7

RGB 45 76 199

HSL 227.92, 0.63%, 0.48%

LAB 37.57, 32.99, -67.11

 

CMYK 0 / 77 / 62 / 22

HEX #C72D4C

RGB 199 45 76

HSL 347.92, 0.63%, 0.48%

LAB 45, 60.8, 20.42

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

CMYK 77 / 0 / 0 / 22

HEX #2DC7C7

RGB 45 199 199

HSL 180, 0.63%, 0.48%

LAB 73.24, -37.49, -11.14

 

CMYK 16 / 77 / 0 / 22

HEX #A82DC7

RGB 168 45 199

HSL 287.92, 0.63%, 0.48%

LAB 44.7, 68.66, -54.97

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62D

RGB 74 198 45

HSL 108.63, 0.63%, 0.48%

LAB 70.89, -60.76, 61.56

 

CMYK 77 / 23 / 0 / 22

HEX #2D99C7

RGB 45 153 199

HSL 197.92, 0.63%, 0.48%

LAB 59.4, -14.41, -32.25

 

CMYK 16 / 77 / 0 / 22

HEX #A82DC7

RGB 168 45 199

HSL 287.92, 0.63%, 0.48%

LAB 44.7, 68.66, -54.97

 

CMYK 0 / 54 / 77 / 22

HEX #C75B2D

RGB 199 91 45

HSL 17.92, 0.63%, 0.48%

LAB 51.63, 40.28, 45.73

 

Description

Color code: HEX #4AC62D | qconv.com Color code: HEX #4AC62D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 198 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 198 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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