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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC836 it is the complementary color #B537C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC836 shade: #4FC831, #60DA44, #71EC57, #82FE6A and #93FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC836 shade: #4AC836, #39B623, #28A410, #179200 and #068000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC836 shade: #4AC836, #71C836, #99C836, #C0C836 and #C8A836

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC836 shade: #4AC836, #36C84A, #36C871, #36C898 and #36C8BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC836 shade matches the following richer shades: #4AC836, #3BDC22 and #2CF10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC836 shade: #4AC836, #59B34B, #689E60, #778A74 and #867589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC836 shade: #9AC836, #73C836, #4CC836, #36C847 and #36C86E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC836 shade: #328725, #3EA72D, #4AC836, #67D157 and #85D977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC836 shade: #4AC836, #36C0C8 and #C83686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC836 shade: #4AC836, #364CC8 and #C8364C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC836 shade: #4AC836, #36C0C8, #B236C8 and #C83E36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC836 shade: #4AC836, #3695C8, #B236C8 and #C86936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

Complementary color

CMYK 10 / 73 / 0 / 21

HEX #B537C9

RGB 181 55 201

HSL 291.78, 0.57%, 0.5%

LAB 47.97, 68.3, -50.76

 

CMYK 61 / 0 / 76 / 22

HEX #4FC831

RGB 79 200 49

HSL 108.08, 0.61%, 0.49%

LAB 71.69, -60.04, 61.08

 

CMYK 56 / 0 / 69 / 15

HEX #60DA44

RGB 96 218 68

HSL 108.8, 0.67%, 0.56%

LAB 77.9, -60.81, 60.77

 

CMYK 52 / 0 / 63 / 7

HEX #71EC57

RGB 113 236 87

HSL 109.53, 0.8%, 0.63%

LAB 84.06, -61.28, 60.03

 

CMYK 49 / 0 / 58 / 0

HEX #82FE6A

RGB 130 254 106

HSL 110.27, 0.99%, 0.71%

LAB 90.17, -61.54, 59.06

 

CMYK 42 / 0 / 51 / 0

HEX #93FF7D

RGB 147 255 125

HSL 109.85, 1%, 0.75%

LAB 91.33, -55, 52.11

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 69 / 0 / 81 / 29

HEX #39B623

RGB 57 182 35

HSL 111.02, 0.68%, 0.43%

LAB 65.32, -59.6, 59.13

 

CMYK 76 / 0 / 90 / 36

HEX #28A410

RGB 40 164 16

HSL 110.27, 0.82%, 0.35%

LAB 59.01, -57.74, 57.91

 

CMYK 84 / 0 / 100 / 43

HEX #179200

RGB 23 146 0

HSL 110.55, 1%, 0.29%

LAB 52.66, -55.05, 55.14

 

CMYK 95 / 0 / 100 / 50

HEX #068000

RGB 6 128 0

HSL 117.19, 1%, 0.25%

LAB 46.28, -51.22, 49.96

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 44 / 0 / 73 / 22

HEX #71C836

RGB 113 200 54

HSL 95.75, 0.57%, 0.5%

LAB 72.95, -50.19, 61.04

 

CMYK 24 / 0 / 73 / 22

HEX #99C836

RGB 153 200 54

HSL 79.32, 0.57%, 0.5%

LAB 75.04, -35.91, 63.81

 

CMYK 4 / 0 / 73 / 22

HEX #C0C836

RGB 192 200 54

HSL 63.29, 0.57%, 0.5%

LAB 77.75, -20.07, 67.34

 

CMYK 0 / 16 / 73 / 22

HEX #C8A836

RGB 200 168 54

HSL 46.85, 0.57%, 0.5%

LAB 69.86, -0.17, 59.99

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 0 / 63 / 22

HEX #36C84A

RGB 54 200 74

HSL 128.22, 0.57%, 0.5%

LAB 71.27, -62.76, 50.83

 

CMYK 73 / 0 / 44 / 22

HEX #36C871

RGB 54 200 113

HSL 144.25, 0.57%, 0.5%

LAB 71.75, -57.2, 32.78

 

CMYK 73 / 0 / 24 / 22

HEX #36C898

RGB 54 200 152

HSL 160.27, 0.57%, 0.5%

LAB 72.47, -49.26, 13.22

 

CMYK 73 / 0 / 5 / 22

HEX #36C8BF

RGB 54 200 191

HSL 176.3, 0.57%, 0.5%

LAB 73.45, -39.26, -6.47

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 0 / 85 / 14

HEX #3BDC22

RGB 59 220 34

HSL 111.94, 0.73%, 0.5%

LAB 77.42, -71.23, 70.43

 

CMYK 82 / 0 / 95 / 5

HEX #2CF10D

RGB 44 241 13

HSL 111.84, 0.9%, 0.5%

LAB 83.69, -79.83, 78.97

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 50 / 0 / 58 / 30

HEX #59B34B

RGB 89 179 75

HSL 111.92, 0.41%, 0.5%

LAB 65.65, -47.24, 44.21

 

CMYK 34 / 0 / 39 / 38

HEX #689E60

RGB 104 158 96

HSL 112.26, 0.24%, 0.5%

LAB 60.11, -30.42, 26.88

 

CMYK 14 / 0 / 16 / 46

HEX #778A74

RGB 119 138 116

HSL 111.82, 0.09%, 0.5%

LAB 55.44, -11.29, 9.51

 

CMYK 2 / 15 / 0 / 46

HEX #867589

RGB 134 117 137

HSL 291, 0.08%, 0.5%

LAB 51.38, 10.44, -8.48

 

CMYK 23 / 0 / 73 / 22

HEX #9AC836

RGB 154 200 54

HSL 78.9, 0.57%, 0.5%

LAB 75.1, -35.52, 63.89

 

CMYK 43 / 0 / 73 / 22

HEX #73C836

RGB 115 200 54

HSL 94.93, 0.57%, 0.5%

LAB 73.04, -49.55, 61.15

 

CMYK 62 / 0 / 73 / 22

HEX #4CC836

RGB 76 200 54

HSL 110.96, 0.57%, 0.5%

LAB 71.63, -60.37, 59.28

 

CMYK 73 / 0 / 65 / 22

HEX #36C847

RGB 54 200 71

HSL 126.99, 0.57%, 0.5%

LAB 71.25, -63.08, 52.08

 

CMYK 73 / 0 / 45 / 22

HEX #36C86E

RGB 54 200 110

HSL 143.01, 0.57%, 0.5%

LAB 71.7, -57.71, 34.25

 

CMYK 63 / 0 / 73 / 47

HEX #328725

RGB 50 135 37

HSL 112.04, 0.57%, 0.34%

LAB 49.67, -44.56, 43.02

 

CMYK 63 / 0 / 73 / 35

HEX #3EA72D

RGB 62 167 45

HSL 111.64, 0.58%, 0.42%

LAB 60.65, -52.72, 51.3

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 51 / 0 / 58 / 18

HEX #67D157

RGB 103 209 87

HSL 112.13, 0.57%, 0.58%

LAB 75.56, -53.78, 50.33

 

CMYK 39 / 0 / 45 / 15

HEX #85D977

RGB 133 217 119

HSL 111.43, 0.56%, 0.66%

LAB 79.58, -44.25, 40.31

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 4 / 0 / 22

HEX #36C0C8

RGB 54 192 200

HSL 183.29, 0.57%, 0.5%

LAB 71.32, -32.96, -14.55

 

CMYK 0 / 73 / 33 / 22

HEX #C83686

RGB 200 54 134

HSL 327.12, 0.57%, 0.5%

LAB 47.8, 63.3, -11.17

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 62 / 0 / 22

HEX #364CC8

RGB 54 76 200

HSL 230.96, 0.57%, 0.5%

LAB 38.06, 34.33, -66.87

 

CMYK 0 / 73 / 62 / 22

HEX #C8364C

RGB 200 54 76

HSL 350.96, 0.57%, 0.5%

LAB 46.23, 58.17, 22.07

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 4 / 0 / 22

HEX #36C0C8

RGB 54 192 200

HSL 183.29, 0.57%, 0.5%

LAB 71.32, -32.96, -14.55

 

CMYK 11 / 73 / 0 / 22

HEX #B236C8

RGB 178 54 200

HSL 290.96, 0.57%, 0.5%

LAB 47.33, 67.85, -51.24

 

CMYK 0 / 69 / 73 / 22

HEX #C83E36

RGB 200 62 54

HSL 3.29, 0.57%, 0.5%

LAB 46.96, 54.05, 36.02

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 73 / 26 / 0 / 22

HEX #3695C8

RGB 54 149 200

HSL 200.96, 0.57%, 0.5%

LAB 58.46, -10.76, -34.26

 

CMYK 11 / 73 / 0 / 22

HEX #B236C8

RGB 178 54 200

HSL 290.96, 0.57%, 0.5%

LAB 47.33, 67.85, -51.24

 

CMYK 0 / 48 / 73 / 22

HEX #C86936

RGB 200 105 54

HSL 20.96, 0.57%, 0.5%

LAB 54.71, 33.89, 44.54

 

Description

Color code: HEX #4AC836 | qconv.com Color code: HEX #4AC836 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 200 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 200 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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