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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC967 it is the complementary color #B53698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC967 shade: #4FC962, #60DB75, #71ED88, #82FF9B and #93FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC967 shade: #4AC967, #39B754, #28A541, #17932E and #06811B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC967 shade: #4AC967, #4FC94A, #71C94A, #93C94A and #B6C94A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC967 shade: #4AC967, #4AC989, #4AC9AB, #4AC4C9 and #4AA2C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC967 shade matches the following richer shades: #4AC967, #37DC5C and #24EF52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC967 shade: #4AC967, #5DB671, #70A37B, #839086 and #967D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC967 shade: #72C94A, #50C94A, #4AC965, #4AC987 and #4AC9A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC967 shade: #2C9444, #35B452, #4AC967, #6AD281 and #89DC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC967 shade: #4AC967, #4A94C9 and #C94A61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC967 shade: #4AC967, #654AC9 and #C9654A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC967 shade: #4AC967, #4A94C9, #C94AAD and #C97F4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC967 shade: #4AC967, #4A6EC9, #C94AAD and #C9A54A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

Complementary color

CMYK 0 / 70 / 16 / 29

HEX #B53698

RGB 181 54 152

HSL 313.7, 0.54%, 0.46%

LAB 45.26, 60.7, -26.2

 

CMYK 61 / 0 / 51 / 21

HEX #4FC962

RGB 79 201 98

HSL 129.34, 0.53%, 0.55%

LAB 72.44, -55.32, 41.27

 

CMYK 56 / 0 / 47 / 14

HEX #60DB75

RGB 96 219 117

HSL 130.24, 0.63%, 0.62%

LAB 78.71, -55.53, 39.9

 

CMYK 52 / 0 / 43 / 7

HEX #71ED88

RGB 113 237 136

HSL 131.13, 0.78%, 0.69%

LAB 84.92, -55.58, 38.57

 

CMYK 49 / 0 / 39 / 0

HEX #82FF9B

RGB 130 255 155

HSL 132, 1%, 0.75%

LAB 91.07, -55.51, 37.29

 

CMYK 42 / 0 / 32 / 0

HEX #93FFAE

RGB 147 255 174

HSL 135, 1%, 0.79%

LAB 92.03, -47.91, 29.22

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 69 / 0 / 54 / 28

HEX #39B754

RGB 57 183 84

HSL 132.86, 0.53%, 0.47%

LAB 66.04, -55.14, 40.15

 

CMYK 76 / 0 / 61 / 35

HEX #28A541

RGB 40 165 65

HSL 132, 0.61%, 0.4%

LAB 59.66, -54.2, 41.58

 

CMYK 84 / 0 / 69 / 42

HEX #17932E

RGB 23 147 46

HSL 131.13, 0.73%, 0.33%

LAB 53.22, -52.64, 42.85

 

CMYK 95 / 0 / 79 / 49

HEX #06811B

RGB 6 129 27

HSL 130.24, 0.91%, 0.26%

LAB 46.74, -50.17, 43.61

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 61 / 0 / 63 / 21

HEX #4FC94A

RGB 79 201 74

HSL 117.64, 0.54%, 0.54%

LAB 72.18, -58.26, 52.01

 

CMYK 44 / 0 / 63 / 21

HEX #71C94A

RGB 113 201 74

HSL 101.57, 0.54%, 0.54%

LAB 73.4, -49, 53.7

 

CMYK 27 / 0 / 63 / 21

HEX #93C94A

RGB 147 201 74

HSL 85.51, 0.54%, 0.54%

LAB 75.12, -37.29, 56.08

 

CMYK 9 / 0 / 63 / 21

HEX #B6C94A

RGB 182 201 74

HSL 68.98, 0.54%, 0.54%

LAB 77.41, -23.56, 59.21

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 63 / 0 / 32 / 21

HEX #4AC989

RGB 74 201 137

HSL 149.76, 0.54%, 0.54%

LAB 72.92, -49.67, 21.91

 

CMYK 63 / 0 / 15 / 21

HEX #4AC9AB

RGB 74 201 171

HSL 165.83, 0.54%, 0.54%

LAB 73.66, -42.04, 4.72

 

CMYK 63 / 2 / 0 / 21

HEX #4AC4C9

RGB 74 196 201

HSL 182.36, 0.54%, 0.54%

LAB 72.99, -31.79, -12.54

 

CMYK 63 / 19 / 0 / 21

HEX #4AA2C9

RGB 74 162 201

HSL 198.43, 0.54%, 0.54%

LAB 62.94, -14.49, -27.83

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 75 / 0 / 58 / 14

HEX #37DC5C

RGB 55 220 92

HSL 133.45, 0.7%, 0.54%

LAB 77.74, -67.06, 50.3

 

CMYK 85 / 0 / 66 / 6

HEX #24EF52

RGB 36 239 82

HSL 133.6, 0.86%, 0.54%

LAB 83.29, -76.15, 60.74

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 49 / 0 / 38 / 29

HEX #5DB671

RGB 93 182 113

HSL 133.48, 0.38%, 0.54%

LAB 67.26, -41.87, 27.12

 

CMYK 31 / 0 / 25 / 36

HEX #70A37B

RGB 112 163 123

HSL 132.94, 0.22%, 0.54%

LAB 62.57, -25.48, 15.48

 

CMYK 9 / 0 / 7 / 44

HEX #839086

RGB 131 144 134

HSL 133.85, 0.06%, 0.54%

LAB 58.5, -6.7, 3.7

 

CMYK 0 / 17 / 4 / 41

HEX #967D90

RGB 150 125 144

HSL 314.4, 0.11%, 0.54%

LAB 55.24, 13.05, -6.65

 

CMYK 43 / 0 / 63 / 21

HEX #72C94A

RGB 114 201 74

HSL 101.1, 0.54%, 0.54%

LAB 73.44, -48.69, 53.76

 

CMYK 60 / 0 / 63 / 21

HEX #50C94A

RGB 80 201 74

HSL 117.17, 0.54%, 0.54%

LAB 72.21, -58.03, 52.05

 

CMYK 63 / 0 / 50 / 21

HEX #4AC965

RGB 74 201 101

HSL 132.76, 0.54%, 0.54%

LAB 72.34, -55.96, 39.65

 

CMYK 63 / 0 / 33 / 21

HEX #4AC987

RGB 74 201 135

HSL 148.82, 0.54%, 0.54%

LAB 72.88, -50.07, 22.92

 

CMYK 63 / 0 / 16 / 21

HEX #4AC9A9

RGB 74 201 169

HSL 164.88, 0.54%, 0.54%

LAB 73.61, -42.53, 5.73

 

CMYK 70 / 0 / 54 / 42

HEX #2C9444

RGB 44 148 68

HSL 133.85, 0.54%, 0.38%

LAB 54.17, -47.02, 33.62

 

CMYK 71 / 0 / 54 / 29

HEX #35B452

RGB 53 180 82

HSL 133.7, 0.55%, 0.46%

LAB 64.97, -55.06, 39.8

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 50 / 0 / 39 / 18

HEX #6AD281

RGB 106 210 129

HSL 133.27, 0.54%, 0.62%

LAB 76.52, -47.55, 31.1

 

CMYK 38 / 0 / 29 / 14

HEX #89DC9C

RGB 137 220 156

HSL 133.73, 0.54%, 0.7%

LAB 81.24, -38.57, 23.69

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 63 / 26 / 0 / 21

HEX #4A94C9

RGB 74 148 201

HSL 205.04, 0.54%, 0.54%

LAB 58.84, -6.74, -34.19

 

CMYK 0 / 63 / 52 / 21

HEX #C94A61

RGB 201 74 97

HSL 349.13, 0.54%, 0.54%

LAB 49.71, 52.18, 14.05

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 50 / 63 / 0 / 21

HEX #654AC9

RGB 101 74 201

HSL 252.76, 0.54%, 0.54%

LAB 41.03, 43.22, -62.47

 

CMYK 0 / 50 / 63 / 21

HEX #C9654A

RGB 201 101 74

HSL 12.76, 0.54%, 0.54%

LAB 54.26, 37.51, 33.41

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 63 / 26 / 0 / 21

HEX #4A94C9

RGB 74 148 201

HSL 205.04, 0.54%, 0.54%

LAB 58.84, -6.74, -34.19

 

CMYK 0 / 63 / 14 / 21

HEX #C94AAD

RGB 201 74 173

HSL 313.23, 0.54%, 0.54%

LAB 52.21, 61.2, -27.59

 

CMYK 0 / 37 / 63 / 21

HEX #C97F4A

RGB 201 127 74

HSL 25.04, 0.54%, 0.54%

LAB 59.97, 23.65, 40.25

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 63 / 45 / 0 / 21

HEX #4A6EC9

RGB 74 110 201

HSL 222.99, 0.54%, 0.54%

LAB 48.04, 16.03, -51.25

 

CMYK 0 / 63 / 14 / 21

HEX #C94AAD

RGB 201 74 173

HSL 313.23, 0.54%, 0.54%

LAB 52.21, 61.2, -27.59

 

CMYK 0 / 18 / 63 / 21

HEX #C9A54A

RGB 201 165 74

HSL 42.99, 0.54%, 0.54%

LAB 69.34, 2.98, 50.93

 

Description

Color code: HEX #4AC967 | qconv.com Color code: HEX #4AC967 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 201 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 201 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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