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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC1AE it is the complementary color #B53E51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC1AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC1AE shade: #4FC1A9, #60D3BC, #71E5CF, #82F7E2 and #93FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC1AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC1AE shade: #4AC1AE, #39AF9B, #289D88, #178B75 and #067962

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC1AE shade: #48C0AD, #48C08D, #48C06C, #48C04C and #65C048

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC1AE shade: #48C0AD, #48B3C0, #4893C0, #4872C0 and #4852C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC1AE shade matches the following richer shades: #48C0AD, #34D4BA, #21E8C8 and #0DFBD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC1AE shade: #48C0AD, #5CAC9F, #709892, #848584 and #977177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC1AE shade: #48C06C, #48C08C, #48C0AC, #48B4C0 and #4894C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC1AE shade: #2E8879, #39A695, #48C0AD, #67CBBB and #86D5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC1AE shade: #4AC1AE, #4C48C0 and #C07C48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC1AE shade: #4AC1AE, #AC48C0 and #C0AC48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC1AE shade: #4AC1AE, #4C48C0, #C0485C and #BCC048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC1AE shade: #4AC1AE, #7048C0, #C0485C and #98C048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

Complementary color

CMYK 0 / 66 / 55 / 29

HEX #B53E51

RGB 181 62 81

HSL 350.42, 0.49%, 0.48%

LAB 44.04, 49.44, 15.47

 

CMYK 59 / 0 / 12 / 24

HEX #4FC1A9

RGB 79 193 169

HSL 167.37, 0.48%, 0.53%

LAB 71.33, -38.05, 2.46

 

CMYK 55 / 0 / 11 / 17

HEX #60D3BC

RGB 96 211 188

HSL 168, 0.57%, 0.6%

LAB 77.7, -38.16, 1.51

 

CMYK 51 / 0 / 10 / 10

HEX #71E5CF

RGB 113 229 207

HSL 168.62, 0.69%, 0.67%

LAB 83.99, -38.18, 0.64

 

CMYK 47 / 0 / 9 / 3

HEX #82F7E2

RGB 130 247 226

HSL 169.23, 0.88%, 0.74%

LAB 90.21, -38.15, -0.17

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF5

RGB 147 255 245

HSL 174.44, 1%, 0.79%

LAB 93.59, -33.49, -4.99

 

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

CMYK 67 / 0 / 11 / 31

HEX #39AF9B

RGB 57 175 155

HSL 169.83, 0.51%, 0.45%

LAB 64.88, -37.34, 0.71

 

CMYK 75 / 0 / 13 / 38

HEX #289D88

RGB 40 157 136

HSL 169.23, 0.59%, 0.39%

LAB 58.36, -36.75, 1.85

 

CMYK 83 / 0 / 16 / 45

HEX #178B75

RGB 23 139 117

HSL 168.62, 0.72%, 0.32%

LAB 51.76, -35.8, 3.13

 

CMYK 95 / 0 / 19 / 53

HEX #067962

RGB 6 121 98

HSL 168, 0.91%, 0.25%

LAB 45.07, -34.37, 4.62

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AD

RGB 72 192 173

HSL 170.5, 0.49%, 0.52%

LAB 70.94, -37.86, -0.32

 

CMYK 63 / 0 / 27 / 25

HEX #48C08D

RGB 72 192 141

HSL 154.5, 0.49%, 0.52%

LAB 70.18, -45.51, 15.99

 

CMYK 63 / 0 / 44 / 25

HEX #48C06C

RGB 72 192 108

HSL 138, 0.49%, 0.52%

LAB 69.58, -51.86, 32.63

 

CMYK 63 / 0 / 60 / 25

HEX #48C04C

RGB 72 192 76

HSL 122, 0.49%, 0.52%

LAB 69.18, -56.37, 47.69

 

CMYK 47 / 0 / 63 / 25

HEX #65C048

RGB 101 192 72

HSL 105.5, 0.49%, 0.52%

LAB 70.13, -49.25, 50.8

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AD

RGB 72 192 173

HSL 170.5, 0.49%, 0.52%

LAB 70.94, -37.86, -0.32

 

CMYK 63 / 7 / 0 / 25

HEX #48B3C0

RGB 72 179 192

HSL 186.5, 0.49%, 0.52%

LAB 67.59, -26.41, -15.73

 

CMYK 63 / 23 / 0 / 25

HEX #4893C0

RGB 72 147 192

HSL 202.5, 0.49%, 0.52%

LAB 58.09, -9.48, -30.29

 

CMYK 63 / 41 / 0 / 25

HEX #4872C0

RGB 72 114 192

HSL 219, 0.49%, 0.52%

LAB 48.53, 10.05, -45.3

 

CMYK 63 / 57 / 0 / 25

HEX #4852C0

RGB 72 82 192

HSL 235, 0.49%, 0.52%

LAB 39.95, 30.28, -59.1

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AD

RGB 72 192 173

HSL 170.5, 0.49%, 0.52%

LAB 70.94, -37.86, -0.32

 

CMYK 75 / 0 / 12 / 17

HEX #34D4BA

RGB 52 212 186

HSL 170.25, 0.65%, 0.52%

LAB 76.9, -46.1, 1.29

 

CMYK 86 / 0 / 14 / 9

HEX #21E8C8

RGB 33 232 200

HSL 170.35, 0.81%, 0.52%

LAB 83.02, -52.41, 2.72

 

CMYK 95 / 0 / 15 / 2

HEX #0DFBD5

RGB 13 251 213

HSL 170.42, 0.97%, 0.52%

LAB 88.87, -57.55, 4.37

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AD

RGB 72 192 173

HSL 170.5, 0.49%, 0.52%

LAB 70.94, -37.86, -0.32

 

CMYK 47 / 0 / 8 / 33

HEX #5CAC9F

RGB 92 172 159

HSL 170.25, 0.33%, 0.52%

LAB 65.19, -27.78, -0.93

 

CMYK 26 / 0 / 4 / 40

HEX #709892

RGB 112 152 146

HSL 171, 0.16%, 0.52%

LAB 59.87, -14.99, -1.3

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 0 / 25 / 21 / 41

HEX #977177

RGB 151 113 119

HSL 350.53, 0.15%, 0.52%

LAB 51.52, 15.94, 2.54

 

CMYK 63 / 0 / 44 / 25

HEX #48C06C

RGB 72 192 108

HSL 138, 0.49%, 0.52%

LAB 69.58, -51.86, 32.63

 

CMYK 63 / 0 / 27 / 25

HEX #48C08C

RGB 72 192 140

HSL 154, 0.49%, 0.52%

LAB 70.16, -45.72, 16.5

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AC

RGB 72 192 172

HSL 170, 0.49%, 0.52%

LAB 70.91, -38.12, 0.19

 

CMYK 63 / 6 / 0 / 25

HEX #48B4C0

RGB 72 180 192

HSL 186, 0.49%, 0.52%

LAB 67.89, -26.91, -15.28

 

CMYK 63 / 23 / 0 / 25

HEX #4894C0

RGB 72 148 192

HSL 202, 0.49%, 0.52%

LAB 58.38, -10.04, -29.83

 

CMYK 66 / 0 / 11 / 47

HEX #2E8879

RGB 46 136 121

HSL 170, 0.49%, 0.36%

LAB 51.35, -30.17, 0.27

 

CMYK 66 / 0 / 10 / 35

HEX #39A695

RGB 57 166 149

HSL 170.64, 0.49%, 0.44%

LAB 61.92, -34.81, -0.25

 

CMYK 63 / 0 / 10 / 25

HEX #48C0AD

RGB 72 192 173

HSL 170.5, 0.49%, 0.52%

LAB 70.94, -37.86, -0.32

 

CMYK 49 / 0 / 8 / 20

HEX #67CBBB

RGB 103 203 187

HSL 170.4, 0.49%, 0.6%

LAB 75.57, -33.19, -1.04

 

CMYK 37 / 0 / 6 / 16

HEX #86D5C8

RGB 134 213 200

HSL 170.13, 0.48%, 0.68%

LAB 80.08, -27.21, -1.25

 

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

CMYK 60 / 63 / 0 / 25

HEX #4C48C0

RGB 76 72 192

HSL 242, 0.49%, 0.52%

LAB 37.8, 37.17, -62.58

 

CMYK 0 / 35 / 63 / 25

HEX #C07C48

RGB 192 124 72

HSL 26, 0.49%, 0.52%

LAB 58.12, 21.38, 38.84

 

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

CMYK 10 / 63 / 0 / 25

HEX #AC48C0

RGB 172 72 192

HSL 290, 0.49%, 0.52%

LAB 48.52, 57.88, -44.75

 

CMYK 0 / 10 / 63 / 25

HEX #C0AC48

RGB 192 172 72

HSL 50, 0.49%, 0.52%

LAB 70.3, -4.75, 52.66

 

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

CMYK 60 / 63 / 0 / 25

HEX #4C48C0

RGB 76 72 192

HSL 242, 0.49%, 0.52%

LAB 37.8, 37.17, -62.58

 

CMYK 0 / 63 / 52 / 25

HEX #C0485C

RGB 192 72 92

HSL 350, 0.49%, 0.52%

LAB 47.77, 49.65, 14.16

 

CMYK 2 / 0 / 63 / 25

HEX #BCC048

RGB 188 192 72

HSL 62, 0.49%, 0.52%

LAB 75.36, -16.76, 58.01

 

CMYK 62 / 0 / 10 / 24

HEX #4AC1AE

RGB 74 193 174

HSL 170.42, 0.49%, 0.52%

LAB 71.32, -37.71, -0.3

 

CMYK 42 / 63 / 0 / 25

HEX #7048C0

RGB 112 72 192

HSL 260, 0.49%, 0.52%

LAB 41.03, 44.01, -57.18

 

CMYK 0 / 63 / 52 / 25

HEX #C0485C

RGB 192 72 92

HSL 350, 0.49%, 0.52%

LAB 47.77, 49.65, 14.16

 

CMYK 21 / 0 / 63 / 25

HEX #98C048

RGB 152 192 72

HSL 80, 0.49%, 0.52%

LAB 72.79, -31.4, 54.48

 

Description

Color code: HEX #4AC1AE | qconv.com Color code: HEX #4AC1AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 193 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 193 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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