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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ACAC9 it is the complementary color #B53536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ACAC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ACAC9 shade: #4FCAC4, #60DCD7, #71EEEA, #82FFFD and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ACAC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ACAC9 shade: #4ACAC9, #39B8B6, #28A6A3, #179490 and #06827D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ACAC9 shade: #49CAC9, #49CAA6, #49CA83, #49CA60 and #54CA49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ACAC9 shade: #49CAC9, #49A8CA, #4985CA, #4962CA and #4949CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ACAC9 shade matches the following richer shades: #49CAC9, #36DDDB and #23F0EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ACAC9 shade: #49CAC9, #5CB7B6, #6FA4A3, #829191 and #957E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ACAC9 shade: #49CA83, #49CAA5, #49CAC8, #49A9CA and #4987CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ACAC9 shade: #2B9594, #34B5B4, #49CAC9, #69D3D2 and #89DCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ACAC9 shade: #4ACAC9, #6049CA and #CA9449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ACAC9 shade: #4ACAC9, #C849CA and #CAC849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ACAC9 shade: #4ACAC9, #6049CA, #CA494B and #B2CA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ACAC9 shade: #4ACAC9, #8749CA, #CA494B and #8BCA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

Complementary color

CMYK 0 / 71 / 70 / 29

HEX #B53536

RGB 181 53 54

HSL 359.53, 0.55%, 0.46%

LAB 42.21, 51.34, 29.6

 

CMYK 61 / 0 / 3 / 21

HEX #4FCAC4

RGB 79 202 196

HSL 177.07, 0.54%, 0.55%

LAB 74.75, -35.18, -7.18

 

CMYK 56 / 0 / 2 / 14

HEX #60DCD7

RGB 96 220 215

HSL 177.58, 0.64%, 0.62%

LAB 81.06, -35.47, -7.98

 

CMYK 53 / 0 / 2 / 7

HEX #71EEEA

RGB 113 238 234

HSL 178.08, 0.79%, 0.69%

LAB 87.29, -35.66, -8.71

 

CMYK 49 / 0 / 1 / 0

HEX #82FFFD

RGB 130 255 253

HSL 179.04, 1%, 0.75%

LAB 93.17, -35.32, -9.81

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

CMYK 69 / 0 / 1 / 28

HEX #39B8B6

RGB 57 184 182

HSL 179.06, 0.53%, 0.47%

LAB 68.41, -34.05, -9.03

 

CMYK 76 / 0 / 2 / 35

HEX #28A6A3

RGB 40 166 163

HSL 178.57, 0.61%, 0.4%

LAB 61.97, -33.22, -8.09

 

CMYK 84 / 0 / 3 / 42

HEX #179490

RGB 23 148 144

HSL 178.08, 0.73%, 0.34%

LAB 55.46, -32.06, -7.02

 

CMYK 95 / 0 / 4 / 49

HEX #06827D

RGB 6 130 125

HSL 177.58, 0.91%, 0.27%

LAB 48.86, -30.45, -5.8

 

CMYK 64 / 0 / 0 / 21

HEX #49CAC9

RGB 73 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.75, -34.79, -9.92

 

CMYK 64 / 0 / 18 / 21

HEX #49CAA6

RGB 73 202 166

HSL 163.26, 0.55%, 0.54%

LAB 73.81, -43.87, 7.64

 

CMYK 64 / 0 / 35 / 21

HEX #49CA83

RGB 73 202 131

HSL 146.98, 0.55%, 0.54%

LAB 73.09, -51.44, 25.3

 

CMYK 64 / 0 / 52 / 21

HEX #49CA60

RGB 73 202 96

HSL 130.7, 0.55%, 0.54%

LAB 72.56, -57.25, 42.35

 

CMYK 58 / 0 / 64 / 21

HEX #54CA49

RGB 84 202 73

HSL 114.88, 0.55%, 0.54%

LAB 72.63, -57.55, 52.98

 

CMYK 64 / 0 / 0 / 21

HEX #49CAC9

RGB 73 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.75, -34.79, -9.92

 

CMYK 64 / 17 / 0 / 21

HEX #49A8CA

RGB 73 168 202

HSL 195.81, 0.55%, 0.54%

LAB 64.71, -17.56, -25.66

 

CMYK 64 / 34 / 0 / 21

HEX #4985CA

RGB 73 133 202

HSL 212.09, 0.55%, 0.54%

LAB 54.51, 2.13, -41.55

 

CMYK 64 / 51 / 0 / 21

HEX #4962CA

RGB 73 98 202

HSL 228.37, 0.55%, 0.54%

LAB 44.82, 23.76, -57

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 64 / 0 / 0 / 21

HEX #49CAC9

RGB 73 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.75, -34.79, -9.92

 

CMYK 76 / 0 / 1 / 13

HEX #36DDDB

RGB 54 221 219

HSL 179.28, 0.71%, 0.54%

LAB 80.52, -40.84, -11.01

 

CMYK 85 / 0 / 1 / 6

HEX #23F0EE

RGB 35 240 238

HSL 179.41, 0.87%, 0.54%

LAB 86.43, -45.32, -12.26

 

CMYK 64 / 0 / 0 / 21

HEX #49CAC9

RGB 73 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.75, -34.79, -9.92

 

CMYK 50 / 0 / 1 / 28

HEX #5CB7B6

RGB 92 183 182

HSL 179.34, 0.39%, 0.54%

LAB 69.13, -27.28, -7.85

 

CMYK 32 / 0 / 1 / 36

HEX #6FA4A3

RGB 111 164 163

HSL 178.87, 0.23%, 0.54%

LAB 63.82, -17.63, -5.08

 

CMYK 10 / 0 / 0 / 43

HEX #829191

RGB 130 145 145

HSL 180, 0.06%, 0.54%

LAB 59.01, -5.37, -1.84

 

CMYK 0 / 15 / 15 / 42

HEX #957E7E

RGB 149 126 126

HSL 0, 0.1%, 0.54%

LAB 54.88, 8.82, 3.28

 

CMYK 64 / 0 / 35 / 21

HEX #49CA83

RGB 73 202 131

HSL 146.98, 0.55%, 0.54%

LAB 73.09, -51.44, 25.3

 

CMYK 64 / 0 / 18 / 21

HEX #49CAA5

RGB 73 202 165

HSL 162.79, 0.55%, 0.54%

LAB 73.79, -44.11, 8.15

 

CMYK 64 / 0 / 1 / 21

HEX #49CAC8

RGB 73 202 200

HSL 179.07, 0.55%, 0.54%

LAB 74.72, -35.06, -9.42

 

CMYK 64 / 16 / 0 / 21

HEX #49A9CA

RGB 73 169 202

HSL 195.35, 0.55%, 0.54%

LAB 65.01, -18.08, -25.2

 

CMYK 64 / 33 / 0 / 21

HEX #4987CA

RGB 73 135 202

HSL 211.16, 0.55%, 0.54%

LAB 55.08, 0.95, -40.64

 

CMYK 71 / 0 / 1 / 42

HEX #2B9594

RGB 43 149 148

HSL 179.43, 0.55%, 0.38%

LAB 56.23, -29.15, -8.12

 

CMYK 71 / 0 / 1 / 29

HEX #34B5B4

RGB 52 181 180

HSL 179.53, 0.55%, 0.46%

LAB 67.33, -33.87, -9.54

 

CMYK 64 / 0 / 0 / 21

HEX #49CAC9

RGB 73 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.75, -34.79, -9.92

 

CMYK 50 / 0 / 0 / 17

HEX #69D3D2

RGB 105 211 210

HSL 179.43, 0.55%, 0.62%

LAB 78.6, -30.75, -8.92

 

CMYK 38 / 0 / 0 / 14

HEX #89DCDC

RGB 137 220 220

HSL 180, 0.54%, 0.7%

LAB 82.74, -25.15, -7.98

 

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 0 / 27 / 64 / 21

HEX #CA9449

RGB 202 148 73

HSL 34.88, 0.55%, 0.54%

LAB 65.13, 12.55, 46.73

 

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

CMYK 1 / 64 / 0 / 21

HEX #C849CA

RGB 200 73 202

HSL 299.07, 0.55%, 0.54%

LAB 53.29, 65.98, -42.71

 

CMYK 0 / 1 / 64 / 21

HEX #CAC849

RGB 202 200 73

HSL 59.07, 0.55%, 0.54%

LAB 78.66, -14.86, 61.42

 

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 0 / 64 / 63 / 21

HEX #CA494B

RGB 202 73 75

HSL 359.07, 0.55%, 0.54%

LAB 49.29, 51.31, 26.68

 

CMYK 12 / 0 / 64 / 21

HEX #B2CA49

RGB 178 202 73

HSL 71.16, 0.55%, 0.54%

LAB 77.39, -25.74, 59.52

 

CMYK 63 / 0 / 0 / 21

HEX #4ACAC9

RGB 74 202 201

HSL 179.53, 0.55%, 0.54%

LAB 74.77, -34.63, -9.88

 

CMYK 33 / 64 / 0 / 21

HEX #8749CA

RGB 135 73 202

HSL 268.84, 0.55%, 0.54%

LAB 44.49, 51, -57.27

 

CMYK 0 / 64 / 63 / 21

HEX #CA494B

RGB 202 73 75

HSL 359.07, 0.55%, 0.54%

LAB 49.29, 51.31, 26.68

 

CMYK 31 / 0 / 64 / 21

HEX #8BCA49

RGB 139 202 73

HSL 89.3, 0.55%, 0.54%

LAB 74.96, -40.74, 56.19

 

Description

Color code: HEX #4ACAC9 | qconv.com Color code: HEX #4ACAC9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 202 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 202 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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