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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE767 it is the complementary color #B51898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE767 shade: #4FE762, #60F975, #71FF88, #82FF9B and #93FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE767 shade: #4AE767, #39D554, #28C341, #17B12E and #069F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE767 shade: #4AE767, #57E74A, #82E74A, #ACE74A and #D6E74A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE767 shade: #4AE767, #4AE791, #4AE7BC, #4AE7E6 and #4ABEE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE767 shade matches the following richer shades: #4AE767 and #39F85D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE767 shade: #4AE767, #5AD771, #6BC67C, #7BB686 and #8CA591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE767 shade: #81E74A, #57E74A, #4AE767, #4AE791 and #4AE7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE767 shade: #19C539, #25E248, #4AE767, #6EEC86 and #93F1A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE767 shade: #4AE767, #4AABE7 and #E74A6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE767 shade: #4AE767, #674AE7 and #E7674A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE767 shade: #4AE767, #4AABE7, #E74ACA and #E7864A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE767 shade: #4AE767, #4A7CE7, #E74ACA and #E7B54A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

Complementary color

CMYK 0 / 87 / 16 / 29

HEX #B51898

RGB 181 24 152

HSL 311.08, 0.77%, 0.4%

LAB 42.37, 68.96, -30.71

 

CMYK 66 / 0 / 58 / 9

HEX #4FE762

RGB 79 231 98

HSL 127.5, 0.76%, 0.61%

LAB 81.67, -66.05, 52.33

 

CMYK 61 / 0 / 53 / 2

HEX #60F975

RGB 96 249 117

HSL 128.24, 0.93%, 0.68%

LAB 87.74, -66.58, 51.03

 

CMYK 56 / 0 / 47 / 0

HEX #71FF88

RGB 113 255 136

HSL 129.72, 1%, 0.72%

LAB 90.23, -62.48, 45.33

 

CMYK 49 / 0 / 39 / 0

HEX #82FF9B

RGB 130 255 155

HSL 132, 1%, 0.75%

LAB 91.07, -55.51, 37.29

 

CMYK 42 / 0 / 32 / 0

HEX #93FFAE

RGB 147 255 174

HSL 135, 1%, 0.79%

LAB 92.03, -47.91, 29.22

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 73 / 0 / 61 / 16

HEX #39D554

RGB 57 213 84

HSL 130.38, 0.65%, 0.53%

LAB 75.51, -65.43, 51.29

 

CMYK 79 / 0 / 67 / 24

HEX #28C341

RGB 40 195 65

HSL 129.68, 0.66%, 0.46%

LAB 69.37, -64.07, 52.46

 

CMYK 87 / 0 / 74 / 31

HEX #17B12E

RGB 23 177 46

HSL 128.96, 0.77%, 0.39%

LAB 63.2, -62.06, 53.29

 

CMYK 96 / 0 / 83 / 38

HEX #069F1B

RGB 6 159 27

HSL 128.24, 0.93%, 0.32%

LAB 56.99, -59.2, 53.39

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 62 / 0 / 68 / 9

HEX #57E74A

RGB 87 231 74

HSL 115.03, 0.77%, 0.6%

LAB 81.66, -66.91, 62.36

 

CMYK 44 / 0 / 68 / 9

HEX #82E74A

RGB 130 231 74

HSL 98.6, 0.77%, 0.6%

LAB 83.12, -55.65, 64.35

 

CMYK 26 / 0 / 68 / 9

HEX #ACE74A

RGB 172 231 74

HSL 82.55, 0.77%, 0.6%

LAB 85.21, -41.35, 67.16

 

CMYK 7 / 0 / 68 / 9

HEX #D6E74A

RGB 214 231 74

HSL 66.5, 0.77%, 0.6%

LAB 87.94, -25.04, 70.82

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 68 / 0 / 37 / 9

HEX #4AE791

RGB 74 231 145

HSL 147.13, 0.77%, 0.6%

LAB 82.19, -59.77, 30.27

 

CMYK 68 / 0 / 19 / 9

HEX #4AE7BC

RGB 74 231 188

HSL 163.57, 0.77%, 0.6%

LAB 83.04, -50.72, 9.14

 

CMYK 68 / 0 / 0 / 9

HEX #4AE7E6

RGB 74 231 230

HSL 179.62, 0.77%, 0.6%

LAB 84.13, -39.95, -11.42

 

CMYK 68 / 18 / 0 / 9

HEX #4ABEE7

RGB 74 190 231

HSL 195.67, 0.77%, 0.6%

LAB 72.26, -19.82, -29.95

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 77 / 0 / 63 / 3

HEX #39F85D

RGB 57 248 93

HSL 131.31, 0.93%, 0.6%

LAB 86.4, -75.55, 59.78

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 58 / 0 / 47 / 16

HEX #5AD771

RGB 90 215 113

HSL 131.04, 0.61%, 0.6%

LAB 77.26, -55.98, 39.99

 

CMYK 46 / 0 / 37 / 22

HEX #6BC67C

RGB 107 198 124

HSL 131.21, 0.44%, 0.6%

LAB 72.87, -43.03, 28.87

 

CMYK 32 / 0 / 26 / 29

HEX #7BB686

RGB 123 182 134

HSL 131.19, 0.29%, 0.6%

LAB 69.03, -29.14, 18.49

 

CMYK 15 / 0 / 12 / 35

HEX #8CA591

RGB 140 165 145

HSL 132, 0.12%, 0.6%

LAB 65.38, -12.71, 7.47

 

CMYK 44 / 0 / 68 / 9

HEX #81E74A

RGB 129 231 74

HSL 98.98, 0.77%, 0.6%

LAB 83.08, -55.95, 64.29

 

CMYK 62 / 0 / 68 / 9

HEX #57E74A

RGB 87 231 74

HSL 115.03, 0.77%, 0.6%

LAB 81.66, -66.91, 62.36

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 68 / 0 / 37 / 9

HEX #4AE791

RGB 74 231 145

HSL 147.13, 0.77%, 0.6%

LAB 82.19, -59.77, 30.27

 

CMYK 68 / 0 / 19 / 9

HEX #4AE7BB

RGB 74 231 187

HSL 163.18, 0.77%, 0.6%

LAB 83.02, -50.95, 9.63

 

CMYK 87 / 0 / 71 / 23

HEX #19C539

RGB 25 197 57

HSL 131.16, 0.77%, 0.44%

LAB 69.78, -66.96, 55.99

 

CMYK 84 / 0 / 68 / 11

HEX #25E248

RGB 37 226 72

HSL 131.11, 0.77%, 0.52%

LAB 79.19, -73.18, 60.23

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 53 / 0 / 43 / 7

HEX #6EEC86

RGB 110 236 134

HSL 131.43, 0.77%, 0.68%

LAB 84.5, -56.22, 38.98

 

CMYK 39 / 0 / 32 / 5

HEX #93F1A4

RGB 147 241 164

HSL 130.85, 0.77%, 0.76%

LAB 87.87, -43.58, 28.65

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 68 / 26 / 0 / 9

HEX #4AABE7

RGB 74 171 231

HSL 202.93, 0.77%, 0.6%

LAB 66.79, -9.69, -38.44

 

CMYK 0 / 68 / 53 / 9

HEX #E74A6C

RGB 231 74 108

HSL 347.01, 0.77%, 0.6%

LAB 55.04, 62.49, 15.61

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 55 / 68 / 0 / 9

HEX #674AE7

RGB 103 74 231

HSL 251.08, 0.77%, 0.6%

LAB 43.58, 52.33, -75.48

 

CMYK 0 / 55 / 68 / 9

HEX #E7674A

RGB 231 103 74

HSL 11.08, 0.77%, 0.6%

LAB 59.14, 47.78, 40.33

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 68 / 26 / 0 / 9

HEX #4AABE7

RGB 74 171 231

HSL 202.93, 0.77%, 0.6%

LAB 66.79, -9.69, -38.44

 

CMYK 0 / 68 / 13 / 9

HEX #E74ACA

RGB 231 74 202

HSL 311.08, 0.77%, 0.6%

LAB 58.18, 73.01, -34.69

 

CMYK 0 / 42 / 68 / 9

HEX #E7864A

RGB 231 134 74

HSL 22.93, 0.77%, 0.6%

LAB 65.38, 32.2, 47.47

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 68 / 46 / 0 / 9

HEX #4A7CE7

RGB 74 124 231

HSL 220.89, 0.77%, 0.6%

LAB 53.64, 17.83, -59.25

 

CMYK 0 / 68 / 13 / 9

HEX #E74ACA

RGB 231 74 202

HSL 311.08, 0.77%, 0.6%

LAB 58.18, 73.01, -34.69

 

CMYK 0 / 22 / 68 / 9

HEX #E7B54A

RGB 231 181 74

HSL 40.89, 0.77%, 0.6%

LAB 76.39, 7.29, 59.43

 

Description

Color code: HEX #4AE767 | qconv.com Color code: HEX #4AE767 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 231 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 231 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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