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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE31B it is the complementary color #B51CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE31B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE31B shade: #4FE316, #60F529, #71FF3C, #82FF4F and #93FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE31B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE31B shade: #4AE31B, #39D108, #28BF00, #17AD00 and #069B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE31B shade: #4AE41A, #80E41A, #B6E41A, #E4DB1A and #E4A51A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE31B shade: #4AE41A, #1AE421, #1AE458, #1AE48E and #1AE4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE31B shade matches the following richer shades: #4AE41A and #3FF806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE31B shade: #4AE41A, #55CF2F, #5FBA44, #6AA658 and #75916D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE31B shade: #B8E41A, #82E41A, #4DE41A, #1AE41E and #1AE453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE31B shade: #329A12, #3EBF16, #4AE41A, #67E83F and #84EC64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE31B shade: #4AE31B, #1AE4DA and #E41A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE31B shade: #4AE31B, #1A4DE4 and #E41A4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE31B shade: #4AE31B, #1AE4DA, #B11AE4 and #E41A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE31B shade: #4AE31B, #1AB1E4, #B11AE4 and #E44D1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

Complementary color

CMYK 21 / 88 / 0 / 11

HEX #B51CE4

RGB 181 28 228

HSL 285.9, 0.79%, 0.5%

LAB 47.31, 80.22, -67.3

 

CMYK 65 / 0 / 90 / 11

HEX #4FE316

RGB 79 227 22

HSL 103.32, 0.82%, 0.49%

LAB 79.99, -70.16, 75.05

 

CMYK 61 / 0 / 83 / 4

HEX #60F529

RGB 96 245 41

HSL 103.82, 0.91%, 0.56%

LAB 85.98, -71.64, 76.8

 

CMYK 56 / 0 / 76 / 0

HEX #71FF3C

RGB 113 255 60

HSL 103.69, 1%, 0.62%

LAB 89.56, -70.02, 75.3

 

CMYK 49 / 0 / 69 / 0

HEX #82FF4F

RGB 130 255 79

HSL 102.61, 1%, 0.65%

LAB 90.24, -64.31, 69.9

 

CMYK 42 / 0 / 62 / 0

HEX #93FF62

RGB 147 255 98

HSL 101.27, 1%, 0.69%

LAB 91.06, -57.83, 63.61

 

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

CMYK 73 / 0 / 96 / 18

HEX #39D108

RGB 57 209 8

HSL 105.37, 0.93%, 0.43%

LAB 73.86, -68.99, 71.48

 

CMYK 79 / 0 / 100 / 25

HEX #28BF00

RGB 40 191 0

HSL 107.43, 1%, 0.37%

LAB 67.81, -66.32, 67.34

 

CMYK 87 / 0 / 100 / 32

HEX #17AD00

RGB 23 173 0

HSL 112.02, 1%, 0.34%

LAB 61.71, -63, 62.38

 

CMYK 96 / 0 / 100 / 39

HEX #069B00

RGB 6 155 0

HSL 117.68, 1%, 0.3%

LAB 55.56, -59.06, 57.4

 

CMYK 68 / 0 / 89 / 11

HEX #4AE41A

RGB 74 228 26

HSL 105.74, 0.8%, 0.5%

LAB 80.19, -71.35, 74.53

 

CMYK 44 / 0 / 89 / 11

HEX #80E41A

RGB 128 228 26

HSL 89.7, 0.8%, 0.5%

LAB 81.92, -57.54, 76.69

 

CMYK 20 / 0 / 89 / 11

HEX #B6E41A

RGB 182 228 26

HSL 73.66, 0.8%, 0.5%

LAB 84.74, -38.23, 80.18

 

CMYK 0 / 4 / 89 / 11

HEX #E4DB1A

RGB 228 219 26

HSL 57.33, 0.8%, 0.5%

LAB 85.62, -15.11, 82.28

 

CMYK 0 / 28 / 89 / 11

HEX #E4A51A

RGB 228 165 26

HSL 41.29, 0.8%, 0.5%

LAB 71.88, 12.74, 71.53

 

CMYK 68 / 0 / 89 / 11

HEX #4AE41A

RGB 74 228 26

HSL 105.74, 0.8%, 0.5%

LAB 80.19, -71.35, 74.53

 

CMYK 89 / 0 / 86 / 11

HEX #1AE421

RGB 26 228 33

HSL 122.08, 0.8%, 0.5%

LAB 79.51, -77.24, 72.34

 

CMYK 89 / 0 / 61 / 11

HEX #1AE458

RGB 26 228 88

HSL 138.42, 0.8%, 0.5%

LAB 79.85, -72.96, 54.39

 

CMYK 89 / 0 / 38 / 11

HEX #1AE48E

RGB 26 228 142

HSL 154.46, 0.8%, 0.5%

LAB 80.55, -64.55, 29.49

 

CMYK 89 / 0 / 14 / 11

HEX #1AE4C4

RGB 26 228 196

HSL 170.5, 0.8%, 0.5%

LAB 81.67, -52.22, 2.86

 

CMYK 68 / 0 / 89 / 11

HEX #4AE41A

RGB 74 228 26

HSL 105.74, 0.8%, 0.5%

LAB 80.19, -71.35, 74.53

 

CMYK 75 / 0 / 98 / 3

HEX #3FF806

RGB 63 248 6

HSL 105.87, 0.95%, 0.5%

LAB 86.11, -79.54, 81.63

 

CMYK 68 / 0 / 89 / 11

HEX #4AE41A

RGB 74 228 26

HSL 105.74, 0.8%, 0.5%

LAB 80.19, -71.35, 74.53

 

CMYK 59 / 0 / 77 / 19

HEX #55CF2F

RGB 85 207 47

HSL 105.75, 0.63%, 0.5%

LAB 74.04, -61.15, 64.06

 

CMYK 49 / 0 / 63 / 27

HEX #5FBA44

RGB 95 186 68

HSL 106.27, 0.46%, 0.5%

LAB 68, -49.03, 50.1

 

CMYK 36 / 0 / 47 / 35

HEX #6AA658

RGB 106 166 88

HSL 106.15, 0.31%, 0.5%

LAB 62.54, -34.64, 34.23

 

CMYK 19 / 0 / 25 / 43

HEX #75916D

RGB 117 145 109

HSL 106.67, 0.14%, 0.5%

LAB 57.21, -17.06, 15.94

 

CMYK 19 / 0 / 89 / 11

HEX #B8E41A

RGB 184 228 26

HSL 73.07, 0.8%, 0.5%

LAB 84.87, -37.45, 80.33

 

CMYK 43 / 0 / 89 / 11

HEX #82E41A

RGB 130 228 26

HSL 89.11, 0.8%, 0.5%

LAB 82, -56.91, 76.79

 

CMYK 66 / 0 / 89 / 11

HEX #4DE41A

RGB 77 228 26

HSL 104.85, 0.8%, 0.5%

LAB 80.26, -70.77, 74.62

 

CMYK 89 / 0 / 87 / 11

HEX #1AE41E

RGB 26 228 30

HSL 121.19, 0.8%, 0.5%

LAB 79.5, -77.35, 72.94

 

CMYK 89 / 0 / 64 / 11

HEX #1AE453

RGB 26 228 83

HSL 136.93, 0.8%, 0.5%

LAB 79.8, -73.53, 56.46

 

CMYK 68 / 0 / 88 / 40

HEX #329A12

RGB 50 154 18

HSL 105.88, 0.79%, 0.34%

LAB 55.92, -52.52, 54.91

 

CMYK 68 / 0 / 88 / 25

HEX #3EBF16

RGB 62 191 22

HSL 105.8, 0.79%, 0.42%

LAB 68.27, -62.12, 64.93

 

CMYK 68 / 0 / 89 / 11

HEX #4AE41A

RGB 74 228 26

HSL 105.74, 0.8%, 0.5%

LAB 80.19, -71.35, 74.53

 

CMYK 56 / 0 / 73 / 9

HEX #67E83F

RGB 103 232 63

HSL 105.8, 0.79%, 0.58%

LAB 82.35, -64.38, 67.2

 

CMYK 44 / 0 / 58 / 7

HEX #84EC64

RGB 132 236 100

HSL 105.88, 0.78%, 0.66%

LAB 84.9, -54.66, 55.63

 

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

CMYK 89 / 0 / 4 / 11

HEX #1AE4DA

RGB 26 228 218

HSL 177.03, 0.8%, 0.5%

LAB 82.25, -46.26, -7.94

 

CMYK 0 / 89 / 31 / 11

HEX #E41A9D

RGB 228 26 157

HSL 321.09, 0.8%, 0.5%

LAB 51.46, 79.02, -18.94

 

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

CMYK 89 / 66 / 0 / 11

HEX #1A4DE4

RGB 26 77 228

HSL 224.85, 0.8%, 0.5%

LAB 39.8, 41.67, -80.15

 

CMYK 0 / 89 / 66 / 11

HEX #E41A4D

RGB 228 26 77

HSL 344.85, 0.8%, 0.5%

LAB 49.21, 72.81, 26.38

 

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

CMYK 89 / 0 / 4 / 11

HEX #1AE4DA

RGB 26 228 218

HSL 177.03, 0.8%, 0.5%

LAB 82.25, -46.26, -7.94

 

CMYK 22 / 89 / 0 / 11

HEX #B11AE4

RGB 177 26 228

HSL 284.85, 0.8%, 0.5%

LAB 46.56, 79.99, -68.54

 

CMYK 0 / 89 / 84 / 11

HEX #E41A24

RGB 228 26 36

HSL 357.03, 0.8%, 0.5%

LAB 48.71, 71.37, 49.23

 

CMYK 67 / 0 / 88 / 11

HEX #4AE31B

RGB 74 227 27

HSL 105.9, 0.79%, 0.5%

LAB 79.88, -71.01, 74.1

 

CMYK 89 / 22 / 0 / 11

HEX #1AB1E4

RGB 26 177 228

HSL 195.15, 0.8%, 0.5%

LAB 67.48, -18.8, -35.79

 

CMYK 22 / 89 / 0 / 11

HEX #B11AE4

RGB 177 26 228

HSL 284.85, 0.8%, 0.5%

LAB 46.56, 79.99, -68.54

 

CMYK 0 / 66 / 89 / 11

HEX #E44D1A

RGB 228 77 26

HSL 15.15, 0.8%, 0.5%

LAB 53.9, 56.55, 57.75

 

Description

Color code: HEX #4AE31B | qconv.com Color code: HEX #4AE31B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 227 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 227 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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